Travelers Five Along Life's Highway

By Annie F. Johnston

The Project Gutenberg EBook of Travelers Five Along Life's Highway, by 
Annie Fellows Johnston

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Travelers Five Along Life's Highway

Author: Annie Fellows Johnston

Illustrator: Edmund H. Garrett

Release Date: March 10, 2012 [EBook #39090]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK TRAVELERS FIVE ALONG LIFE'S HIGHWAY ***




Produced by David Edwards, Emmy and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)













[Illustration: Cover]




Travelers Five

Along Life's Highway




Works of ANNIE FELLOWS JOHNSTON


The Little Colonel Series

(_Trade Mark, Reg. U. S. Pat. Of._)

Each one vol., large 12mo, cloth, illustrated

  The Little Colonel Stories                            $1.50
    (Containing in one volume the three stories, "The
    Little Colonel," "The Giant Scissors," and "Two
    Little Knights of Kentucky.")
  The Little Colonel's House Party                       1.50
  The Little Colonel's Holidays                          1.50
  The Little Colonel's Hero                              1.50
  The Little Colonel at Boarding-School                  1.50
  The Little Colonel in Arizona                          1.50
  The Little Colonel's Christmas Vacation                1.50
  The Little Colonel: Maid of Honor                      1.50
  The Little Colonel's Knight Comes Riding               1.50
  Mary Ware: The Little Colonel's Chum                   1.50
  Mary Ware in Texas                                     1.50

  The above 11 vols., _boxed_ with The Little Colonel's Good
  Times Book, as a set of 12 vols                       18.00

       *       *       *       *       *

  The Little Colonel Good Times Book                     1.50
  The Little Colonel Doll Book                           1.50


Illustrated Holiday Editions

Each one vol., small quarto, cloth, illustrated, and printed in colour

  The Little Colonel                                    $1.25
  The Giant Scissors                                     1.25
  Two Little Knights of Kentucky                         1.25
  Big Brother                                            1.25


Cosy Corner Series

Each one vol., thin 12mo, cloth, illustrated

  The Little Colonel                                     $.50
  The Giant Scissors                                      .50
  Two Little Knights of Kentucky                          .50
  Big Brother                                             .50
  Ole Mammy's Torment                                     .50
  The Story of Dago                                       .50
  Cicely                                                  .50
  Aunt 'Liza's Hero                                       .50
  The Quilt that Jack Built                               .50
  Flip's "Islands of Providence"                          .50
  Mildred's Inheritance                                   .50


Other Books

  Joel: A Boy of Galilee                                $1.50
  In the Desert of Waiting                                .50
  The Three Weavers                                       .50
  Keeping Tryst                                           .50
  The Legend of the Bleeding Heart                        .50
  The Rescue of the Princess Winsome                      .50
  The Jester's Sword                                      .50
  Asa Holmes                                             1.00


    L. C. PAGE & COMPANY
    53 Beacon Street        Boston, Mass.

[Illustration: TRAVELERS FIVE ALONG LIFE'S HIGHWAY]





Travelers Five

Along Life's Highway

Jimmy, Gideon Wiggan, The Clown, Wexley Snathers, Bap. Sloan

    BY
    Annie Fellows Johnston

    Author of "The Little Colonel Series," "Asa Holmes,"
    "Joel: A Boy of Galilee," etc.

    With a Foreword by
    Bliss Carman

    Frontispiece in full colour from a painting by
    Edmund H. Garrett

[Illustration: Emblem]

    L. C. Page & Company
    Boston  [Illustration: Flower]    Mdccccxi




    _Copyright, 1901, 1904, by_
    THE SHORTSTORY PUBLISHING COMPANY

    _Copyright, 1899, by_
    THE S. S. MCCLURE CO.

    _Copyright, 1903, by_
    THE CENTURY CO.

    _Copyright, 1911, by_
    L. C. PAGE & COMPANY
    (INCORPORATED)

    _All rights reserved_

    First impression, October, 1911

    _Electrotyped and Printed by
    THE COLONIAL PRESS
    C. H. Simonds & Co., Boston. U. S. A._




Foreword


OF all the elements that go to make up a good story,--plot,
verisimilitude, happy incident, local colour, excellent style,--none
perhaps is more important than the touch of understanding sympathy. The
writer must not only see his characters clearly and draw them with a
masterly hand; he must have the largeness of heart that can share in all
the turbulent experience of the human spirit. His people must be set
against the vast shifting background of destiny. He must show their
dramatic relations, one to another, and the influence of life upon life;
he must also show their profounder, more moving and mysterious,
relations to fate and time and the infinite things.

The writer of fiction creates for us a mimic country, peoples it with
creatures of the fancy, like ourselves and yet different, and asks us to
stray for our entertainment through that new kingdom. The scenes may be
as strange or as familiar as you please; the characters as commonplace
or as exceptional as you will; yet they must always be within the range
of our sympathy. The incidents must be such as we ourselves could pass
through; the people must be such as we can understand. They may well be
exceptional, for that enlists our interest and enlivens our curiosity;
they must not be beyond our comprehension nor outside our spiritual
pale, for then we could have no sympathy with them, and our hearts would
only grow cold as we read.

And what is at the base of our sympathy and interest? Nothing but our
common life. They, too,--all the glad or sorrowing children of
imaginative literature from Helen of Troy to Helena Richie--are
travelers like ourselves on the great highway. We know well how
difficult a road it is, how rough, how steep, how dangerous, how boggy,
how lined with pitfalls, how bordered with gardens of deadly delights,
how beset by bandits, how noisy with fakirs, how overhung with poisonous
fruit and swept by devastating storms. We know also what stretches of
happiness are there, what days of friendship, what hours of love, what
sane enjoyment, what rapturous content.

How should we not, then, be interested in all that goes by upon that
great road? We like to sit at our comfortable windows, when the fire is
alight or the summer air is soft, and "watch the pass," as they say in
Nantucket,--what our neighbours are about, and what strangers are in
town. If we live in a small community, there is the monotony of our
daily routine to be relieved. When an unknown figure passes down the
street, we may enjoy the harmless excitement of novelty and taste
something of the keen savour of adventure. If we are dwellers in a great
city, where every passer is unknown, there is still the discoverer's
zest in larger measure; every moment is great with possibility; every
face in the throng holds its secret; every figure is eloquent of human
drama. The pageant is endless, its story never finished. Who, indeed,
could not be spellbound, beholding that countless changing
tatterdemalion caravan go by? Yet all we may hope for of the inner
history of these journeying beings, so humanly amazing, so significant,
and all moved like ourselves by springs of joy and fear, hope and
discouragement, is a glimpse here and there, a life-story revealed in a
single gesture, a tragic history betrayed in the tone of a voice or the
lifting of a hand, or perhaps a heaven of gladness in a glancing smile.
For the most part their orbits are as aloof from us as the courses of
the stars, potent and mystic manifestations of the divine, glowing
puppets of the eternal masked in a veil of flesh.

This was the pomp of history which held the mind of Shakespeare, of
Dickens, of Cervantes, of Balzac, in thrall, and drew the inquiring eye
of Browning and Whitman, of Stevenson and Borrow, with so charmed and
comprehending a look. To understand and set down faithfully some small
portion of the tale of this ever changing procession, which is for ever
appearing over the sunrise hills of to-morrow and passing into the
twilight valleys of yesterday, is the engrossing task of the novelist
and the teller of tales.

How well that task is accomplished, is the measure of the story-teller's
power. He may pick his characters from homely types that we know, and
please us with the familiar; or he may paint for us some portion of the
great pageant that has never passed our door, and raise us with the
mystery of unaccustomed things. In either case he will touch our hearts
by revealing the hidden springs of action in his chosen men and women.
He will enlarge the borders of our mental vision and illumine our
appreciation by his greater insight, greater knowledge, finer reasoning.
In his magic mirror we shall not only see more of life than we saw
before, but we shall see it more clearly, more penetratingly, more
wonderfully. And ever afterwards, as we look on the world we know, life
which perhaps used to seem to us so commonplace, and events which used
to seem such a matter of course, will take on a significance, a dignity,
a glamour, which they never before possessed,--or, to speak more truly,
which they always possessed, indeed, but which we had not the power to
see. This is the great educative use of creative literature; it teaches
us to look on the world with more understanding, to confront it in
manlier fashion, to appreciate the priceless gift of life more widely
and generously, and so to live more fully and efficiently and happily.

The great opportunity of literature, then, and its great responsibility,
are evident. As Matthew Arnold put it, "The future of poetry is
immense." In an age when men and women are coming more and more to do
their own thinking and form their own ethical judgments, the power and
moral obligation of letters must tend to increase rather than to
diminish. It is an encouraging sign of the times and of growing
intelligence, that we demand a greater veracity in our stories, and like
writers who find significance and charm in common surroundings. Our
genuine appreciation has produced a very real national literature, great
in amount and often reaching true eminence and distinction in quality.
Books like Miss Alice Brown's "Meadow Grass" and "Country Neighbours"
are at once truly native and full of the dignity and poetry and humour
of life. At their best they reveal depths of human feeling and
experience with a telling insight and sympathy, and with a felicity of
style, which belong only to masterpieces of fiction.

To this charming province in the wide domain of letters "Travelers Five"
belongs, and Mrs. Annie Fellows Johnston's many admirers must
congratulate themselves on its appearance, as they stir the fire of an
autumn afternoon. Here once more we may sit as at a pleasant window and
"watch the pass" on the great highway. Here you shall see approaching,
in that delightful and motley cavalcade, Irish Jimmy in his ranchman's
dress, his warm Celtic heart urging him on up the obscure trail of
unselfish good; here, grotesque old Gid Wiggan, flouting the shows of
fashion, yet himself a showman conspicuous in the greater show of life;
here, the old story, a fine gentleman's sense and feeling masquerading
under the antics of a traveling clown; next, an embarrassed villager
with something like greatness thrust upon him; and last, another strange
example of silent persistent New England idealism, too proud to confess
itself and only reaching its goal through a lifetime of repression and
apparent failure.

But I am obstructing your view while I prate! Forgive me. I will step
aside and let you have the window to yourself, so that you may quietly
observe these Travelers going by.

[Illustration: Bliss Carman signature]

    NEW CANAAN, CONN.,
    26 September, 1911.




Contents


    PAGE

    The First Traveler. Jimmy
      On the Trail of the Wise Men          1

    The Second Traveler. Gid Wiggan
      In the Wake of a Honeymoon           55

    The Third Traveler. The Clown
      Towards His Accolade                 91

    The Fourth Traveler. Wexley Snathers
      By Way of an Inherited Circus       131

    The Fifth Traveler. Bap. Sloan
      To His Mount of Pisgah              159




The First Traveler

Jimmy

On The Trail of the Wise Men


ORDINARILY a fleck of cigar ashes in the pot of mashed potatoes would
not have caused a row in the ranch kitchen, but to-day old Jimmy had had
a sup too much. At such times the mere sight of Matsu, the Japanese
cook, could provoke him to oaths, and it was Matsu who had unwittingly
dropped the ashes into the pot, as he laid his cigar stump on the shelf
above the stove, preparatory to dishing up dinner.

Time was when Jimmy had been the cook at Welsh's ranch, and had had it
all his own way in the greasy adobe kitchen. But that was before Ben
Welsh's last round-up. Since then his widow had been obliged to turn
part of the cattle-ranch into a boarding camp for invalids; the part
that lay in a narrow strip along the desert. Health-seekers paid better
than cattle or alfalfa she found.

Many things came in with the new administration. Matsu was one of them,
in his white chef's cap and jacket. The spotless linen was a delight to
the boarders, but to Jimmy, deposed to the rank of hewer of wood and
drawer of water, it was the badge of the usurper. Naturally enough his
jealousy took the form of making Matsu live up to his linen, and he
watched him like a cat for the slightest lapse from cleanliness.

This constant warfare with Matsu was one of the few diversions the camp
afforded, and every man made much of it. Had he been let alone, old
Jimmy would have accepted the situation as merely one more ill-turn of
Fate, which had left him as usual at the bottom of the wheel. But his
futile resentment was too funny a thing for his tormentors to allow to
die out.

It was a remark made early that morning which set him to brooding over
his wrongs, and finally led to the sup too much which precipitated the
fight over the potato-pot. Batty Carson made it, in a hoarse whisper,
all the voice left to him since the grippe sent him West in his senior
year. (He had been the best tenor in his college glee-club.) Jimmy was
moving a table into the shadow of the tents, in order that the daily
game of poker might begin. Poker was all there was in that God-forsaken
desert to save a man's reason, Batty declared, so they played it from
breakfast till bed-time. As the usual group joined him around the table,
he opened a new deck of cards and began shuffling it. Automatically he
found the joker and flipped it out of the pack. It fell face up on the
dry Bermuda grass and old Jimmy stooped to pick it up.

Batty stopped him with a laugh. "A seasoned old poker player like you
stooping to pick up the joker!" he teased. "You know well enough only
one game goes on this ranch, and the joker's no good in _that_." Then he
winked at the others.

"That's what you'll be after awhile, Jimmy, if you don't stand up for
your rights better than you are doing. Matsu will be taking every trick
in the game, and you'll count for nothing more than just the joker of
the pack."

Jimmy flared up with an indignant oath at the laugh which followed, tore
the card in two, and would have gone off muttering vengeance on Batty
himself, had not the young fellow stopped him and teased him back into
good humour. But the remark rankled afterward because there was such a
large element of truth in it. Jimmy was no fool even if he was
slow-witted. He knew as well as any one else that he had never counted
for much in any game Life had ever given him a hand in. He brooded over
the fact until some sort of solace was necessary. After that he burned
for an occasion to assert himself. It came when Mrs. Welsh called to him
to fill the wood-box. Just as he threw down his first armful of
mesquite, the accident befell the potatoes, and he waited to see what
Matsu would do.

What could Matsu do with sixteen hungry men listening for the dinner
bell, but scoop out a big spoonful from the side of the pot where the
ashes had fallen, toss it out of the window and heap the rest of the
white fluffy mass into the hot dish awaiting it? Jimmy would have done
the same in his day but now he thundered, "Throw out the whole potful,
you pig of a heathen! Do you want to drive away every boarder on the
ranch with your dirty tricks? Throw it out, I say."

With the good-nature that rarely failed him, Matsu only shrugged his
shoulders, giggled his habitual giggle and proceeded, unmoved by
threats.

"Go get 'notha drink," he advised, as Jimmy continued to glare at him.
"Make you have heap much betta feeling. Not so big mad. Go get full."

Dinner was twenty minutes late that day. The boarders heard the reason
from Hillis, who came in in his shirt sleeves to wait on the table, in
place of Mrs. Welsh. Hillis was the dish-washer, a tall big-fisted
lumberman from Maine, who, stranded at the close of an ill-starred
prospecting tour, had taken temporary service in Mrs. Welsh's kitchen.
He talked cheerfully of the disturbance as he clumped around the table,
thrusting the dishes at each boarder in turn. They forgave his
awkwardness in their interest in the fight.

"Jimmy began it," he told them. "Swung on to the pot and tried to pull
it away from Jappy and throw out the stuff himself. But Jappy wouldn't
have it, and batted him one on the head with the potato masher. Then
Jimmy went in for blood, and grabbed the meat-knife, and would have put
it into him in a pair of seconds if I hadn't tripped him up and sat on
him. There was a hot time in there for a spell, the air was blue. Old
Jimmy cussin' for all he was worth in the sand-flapper lingo, and Matsu
going him one better every time in his pigeon English!"

"I suppose they'll both throw up their jobs now," remarked a dyspeptic
looking man near the foot of the table. "I thought it was too good to
last, and this God-forsaken Arizona desert can't hold more than one chef
like Matsu. He's the perfection of his kind. I'd feel like hitting the
trail myself if he should go."

"That's what Mrs. Welsh is afraid of," replied Hillis. "She's out there
now trying to patch up the peace with him and coax him to stay. She told
me not to tell you about the potatoes--thought it might turn some of you
against your victuals; but it's too blamed funny to keep."

"For my part I hope she'll patch up the peace with Jimmy, too," said
Batty Carson in his hoarse whisper. "He's the only amusing thing in all
this howling wilderness. His being so far off the track himself makes it
all the funnier when he goes to playing human guidepost for everybody
else."

"He'll get his neck wrung a-doing it sometime," rejoined Hillis. "I told
him so when he came fussing around at first, sticking his fingers in my
dish-water to see if it was hot enough to kill germs. I told him I'd
scald him instead of the dishes if he didn't let me alone. But it's just
his way I suppose. He's been here off and on ever since Welsh bought the
ranch."

"It's off this time," came Batty's croaking whisper. "There he goes now.
Whew! He's hot! Just watch him hump himself along!"

The eight men whose backs were toward the window, turned in their chairs
to follow the gaze of the others. They had a glimpse of a tall spare
figure, hurrying stiffly past the house as fast as his rheumatic joints
would allow. There was anger in every line of it. Even the red bandana
around his throat seemed to express it. The fierce curves of his old
hat-brim, the bristling hairs of his grizzly mustache, the snap of his
lean jaws as the few snags left in his sunken gums opened and shut on a
quid of tobacco, all told of an inward rage which would be long in
cooling.

"Well, it's all over now," announced Hillis a moment later, coming back
from the kitchen with a bowl of hot gravy. "Jimmy vowed one of them had
to go, so Mrs. Welsh said he'd have to be that one. She could get a
Mexican to chop wood and carry water, but she couldn't get another cook
like Matsu. And Jimmy's that mad and insulted and hurt he can't get off
the place fast enough. He's gone now to pack his kit, muttering as if
he'd swallowed a lot of distant thunder."

A laugh went around the long table. Usually the meals proceeded in
silence except for a few spasmodic outbursts. Sitting all day in the
sun, gazing at the monotonous desert landscape while one waits for
winter to crawl by, is not a conversational stimulant. But to-day, even
Maidlow, the grumpiest invalid in the lot, forgot his temperature and
himself in adding his mite to the fund of anecdotes passing around the
table about Jimmy. The conversation was less restrained than usual in
the absence of the only lady and child which the ranch boasted. The
Courtlands were spending the day in Phoenix, so there were three
vacant chairs at the foot of the table. One was a child's high-chair
with a bib hanging over its back. Hillis laid his hand on it in passing.

"Here's one that will miss the old rain-crow," he said, as if glad to
find some good word about Jimmy. "Little Buddy Courtland comes about as
near loving him as anybody could, I guess. _He'll_ miss him."

"It's Dane Ward who'll really miss him," declared the dyspeptic,
glancing out of the window at the farthest row of tents to the one at
the end whose screen door was closed. "Now Jimmy's gone I don't see what
that poor fellow will do when he needs some one to sit up with him of
nights."

"That's right," agreed Batty Carson. "Jimmy's been his right bower ever
since he came. I'll give the old devil credit for that much."

While they talked, Jimmy, outside in the shack which he shared with
Hillis, was gathering up in a furious rage his small bundle of
belongings, cursing darkly as he threw boots, shirts and overalls into a
confused heap in the middle of his bunk. Near at hand the tents stood
empty in the December sun; five rows of them, four in a row with twenty
foot spaces between. Each canvas-covered screen door swung open, and
outside sat a camp chair or a big wooden rocker, with blanket or
overcoat trailing across it, just as its occupant had left it to go in
to dinner. A litter of newspapers and magazines lay all around on the
dry Bermuda grass.

There was one exception. One screen door was closed, that of the
farthest tent on the back row in line with Jimmy's shack. A sound of
coughing--choked, convulsive coughing, had been coming from that
direction for several minutes, but the sound did not penetrate Jimmy's
consciousness until he heard his name called in an agonized tone. He
craned his head out to listen. The call came again in a frantic gasp:

"Jimmy! Jimmy! Oh, _somebody_ come!"

Then he recognized the voice. It was Dane Ward calling him. In his row
with Matsu he had forgotten the boy; forgotten that he was to carry him
his dinner and give him his medicine. He remembered with a pang of
self-reproach that he had promised to come back with fresh wood as soon
as he had carried an armful of wood to the kitchen. He started off on a
stiff jog-trot towards the tent.

A moment later, maybe not even so long as that, for as he ran he knew
that he might be racing against death, he dashed into the kitchen which
he had sworn never again to enter, and caught up a handful of salt.
Hillis, thinking he had lost his mind, almost dropped the tray of
dessert dishes he was holding for Matsu to fill; but Mrs. Welsh
recognizing the import of Jimmy's act, followed without question as he
called back over his shoulder, "It's Dane! The worst hemorrhage the
lad's had yet."

Hillis carried the news into the dining room with the dessert. Big and
strong, never having had a sick day in his life, he could not know the
effect it would produce, and Mrs. Welsh had not thought to warn him. The
room grew silent. It was what might happen to any one of them; had
happened in fact to all. The apprehension of it was the skeleton at
their every feast. First one man and then another pushed back his plate
and went out into the sunshine. They all liked Dane, the shy, quiet boy
from some village in the New York hills. That was all they knew of him,
for he always sat apart. Sometimes there was a book in his lap but he
rarely read--just sat and gazed off towards the east with a hungry look
in his big grey eyes. The homesick longing of them was heart-breaking to
see.

They went back to their chairs and their naps and their newspapers, but
the usual afternoon monotony was broken by the interest centering in the
farthest tent in the last row. They glanced up furtively every time the
door opened. It swung many times in the course of the afternoon, for
Mrs. Welsh to go in and out, for the doctor to make a hurried visit, for
Jimmy to come and go with crushed ice and clean towels, a spoon or a
pitcher of fresh water.

For Jimmy, in his anxious ministrations, forgot his fight with Matsu,
forgot that he had had no dinner, and that he was in the midst of
preparations for leaving the ranch. The ugly facts did not come back to
him till several hours had passed. Then he started up from the chair
beside Dane's bed and tip-toed heavily across the floor. He would finish
making up his bundle while the boy was asleep. The danger was past now.
If he could get down to the Tempe road before dark, probably he could
catch a ride the rest of the way into Phoenix. A board creaked and
Dane opened his eyes.

"I wasn't asleep," he said weakly. "Hand me that little picture off the
bureau, won't you, Jimmy?" Then as his fingers closed over it--"And roll
the canvas to the top of the door please. I can't see."

Jimmy sat down again, impelled by the pitifulness of the thin white
face. He knew the picture, having examined it privately on several
occasions while sweeping the tent. It was a tin-type of two laughing
school-girls, with their arms around each other. It was plain to him
that one was Dane's sister. He guessed the relationship of the other
when he saw that it was on the face unlike his that Dane's wistful eyes
rested longest. Presently he slipped it under his pillow and lay so
still that Jimmy thought he was asleep, until he saw a tear slipping
slowly from under the closed eye-lids. Involuntarily the rough hand went
out and closed in a sympathetic grasp over the white fingers on the
coverlet. Dane bit his lip to hide their twitching and then broke out
bitterly, but in a voice so weak that it came in gasps:

"That doctor back home lied to me! He _lied_! He knew that I was past
saving when he sent me out here. He ought to have told me. Do you
suppose I'd have let my mother mortgage her home--all she had in the
world--to send me, if he hadn't led us to believe that the Arizona
climate could work a miracle? He made it so certain that I'd get well
right away, it seemed suicidal not to take the chance."

He stopped, almost strangled by a paroxysm of coughing, lay panting for
a moment, and then began again, despite Jimmy's warning that it would
make him worse to talk.

"Mother can never pay out without my help, and I've got to lie here to
the end and think of what's in store for her and Sis, and then--_die and
be buried out here in this awful desert_! It'll cost too much to be sent
back home. Oh, how could a man lie like that to a person that's dying?"

The question staggered Jimmy a moment. He turned his eyes uneasily from
Dane's piercing gaze in order that he might lie cheerfully himself.

"What are you thinking about dying for?" he demanded in his bluff way.
"You'll be better than ever after this spell. It sort of cleaned out
your pipes you know. You'll be busting bronchos with the best of them by
spring if you keep up your courage. Look at Mr. Courtland now. He was
worse off than you when he came, a heap sight. Had to be brought on a
stretcher. _He's_ getting well."

"No, it's different--everyway," answered Dane wearily. "He's got his
family with him, and money and--everything. I haven't even my mother's
picture. She never had any taken. If I had even that when the end comes
it wouldn't seem quite so lonesome. But to think of all strange faces,
and afterwards--to lie among strangers hundreds of miles away from
home--oh, it nearly makes me crazy to think of the miles and miles of
cactus and sand between us! I hate the sight of this awful country."

Jimmy looked out through the open door of the tent, across the dreary
waste of desert, separated from the camp by only the irrigating ditch,
and the unfrequented highroad, as if he were seeing it in a new light.

"'Spect it might strike a fellow as sort of the end of nowhere the first
time he sees it," he admitted. "I've lived here so long I kind of like
it myself. But I know what you're craving to see. I lived back in the
hills myself when I was a kid. I was brought up in York state."

Dane raised himself on his elbow, an excited flush on his face. "_You_,
from home," he began. "New York--"

Jimmy pushed him back. "You're getting too frisky," he admonished.
"You'll be took again if you ain't careful. Yes, I know just what you're
pining for. You want to see the hills all red with squaw berries or pink
in arbutus time; and the mountain brooks--nothing like these muddy old
irrigating ditches--so clear you can see the pebbles in the bottom, and
the trout flipping back and forth so fast you can hardly see their
speckles. But Lord! boy--you don't want to go back there now in
mid-winter. The roads are piled up with drifts to the top of the stone
fences and the boughs of the sugar-bush are weighed down with snow till
you'd think you was walking through a grove of Christmas trees."

"Oh, go _on_!" pleaded Dane, as he paused. His eyes were closed, but a
smile rested on his face as if the scenes Jimmy described were his for
the moment. "Jimmy, it's--it's like heaven to hear you talk about it!
Don't stop."

To keep the smile on the white face, that rapt, ineffable smile of
content, Jimmy talked on. Over forty years lay between him and the
scenes he was recalling. He had wandered far afield from his
straight-going, path-keeping Puritan family. He had been glad at times
that they had lost track of him, and that wherever he went he was known
only as "Jimmy." Gradually the reminiscences like the touch of a
familiar hand on a troubled brow, soothed Dane into forgetfulness of his
surroundings, and he fell asleep from sheer exhaustion.

Just at dusk that evening, when Batty Carson went around to the kitchen
for his usual glass of new milk, he was surprised to see Jimmy down by
the wood-pile. He was vigorously at work, helping unload a wagon of
mesquite, and quite as vigorously scolding the Indian who had brought it
for coming so late.

"Thought he was going to leave," croaked Batty, nodding towards the
wood-pile as he took the glass extended towards him.

Hillis chuckled. "Says he's staying on Dane's account; that it would
have touched the heart of a coyote the way he begged not to be left to
die among strangers. It seems they're both from the same state, so
they're almost claiming kin. I rather guess though, that when he'd
cooled down he was glad of any old excuse to stay, and when the boy
begged him and Mrs. Welsh seconded the motion, he felt he could give in
without any let-down to his dignity."

The Indian, gathering up his reins, rattled away in the empty wagon, and
Jimmy began to fill his chip-basket, singing in a high, tremulous
falsetto as he worked. His voice had been his pride in his youth. It was
still sweet, although it cracked at times on the higher notes--

    "Wa-ait for me at heav-un's gate,
      Swe-et Belle Mahone!"

Hillis laughed. "Sings as if he fairly feels his wings sprouting. It's a
sure sign he's at peace with the world when he trots out those
sentimental old tunes. He doesn't sound now much like the man who was in
here this noon, cussin' and slashing around with a butcher knife."

But Jimmy had not forgotten. He cooked his own supper that night, first
ostentatiously wiping the skillet and everything else that Matsu had
touched, with such an expression of disgust on his face that the little
Jap's fine sense of humour was tickled. He shrugged his shoulders,
giggled his usual jolly giggle, and afterwards mimicked the whole scene
until Mrs. Welsh and Hillis nearly choked with laughter.

Dane was up in a few days, able to go to the dining room and to drive
short distances. Young Mrs. Courtland spoke of his improvement to Jimmy
one morning as they watched him drive away with Hillis in the ranch
surrey. They were going to a neighbouring orange grove to replenish the
stock in the storeroom. Jimmy, kneeling in the path, mending Buddy's
wooden goat, drove a final tack before he straightened himself to
answer.

"No, ma'am!" he said emphatically. "That boy'll never be what is to say
really better. When he tears the last leaf off that calendar in his tent
he ain't going to need next year's."

Mrs. Courtland looked up, shocked, frightened. "He seems almost as well
as my husband, and _he_ is going to get well." She said it defiantly.

"Sure," answered Jimmy. "But he isn't dying of homesickness and worry
along with his lung trouble. He's got you and Buddy and the cash. He
doesn't have to drive himself nearly crazy thinking that the time is
bound to come when those he loves best will be left without a roof over
their heads on account of him. It was worse than cruel--it was a
downright crime for that doctor to build their hopes up so. If he'd had
sense enough to doctor a June-bug he'd have seen that nothing can cure
the lad. To send him on such a wild goose chase is bad enough, but to
send him alone and as poor as he is--Good Lord--"

Jimmy paused, remembering his audience, just in time to stop the
malediction on his tongue.

"But," urged Mrs. Courtland, unconsciously moved to the championship of
the unknown doctor by the fact that her father was a physician, "other
men have come alone and they seem to be getting on all right."

"Yes, but if you take notice they're all the kind that had bucked up
against the world before they got sick, and were used to shifting for
themselves. Now there's Batty Carson. _He's_ going to get well. He goes
about it as if he was training to get on a foot-ball team. So much deep
breathing every so often, hot beef juice at nine, raw eggs at ten, fifty
licks at the wood-pile at eleven--What with his sun baths and water
baths and rubdowns, looking at his thermometer and weighing himself and
feeling his pulse and counting his breaths and watching the clock, he
ain't got time to miss his folks. Most of the boarders this year happen
to be that sort, or else they've got money to go in for all kinds of
amusements that make them forget their troubles. But there was a pitiful
lot of cases here last winter. They was too far gone when they come to
have any fight in 'em. And that's what I say--it's heartless of the
doctors to ship them off here when they've only one chance in a
thousand. The West is full of 'em and it ain't right."

Batty Carson, shuffling cards at the little table set in the shade
behind the next tent, looked up with a wink when he heard his name
mentioned. The others in the game smiled with him as Jimmy went on, and
a voice from one of the farther tents called, "Go it, Jimmy! You ought
to hire a hall and not waste all that eloquence on a lot of lungers who
already vote your ticket. Wish you'd bring me a box of matches when you
get around to it."

Taking the tents in order, as was his custom, emptying slops and filling
pitchers, Jimmy gradually worked his way along the row until he came to
the one outside of which the card-game was going on in silence. As he
moved around inside setting things to rights, Batty Carson held up a
finger and winked.

"Listen!" he whispered. There was a clinking of bottles on the
wash-stand, then a soft plash into the slop-jar, and Jimmy cleared his
throat with a muffled "kha-a-a" as if he had just swallowed something
good.

"The old buzzard's been at my alcohol bottle again," whispered Batty.
"Last time he went against it he didn't leave me enough for one good
rub-down, and then he had the face to reel off a long temperance lecture
on what a pity it was that so many of us fellows kept spirits in our
tents."

A loud laugh followed Jimmy as he walked out innocently clinking his
pails. There was a smell of alcohol in his wake. He had spilled some on
his clothes. Ignorant of the cause of their mirth he looked back at them
over his shoulder with a friendly smile. As he dropped the bucket into
the cistern out by the bamboo thicket, his voice floated back in a high
cracked falsetto:

    "Wa-ait for me at heav-un's gate,
        Swe-et Belle Mahone!"

Batty laughed again. "What kind of a bet will you fellows put up on
Jimmy's prospect of even getting within gun-shot of heaven's gate?" he
asked.

"I never bet on a dead certainty," answered the man whose turn it was to
play. "He knows he's sampled about everything that goes on in a mining
camp or anywhere else in a new territory, and he's nothing to show for
himself that St. Peter could take as a passport. But he isn't worrying,
as long as he's provided for in this world. His pension keeps him in
clothes and tobacco and when he's too old to work the Soldiers' Home
will take him in."

"He's not worrying over the next world either," some one else added.
"Mrs. Welsh says he has sixty dollars salted down in bank that he's
saved to have masses said for the repose of his soul. Not that he's tied
_his_ belief to anything in particular, but he once had a wife back in
his young days, who was one of the faithful."

"Let us hope that particular bank won't suspend payment," laughed Batty,
"for it's his only hope of ever joining his Belle Mahone."

Dane came back from his drive with new interest in life. The sight of
the olive groves and almond orchards, the alfalfa fields and acres of
lemon and orange trees lying green and gold between the irrigating
canals, had lured him away from thoughts of his condition. He was not so
shy and speechless that day at dinner. He even walked out on the desert
a little way that afternoon, with Buddy clinging to his hand to pilot
him to the wonderful nest of a trap-door spider. For a day or two he
made feeble efforts to follow Batty Carson's example. Instead of
watching the eastern horizon he watched Mrs. Courtland ply her
embroidery needle or bead-work loom, preparing for the Christmas now so
near at hand.

But it was only a few days till he was back in the depths again. The
slightest exertion exhausted him. Burning with fever he clung to Jimmy,
talking of the white hillsides at home, the icicles on the eaves, the
snow-laden cedars. Then when the chill came again he shivered under the
blankets Jimmy tucked around him, and buried his face in the pillow to
hide the tears that shamed him.

"I can't help it," he gasped at last. "I hate myself for being so
babyish. But, Jimmy, it's like living in a nightmare to have that one
thought haunt me day and night. I don't mind the dying--I'll be glad to
go. It racks me so to cough. But it's the dying so far away from
home--alone! I can't go without seeing mother _once_ more! Just _once_,
Jimmy, one little minute."

The old man's mouth twitched. There was no answer to that kind of an
appeal.

"Mail!" called a voice outside. The ranch wagon had come back from
Phoenix, and Hillis was going from tent to tent with the letter-bag.
"Mr. Dane Ward," he called. "One letter and one package. Christmas is
beginning a week ahead of time," he added as Jimmy came to the door.

Dane sat up and opened the letter first, with fingers that trembled in
their eagerness. He read snatches of it aloud, his face brightening with
each new item of interest.

"They're going to have an oyster supper and a Christmas tree for the
Sunday-school. And Charlie Morrow broke into the mill-pond last
Saturday, and the whole skating party nearly drowned trying to fish him
out. Mr. Miller's barn burned last week, and Ed Morris and May Dawson
ran away and were married at Beaver Dam Station. It's like opening a
window into the village and looking down every street to get mother's
letters. I can see everybody that passes by, and pretty near smell what
people are cooking for dinner. She's sending my Christmas present a week
ahead of time, because from what I wrote about the cold nights she was
sure I'd need it right away. Cut the string, please, Jimmy."

Two soft outing flannel shirts rolled out of the paper wrapping. Dane
spread them on the bed beside him with fond touches.

"She made every stitch of them herself," he said proudly, smiling as he
turned the page for the last sentence.

"Christmas will not be Christmas to us with you so far away, dear boy,
but we are going to be brave and make as merry as we can, looking
forward to the time when that blessed land of sunshine will send you
back to us, strong and well."

The letter dropped from his hands and Jimmy heard him say with a
shivering, indrawn breath, "But that time will never come! Never!" Then
catching up the mass of soft flannel as if it brought to him in some way
the touch of the dear hands that had shaped it, he flung himself back on
the pillow, burying his face in it to stifle the sobs that would slip
out between his clenched teeth.

"Never go home again!" he moaned once. "_God!_ How can I stand it!" Then
in a pitiful whisper, "Oh, mother, I _want_ you so."

Jimmy got up and tip-toed softly out of the tent.

       *       *       *       *       *

That night, Batty Carson, taking his after-supper constitutional, strode
up and down outside the camp, his hands in his overcoat pockets. The
little tents, each with a lamp inside, throwing grotesque shadows on the
white canvas walls, made him think of a cluster of Chinese lanterns.
Only the last one in the last row was dark, and moved by a friendly
impulse to ask after Dane's welfare, he strolled over towards it. Had it
not been for the odour of a rank pipe, he might have stumbled over
Jimmy, in the camp chair outside Dane's door.

"Playing sentinel?" he asked.

"No, just keeping the lad company a spell. He can't bear to hear them
kiotes howl."

"You're lively company, I must say," bantered Batty. "I didn't hear much
animated conversation as I came up."

Jimmy glanced over his shoulder. "No," he said in a lower tone. "He's
asleep now."

Lighting a cigar, Batty unfolded a camp stool which was leaning against
one of the guy ropes, and seated himself. Jimmy seemed in a confidential
mood.

"I've been setting here," he began, "studying about a Christmas present
that had ought to be made this year. _I_ ain't got no call to make it,
but there's plenty of others that could do it and never miss it. I've
got an old uncle that sets 'em up now and then, but he isn't liable to
send me another check before February, so _I_ can't do it."

"Oh, your Uncle Sam," laughed Batty, remembering Jimmy's pension and the
object of his savings. "Well," speaking slowly between puffs, "I'm not
counting on making any Christmas presents this year except to myself.
Being sick makes a man selfish, I suppose. But if I have to be exiled
out here in the cactus and greasewood, I intend to make it as pleasant
for myself as possible. So I know what's going into my Christmas
stocking: the dandiest little saddle horse this side of the Mississippi,
and a rifle that can knock the spots off anything in Salt River valley."

When Jimmy answered his voice was still lower, for a cough had sounded
in the tent behind them.

"Well, Sandy Claws and I ain't never been acquainted, so to speak. I
neither give or get, but if I had the price of a saddle horse in my
breeches it wouldn't go into _my_ stocking. It 'ud take that boy in
there back home to die, as fast as steam cars can travel. A man would
almost be justified in giving up his hope of heaven to give a poor soul
the comfort that would be to him."

The distant barking of coyotes sounded through the starlight. Jimmy
pulled at his pipe in silence and Batty sat blowing wreaths of cigar
smoke around his head until a woman's voice struck musically across the
stillness.

"Come, little son, hug father Ted good night."

As Batty watched the shadow pantomime on the white canvas walls of the
tent in front of him, the baby arms clasped around the young father's
neck, and the beautiful girl bending over them, laughing, he understood
the miracle that was bringing Courtland back from the very grave. The
screen door slammed and she came out with the child in her arms, a
golf-cape wrapped over his nightgown. Then the shadows changed to the
next tent. Buddy, with his bare pink toes stretched out toward the
little drum stove, sat in his mother's lap and listened to the good
night story.

It was a Christmas story as well, and the three Wise Men in quest of the
starlit manger came out of the shadows of a far-gone past, to live again
before the glowing wonder of a little child's eyes. Once he glanced over
his shoulder when she told of the silver bells jingling on the trappings
of the camels, and he clasped his dimpled hands with a long, satisfied
sigh when the gifts were opened at last before the Christ-child's
cradle.

"An' nen the little king was _so_ glad," he added, lying back happily
against his mother's shoulder.

"Yes, dear heart."

"An' the little king's mothah was glad, too," he persisted. "She liked
people to give fings to her little boy."

"Oh yes, she was the happiest of all. Now shut your eyes, little son,
and we'll rock-a-bye-baby-in-the-tree-top."

The two shadows were merged into one as the rocking chair swayed back
and forth a moment in time to a low, sweet crooning. Then Buddy sat up
straight and laid an imperative hand on the cheek pressed against his
curly hair.

"Stop singin', Mothah Ma'wy!" he demanded. "I want to go there. _I_ want
to take 'em fings to make 'm glad!"

She tried to explain, but he would not be appeased. The little mouth
quivered with disappointment. "If they're all gone away up to heaven how
can I _find_ the king, Mothah Ma'wy?"

"Oh, little son, we still have the star!" she cried, clasping him close
and kissing him.

"Show it to me!" he demanded, slipping from her lap and pattering
towards the door in his bare feet. She caught him up again with more
kisses, and holding him close began to grope for words simple enough to
make it plain--that the Star which wise men follow now, when they go
with gifts for the Christ-child's gladdening, is the Star of love and
good-will to men, and the Way lies near at hand through the hearts of
his poor and needy.

When she finished at last, Batty's cigar had gone out, and Jimmy,
stirred by some old memory or by some new vision, was staring fixedly
ahead of him with unseeing eyes. Neither man moved until the last note
of the lullaby, "Oh little town of Bethlehem," faltered into silence.
Then without a word, each rose abruptly and went his separate way.

It was reported in camp next day at dinner that Dane was going home, and
that the doctor on his morning rounds had consented to engage a sleeper
for him and help him aboard the first Eastern-bound train. While the
doctor gave it as his opinion that it was suicidal for any one in his
condition to go back to such a climate in mid-winter, he offered no
remonstrance. Nor could any one else in the face of such pathetic joy as
Dane's, over his unexpected release.

It was with a sigh of relief that Mrs. Welsh turned from the departing
carriage to begin her preparations for Christmas. It would have been
depressing for all the camp to have had any one in their midst during
the holidays as ill as Dane; besides she had work for Jimmy other than
nursing. There were trips to be made down the canal after palm leaves
and the coral berries of the feathery pepper trees. There were the
dining-room walls to be covered with those same Christmas greens, and
since Mrs. Courtland wished it, a little cedar to be brought out from
the town market, and decked for the centre of the table.

In the days which followed Dane's departure, Jimmy was so rushed with
extra work that gradually he began to ignore his grudge against Matsu.
One night, having absent-mindedly followed Hillis in filling his plate
from the pots and pans on the stove, instead of cooking for himself, he
thereafter ate whatever Matsu prepared without comment.

Maybe the mere handling of the Christmas symbols induced a mellower
mood, for when the last taper was in place on the tinsel decked
evergreen he felt so at peace with all mankind that he included the
little heathen in his invitation, when he called Hillis in to admire his
handiwork. He was whistling softly when he stepped out doors from the
dining-room, and turned the latch behind him. The shaggy old dog rose up
from the door-mat and followed him as he strolled down towards the
highroad. He was in his shirt-sleeves, for the dusk was warm and
springlike. A great star hung over the horizon.

"It's Christmas eve, Banjo," he said in a confidential tone to the dog.
"I guess Dane is home by this time. By rights he ought to have got there
this morning."

Banjo responded with a friendly wag and crowded closer to rub his head
against Jimmy. For the twentieth time that day the old man's hand stole
down into his empty pocket on a fruitless errand.

"Nary a crumb," he muttered, "and not a cent left to get one. Banjo, I'd
give both ears for a good chaw right now. I'm not grudging it, but I
sure would 'a' held back a dime or two if I hadn't thought there was
another plug in the shack."

Banjo bristled up and growled.

"Hush, you beast!" scolded Jimmy. "You ought to be so full of peace and
good-will this here Christmas eve that there wouldn't be room for a
single growl in your ugly old hide. _I'd_ be if I could lay teeth on the
chaw I'm hankering for. What's the matter with you anyhow?"

With his hand on the dog's head to quiet him, he peered down the dim
road. A boy on a shaggy Indian pony was loping towards him.

"Is this Welsh's ranch?" he called. "Then I've got a telegram for
somebody. It's addressed mighty queer--just says 'Jimmy, care of Mrs.
Clara Welsh.'"

"Well, I'm a--_greaser_!" was all that Jimmy could ejaculate as he
reached for the yellow envelope. He turned it over with growing
curiosity. "First telegram I ever got in my life, and me sixty odd
years," he muttered.

"There's a dollar charges for delivering it out so far," said the boy.
Jimmy's hand went down into his pocket again.

"I'll have to go to the house for it," he said. "You wait."

Then he waited himself. Batty Carson was strolling down the road. It
would be easier to apply to him for the loan than to Mrs. Welsh.

"Has the old uncle died and left you a fortune?" laughed Batty, as he
handed over the dollar.

"Blamed if I can make out," answered Jimmy, holding the scrap of paper
at arms length and squinting at it. "I ain't got my specs. Here! you
read it."

Batty, taking the telegram, read in his hoarse whisper:

      "Dane arrived safely God bless you Matthew twentyfive
      forty.                                Harriet Ward."

Then he looked up for an explanation. Jimmy was staring at him
open-mouthed. "Well, if that ain't the blamedest message ever was," he
exclaimed. "I don't know any sucker named Matthew. Is the woman plumb
crazy?"

Batty looked up from the second reading, enlightened.

"No, I take it she wanted to send you some sort of a Christmas greeting,
but probably she's as poor as she is pious and had to count her words.
Come on, we'll look up Matthew twenty-five and forty. I guess I haven't
forgotten how to do such stunts, even if it has been such a precious
while since the last one."

He led the way to his tent, and while Jimmy lighted the lamp he began
burrowing through his trunk. Down at the very bottom he found it, the
Book he was looking for, then the chapter and the verse. When he cleared
his throat and read the entire telegram it sounded strangely impressive
in his hoarse whisper:

      "Dane arrived safely. God bless you. 'And the king
      shall answer and say unto them, Verily I say unto you,
      inasmuch as ye have done it unto one of the least of
      these my brethren, ye have done it unto me.'"

There was an awkward pause as they faced each other a moment, pondering
the queer message. Then as a conscious red began to burn up through the
tan of Jimmy's weather-beaten face, Batty understood.

"_You_ sent that boy home to his mother," he began, but Jimmy, bolting
out of the tent, shambled off, shamefaced, through the dusk.

For a long time Batty stood in the door looking out over the darkening
desert. The one star swinging above the horizon seemed to point the way
to a little home among snow-clad hills, where Christmas gladness had
reached its high-tide. Presently as the supper-bell rang, a voice came
floating up from the bamboo thicket. Cracked and thin it was, but high
and jubilant, as if the old man had forgotten that he had no tobacco for
the refreshment of his soul in this world, and no prospect of a mass for
its repose in the next.

    "Wa-it for me at heav-un's gate,
      Sweet Belle Mahone!"

"All right for you, old Jimmy," whispered Batty to himself. "In the game
St. Peter keeps the score for, you'll be counted the highest card that
_this_ camp holds."




The Second Traveler


Gid Wiggan

In the Wake of a Honeymoon


NO matter what kind of a procession paraded the streets of Gentryville,
one unique tailpiece always brought up the rear. As the music of the
band died away in the distance, and the pomp of the pageant dwindled
down to the last straggling end, necks about to be relieved of their
long tension invariably turned for one more look. It was then that old
Gid Wiggan drove by in his Wild-cat Liniment wagon, as unfailing as the
Z that ends the alphabet.

Lank and stoop-shouldered, with a long, thin beard that reached his lap,
and a high, bell-crowned hat pulled down to meet his flabby, protruding
ears, he of himself was enough to provoke a laugh; but added to this he
bore aloft on a pole the insignia that proclaimed his calling. It was a
stuffed wild-cat, shelf-worn and weather-beaten, glaring with primeval
fierceness with its one glass eye, and wearing a ridiculously meek
expression on the side that had been bereft.

Across the ribs of the old black horse that drew the wagon was painted
in white letters, "Wiggan's Wild-cat Liniment;" but as if this were not
advertisement enough, the proprietor sowed little handbills through the
crowd, guaranteeing that the liniment (made from the fat of the animal)
would cure any ache in the whole category of human ills. He had followed
in the wake of the Gentryville processions so many years that he had
come to be regarded as much a matter of course as the drum-major or the
clown. Civic or military, the occasion made no difference. He followed a
circus as impartially as he came after the troops reviewing before the
Governor's stand, and he had been known to follow even one lone
band-wagon through the town, on its mission of advertising a minstrel
troupe.

There must have been something in the geography of the Wiggan family
corresponding to a water-shed, else his course in life could not have
differed so widely from his brother's. They had drifted as far apart as
twin raindrops, fated to find an outlet in opposite seas. Indeed, so
great was the difference that the daughters of the Hon. Joseph Churchill
Wiggan (distinct accent on the last syllable when referring to them)
scarcely felt it incumbent upon them to give his brother Gideon the
title of uncle.

To Louise and Maud the proper accentuation of their family name was
vital, since it seemed to put up a sort of bar between them and the
grotesque liniment peddler. The townspeople always emphasized the first
syllable in speaking of him.

The brothers had turned their backs upon each other, even in the
building of their houses. While only an alley separated their stables in
the rear, the Hon. Joseph's mansion looked out on a spacious avenue, and
old Gid's cottage faced a dingy tenement street. He had his laboratory
in the loft of his stable, from the windows of which he could overlook
his brother's back premises.

Maud and Louise, regarding him and his business in the light of a family
skeleton, ignored him as completely as a family skeleton can be ignored
when it is of the kind that will not stay in its allotted closet. It
seemed to meet them every time they opened their palatial front door.
They could not turn a street corner without coming upon it. Only the
ultra-sensitive young lady just home from the most select of fashionable
schools can know the pangs that it cost Louise to see her family name
staring at her in white letters from the bony sides of that old horse,
in connection with a patent medicine advertisement; and the faintest
whiff of any volatile oil suggesting liniment was enough to elevate
Maud's aristocratic nose to the highest degree of scorn and disgust.
Once, years ago, when the girls were too young to be ashamed of their
eccentric kinsman, they had visited his laboratory out of childish
curiosity. He had given them peanuts from a pocket redolent with
liniment, and had asked them to come again, but they had had no occasion
to repeat the visit until after they were grown.

It was the night before Louise's wedding day. They had both finished
dressing for the evening, but, not quite satisfied with her appearance,
Louise still stood before the mirror. She was trying to decide how to
wear one of the roses which she had just shaken out of the great bunch
on her dressing table. Ordinarily she would not have hesitated, for
there was nothing she could do or wear that would not be admired by this
little Western town. It was the card accompanying the roses which made
her pause--the correct, elegant little card, engraved simply, "Mr.
Edward Van Harlem." It seemed to confront her with the critical stare of
the most formal New York aristocracy, coldly questioning her ability to
live up to it and its traditions.

That the Van Harlems had violently opposed their son's marrying outside
their own select circle she well knew. His mother could not forgive him,
but he was her idol, and she was following him to his marriage as she
would have followed to his martyrdom. By this time she was probably in
Gentryville, at the hotel. She had refused to meet Louise until the next
day.

Louise laid the great, leafy-stemmed rose against the white dress she
wore. It was a beautiful picture that her mirror showed her, and for an
instant there was a certain proud lifting of the girlish head; a gesture
not unworthy the haughty Mrs. Van Harlem herself. But the next moment a
tender light shone in her eyes, as if some sudden memory had banished
the thought of the Knickerbocker displeasure.

The maid had brought in the evening paper, and Maud, picking it up,
began reading the headlines aloud. Louise scarcely heard her. When one's
lover is coming before the little cuckoo in the clock has time to call
out another hour, what possible interest can press dispatches hold?

She laid the velvety petals against her warm cheek, and then softly
touched them to her lips. At that, her own reflection in the mirror
seemed to look at her with such a conscious smile that she glanced over
her shoulder to see if her sister had been a witness too. As she did so,
Maud dropped the paper with a horrified groan.

"Oh, Louise!" she cried. "What shall we do? There's to be an industrial
parade to-morrow morning, with dozens of floats. The line of march is
directly past the Continental Hotel. What will Mrs. Van Harlem say when
she sees Uncle Gid's wagon and our name in the Wiggan Wild-cat
advertisement?"

Louise dropped weakly into a chair, echoing her sister's groan. The
colour had entirely left her face. She was more in awe of her patrician
lover and his family than she had acknowledged, even to herself.

"Think of that awful, old moth-eaten wild-cat on a pole!" giggled Maud,
hysterically.

"Think of Uncle Gid himself!" almost shrieked Louise. "It would kill me
to have him pointed out to the Van Harlems as father's brother, and
somebody will be sure to do it. There's always somebody mean enough to
do such things."

Maud pushed aside the curtain and peered out into the June twilight, now
so dim that the street lamps had begun to glimmer through the dusk.

"If we could only shut him up somewhere," she suggested. "Lock him down
cellar--by accident--until after the parade, then he couldn't possibly
disgrace us."

There was a long silence. Then Maud, dropping the curtain on the dusk of
the outer world, turned from the window and came dancing back into the
middle of the brightly lighted room.

"I've thought of a plan," she cried, jubilantly. "We can't do anything
with Uncle Gid, but if the wild-cat and harness could be hidden until
after the parade, that would keep him safely at home, hunting for them."

Louise caught at the suggestion eagerly, but immediately sank back with
a despairing sigh. "It's of no use!" she exclaimed. "There's no one whom
we could trust to send. If Uncle Gid should have the faintest suspicion
of such a plot, there is nothing too dreadful for him to attempt in
retaliation. He'd bring up the rear of the wedding procession itself
with that disreputable old beast on a pole, if he thought it would
humble our pride."

As she spoke, she again caught sight of the little card that had come
with the roses. It nerved her to sudden action. "I must go myself," she
cried, desperately, springing up from her chair.

"Oh, no!" exclaimed Maud, "you're surely joking. It's pitch dark in the
stable by this time. Besides you might meet some one--"

"It's my only salvation," answered Louise, with an excited tremor in her
voice. "Oh, you don't know the Van Harlems! Come on, Sis, and help me,
that's a dear. It will be our last lark together."

"And our first one of this kind," answered Maud, drawing back. "Edward
will be here in a few minutes, and--"

"All the more reason for us to hurry," interrupted Louise, taking a
candle from the silver sconce on her dressing table, and snatching up
some matches. "Come on!"

Carried away by her sister's impetuosity, Maud followed softly down the
back stairs and across the tennis court. In their white dresses they
glimmered through the dusk like ghosts. They were laughing under their
breath when they started out, but as they crossed the dark alley they
looked around nervously, and clutched each other like frightened
schoolgirls.

Ten minutes later they were stealing up the back stairs again, carrying
something between them wrapped in Maud's white petticoat. She had taken
it off and wrapped it around the beast to avoid touching it. They had
not been able to find a safe hiding place in the stable, and in sheer
desperation had decided to carry it home with them for the night. A
strong odour of liniment followed in their wake, for Louise, in her
frantic haste, had upset a bottle all over the wild-cat, and liberally
spattered herself with the pungent, oily mixture.

As they hurried up the stairs, the cook suddenly opened the door into
the back hall, sending a stream of light across them from the kitchen.
There was a look of amazement on her startled face as she recognized her
young mistresses coming in the back way at such an hour, but she was too
well trained to say anything. She only sniffed questioningly as the
strange smell reached her nostrils, then shut the door.

Just as the girls reached the head of the stairs there was a loud ring
of the front door-bell. "Edward!" exclaimed Louise, helplessly letting
her end of the bundle slip.

"Run and change your dress," said Maud. "You are all cobwebs and soot
from dragging that harness into the coal-cellar. I'll attend to this."

Opening the door into a little trunk room at the end of the hall, she
dragged her burden inside. An empty dress-box on the floor suggested an
easy way of disposing of it. But when she had stuffed it in, still
wrapped in the petticoat, not satisfied as to its secrecy, she opened an
empty trunk and lifted the box into that. As she passed her sister's
door Louise called her.

"Here!" she said, despairingly, holding out both hands. "We might as
well give up. Smell!"

Maud's nose went up in air. "Liniment!" she exclaimed, solemnly. "Yes,
it's fate. We can't get away from it."

"Edward will wonder what it is," said Louise, almost tearfully. "Oh, it
seems as if he must surely know. There's no mistaking _that_!"

Maud poured some cologne on her handkerchief, and rubbed it briskly over
her sister's fingers. "You look as frightened as Blue Beard's wife when
she dropped the key in the bloody closet."

All through her dressing, Louise kept sniffing suspiciously at her
dainty fingers, and even when she was ready to go downstairs, stopped at
the door to look back, like a second Lady Macbeth.

"'Not all the odours of Araby can sweeten that little hand,'" she said
in a tragic whisper, and Maud answered under her breath:

    "'You may break, you may shatter the vase if you will,
     The scent of the roses will cling 'round it still.'"

A little later, Mrs. Wiggan's French maid, going into the trunk room
with an armful of clothes, began packing the bride's dainty trousseau.
The trunks to be used for that purpose had been pointed out to her that
afternoon.

As she opened the first one, such a penetrating odour greeted her that
she drew back.

"Maybe ze camphor ball," she exclaimed aloud, lifting a corner of the
box which nearly filled the bottom of the trunk. "Ah yes!" she went on,
peeping in. "It ees mademoiselle's furs, what air protect from ze bugs
by zat killing odair. It will presairve also ze woollens as well."
Forthwith she began deftly packing a pile of snowy flannels around the
box which held the family disgrace.

Twenty-four hours later, that trunk among a number of others was jogging
along in a baggage car on its way to New York. It was checked to the
pier from which the _Majestic_ was to sail that week, and tagged, "For
the hold."

It was the first parade that old Gid Wiggan had missed in twenty years,
but it was not his niece's plotting which kept him at home. He lay with
closed eyes in his dark little bedroom, too ill to know that a
procession was passing. The old man had come to a place where he could
no longer follow at the heels of a cheerful crowd. He must branch off by
himself now, and find his solitary way as best he could, over a
strangely lonesome road.

"He's an old miser, but it won't do to let him die like a heathen," said
one of the neighbours, when his condition was discovered. So there were
watchers by his bedside when the end came. Carriages had been rolling
back and forth all the evening, and at last the ponderous rumbling
aroused him.

"What's that?" he asked, opening his eyes as the sound of wheels reached
him. "Is the parade coming?"

"Only the carriages driving back from St. Paul's," was the answer.
"There's a wedding there to-night."

Old Gid closed his eyes again. "I remember now," he said. "It's Joe's
little girl, but I didn't get a bid. They're ashamed of their old uncle.
Well, they'll never be bothered with him any more now, nor any of his
belongings."

The watchers exchanged glances and repeated the remark afterwards to the
curious neighbours who came to look at the old man as he lay in his
coffin. He had long had the reputation of being a miser, and more than
one hand that day was passed searchingly over some piece of battered
furniture. It was a common belief on that street that his fortune was
stuffed away in some of the threadbare cushions.

His will, which came to light soon after, directed that the rickety old
house should be sold to pay the expenses of his last illness and burial,
and to erect a monument over him. As if not content with humiliating his
family in the flesh, he had ordered that it be cut in stone: "Here lies
the manufacturer and proprietor of Wiggan's Wild-cat Liniment." The old
horse, after taking the part of chief mourner at his funeral, was to be
chloroformed.

Of kith and kindred there had been no mention until the last clause of
the will, by which he left the meagre contents of his laboratory to a
distant cousin in Arizona, whom he had never seen, but who bore the same
name as himself, with the addition of a middle initial. This was the
clause which turned Gentryville upside down:

"And I also give, devise and bequeath to the said Gideon J. Wiggan, my
stuffed wild-cat, hoping that he will find in it the mascot that I have
found."

The same letter which informed the Arizona cousin of his legacy told him
that it had mysteriously disappeared. No money was found in the house,
and the disappearance of the wild-cat strengthened the prevalent belief
that old Gid had used it as a receptacle for his savings, and had hidden
it with all a miser's craftiness.

A week later the Arizona cousin appeared, having come East to unearth
the mystery and to meet the remaining members of the Wiggan family, who,
he understood, were living in Gentryville. He was too late. Maud and her
mother had closed the house immediately after the wedding, and started
on a summer jaunt, presumably to Alaska. His letters and telegrams
received no answer and he could not locate his relatives, despite his
persistent efforts. The more he investigated, the more he became
convinced that old Gid, alienated from his immediate family, had made
him his heir on account of the name, and that a fair-sized fortune was
stuffed away in the body of the missing wild-cat. A few leaves from a
queerly kept old ledger confirmed this opinion. Most of them had been
torn out, but judging from the ones he examined, the receipts from the
liniment sales must have been far greater than people supposed.

He did not suspect his cousin Joseph's family being a party to the
disappearance, until some servants' gossip reached him. The cook gave
him his first clue, when a dollar jogged her memory. She remembered
having seen the young ladies slipping up the back stairs the night
before the wedding, carrying something between them. The laundress had
asked her the next day where the young ladies could have been to get
their dresses so soiled in the evening. They were streaked with
coal-soot and smelled strongly of the liniment that their uncle made.
The French maid, who had not gone with her mistress, but had taken a
temporary position with a dressmaker, recognized the odour when a bottle
was brought to her. She swore that it was the same that mademoiselle's
furs were filled with. She had smelled it first when she packed them in
the trunk.

The evidence of the cook, the laundress and the maid was enough for
Gideon J. Wiggan. He was a loud, rough man, without education, but so
uniformly successful in all his business enterprises that he had come to
have an unbounded conceit, and an unlimited faith in himself. "I never
yet bit off any more than I could chew," he was fond of saying. "I'm a
self-made man. I've never failed in anything yet. I'm my own lawyer and
my own doctor, and now I'll be my own detective; and I'll worm this
thing out, if I have to go to Europe to do it."

To Europe he finally went. The happy bridal couple, making a tour of the
cathedral towns of England, little dreamed what an avenging Nemesis was
following fast in the wake of their honeymoon. From Canterbury to York
he followed them, from York to Chester. They had always just gone.
Evidently they were trying to elude him. Once he almost had his hand
upon them. It was in London. He had reached the Hotel Metropole only two
hours after their departure. They had gone ostensibly to Paris, but had
left no address. He ground his teeth when he discovered that fact. How
was he to trace them further without the slightest clue and without the
faintest knowledge of any foreign tongue? For the first time in his life
he had to acknowledge himself baffled.

The next day, while he was making cautious inquiries at Scotland Yard,
preparatory to engaging a first-class detective, he fell in with an old
acquaintance, a man whom he had known in Arizona, and who was employed
in the detective service himself. He had been sent over on the trail of
some counterfeiters, and seemed to have an inexhaustible fund of
information about every wealthy American who had gone abroad that
summer. Within half an hour the baffled Gideon had put his case into his
hands, humbly acknowledging that for once in his life he had bitten off
more than he could chew.

       *       *       *       *       *

Dinner was in progress in one of the most fashionable hotels of Paris.
Edward Van Harlem, seated opposite his wife at one of the many little
tables, looked around approvingly. His fastidious eyes saw nothing to
criticize in the whole luxurious apartment, except perhaps the too
cheerful expression of the man who served them. A more sphinx-like cast
of countenance would have betokened better training. Then he looked
critically at his wife. It may be that the elegant New Yorker was a
trifle over-particular, but he could find no fault here. She was the
handsomest woman in the room. She was dressed for the opera, and the
priceless Van Harlem pearls around her white throat were worthy of a
duchess. She wore them with the air of one, too, he noticed admiringly.
He had not realized that a little Western girl could be so regal. Ah! if
his mother could only see her now!

"What is it, Louise?" he asked, seeing her give a slight start of
surprise. "Those two men at the table behind you," she answered, almost
in a whisper, for the service was so noiseless and the general
conversation so subdued that she was afraid of being overheard. "They
look so common and out of place in their rough travelling suits. They
are the only persons in the room not in evening dress."

Van Harlem turned slightly and gave a supercilious glance behind him.
"How did such plebeians ever get in here?" he said, frowning slightly.
"I wish America would keep such specimens at home. It's queer they
should stumble into an exclusive place like this. They must feel like
fish out of water."

Louise tasted her soup, and then looked up again. One of the men was
watching her like a hawk. His persistent gaze annoyed her, but there was
a compelling force about it that made her steal another glance at him.
His eyes held hers an instant in startled fascination, then she dropped
them with a sudden fear that made her cold and faint. The man bore a
remarkable likeness to her Uncle Gideon. More than that, she had
discovered some resemblance to her father in the determined chin and the
way his hair rolled back from his forehead. That little droop of the lip
was like her father's, too. Could it be that there was some remote tie
between them and that the stranger was staring at her because he, too,
saw a family likeness? She was afraid for her husband to turn around
lest he should discover it also.

Ever since the arrival of the mails that morning, she had been in a
state of nervous apprehension. Somebody had sent her a marked copy of
the _Gentryville Times_, with an account of her uncle's will and the
heir's vain search for his legacy. She had wanted to write immediately
to Maud, and ask if she had remembered, in the confusion that followed
the wedding, to restore the old man's property, but Edward had carried
her away for a day's sight-seeing, and she had had no opportunity.

As she sat idly toying with her dinner, some intuition connected this
man with her Uncle Gideon, and she was in a fever of impatience to get
away, for fear he might obtrude himself on her husband's notice. When
they had first swept into the dining-room, the Arizona cousin had leaned
over the table until his face almost touched the detective's. "They're
stunners! Ain't they?" he whispered. "Wonder if any of my money bought
them pearls and gew-gaws. Well, this show's worth the box-seat prices we
paid to get next to 'em. I wonder if the waiter would have promised to
put us alongside if I'd offered him any less than a five-franc piece."
Then, as Louise's eyes fell before his in embarrassment, he muttered,
"She looks guilty, doesn't she! I'll bet my hat she suspicions what
we're after."

The two men were only beginning their salad course, when Van Harlem
beckoned a waiter and gave an order in French. "What did he say?" asked
Wiggan, suspiciously. "I wish I could make out their beastly lingo."

"He sent to call a carriage, and to tell the maid to bring the lady's
wraps. They're going to the opera."

"You mean they're going to give us the slip again! Come on! We must stop
'em!"

"Now, Gid, you just cool down," advised the detective, calmly. "I'm
working this little game. It's a family affair and there's no use making
a row in public. There's plenty of time." But his client had no ear for
caution. The Van Harlems had risen, and were going slowly down the long
drawing-room. All eyes followed the beautiful American girl and the
aristocratic young fellow who carried himself like a lord. The
mirror-lined walls flashed back the pleasing reflection from every side,
and then replaced it with a most astonishing sight.

In and out between the little tables with their glitter of cut-glass and
silver, dashed a common-looking fellow in a coarse plaid suit. Upsetting
chairs, whisking table-cloths from their places, bumping into solemn
waiters with their laden trays, he seemed oblivious to everything but
the escaping couple. The detective had detained him as long as possible,
and the couple had almost reached the door when he started in frantic
pursuit. He reached them just as they stepped into the corridor. He
tried to curb his trembling voice, but in his excitement it rang out to
the farthest corner of the great apartment, high above the music of the
violins, playing softly in a curtained alcove.

"You want your _what_?" demanded the elegant Van Harlem in a tone that
would have frozen a less desperate man.

"I want that stuffed wild-cat," he roared, "that your wife's uncle left
me in his will, and you made off with. I came all the way from America
for it, and I'll have it now, or you'll go to jail, sure as my name is
Gideon J. Wiggan."

Louise, already unnerved by her fears at dinner, and exhausted by the
tiresome day of sight-seeing, started forward, deathly pale. It seemed
to her that the man had shouted out her name so that all Paris must have
heard. The disgrace had followed her even over seas.

She looked up piteously at her husband, and then fell fainting in his
arms.

"The man's crazy," exclaimed Van Harlem, as he strode with her toward
the elevator. "Here, waiter, call the police and have that lunatic put
out of the house. He's dangerous."

It was only a moment until he had reached their rooms and had laid
Louise gently on a couch, but as he turned to ring for the maid, the two
men confronted him on the threshold. The detective bolted the door, and
the Arizona cousin took out his revolver.

"No, you don't ring that bell," he exclaimed, seeing Van Harlem move in
the direction of the button; "nor you don't get out of here until you
hand over that wild-cat. You've got it and your wife knows it. That's
why she fainted. My friend here is a detective, and we're going through
your things till we find it, for it's full of gold."

Van Harlem moved forward to wrest away the revolver, but the detective
presented his. "No, you can't do that either," he said, quietly. "I'm
going to see that my friend gets his rights."

With the helpless feeling that he was in the hands of two madmen, Van
Harlem stood by while trunk after trunk was overhauled, and the
trousseau scattered all over the room. The one containing the flannels
had not been unlocked since it left Gentryville. It was the last to be
examined.

Louise opened her eyes with a little shriek as a familiar odour
penetrated to her consciousness. They had unearthed the family skeleton.
"_Louise!_" cried her husband as the old moth-eaten animal was dragged
from under her dainty lingerie. "What under _heaven_ does this mean?"
Another fainting spell was her only answer, and the one yellow glass eye
leered up at him, as if defying the whole Van Harlem pedigree.

A minute later a stream of saw-dust oozed out from the beast's body,
covering the piles of be-ribboned lace and linen, scattered all over the
velvet carpet. Then a limp, shapeless skin with its one yellow eye still
glaring, was kicked across the room. The Arizona cousin had no further
use for it. He had come into his inheritance.

He walked across the room and gave the moth-eaten skin another kick.
Then, with an oath, he handed his friend a slip of paper which he had
found inside. Written across it in faded purple ink were three
straggling lines. It was the formula for making the famous "Wiggan's
Wild-cat Liniment."




The Third Traveler

The Clown

Towards his Accolade


THE little man in motley, thrusting his face through the curtains of the
big circus tent, looked out on the gathering crowds and grinned. To him
that assemblage of gaping backwoods pioneers was a greater show than the
one he was travelling with, although the circus itself was a pioneer in
its way. It was the first that had ever travelled through the almost
unbroken forests of southern Indiana, and the fame of its performance at
Vincennes had spread to the Ohio long before the plodding oxen had drawn
the heavy lion cages half that distance. Such wild rumours of it had
found their way across the sparsely settled hills and hollows, that
families who had not been out of sight of their cabin chimneys in five
years or more were drawn irresistibly circusward.

Standing on a barrel, behind a hole in the canvas of the tent, the
little clown amused himself by watching the stream of arrivals. As far
as he could see, down the glaringly sunny road, rising clouds of dust
betokened the approach of a seemingly endless procession. The whole
county appeared to be flocking to the commons just outside of Burnville,
where the annual training in military tactics took place on "muster
days." People were coming by the wagon-load; nearly every horse carried
double, and one old nag ambled up with a row of boys astride her patient
back from neck to tail.

It was a hot afternoon in August, and a rank, almost overpowering odour
of dog-fennel rose from the dusty weeds trampled down around the tent.
The little clown was half stifled by the dust, the heat, and the smell,
and the perspiration trickled down his grotesquely painted face; but an
occasional impatient flapping of his handkerchief to clear away the dust
of a new arrival was all that betrayed his discomfort. He was absorbed
in the conversation of a little group who, seated on a log directly
under his peep-hole in the canvas, were patiently waiting for the
performance to begin.

"My motley can't hold a candle to theirs," he thought, with an amused
chuckle, as he surveyed them critically. "Judging by the cut of that
girl's old silk dress, it was a part of her grandmother's wedding
finery, and she probably spun the stuff for that sunbonnet herself. But
the man--Moses in the bulrushes! People back East wouldn't believe me if
I told them how he is togged out: tow trousers, broadcloth coat with
brass buttons, bare feet, and a coonskin cap, on this the hottest of all
the hot dog-days ever created!"

He wiped his face again after this inventory, and steadied himself on
the barrel. All unconscious of the audience they were entertaining, the
man and girl were retailing the neighbourhood news to a tired-looking
little woman, who sat on the log beside them, with a heavy baby in her
arms. Their broad Western speech was as unfamiliar as it was amusing to
their unseen listener. The barrel shook with his suppressed laughter, as
they repeated the rumours they had heard regarding the circus.

"Thar was six oxen to draw the lion cages," said the girl, fanning
herself with her sunbonnet. "Sam said them beasts roared to beat the
Dutch--two of 'em. And he says thar's a pock-marked Irishman as goes
around between acts with a nine-banded armadillo. Ef ye tech it, ye'll
never have the toothache no more. But thar's suthin better nor him. Sam
says he 'lows we'll jest all die a-laughin' when we see the clown. The
whole end of the State has gone wild over that air clown. Sam says they
make more fuss over him than they would over the President ef he was t'
come to this neck o' woods."

Here the auditor behind the scenes, with his hand on his heart, made
such a low bow that he lost his balance, and nearly upset the barrel.

"I reckon the elyfunt will be the biggest sight," drawled the man.
"That's what drawed me here. I ain't never seen even the picter of an
elyfunt, and they say this is the real live article from t'other side of
the world. They say it kin eat a cock of hay six foot high at one meal."

Here the baby stirred and fretted in the woman's arms, and she wearily
lifted it to an easier position against her shoulder.

"I wish Jim would hurry up," she sighed, wiping her hot face on a corner
of her homespun apron.

"He's over yander helpin' ole Mis' Potter put up her ginger-bread
stand," answered the girl, pointing to a large oak-tree on the edge of
the common. "I seen 'em when she first come a-drivin' up on that big
ox-sled, with a barrel of cider behind her. Law, I reckon she hain't
never missed bein' on hand to sell her cakes and cider here on
muster-days nary a time in ten years."

"'Tain't Mis' Potter," answered the older woman. "She's ben laid up with
rheumatiz nearly all summer. It's Boone Ratcliffe's mother and his
little William."

"You don't mean it!" exclaimed the girl, with eager interest, standing
up to get a better view. "Not ole 'Madam Ratcliffe,' as pap calls her!
I've ben honin' for a sight of her ever sence last spring, when I heerd
she'd come out from Maryland. I used to hear about her afore Boone
married M'randy. It was M'randy as told me about her. She said the ole
lady was so rich and so stuck up that she never even tied her own shoes.
They had slaves and land and money and everything that heart could wish,
and they didn't think that M'randy was good enough for their only son.
The letters they writ to Boone trying to head him off made M'randy so
mad that I didn't suppose she'd ever git over it."

"She didn't," answered the little woman, "and it was scant welcome they
got when they come. The letter they sent a month aforehand never got
here, so of course nobody knowed they was a-comin', and they wa'n't
nobody down to the Ohio River landin' to meet 'em. My Jim he happened to
be thar when they got off'n the flatboat. They was dreadful put out when
they didn't find Boone watchin' out for 'em, after comin' all the way
from Maryland. Goodness knows what 'ud become of 'em ef Jim hadn't
happened acrost 'em. The boat had gone on down the river and left 'em
settin' thar on shore amongst the bales and boxes, as helpless as two
kittens. Jim he seen 'em a-settin' thar, and bein' a soft-hearted chap
and knowin' suthin' was wrong, he up and spoke.

"They was so bewildered like, 'count of not finding Boone and everything
bein' so dif'runt from what they lotted on, that they was well-nigh
daft. The ole man had ben sick ever sence they left Pittsburg, and they
was both plum tuckered out with that long flatboat trip. Jim he jest
h'isted 'em into the wagon, big chest and all, and brought 'em on to
Burnville.

"He said 'twas plain to be seen they hadn't never been used to roughin'
it in any way. The ole gentleman was so sick he had to lean his head on
her shoulder all the way, and she kep' a-strokin' his white hair with
her fine soft fingers, and talkin' to him as if he'd ben a child. She
tried to chirk him up by tellin' him they'd soon be to Boone's home, and
talkin' 'bout when Boone was a little feller, tell Jim couldn't hardly
stand it, he's that soft-hearted.

"He knew all the time what a disapp'intment was in store when they
should set eyes on M'randy and the cabin, and find Boone growed to be so
rough and common. It was dark when they got thar. Boone hadn't got home
yit, and thar wa'n't a sign of a light about the place. So Jim lef' the
ole folks setting in the wagon, and went in to break the news to
M'randy, knowin' what a high-tempered piece she is at times. He said she
was settin' on the doorstep in her bare feet and dirty ole
linsey-woolsey dress, jawin' little William. She'd ben a-makin' soap all
day, and was dead tired.

"When Jim tole her what 'twas, the surprise seemed to strike her all of
a heap. She never made a move to git up, and as soon as she could git
her breath she begun to splutter like blue blazes. She said some folks
had more burdens laid onto their shoulders than by rights was their
share, and she couldn't see what made them ole people come trackin' out
where they was neither wanted nor expected. She hadn't no airthly use
for that stuck-up ole Mis' Ratcliffe, if she was Boone's mother. Oh, she
jest talked up scan'lous.

"Jim he was afraid they would hear her clear out in the road, so he kep'
tryin' to smooth her down, and then he went out and tried to smooth
things over to the ole people. By the time they'd climbed out'n the
wagon and walked up the path, William had lit a candle, and she was
holdin' it over her head in the doorway. The way Jim tole it I could
jest see how they stood lookin' at each other, like as they was takin'
their measures. Jim said they both seemed to see the difference, M'randy
so frowsy and common-lookin', for all her prettiness, and the ole lady
so fine and aristocratic in her elegant dress and bunnit. He said he'd
never fergit how white and tired-lookin' their old faces showed up in
the candle-light, and sort of disapp'inted, too, over the welcome they'd
ben expectin' and didn't git.

"M'randy didn't even offer to shake hands. After she'd stared a minute
she said, sorter stiff-like, 'Well, I s'pose you may as well come on
in.' Jim says there was tears in the ole lady's eyes when she follered
M'randy into the cabin, but she wiped 'em away real quick, and spoke up
cheerful to ole Mr. Ratcliffe.

"The room was in such a muss there wa'n't an empty chair to set on tell
M'randy jerked the things off two of'm and kicked the stuff out of sight
under the bed. Then she dusted 'em with her apron, and said in a
long-sufferin' sort of tone that she reckoned 'twas about as cheap
settin' as standin'.

"Ole Mis' Ratcliffe tried to apologize fer comin'. She said that their
daughter back in Maryland tried to keep 'em from it, but that Boone
couldn't come to them, and it had been ten years since he had left home,
and they felt they must see him once more before they died. Jim said it
was so pitiful the way she talked that he got all worked up."

"Why didn't they turn right around and go home the next day?" cried the
girl, with flashing eyes. "That's M'randy all over again when she once
gits her temper up, but people as rich as them don't have to put up with
nobody's high and mighty ways."

"They are not rich any more," was the answer. "A few years ago they lost
all they had, slaves, land, and everything, and their married daughter
in Baltimore is takin' care of 'em. She was sure they wouldn't find it
agreeable out here, so she provided the money for 'em to come back on;
but the ole man lost his wallet comin' down on that flatboat, and they
don't feel as they could write back and ask her for more. She's good to
'em as can be, but she hasn't got any more than she needs, and they hate
to ask for it. That's why the ole lady is here to-day, takin' Mis'
Potter's place. Boone persuaded her to come, and tole her if she could
make as much as Mis' Potter always does, it will be enough to pay their
way back to Maryland. He helped her get ready. I don't know what he said
to M'randy to make her stand aside and not interfere, but she made up
the ginger-bread as meek as Moses, and let Jim roll the barrel of cider
out of the smoke-house without a word."

"Why don't Boone scratch around and raise the money somehow?" put in the
man, who had chewed in interested silence as he listened to the story.
Now he stopped to bite another mouthful from a big twist of tobacco he
took from his broadcloth coat pocket.

"'Pears like their only son is the one that ought to do fer 'em, and at
least he could make M'randy shut up and treat his parents civil."

"Boone!" sniffed the woman. "Why, he's under M'randy's thumb so tight
that he dassent sneeze if she don't take snuff. Besides, he's ben on the
flat of his back off and on all summer, with dumb ague. It's run into a
slow fever now, and it takes every picayune they can scrape together to
git his medicines. Then, too, M'randy sprained her ankle a month or so
back, and things have been awful sence then. The ole man he don't
realize he is in the way, he's so childish and broken down. He jest
sorter droops around, pinin' for the comforts he's always ben used to,
in a way that almost breaks his ole wife's heart. She feels it keen
enough for both of 'em, because she can't bear to see him lackin'
anything he needs, and she'd rather die than be a burden to anybody.

"I tell Jim I'm sorry for the whole set, and I can see it isn't the
pleasantest thing for M'randy to give up a room to them when thar's only
two in the cabin, and her ways ain't their ways, and their bein' thar
puts everything out of joint; but Jim he sides with the ole people. He's
mighty sorry for 'em, and would have put his hand in his own pocket and
paid their expenses long ago back to Maryland, ef he'd a-ben able. He's
ben a great comfort to the ole lady, he's jest that soft-hearted. I hope
she'll sell out as fast as Mis' Potter always done."

Before the girl could echo her wish, there was a discordant scraping
inside the tent, a sound of the band beginning to tune their
instruments. Instantly there was a rush toward the tent, and all three
of the little group sprang to their feet. The little woman looked wildly
around for Jim, with such an anxious expression that the clown lingered
a moment, regardless of the stream of people pouring into the entrance
so near him that the curtain which screened him from public view was
nearly torn down. He waited until he saw a burly, good-natured man push
his way through the crowds and transfer the heavy baby from the woman's
tired arms to his broad shoulder. Then he turned away with a queer
little smile on his painted face.

"He's jest that soft-hearted," he repeated, half under his breath. The
woman's story had stirred him strangely. "It's a pity there's not more
like him," he continued. "I guess that too few Jims and too many
M'randys is what is the matter with this dizzy old planet."

"What's that ye're grumbling about, Humpty Dumpty?" asked the
pock-marked Irishman as he came up with his nine-banded armadillo, all
ready for the performance. Then in his most professional tones: "If it
is the toothache yez have now, I'll be afther curing it entoirely wid
wan touch of this baste from----"

"Oh, get out!" exclaimed the clown, putting his hand on the tall
Irishman's shoulder and springing lightly down from the barrel. "I'm
dead sick of all this monkey business. If it wasn't a matter of
bread-and-butter I wouldn't laugh again in a year."

"Ye couldn't make anybody out there in that big aujence belave it,"
laughed the Irishman. "They think yer life is wan perpetooal joke; that
ye're a joke yerself for that matther, a two-legged wan, done up in cap
and bells."

"You're right," said the clown bitterly, looking askance at his striped
legs. "But 'a man's a man for a' that and a' that,' and he gets tired
sometimes of always being taken for a jesting fool. Curse this livery!"

The Irishman looked at him shrewdly. "Ye should have gone in for a
'varsity cap and gown, and Oi've been thinking that maybe ye did start
out that way."

A dull red glowed under the paint on the clown's face, and he ran into
the ring in response to the signal without a reply. A thundering round
of applause greeted him, which broke out again as he glanced all around
with a purposely silly leer. Then he caught sight of Jim's honest face,
smiling expectantly on him from one of the front benches. It struck him
like a pain that this man could not look through his disguise of tawdry
circus trappings, and see that a man's heart was beating under the
clown's motley. There came a sudden fierce longing to tear off his
outward character of mountebank, for a moment, and show Jim the stifled
nature underneath, noble enough to recognize the tender chivalry hidden
in the rough exterior of the awkward backwoodsman, and to be claimed by
him as a kindred spirit.

As he laughed and danced and sang, no one dreamed that his thoughts kept
reverting to scenes that the woman's story had called up, or that a plan
was slowly shaping in his mind whereby he might serve the homesick old
soul waiting out under the oak-tree for the performance to be done.

No wonder that people accustomed to seeing old Mrs. Potter in that
place, gowned in homespun, and knitting a coarse yarn sock, had stopped
to stare at the newcomer. Such a type of high-born, perfect ladyhood had
never appeared in their midst before. The dress that she wore was a
relic of the old Maryland days; so was the lace cap that rested like a
bit of rare frost-work on her silvery hair. Mrs. Potter knew everybody
for miles around, and was ready to laugh and joke with any one who
stopped at her stand. Mrs. Ratcliffe sat in dignified silence, a faint
colour deepening in her cheeks like the blush of a winter rose. It was
so much worse than she had anticipated to have these rude strangers
staring at her, as if she were a part of the show. She breathed a sigh
of relief when the music began, for it drew the crowds into the tent as
if by magic. She and little William were left entirely alone.

With the strident boom of the bass viol came the rank smell of the
dog-fennel that hurrying feet had left bruised and wilting in the sun.
All the rest of her life, that warm, weedy odour always brought back
that humiliating experience like a keen pain. The horses in the
surrounding grove stamped restlessly and whinnied as they switched off
the flies. The long ride and the unaccustomed labour of the morning had
exhausted her. She began to nod in her chair, giving herself up to a
sense of drowsiness, for as long as the people were in the tent she
would have no occupation.

Her white head dropped lower and lower, until presently she was
oblivious to all surroundings. Little William, sitting on the old
wood-sled with his back against the cider barrel, was forgotten. M'randy
and the ill-kept cabin vanished entirely from her memory. She was back
in the old Maryland days on her father's plantation, hedged about with
loving forethought, as tenderly sheltered as some delicate white flower.
Every path had been made smooth for her, every wish anticipated all her
life long, until that day when they had set their faces westward to find
Boone. It was coming down the Ohio on that long journey by flatboat that
she suddenly woke to the knowledge that her husband's illness had left
him a broken-down old man, as weak and irresponsible as a child.

But mercifully her dreams were back of that time. They were back with
Boone in his gay young boyhood, when he danced minuets with the
Governor's daughter, and entertained his college friends in lordly style
on the old plantation. Back of that time when the restlessness of his
'teens sent him roving over the Alleghanies to the frontier, regardless
of their long-cherished ambitions for him. Back of the time when in a
sudden mad whim he had married a settler's pretty daughter, whom he was
ashamed to take back to civilization when he thought of the Baltimore
belles to whom he had paid boyish court. He had not stopped to consider
her rough speech and uncouth manners. He had been a long time out in the
wilderness, he was only twenty, and her full red lips tempted him.

If the dreams could only have stopped then, that little space she slept,
while the circus band thrummed and drummed inside the tent, and the
shadows of the hot August afternoon lengthened under the still trees
outside, would have been a blessed respite. But they repeated the
unpleasant parts as well. They came on down to the night of that
unwelcome arrival. They showed her the days when Boone lay prostrated
with a slow malarial fever; the days when the fierce heat made him drag
his pallet desperately from one corner to another across the bare
puncheons, trying to find a spot where he could be comfortable. She
could see him lying as he had so often lain, with his face turned toward
the back door, looking out with aching eyes on the tall corn that filled
the little clearing. In his feverish wanderings he complained that it
was crowding up around the house trying to choke him. And there was
little William, little nine-year-old William, sitting on the floor
beside him, attempting to flap away the flies with a bunch of walnut
leaves. There were long intervals sometimes when the heat overpowered
the child with drowsiness. Then the walnut branch wavered uncertainly or
stopped in mid-air, while he leaned against the table leg with closed
eyes and open mouth. Sometimes Miranda slept on the door-step,
bare-footed, as usual, with a dirty bandage around her sprained ankle.

In that short sleep she seemed to relive the whole summer, that had
dragged on until her sense of dependence grew to be intolerable.
Miranda's shrill complaining came penetrating again into the tiny room
where she sat by her husband's bed, and the old head was bowed once more
on his pillow as she sobbed: "Oh, William, dear heart, if the Lord would
only take us away together! I cannot bear to be a burden to any one!" It
was the sound of her own sobbing that awakened her, and she sat up with
a sudden start, realizing that she had been asleep. She must have slept
a long time. In that interval of unconsciousness the tavern-keeper from
Burnville had erected a rival stand a few rods away.

She saw with dismay his attractive display of "store" goods. Then her
face flushed as he began to set out whisky bottles and glasses. Her
first impulse was to gather up her belongings and get home as quickly as
possible. In her perplexity she looked around for little William.
Regarding a circus with such contempt herself, it had never occurred to
her that he would care to see it.

He was a timid little fellow, who always hid when company came to the
house, and he had never been away from home more than a dozen times in
his life. The crowds frightened him, and he stayed as closely as a
shadow at his grandmother's elbow until the music began. Then he forgot
himself. It thrilled him indescribably, and he watched with longing eyes
as the people crowded into the tent. It seemed to him that he must
certainly go wild if he could not follow, but they had sold nothing.
Even if they had, he would not have dared to ask for enough money to pay
his admission, it seemed such an enormous sum. As she began to nod in
her chair he began to edge nearer the tent. He could catch now and then
a word of the clown's jokes, and hear the roars of laughter that
followed. When the clown began to sing, William had one ear pressed
against the tent. People clapped and cheered uproariously at the last
line of every stanza. He could not hear enough of the words to
understand why. In the general commotion he was conscious of only one
thing: he was on the outside of that tent, and he must get inside or
die.

Regardless of consequences, he threw himself on the grass and wriggled
around until he succeeded in squeezing himself under the canvas. There
was a moment of dizzy bewilderment as he sat up and looked around. Then
some cold, squirming thing touched the back of his neck. He gave a
smothered cry of terror; it was the elephant's trunk. He had come up
directly under the animal "from t'other side of the world, that could
eat a six-foot cock of hay at one meal."

As he sat there, shivering and blubbering, afraid to move because he did
not know which end of the clumsy monster was head and which tail, he
heard a loud guffaw. The pock-marked Irishman who had charge of the
nine-banded armadillo had seen the little side-show, and it doubled him
up with laughter. He roared and slapped his thigh and laughed again
until he was out of breath. Then he gravely wiped his eyes and drew the
boy out from under the great animal. William clung to him, sobbing. Then
the warm-hearted fellow, seeing that he was really terrified, took him
around and showed him all the sights. In the delight of that hour, home,
grandmother, and the world outside were completely forgotten.

Meanwhile, Mrs. Ratcliffe sat wondering what had become of the boy.
People began to straggle out of the tent. There was to be another
performance after dark, and she expected to find her customers among
those who stayed for that. The tavern-keeper began calling attention to
his refreshments in a facetious way that drew an amused crowd around
him. Her hopes sank, as group after group passed her without stopping.
Two young fellows from the village who had been drinking pushed roughly
against her table.

"Hi, Granny!" hiccoughed one of them. "Purty fine doughnuts, ole girl!"
He gathered up a plateful, and tried to find his pocket with unsteady
fingers. She stood up with a sickening feeling of helplessness, and
looked around appealingly. Just then a heavy hand struck the fellow in
the mouth, and jerked him back by his coat-collar. The pock-marked
Irishman, to whom the bewildered little William still clung, had
undertaken to find the boy's grandmother for him. The child's artless
story had aroused his warmest sympathies, and nothing could have given
him greater pleasure than this opportunity to fight for her.

"Put thim back, you ugly thafe o' the worruld," he roared, "or Oi'll
throw yez entoirely over the sorcuss tint!"

The man bristled up for a fight, but one look into the big Irishman's
glowering eyes sobered him enough to make him drop the cakes and slink
away.

The Irishman looked embarrassed as Mrs. Ratcliffe began to thank him
with tears in her eyes, and hurried back to the tent. The look of
distress deepened on her face. Everybody passed her table for the one
made popular by the loud-voiced man who knew so well how to advertise
his wares. With a stifled groan she looked around on the great pile of
provisions she had brought. What quantities of good material utterly
wasted! What would Miranda say?

As she looked around her in dismay, she saw the clown coming toward her,
still in his cap and bells. He had been watching the scene from a
distance. Her distress was pitiful. To be compelled to wait on this
jesting fool like any common bar-maid would fill her cup of degradation
to overflowing. What could she do if he accosted her familiarly as he
did every one else?

He leaned over and took off his grotesque cap. "Madam," he said, in a
low, respectful tone, "I have no money, but if you will kindly give me a
cake and a mug of cider, you shall soon have plenty of customers."

Greatly surprised, she filled him a cup, wondering what he would do.
There was a rush for that part of the grounds as the hero of the hour
appeared. He had been funny enough in the ring, but now they found his
jokes irresistible. His exaggerated praises of all he ate and drank were
laughed at, but everybody followed his example. More than one gawky boy
bought something for the sake of being made the subject of his
flattering witticisms. The tavern-keeper called and sang in vain. As
long as the clown told funny stories and praised Mrs. Ratcliffe's
gingerbread, all other allurements were powerless. He stayed with her
until the last cake had been bought and the cider barrel was empty.

It was nearly sundown when she started home. Jim came up to roll the
empty barrel on to the sled, to place her chair against it, and help
little William hitch up the oxen; but when she looked around to thank
the little clown, he had disappeared. No one could tell where he had
gone.

Never in her girlhood, rolling home in the stately family coach from
some gay social conquest, had she felt so victorious. She jingled the
silk reticule at her side with childish pleasure. She could hardly wait
for the slow oxen to plod the two long miles toward home, and when they
stopped in front of the little cabin she was trembling with eagerness.
Hurrying up the path through the gathering dusk, she poured her treasure
out on her husband's bed.

"Look!" she cried, laying her face on the pillow and slipping an arm
around his neck. "We are going back to Maryland, dear heart!" She
nestled her faded cheek against his with a happy little sob. "Oh,
William, we need not be a burden any longer, for we're going home
to-morrow!"

       *       *       *       *       *

Later, the full August moon swung up over the edge of the forest. It
flooded the little clearing with its white light, and turned the dusty
road in front of the cabin to a broad band of silver. A slow, steady
tramp of many feet marching across a wooden bridge in the distance fell
on the intense stillness of the summer night.

"It's the circus," said Boone, raising his head to listen. "I reckon
they're travellin' by night on account of the heat, and they'll be
pushin' on down to the river."

His wife limped to the door and sat down on the step to watch for its
coming, but his mother hurried out to the fence and leaned across the
bars, waiting.

A strange procession of unwieldy monsters, never before seen in this
peaceful woodland, loomed up in the distance, huge and black, while a
stranger procession of fantastic shadows stalked grimly by its side. The
sleepy keepers dozed in their saddles, filing by in ghostly silence,
save for the clanking of trace-chains and the creaking of the heavy lion
cages.

At the extreme end of the long line came the tired little clown on the
trick mule. A sorrier-looking object could not be imagined, as he sat
with his knees drawn up and his head bent dejectedly down. He did not
notice the figure leaning eagerly over the bars, until she called him.
Then he looked up with a start. The next instant he had dismounted and
was standing bare-headed in the road before her. The moonlight made a
halo of her white hair, and lighted up her gentle, aristocratic face
with something of its old high-born beauty.

"I wanted to thank you," she said, holding out her slender hand to the
painted little jester with the gracious dignity that had always been her
charm. "You disappeared this afternoon before I could tell you how much
your courtesy has done for me and mine."

He bowed low over the little hand.

"I bid you farewell, sir," she added gently. "The truest gentleman I
have met in many a day!" It was the recognition that he had craved. She
had seen the man through the motley. He looked up, his face glowing as
if that womanly recognition had knighted him; and with the remembrance
of that touch resting on him like a royal accolade, he rode on after the
procession, into the depths of the moonlighted forest.




The Fourth Traveler

Wexley Snathers

By Way of an Inherited Circus


ONLY one question was asked in the streets of Gentryville that
afternoon, and it was asked from the Court-house Square to the last
corner grocery in the straggling outskirts:

"If _you_ were an undertaker like Wexley Snathers, and had a circus left
to you by will, what would you do with it?" When the question was worn
threadbare in business circles, it was taken home to bandy around the
village supper-tables, with the final insistent emphasis, "Well, what
_would_ you do, anyhow, if you were in Wex Snathers's place?"

It would have been an intense relief to the man in question if the
village could have settled the problem for him. Nothing had ever weighed
so heavily upon him, not even the responsibilities of his first
personally conducted funeral occasion.

All the afternoon he sat in the rear of his little coffin shop,
floundering again and again through the confusing phrases of a legal
document spread out before him. It notified him of the death of one
Mortimer Napoleon Bennet, a travelling showman, who had left him heir to
possessions valued at several thousands of dollars.

So bewildering was the unexpected news and the legal terms in which it
was conveyed, that it was some time before Wexley's slow brain grasped
the fact that the deceased was not a stranger, but only red-headed
"Pole" Bennet, an old play-fellow, who had run away from home over
thirty years before. Next, his stumpy forefinger guided his spectacles
twice through the entire document before he realized that _he_ was now
the owner of all the ungodly goods and chattels enumerated therein.

"Lordy!" he groaned, as he checked off the various items. "Me, a deacon
in the church, to be ownin' four gilded circus chariots and a steam
calliope, to say nothin' of a trick elephant and a pair of dancin'
cinnamon bears. It's downright scandalous! Pole always _was_ a-gittin'
me into hot water. _Meant_ all right! Had a heart as big as a meetin'
house, but he was at the bottom of every lickin' I ever got in my life.
Mebbe not havin' any next of kin, he felt he sorter owed it to me to
make me his heir."

Again his finger travelled slowly down the page to the clause in which
three freaks connected with the side shows were especially commended to
his care--an armless dwarf and the Wild Twins of Borneo. The lawyer's
letter explained that they had long been pensioners upon the bounty of
the deceased, and had the promise of the dying man that "Wex" would be
good to them.

"Bug the luck!" groaned the undertaker, as the full meaning of this
clause also dawned upon him. "Guardeen to an armless dwarf and two wild
twins of Borneo! Pole oughtn't to 'a' done me that way. I'll be the
laughing stock of the town, and that'll ruin my chances for ever with
Sade."

Glowering over his spectacles, he leaned through the open window and
spat testily out into the cluttered back yard. It was some time before
he drew in his shoulders. When a diffident old bachelor has obstinately
courted a girl for a decade, he naturally falls into the habit of
determining every act of his life by the effect it will have upon her.

In this case he could not imagine what effect his queer legacy would
have upon Sade Cooper, the comely, capable spinster of his dreams. She
had made up her mind to marry Wexley Snathers some day, for in the
stout, sandy-whiskered little undertaker she recognized an honest soul
of rare worth. On the occasion of his latest proposal, several weeks
before, she had given him the reason for her repeated refusals:--

"I never could get along with your ma, Wexley. If you had enough to keep
me in one house and old Mis' Snathers in another, I might think of
marrying you. But she'd try to get me under her thumb, same as she's
always held you, and your pa before you, and you know I never could
stand that, so you might as well save your breath on that question."

Wexley realized the hopelessness of his suit, if that was what stood in
the way, and since Sade's outspoken confession he had almost prayed for
an epidemic to smite the healthy little village, that the undertaking
business might prove more lucrative.

Now, as he sat with his head out of the window, breathing in the
sweetness of an old plum tree in bloom by the pump, he began to wonder
if this unexpected legacy would not solve all his difficulties. If the
circus could be made the stepping-stone for his desires without making
him ridiculous, or offending Sade's Puritan conscience, then Pole would
indeed have proved himself, for once, the greatest of benefactors.

The spring breeze bore to his senses the odour of the plum-blooms and
the shouts of boys playing ball on the commons. "Poor old Pole!" he
sighed, following the odour and the sound backward through nearly forty
other springtimes, to the first and only circus he had ever attended. He
and Pole had run away to see it, in days when shows were forbidden
ground. How vividly he remembered the whole glittering pageant, from the
gaily caparisoned horses with their nodding red plumes, down through the
gilded coaches, with mirror panels, to the last painted fool, riding
backward on his donkey.

The sudden opening of the shop door rang a bell above his head. He
started guiltily, jerking in his head in such haste that he struck it
with a bang against the window sash. His first impulse was to sweep the
papers on his desk out of sight, but as he recognized the voice of the
genial drummer who kept him supplied with coffin plates and trimmings,
he was overpowered by a longing to unburden his soul. So strong was the
desire that he yielded to it incontinently, and leaning over the counter
and fixing his anxious little eyes on the drummer he almost whispered:--

"Between you and me and the gate-post, Bailey, what would _you_ do if
you had a circus left you by will?"

The drummer's laugh at what he supposed was intended for a joke was
checked in the middle by the tragic earnestness of the questioner, who
with a wiggle of his thumb beckoned him mysteriously to inspect the
legal papers.

"There!" said he, "set down and give me your advice."

Seeing that the time for selling coffin-plates was not yet come, Bailey
gave his attention to discovering on which side Snathers preferred the
advice to fall, and being as voluble in giving advice as in the selling
of goods, it was not long before he had nearly convinced his customer
that, as a side-line to the undertaking business, there was nothing on
earth so desirable as a circus. "Sell it?" he exclaimed in conclusion,
"Not by a jugful! It will make your fortune, Snathers, sure."

"But it will make talk," protested Wex, going back to his first argument
with the provoking tenacity of slow minds. "I'm afraid it will hurt the
undertaking, for there'll be them as will say they wouldn't have a
showman performin' the last solemn rites for them, an' there'll be
others to say a man has no right to carry on a business that's a
stumblin' block and an offence." He was thinking of Sade.

"Oh, that doesn't cut any ice," answered the drummer, cheerfully, as he
closed the door behind him. "Go in and win!"

The news travelled fast and before dark Wex had been advised to sell his
circus, to run it on shares, to have the animals killed and stuffed as a
nucleus for a village museum. He was assured of success, warned of
ignominious failure, congratulated on his luck and condoled with for the
burden laid upon him. He was admonished that it was his Christian duty
to refuse the legacy, and told by his next visitor that he would be a
darn fool if he did.

He had aged visibly when he reached home, where he knew the news had
preceded him by the voice of his mother in the kitchen, high and shrill
above the sputter of the frying fat. She stood, hawk-eyed and
hawk-nosed, fork in hand, talking to some one in the back door.

"Well," she was saying, decidedly, "there was never a Snathers yit, far
as I know, that even went to a circus, and no son of mine shall own one
if I have _my_ say."

The answering voice was as decided as her own, provokingly cool and
deliberate, but the sweetest of all sounds to the anxious eavesdropper.
He flushed to the roots of his sandy hair and clutched nervously at his
stubby beard. It was Sade's voice. She had heard the news and had run in
the back way, in neighbourly village fashion, to ask if it were really
true. He waited breathlessly for her answer:--

"And _I_ think Wex'd feel he was flying straight into the face of
Providence not to make all he could out of it, even if he had to run it
himself for awhile." Then, startled by the sneeze that betrayed Wexley's
presence, she said good-bye so hurriedly that he had only a glimpse of a
white sunbonnet, fluttering around the corner.

Armed with this sanction, Wexley called that evening at the Cooper
cottage, where Sade kept house for a decrepit great-aunt. But she had
heard wild rumours in the meantime--the possibility of his adopting the
armless dwarf and the wild twins of Borneo, in case the show business
did not pay. But on being anxiously assured that there was nothing
whatever to fear in that direction if she would only marry him, she
confessed that she did not approve of his running a circus any more than
his mother did. It was only her chronic disability to agree with old
Mis' Snathers that made her say it.

So it was with a sorely troubled heart and brain that Wexley took up the
burden of life again next day. He had a funeral to conduct at ten
o'clock, and he began it in such an absent-minded way that he might have
made scandalous mistakes, had not the officiating clergyman's
text--Jeremiah, xii: 9,--delivered in a high, nasal drawl, brought him
to a sudden decision: "Mine heritage is unto me as a speckled bird. The
birds round about are against her." "Yes, even Sade!" he thought. And
such is the perversity of human nature that it stirred him to espouse
the cause of his speckled bird. As he led the slow procession out to the
cemetery, something followed him other than the hearse and the long line
of carriages;--in that shadowy procession of fancy, black hearse-plumes
gave place to the nod, nodding of red-plumed chariot horses. If there
was anything Wexley Snathers particularly prided himself upon, it was
the effective arrangement of funeral processions, and at the tempting
thought of the scope for his genius circus parades would afford, the
battle with his conscience was won. All the past called out loudly not
to venture on any road where Pole Bennet's feet had left a track, but
three days later--hoping that old Mr. Hill would hold on to life until
his return--the troubled undertaker locked the door of his little coffin
shop and fared forth to claim his heritage.

       *       *       *       *       *

It is not often that a dying man leaves his earthly affairs so
thoroughly provided for as did Napoleon Bennet, yet that astute showman
reckoned without an important element of his problem when he thought to
put the armless dwarf in his old playfellow's care. He had not counted
on the twist in her little warped brain,--a superstitious dread that
amounted almost to mania. She was afraid of undertakers or anything
connected with their gruesome business. A cold terror seized her when
she learned she was about to fall into the hands of a man on intimate
terms with Death and his pale horse and, with the cunning of her kind,
she began laying plans that would work his undoing.

Wexley first saw her sitting on a table, practising her one
accomplishment, writing her autograph with her toes. "Be thankful for
your arms. Jane Hutchins," she penned in round, childish script.

"Blest if it ain't better than I could do myself with both hands,"
declared Wexley, admiringly. Then, remembering what Pole had promised
about his being good to the tiny creature, he patted her kindly on the
head. She drew back with an inarticulate cry of alarm, turning upon him
the face of a woman of thirty. A wild look of aversion gleamed in her
little beady eyes.

It was the man's turn to draw back perplexed. He was beginning to feel
like a fish out of water--powerless to cope with the emergencies of the
show business. His employees had not been long in taking his measure.
The fat lady, the living skeleton and the leading clown, after looking
him over, decamped to accept the offer of a rival showman. "He's too
soft a snap for _me_ to leave!" said one of the acrobats. "Why, that old
skull-and-cross-bones doesn't know any more about this business than a
white kitten. Didn't even know he'd have to get a license to show, or
the whole lay-out would be attached."

Wexley, overhearing the conversation, grew weak in the knees. He was
rapidly becoming disillusioned. He had been disappointed in the street
parade. All the remembered glamour was lacking. It looked tawdry and
silly to his mature eyes, and he was ashamed to be seen with it. He had
just learned that the wild twins had never seen Borneo, but were only
tattooed half-witted orphans whom Pole had picked up, and were not even
brothers. He was puzzled to know how he had incurred the uncanny little
dwarf's displeasure, but he would have been still more puzzled could he
have heard her whispering hoarsely to the twins of Borneo, as she held
their frightened eyes fixed on hers in a fascinated gaze:--

"Remember, you promised to do it to-night. You know how to unlock the
cages. He's a graveyard man, and if you don't let the lion eat him up,
he'll put you in a box and screw the cover down." Here her voice sank to
a series of husky, terrifying groans. "He'll--bury--you!
In--a--deep--black--hole! And you'll _never_--_get_--_out_!"

Before dark Wexley had called on Pole's lawyer. "Advertise it for sale
at half-price," he said. "I'm plumb disgusted, and want to get home. If
to-night's performance hadn't been advertised so big, I wouldn't risk
tryin' to give it. I'm dead sure it'll be a failure."

       *       *       *       *       *

Of that evening's performance, all that he could subsequently relate was
this: "The calliope was playin', and everybody was clappin' and
cheerin', and I was wavin' my old hat and cheerin' too, so pleased that
the performance was turning out a success, when that old elephant, Lulu,
stopped short in the ring and began to trumpet. That sorter paralyzed
me. I felt in my bones that something was wrong. Then the smoke began to
pour in, and somebody yelled the lion was loose. Then everything seemed
to go wild. There was shoutin' and yellin' and an awful stampede. In the
mix-up I got a twisted ankle, and somebody stepped on my head. That's
the last thing I knew till morning."

In the morning he was lying on a hospital cot, his head bandaged and his
ankle in a plaster cast. Sam McCarthy, the lion tamer, his arm in a
sling, had come to inquire about him.

"Well, we found out how it happened," he told Wexley. "It was Jane's
doings--the little minx actually boasted of it. She struck matches with
her toes and set fire to the straw in a dozen places. How those
gibbering Borneo idiots ever let the lion out is more than _I_ know, but
they're strong as wildcats at times. She says she made 'em do it;--never
could have happened in Bennet's time."

"I know," replied Wex, wearily. "I s'pose it was my fault that
everything was left at loose ends, but it was all so confusin'. They
didn't save much out of the wreck, did they?"

"No; we were too far out for the volunteer engine company to get there
in time. Old Lulu's left, and the calliope. They got that out, and the
dancing bears and the horses. But such things as coaches, clothes, and
fol-de-rols are done for,--and several people who were hurt are going to
bring suit."

The undertaker closed his eyes and groaned. "And no insurance. All
Gentryville would have to die off before I could raise money enough to
pull me out now," he murmured. "I might have known that, living or dead,
Pole would get me into trouble! McCarthy!" he exclaimed, starting up, "I
wish you'd send that lawyer down here to me. I want to get shut of the
whole blamed business before sundown. It ought to be settled before I
get any worse."

       *       *       *       *       *

There was a crowd around the bulletin-board of the Gentryville
_Chronicle_, bearing a paragraph from one of the big city dailies.
People stopped to read, and pushed on with shocked faces to tell their
neighbours that Wexley Snathers, trying to stop the stampede at the
burning of his circus, had been fatally trampled and had since died in
the hospital from internal injuries.

Old Mrs. Snathers sat in her darkened house, tense and wild-eyed, not
knowing at what hour Wexley's mangled body might be laid before her.
Sade refused to believe the report, until confronted with the staring
headlines in which Wexley's name appeared in huge black letters. Then
her remorse and self-reproach were almost more than she could endure.

       *       *       *       *       *

It was towards night of the third day after the appearance of the
bulletin that the train pulling into Gentryville bore among its
passengers a tired-looking man on crutches. His head was bandaged, and
his gray linen duster bore marks of a long journey. Climbing down the
steps farthest from the station, he swung himself along on his crutches
toward the little coffin shop, and the smell of varnish that met him on
entering was like the greeting of an old friend. Ignorant of the
impression current about his death, he had gone first to the shop to get
his bearings before meeting the eye and tongue of the village public.

Sitting beside the open back window, his first feeling was one of
relief. The circus was a thing of the past. The lawyer had assured him
that by some hook or crook, best known to his profession, he could
undertake to settle all suits to the satisfaction of his client. He had
also undertaken to consign the freaks to some public institution for the
feeble-minded, and for his services he was willing to accept the very
things that had grown to be the bane of Wexley's existence,--the
remnants of the circus.

Here he was at last, a free man, although with a sore head and a
sprained ankle. The next thought was not so pleasant. He was farther
from winning Sade than he had ever been before, by the whole amount of
his doctors' bills and travelling expenses. Had it not been for his
feeling that it was almost sacrilege to curse a dead man, he would then
and there have anathematized Pole with a glad heart but with a vicious
gnashing of teeth.

As he sat there in the deepening spring twilight, a tall comely figure
came through the little gate at the side of his shop and started across
his back yard. It was the short cut towards his home. He started forward
eagerly as he recognized the familiar outlines in the dusk, and the slow
sweep of skirts. He did not stop to wonder why she should be going to
his mother's just then. His only feeling was joy that his eyes rested
upon her. It seemed years since he had seen her last. He knocked on the
window-pane to attract her attention.

"Sade! Oh, Sade!" he cried, leaning out of the window, his linen duster
gleaming ghostly gray in the twilight.

The startling apparition, looming thus suddenly out of the coffin shop,
froze the woman's very soul. With a terrified cry she sank weakly in a
heap on the ground, and sat there shivering and gibbering, tears of
fright streaming down her cold face.

"Lord 'a' mercy, Sade! What's the matter?" he cried, stumbling over his
crutches in his haste to unbolt the back door and get to her. As he
attempted to raise her she fell limply against him, fainting.

"'Be thankful for your arms. Jane Hutchins,'" chuckled Wexley under his
breath, as he realized that for the first time in his long wooing his
arms were actually around her, and he half carried, half dragged her to
the door-step.

Sade was not given to hysterics, but her fright at seeing what she
supposed was Wexley's spirit, and the relief at finding him so very much
in the flesh kept her sobbing and laughing alternately for some time.
And the time was all too short for the man who listened to her tearful
confession of remorse.

As he helped her to her feet he said solemnly: "I'll forgive Pole now
for all the trouble he ever got me into. Since this circus affair has
made you change your mind, it's the best job he ever did in his life."

Several days later he made the same remark to his mother. "Humph!" she
sniffed. "You hain't lived with her yit." Wexley whistled softly as he
rubbed up his best sample coffin-plate, with which he intended to adorn
the parlour wall, as is the fashion of Gentryville. He would hang it up
on his wedding day, in grateful memory of his benefactor, with the name
"Mortimer Napoleon Bennet" engraved upon it. At present it bore on its
shining surface in large ornate letters only the inscription, "Rest in
Peace."




The Fifth Traveler

Bap. Sloan

To His Mount of Pisgah


THROUGH the twilight that filled the valley a winding white pike was all
that could be seen distinctly. The brown-furrowed corn-fields were
blotted out in the dusk. Farm-houses had merged their outlines into the
dark mass of the surrounding trees. Only the apple-orchards kept their
identity, and that because it was blossom-time, and the dewy night air
was heavy with their sweetness.

Somewhat back from the pike, yet near enough for the rattle of passing
wheels to give a sense of companionship, a man sat rocking back and
forth in a narrow vine-inclosed porch. He was in his shirt-sleeves, and
collarless, and the slow creak of the old wooden chair seemed to voice
his physical comfort like a purr; but it by no means expressed the state
of his mind. That was attuned to something wholly melancholic, like the
croaking of frogs in the pond below his house, or the far-away baying of
a dismal-minded hound, which, tied behind some cabin across the
clearing, was making the peaceful Sabbath evening vibrant with its
misery.

"I can't help havin' a sort of fellow-feelin' for that dawg," muttered
the man, raising his head to listen, and passing his hand slowly over
the bald spot on his crown. "Must be considerable of a relief to let out
and howl like that when you feel bad. There's been times when I wouldn't
'a' minded tryin' it myself for a spell."

Then he settled back into his chair with a long-drawn sigh. He was
awaiting the second ringing of the church bell. The first one had tolled
its summons through the valley nearly an hour before, and vehicles were
beginning to rattle along the pike toward evening service. The little
frame meeting-house, known as the Upper Beargrass Church, stood in a
grove of cedars just beyond Baptist Sloan's potato-field. It was near
enough for any one sitting on his porch to hear the preacher's voice all
through the sermon, and sometimes when he waxed eloquent at the close,
in a series of shouted exhortations, even the words were distinctly
audible.

But never in all the years of his remembrance had Baptist Sloan listened
to the services of the sanctuary from his door-step. On the few
occasions that illness had kept him at home, pain and multitudinous
bedclothes had shut out all sound of song or sermon; and at other times
he was the most punctual attendant of all the congregation, not
excepting even the sexton. People wondered why this was so, for he was
pointed out as the black sheep of the flock, a man little better than an
infidel, and belonging to that stiff-necked and proud generation which
merits the anathemas of all right-minded people.

That he was a riddle which Upper Beargrass Church had been trying vainly
to read for thirty years was a fact well known to the reprobate himself;
for he had been openly preached at from the pulpit, laboured with in
private, and many a time made the subject of special prayer. So, as he
sat on the porch in the dark, with only the croaking of the frogs and
the distant baying of the hound to break the stillness, it was with no
surprise whatever that he heard his own name spoken by some one driving
up the pike.

He could not see the horse that plodded along at a tortoise-like gait,
or the old carryall that sagged and creaked with the weight of two big
men on the front seat and a woman and three children on the back; but he
recognized the voice as that of Mrs. Jane Bowles. Thin and strident, it
stabbed the stillness like the rasping shrill of a katydid. She was
leaning forward to speak to the visiting minister on the front seat.

"We're coming to Bap Sloan's house now, Brother Hubbs," she called in
high staccato. "I want you should rub it into him good to-night in your
sermon. He's a regular wolf in sheep's clothing, if ever there was one.
Twice on a Sunday, for fifty-two weeks in the year, he's sitting in that
third pew from the front, as pious as any pillar in the congregation.
You can count up for yourself how many sermons he must have heard, for
he's fifty, if he's a day. But in spite of all that anybody can say or
_do_, he won't be immersed and join. He's held out against everything
and everybody till he's gospel-hardened. I ain't saying he doesn't put
into the collection-box regular, or that he ain't a moral man outwardly;
but that outward show of goodness only makes his example worse for the
young folks. I never can look at him without saying to myself, 'But
inwardly ye are ravening wolves.'"

The old horse had crawled along almost to the gate by this time, but
Sister Bowles, not being able to see any one on the porch, went on,
serenely unaware of being overheard.

"And there's Luella Clark that he's courted off and on for twenty years.
It makes me real mad when I think of the good offers she's had and let
slip account of him. She _couldn't_ marry him, being close communion,
and not tolerating the idea of being 'unequally yoked together with
unbelievers.' 'Twouldn't 'a' been right; and yet, somehow, she didn't
seem to be quite able to give him up, when that was the only thing
lacking. He'd make a good husband, for there never was a better brother
lived than he was to his sister Sarah. She kept house for him till the
day of her death. They say that last winter, when she lay there a-dying,
she told him she couldn't go easy till she saw him immersed; but all
he'd say was, 'Oh, don't ask me! I can't _now_, Sarah. Some day I will,
but not _now_.'"

Here the preacher's voice broke in like the deep roll of a bass drum.
"Has this--ah--young woman any idea of what--ah--produces such a state
of--ah--obstinacy in the brother's mind?"

"Not an i-_dee_!" was the reply, jolted out shrilly as the carryall
struck a stone. "Not one good reason could he give Luella for putting
off attending to his soul's salvation and trifling away his day of
grace. Not one good reason, even to get her to marry him. But I think
Luella is getting tired of dangling along. The other day I heard her
joking about that little bald spot that's beginning to show on his head,
and I noticed that Mr. Sam Carter's buggy has been hitched at their gate
several times when I've happened to be passing. He's a widower, and you
know, Brother Hubbs, that when widowers--"

The loud clanging of the church bell struck Sister Bowles's sentence in
the middle, and the end of it was lost to the eager ears on the porch.
Although this sound of the church bell was what Baptist Sloan had been
waiting to hear for the last hour, he did not rise until the final echo
of its ringing had died away in the farthermost part of the valley. Then
he went slowly into the house and lighted a lamp.

The open door into the kitchen revealed the table where he had eaten his
dinner and supper without removing the soiled dishes. In every corner
was the cheerless look that betrays the lack of a woman's presence. He
had done his own housekeeping since his sister's death in the early
winter. As he passed the table he gathered up a plateful of scraps which
he had intended to give to the cat, but had forgotten, and carried it
out to the back door-step. He tried to be mindful of the old creature's
comfort for his sister's sake; but he was an absent-minded man,
irresolute in nearly every action, and undecided in all things except
the one for which the neighbourhood condemned him.

Just before he entered the house he had almost made up his mind that he
would not go to church that night. Sister Bowles's conversation had
startled him with a new idea, and jogged him out of his well-worn rut.
He would sit out on the porch till church was over, and then follow
Luella home, and take up the thread of his protracted courtship where
she had snapped it five years before.

But the habit of decades asserted itself. He bolted the back door,
carried the lamp into the little bedroom adjoining the kitchen, and
proceeded to brush his hair according to the usual Sunday-night
programme of preparation. Sarah had always tied his cravat for him, and
his stiff fingers fumbled awkwardly at the knot. That was one ceremony
to which he could not grow accustomed, and he had serious thoughts of
turning out a beard that would hide all sins both of omission and
commission in the way of neckties.

At last he was ready, but even with his hand on the knob and his hat on
his head, he wavered again and turned back. Cautiously tiptoeing across
the floor to see that the blue paper shade was drawn tightly over the
one tiny window of the little bedroom, he opened the door into the
closet, and felt around until his hand struck a nail that marked some
secret hiding-place in the wall. From somewhere within its depths he
drew out a little japanned canister, branded, in gilt letters, "Young
Hyson;" but it was not tea that he emptied on the bed and poured through
his rough hands, horny with long contact with hoe and plow. It was a
stream of dollars and dimes and nickels, with an occasional gold piece
filtering through like a disk of sunshine. A wad of paper money stuck in
the canister until he shook it. He counted that last, smoothing out the
ragged bills one at a time, and then folding them inside a crisp new one
so that its flaunting V was displayed on top.

One might have thought him a miser gloating over his gold, so carefully
he counted it again and again, sitting there on the edge of his bed. But
there was no miserly greed in the wistful glance that followed the last
coin into the little canister, and it was with a discouraged sigh that
he replaced the cover and sat looking at it, the slavish hoarding of
years.

"It will take twenty dollars more," he finally whispered to himself;
"and I can't depend on any ready cash until after wheat harvest." He
counted slowly on his fingers May, June, July--it might be three months
before he could get his threshing done, and three months, now that he
was so near the goal of his life's ambition, seemed longer than the
years already passed in waiting.

They were singing in the church when he went out on the porch again, and
as he did not want to go in late, that decided the question that had
been see-sawing in his mind. He sat down in the rocking-chair, with his
elbows on his knees and his head in his hands. Sister Bowles's
conversation still rankled.

"O Lord," he groaned presently, "you know I'm not a wolf in sheep's
clothing. More like I'm a sheep in a wolf's. Nobody understands it. Not
even Luella. I want to tell her, and yet it seems like I hadn't ought to
yet awhile. One minute I think one way and the next minute another. O
Lord, I _vow_ I don't know what to do!"

Then he caught the words of the song. It was not one of the usual hymns
that floated out to him across the scent of the apple-boughs, but an old
tune that he had heard years ago at a camp-meeting:

    "John went down to the river Jordan!
     John went down to the river Jordan!
     John went down to the river Jordan
           To wash his sins away!"

Little did the congregation think, as they lifted their lusty voices,
that with the thread of that old tune lay the unravelling of Bap Sloan's
riddle. For this is the scene it brought back to him, out of one of the
earliest years of his childhood. There was a white face lying back among
the pillows of a great bed, with carved posts and a valance of flowered
chintz that smelled faintly of lavender. Somebody had lifted the big
family Bible and laid it open on the edge of the bed, and he saw
himself, a sober-faced little fellow in brown dress and apron, standing
on tiptoe to look at the pictures. That white face on the pillows was
his mother's, and this was the only recollection he had of her. Pointing
to a queer old engraving, she had told him the story of John the
Baptist, adding, with her thin hand on his curls: "And your name is
John, too. Little John Baptist, though we don't call you by all of it. I
named you that a purpose. Give you a good name, so 't you'd be a good
man. Mebbe it's just a whim of mine, but I've thought a good deal about
it while I've been lying here sick. Mebbe some day _you'll_ be able to
go to the Holy Land, 'way over the mountains and over the seas, and be
baptized in that same river Jordan, where the dove descended. See the
pretty dove?"

Even though the baby brain understood but dimly what she said to him,
the light in her uplifted eyes filled him with solemn awe, and from that
moment the mantle of her ambition rested henceforth on his young
shoulders. It was a vague, intangible thing at first, when he used to go
back to the old Bible and study the picture in secret. He never
understood when it began to fold itself about his life, or how it grew
with his years till it completely enveloped him.

He was a man little given to introspection, and with a mind so slow to
arrive at a conclusion that it always seemed doubtful if he would ever
reach it. Still, when he once settled down on an opinion, his sister
Sarah used to say it was with the determination of a snapping-turtle.
"He wouldn't let go then till it thundered." His sister Sarah took
charge of him, mind and body, when their mother died, and so thoroughly
did she manage him that her will was always his, except in that one
matter. He would not join the church of his fathers until he got ready,
and he would give no reason for his delay.

He was twenty when he made his first stubborn stand against her, and for
thirty years Sarah wept over him both in public and private, and for
thirty years Luella Clark's heart battled with her conscience, which
would not let her be "unequally yoked together with an unbeliever." And
through all that time Baptist Sloan had kept his own counsel, hoarding
every penny he could save, to the refrain of his mother's remembered
words: "Over the mountains and over the seas, and be baptized in that
same river Jordan, where the dove descended."

He had so firmly made up his mind that after that pilgrimage to his
Mecca he would marry Luella that he had never viewed his conduct from
her standpoint until Sister Bowles opened his eyes. Her speech about the
widower aroused him to an undefined sense of danger. All that next hour
his inclination shifted like a weather-vane, first to take Luella into
his confidence, then not to. By the time the congregation rose for the
last hymn he had made up his mind.

The moon was coming up now, a faint, misty light struggling through the
clouds. He waited until most of the congregation had passed his gate,
and then striking out across the potato-field, waited at the turn of the
road on the other side of the cedar-grove. It was here that Luella
always parted company with the Robinson girls, and went the remaining
way alone. It was only a few steps farther to her mother's brown
cottage, and he hurried to overtake her before she should reach the
gate.

"Land o' Goshen! Bap Sloan!" she exclaimed, with a startled little cry,
as he came puffing along by her side. "Who'd 'a' dreamed of seeing _you_
here? Why wa'n't you at church to-night? Everybody was asking if you
were sick, it's been so long since you've missed."

"Stop a minute, Luella," he exclaimed, blocking her way by planting
himself directly in her path. "I want to talk to you. I've made up my
mind at last to tell you, and I want you to come back and sit down on
the stile where nobody else can't hear it."

Led by curiosity as much as by the new masterfulness in his tone, Luella
turned back a step and seated herself on the stile that led into the
apple-orchard. The blossom-laden bough of a gnarly old tree bent over
her head and sent a gust of fragrance past her that made her close her
eyes an instant and draw a long breath, it was so heavenly sweet. The
night was warm, but she drew her shawl around her erect, angular figure
with a forbidding air that made it hard for him to begin. "Well?" she
said stiffly.

"I don't know just how it's goin' to strike you," he began, hesitating
painfully. "That is--well, I don't know--maybe you won't take any
interest in it, after all; but I kinder thought--something might happen
in the meantime--maybe I'd better--"

He gave a nervous little cough, unable to find the words.

"What air you aiming at, anyhow, Baptist Sloan?" she demanded. "What's
got your tongue? Mother'll wonder what's keeping me, so I wish you'd
speak up and say what's on your mind, if there's anything a-troubling
you."

Then he blurted out his confession in a few short sentences, and waited.
She sat staring at him through such a long silence that he forced an
uneasy laugh.

"I was afraid maybe you'd think it was foolish," he said dejectedly.
"That's why I never could bring myself to speak of it all these years. I
thought nobody'd understand--that they'd laugh at me for spendin' a
fortune that way. But honest, Luella, it is sort o' sacred to me, and
mother's words come to me so often that it's grown to be like one of the
commandments to me." His voice sank almost to a whisper: "'Over the
mountains and over the seas, and be baptized in that same river Jordan,
where the dove descended.' It's been no small matter to live up to,
either. Sometimes it seems to me as if I'd been sent out like the
children of Israel, and it was goin' to take the whole forty years of
wanderin' to reach my promised land. I've spent thirty of 'em in the
wilderness of wantin' _you_, but I begin to see my way clearin' up now
toward the end. Only twenty dollars more! I can go after wheat harvest
and the threshin'. Good Lord, Luella, why don't you _say_ somethin'! But
it's no use; I know you think I'm such an awful fool."

She turned toward him in the dim moonlight, her eyes filled with tears.

"Oh, Bap," she cried, "to think how everybody has misjudged you all this
time! It's perfectly _grand_ of you, and I feel like a dawg when I
remember all I've said about your not being a believer, when all the
time you were better than any of us can ever hope to be. It's like being
the martyrs and crusaders all at once, to stick to such an ambition
through thick and thin. But oh, Bap, why _didn't_ you tell me long ago!"

"Don't cry, Luella," he urged, awkwardly patting the shawl drawn around
her thin shoulders. He was amazed and overwhelmed at this unprecedented
revelation of tenderness in what had always been to him the most
stony-hearted of natures.

"Then maybe, Luella, after wheat harvest," he ventured, floundering out
of an awkward pause, "after I've been and got back, then--will you have
me?"

She slipped her hand into his. She would have had him then and there had
he asked her, and counted it joy to be allowed to help toil for the
funds still needed to carry her saint across the seas. Already she had
fitted a halo about the bald spot she had lately ridiculed, and she
burned to begin her expiation for that sacrilege.

But in the molding of his plans Baptist Sloan had arranged that marriage
was to come after the Mecca, and in the hardening process of the years
that idea had become so firmly set in his mind that nothing short of
supernatural force could have produced a change. It never occurred to
him that it was possible to marry before he went on his pilgrimage.

He held the hand she had given him awkwardly. This was the hour he had
dreamed of, but now that it had come, he was ill at ease, uncertain how
to proceed. Suddenly a little breeze, swinging through the orchard,
stirred the apple-bough above them, and sent a shower of pink-and-white
blossoms across their faces. Velvety soft were the petals, cool with the
night dew, and unspeakably sweet. She looked up at him, her face grown
wonderfully young and fresh again in the moonlight. He stooped and
kissed her. The apple-bough swayed again above them, with another
fragrant shower of pink and white. It, too, was gnarly and old, but
standing glorified, like them, for a little while in the sweetness of
belated blossom-time.

It was the talk of the valley--this pilgrimage of Baptist Sloan's.
Nobody within its borders had ever been out of sight of land, and the
congregation divided itself into two factions regarding him. One
division called it sinful pride that sent him chasing away to parts
unknown on such an errand. Beargrass Creek was good enough for Bap
Sloan's immersion, if it had been good enough for his father's and
grandfather's before him. The other side agreed with Luella, according
him the halo, and she, in the reflected light of such greatness, beamed
proudly and importantly on all her little world.

Several weeks after this disclosure he stopped at the cottage one
morning in great excitement. He held a letter in his hand, some railroad
time-tables, and the itinerary of a "personally conducted" party to
Palestine. "I say, Luella," he cried, "look at this! It's clear
providence that the Paris Exposition happened to start up just now.
Here's a chance to go to the Jordan on excursion rates, with three days
at the Exposition thrown in. I needn't wait till after wheat harvest
now, it's so much cheaper than what I had figured on. And the beauty of
it is, I can not only kill two birds with one stone,--take in Paris and
Palestine both,--but have a guide to look after everything. It's been a
mystery to me all along how I was to find my way around in those furrin
parts by myself. But this settles everything. I can start to New York
next Wednesday, and get there before the ship sails. _Lord_, Luella! To
think it's really comin' to pass after all these years!"

Luella was in a quiver of excitement, but she rose to the occasion with
almost motherly solicitude for his well-being. "I'll put up your lunch,
Bap," she said. "You needn't worry about a thing; only tell me what
you'd like to have cooked. And if you've any clothes that need mending,
just you bring 'em right down, and I'll see to 'em. I'll go over to your
house after you've gone, too, and fix things ready to be left shut up
for the time you're away."

Her prompt decision was so much like his sister Sarah's that he never
thought of protesting. It seemed good to be managed once more, and he
meekly acquiesced to all she proposed.

Luella had a sharp tongue, but it had lost its sting for him since she
had put him on the pedestal of hero and saint. But it had not lost its
cutting qualities when turned on other people.

"What's this big empty sarsaparilla bottle doing in your carpet-bag?"
she demanded suddenly on the day of his departure.

"Old Mis' Bates wants that I should take it along and fill it at the
Jordan. She's countin' on havin' all the family baptized out of it when
I get back."

"Out of one quart bottle!" sniffed Luella, scornfully. "Humph! Just like
the Bateses. Much good any one of 'em will get out of such a stingy
sprinkling. Why didn't you tell her you couldn't be bothered with it?
You always was the kind to be imposed on, Bap Sloan. If I wasn't so
afraid of water that horses couldn't pull me on to a ship, I'd go along
to look after you. _Do_ take care of yourself!"

And that was the chorus shouted after him as he swung himself up the
car-steps, stumbling over his carpet-bag and big cotton umbrella. Fully
two thirds of the congregation were down at the station to bid him
good-bye. In the midst of the general hand-shaking some one started a
hymn, and the last words that Bap Sloan heard, as he hung out of the
train window to wave his hat, were:

    "By the grace of God we'll meet you
       On Jordan's happy shore!"

There was one last look at Luella, wildly waving a limp wet
handkerchief. The sight so affected him that he had to draw out his
bandana and violently blow his nose; but he smiled as the train went
leaping down the track. All the weary waiting was over at last, and his
face was set toward his Promised Land.

       *       *       *       *       *

Several days later, in one of the southbound trains pulling out of New
York, the conductor noticed a man sitting with his head bowed in his
hands. His soft slouch-hat was pulled over his eyes, and an antiquated
carpet-bag and big cotton umbrella were piled on the seat beside him.
Except when he showed his ticket, there was no change in his attitude.
Mile after mile he rode, never lifting his head, the hopeless droop of
his bowed shoulders seeming to suggest that some burden had been laid
upon them too great for a mortal to bear.

Night came, and he slept at intervals. Then his head fell back against
the cushion of the seat, and one could see how haggard and worn was the
face heretofore hidden. In the gray light of the early morning the
conductor passed again and turned to give a second glance at the
furrowed face with its unshaven chin, unconsciously dropped, and the
gray, uncombed hair straggling over the forehead. Even in sleep it wore
an expression of abject hopelessness, and looked ten years older than
when, only three days before, it smiled good-bye to the singing crowd at
Beargrass Valley station. Baptist Sloan was homeward bound, and yet he
had not so much as even seen the ship which was to have carried him to
his Jordan.

It was only the repetition of an old story--old as the road going down
from Jerusalem to Jericho. He had fallen among thieves. In the
bewilderment and daze which fell upon him when he found himself alone in
a great city, he had been easy prey for confidence men. There had been a
pretended arrest. He had been taken into custody by a man who showed his
badge and assumed to be a private detective. Sure that he could prove
his innocence, and smiling grimly as he compared himself once more to a
harmless sheep in wolf's clothing, he allowed himself, without an
outcry, to be bundled into a carriage that was to take him to the police
station. When he came to himself it was morning, and he was on the steps
of a cellar, with every pocket empty. He had been robbed of his little
fortune, stripped bare of his lifelong hope.

How he was at last started homeward with a ticket in his hand could have
been explained by a young newspaper reporter who interviewed him
exhaustively at the police station, whither he finally found his way.
The reporter made a good story of it, touching up its homely romance
with effective sketching; and then because he had come from the same
State as Baptist Sloan, because he had once lived on a farm and knew an
honest man when he saw one, he loaned him the money that was to take
this disabled knight errant home with his mortal wound.

It was on the afternoon of the second day that Baptist Sloan opened his
old carpet-bag for the remnants of the lunch that Luella had packed
inside. His hand struck against Mrs. Bates's sarsaparilla bottle, and he
shut his eyes with a sickening sensation of inward sinking.

"And I've got to take that there thing back to her _empty_," he said,
gritting his teeth. "Where am I ever goin' to get the spunk to face 'em
all? They'll say it was a judgment on me, for a good many of 'em seemed
to think that I was too proud to be baptized in Beargrass. They'll say
that maybe it's to save me from fallin' short of heaven that I failed to
reach the Jordan."

As he slowly munched the dry remains of his lunch, the cogs of the
car-wheels started anew the question that had tormented him all the way.
"What _will_-Lu-_el_-la _say_? What _will_-Lu-_el_-la _say_?" they
shrieked over and over.

"She'll say that I'm an awful fool," he told himself. "She never could
abide to be laughed at, and if people poke fun at me, she'll never have
me in the world." The alternate hope and despair that seized him were
like the deadly burning and chill of fever and ague. "If I only knew how
_she'd_ take it!" was his inward cry. When he thought of her proverbial
sharp tongue he quailed at the ordeal of meeting her. But through every
interval of doubt came the fragrance of the moonlighted apple-orchard,
the old stile, that one kiss--a remembrance as sweet as the blossom-time
itself. Surely Luella must think of that.

Presently he noticed that the brakeman was calling out the names of
familiar stations, and he realized that he was almost home. Only a few
minutes more to summon his courage and brace himself for his trial. The
train rumbled over a trestle, and peering out through the gathering dusk
he saw the shallow waters of Beargrass Creek, black with the reflection
of the evening shadows. "The only Jordan Bap Sloan will ever see now,"
he said, with a shiver that sent a tremor through his bowed shoulders.

"Beargrass Valley!" he heard the brakeman call. Nervously he clutched
his carpet-bag and umbrella, and lurched down the aisle. But when the
train stopped and he was half-way down the steps, he paused and clung an
instant to the railing. "O Lord!" he groaned once more, involuntarily
shrinking back. "If women wa'n't so awfully oncertain! If I just _knew_
what Luella's goin' to say!"

As Baptist Sloan clicked the latch of his front gate behind him, and
stood a moment in the path, the familiar outlines of his old home rising
up in the dim light smote him with fresh pain. The thirty years of hope
and struggle were there to meet him with accusing faces and to turn his
home-coming into bitterness unspeakable--such bitterness as only those
can know who have cringed under the slow heartbreak of utter failure. He
did not even unlock the door, but dropping his carpet-bag and umbrella
on the porch floor, sank down into the old wooden rocker, covering his
face with his hands.

It was in this attitude that Luella found him an hour later, when she
came hurrying down the path with quick, fluttering steps. The moonlight,
struggling through the vines on the porch, showed her the object of her
search.

"I just now heard you was home!" she cried, with a nervous little laugh.
"It was in the evening paper, all about it. The doctor stopped by and
showed it to me."

She paused on the top step, out of breath, and awed by the rigid despair
showing in every line of the silent figure. She had divined that he
might need comfort, but she was not prepared for such desolation as
this. Silently she took another step toward him, then another, and laid
her hand timidly on his shoulder. His only response was a long,
shivering sigh.

"Oh, Bap, _don't_!" she cried. "Don't take it like _that_!"

"I've give' up," he said dully. "Seems as if it wa'n't worth while to go
on living any longer, when I've made such an awful failure. It's the
hope of a lifetime blasted, and I can't help feelin' that some way or
'nother mother knows it, too, and is disappointed in me."

She gathered the bowed head in her arms, and pressing it toward her,
began stroking it with soothing touches, as tenderly as if she had been
that disappointed mother.

"There, there!" she sobbed, with a choking voice. "You sha'n't say that
again. The world might count it a failure, same as they would a
race-horse that didn't get under the wire first. But what if you didn't
get there, Bap, _think how you ran_! You went just as far as the Lord
let you, and nobody can count it a failure when He stepped in and
stopped you. Look at Moses! He didn't get to his Promised Land either.
Maybe it ain't right for me to make Bible comparisons, but you went just
as far as he did, where you could stand and look over, and I'm proud of
you _for_ it. It's a sight farther than most people get."

There was tender silence for a little space, then she descended from the
Pisgah on which she had placed him and came down to the concerns of
every-day life. When she spoke again it was with her usual bustling air
of authority.

"Here, I've brought the key," she said. "Stick your carpet-bag inside
the door, and come home with me. Jordan or no Jordan, you've got to have
a cup of tea and a good hot supper."


    THE END.




WORKS OF ANNIE FELLOWS JOHNSTON


THE LITTLE COLONEL BOOKS (Trade Mark)

_By ANNIE FELLOWS JOHNSTON_

_Each 1 vol., large 12mo, cloth, illustrated, per vol._ $1.50

THE LITTLE COLONEL STORIES (Trade Mark)

Being three "Little Colonel" stories in the Cosy Corner Series, "The
Little Colonel," "Two Little Knights of Kentucky," and "The Great
Scissors," put into a single volume.

THE LITTLE COLONEL'S HOUSE PARTY (Trade Mark)

THE LITTLE COLONEL'S HOLIDAYS (Trade Mark)

THE LITTLE COLONEL'S HERO (Trade Mark)

THE LITTLE COLONEL AT BOARDING-SCHOOL (Trade Mark)

THE LITTLE COLONEL IN ARIZONA (Trade Mark)

THE LITTLE COLONEL'S CHRISTMAS VACATION (Trade Mark)

THE LITTLE COLONEL, MAID OF HONOR (Trade Mark)

THE LITTLE COLONEL'S KNIGHT COMES RIDING (Trade Mark)

MARY WARE: THE LITTLE COLONEL'S CHUM (Trade Mark)

MARY WARE IN TEXAS

_These eleven volumes, with The Little Colonel's Good Times Book, boxed
as a twelve-volume set_, $18.00.

THE LITTLE COLONEL (Trade Mark)

TWO LITTLE KNIGHTS OF KENTUCKY

THE GIANT SCISSORS

BIG BROTHER

Special Holiday Editions

Each one volume, cloth decorative, small quarto, $1.25

New plates, handsomely illustrated with eight full-page drawings in
color, and many marginal sketches.

IN THE DESERT OF WAITING: THE LEGEND OF CAMELBACK MOUNTAIN.

THE THREE WEAVERS: A FAIRY TALE FOR FATHERS AND MOTHERS AS WELL AS FOR
THEIR DAUGHTERS.

KEEPING TRYST

THE LEGEND OF THE BLEEDING HEART

THE RESCUE OF PRINCESS WINSOME: A FAIRY PLAY FOR OLD AND YOUNG.

THE JESTERS SWORD

    Each one volume, tall 16mo, cloth decorative  $0.50
    Paper boards                                    .35

There has been a constant demand for publication in separate form of
these six stories which were originally included in six of the "Little
Colonel" books.

JOEL: A BOY OF GALILEE: BY ANNIE FELLOWS JOHNSTON. Illustrated by L. J.
Bridgman.

    New illustrated edition, uniform with the Little Colonel
    Books, 1 vol., large 12mo, cloth decorative        $1.50

A story of the time of Christ, which is one of the author's best-known
books.

THE LITTLE COLONEL GOOD TIMES BOOK

    Uniform in size with the Little Colonel Series      $1.50
    Bound in white kid (morocco) and gold                3.00

Cover design and decorations by Peter Verberg.

Published in response to many inquiries from readers of the Little
Colonel books as to where they could obtain a "Good Times Book" such as
Betty kept.

THE LITTLE COLONEL DOLL BOOK

    Large quarto, boards      $1.50

A series of "Little Colonel" dolls,--not only the Little Colonel
herself, but Betty and Kitty and Mary Ware, yes, and Rob, Phil, and many
another of the well-loved characters,--even Mom' Beck herself. There are
many of them and each has several changes of costume, so that the happy
group can be appropriately clad for the rehearsal of any scene or
incident in the series.

The large, cumbersome sheets of most of the so-called doll "books" have
been discarded, and instead each character, each costume, occupies a
sheet by itself, the dolls and costumes being cut out only as they are
wanted.

ASA HOLMES: OR, AT THE CROSS-ROADS. A sketch of Country Life and Country
Humor. By ANNIE FELLOWS JOHNSTON.

With a frontispiece by Ernest Fosbery.

    Large 16mo, cloth, gilt top      $1.00

"'Asa Holmes; or, At the Cross-Roads' is the most delightful, most
sympathetic and wholesome book that has been published in a long
while."--_Boston Times._

TRAVELERS FIVE: ALONG LIFE'S HIGHWAY. By ANNIE FELLOWS JOHNSTON.

    With a frontispiece in color from a painting by Edmund
    H. Garrett. 12mo, cloth decorative       $1.25

In her new book, written with the same grace and ease that have
distinguished her former works, Mrs. Johnston introduces five travelers
along life's highway. The characters are all so different--some
humorous, some pathetic--and yet all so very real, that their progress
along the road will afford entertainment and pleasure. The book is full
of life and action.


COSY CORNER SERIES

      It is the intention of the publishers that this series
      shall contain only the very highest and purest
      literature,--stories that shall not only appeal to the
      children themselves, but be appreciated by all those
      who feel with them in their joys and sorrows.

      The numerous illustrations in each book are by
      well-known artists, and each volume has a separate
      attractive cover design.

    Each 1 vol., 16mo, cloth      $0.50

_By ANNIE FELLOWS JOHNSTON_


THE LITTLE COLONEL (Trade Mark.)

The scene of this story is laid in Kentucky. Its heroine is a small
girl, who is known as the Little Colonel, on account of her fancied
resemblance to an old-school Southern gentleman, whose fine estate and
old family are famous in the region.


THE GIANT SCISSORS

This is the story of Joyce and of her adventures in France. Joyce is a
great friend of the Little Colonel, and in later volumes shares with her
the delightful experiences of the "House Party" and the "Holidays."


TWO LITTLE KNIGHTS OF KENTUCKY

WHO WERE THE LITTLE COLONEL'S NEIGHBORS.

In this volume the Little Colonel returns to us like an old friend, but
with added grace and charm. She is not, however, the central figure of
the story, that place being taken by the "two little knights."


MILDRED'S INHERITANCE

A delightful little story of a lonely English girl who comes to America
and is befriended by a sympathetic American family who are attracted by
her beautiful speaking voice. By means of this one gift she is enabled
to help a school-girl who has temporarily lost the use of her eyes, and
thus finally her life becomes a busy, happy one.


CICELY AND OTHER STORIES FOR GIRLS

The readers of Mrs. Johnston's charming juveniles will be glad to learn
of the issue of this volume for young people.


AUNT 'LIZA'S HERO AND OTHER STORIES

A collection of six bright little stories, which will appeal to all boys
and most girls.


BIG BROTHER

A story of two boys. The devotion and care of Stephen, himself a small
boy, for his baby brother, is the theme of the simple tale.


OLE MAMMY'S TORMENT

"Ole Mammy's Torment" has been fitly called "a classic of Southern
life." It relates the haps and mishaps of a small negro lad, and tells
how he was led by love and kindness to a knowledge of the right.


THE STORY OF DAGO

In this story Mrs. Johnston relates the story of Dago, a pet monkey,
owned jointly by two brothers. Dago tells his own story, and the account
of his haps and mishaps is both interesting and amusing.


THE QUILT THAT JACK BUILT

A pleasant little story of a boy's labor of love, and how it changed the
course of his life many years after it was accomplished.


FLIP'S ISLANDS OF PROVIDENCE

A story of a boy's life battle, his early defeat, and his final triumph,
well worth the reading.




From L. C. Page & Company's Announcement List of New Fiction


THE STORY GIRL

By L. M. MONTGOMERY.

    Cloth, 12mo, illustrated, decorative jacket      $1.50

To quote from one of our editor's reports on the new Montgomery
book--"Miss Montgomery has decidedly _arrived_ in this story!" The
remarkable success of her delightful ANNE books and of the charming
"Kilmeny of the Orchard" has established her as one of America's leading
authors--a writer of books which touch the heart, uplift the spirit, and
leave an imprint of lasting sweetness on the memory. But in "The Story
Girl," everywhere the touch of the _finished_ artist is evident--a
smoothness and polish which heightens the unusual style of a gifted
author.

The environment is again the author's beloved Prince Edward Island and
the story and incidents possess the same simplicity and charm which
characterize Miss Montgomery's earlier books. The Story Girl,
herself--Sara Stanley--is a fascinating creature, and will delight and
thrill her readers with her weird tales of ghosts "and things." She
tells in wondrous voice of "The Mystery of the Golden Milestone," "How
Kissing Was Discovered," and of just how the Milky Way happened into the
heavens. She will make you feel the spell of the old orchard where she
and her playmates spend such happy days, and with Felix, Dan and Beverly
you will live again with her the "tragedies of childhood."

Of Miss Montgomery's previous books, the reviewers have written as
follows:

"The art which pervades every page is so refined that the cultivated
imagination will return to the story again and again in memory to find
always something fresh to enjoy."--_Toronto World._

"Miss Montgomery has attained an honored place among the worth-while
writers of fiction."-_-Beacon and Budget._

"Miss Montgomery has a sympathetic knowledge of human nature, joined to
high ideals, a reasonably romantic view point and a distinct gift of
description."--_Chicago Record-Herald._


A CAPTAIN OF RALEIGH'S

By G. E. THEODORE ROBERTS, author of "A Cavalier of Virginia," "Comrades
of the Trails," "Red Feathers," etc. Cloth, 12mo, illustrated,
decorative jacket

    _Net_ $1.25 (carriage, 13c. extra)

A typical Roberts romance--dashing and brisk with the scenes for the
most part laid in the infant colony of Newfoundland, at the time when
Sir Walter Raleigh and other famous captains swept the seas for England.
Sir Walter is one of the characters in the romance but the chief
interest centres about one of his officers, Captain John Percy.

Elizabeth Duwaney, the heroine, is beautiful and vivacious enough to
quite turn the heads of the several gallant gentlemen who struggle for
her hand, and to keep the reader guessing until the very last page as to
which suitor will find favor in her eyes. Unusual and unexpected
situations in the plot are handled skilfully and you close the book
agreeing with our editor that "Mr. Roberts has given us another capital
yarn!"

"Mr. Roberts has undoubted skill in portraying character and carrying
events along to a satisfactory conclusion."--_The Smart Set._

"One can always predict of a book by Mr. Roberts that it will be
interesting. One can go further and predict that the book will be
fascinating, exciting and thrilling."--_Boston Globe._


A SOLDIER OF VALLEY FORGE

By ROBERT NEILSON STEPHENS, author of "An Enemy to the King," "Philip
Winwood," etc., and G. E. THEODORE ROBERTS, author of "Hemming, the
Adventurer," "Red Feathers," etc.

    12mo, cloth decorative, illustrated      $1.50

The many admirers of the brilliant historical romances of the late
Robert Neilson Stephens will be gratified at the announcement of a
posthumous work by that gifted writer. The rough draft of the story was
laid aside for other work, and later, without completing the novel, the
plot was utilized for a play. With the play completed Mr. Stephens again
turned his attention to the novel, but death prevented its completion.
Mr. Roberts has handled his difficult task of completing the work with
care and skill.

The story, like that of "The Continental Dragoon," takes as its theme an
incident in the Revolution, and, as in the earlier novel, the scene is
the "debatable ground" north of New York. In interest of plot and
originality of development it is as remarkable as the earlier work, but
it is more mature, more forceful, more _real_.

       *       *       *       *       *

Transcriber's Notes:

Repeated chapter titles were deleted to avoid redundancy for the reader.

Obvious punctuation errors repaired. Varied hyphenation, as in
coffin-plates and coffin plates was retained.





End of the Project Gutenberg EBook of Travelers Five Along Life's Highway, by 
Annie Fellows Johnston

*** END OF THIS PROJECT GUTENBERG EBOOK TRAVELERS FIVE ALONG LIFE'S HIGHWAY ***

***** This file should be named 39090.txt or 39090.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/9/0/9/39090/

Produced by David Edwards, Emmy and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.