Some of My War Stories

By Allen Ripley Foote

The Project Gutenberg EBook of Some of My War Stories, by Allen Ripley Foote

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Some of My War Stories
       A Paper Read before the Ohio Commandery of the Loyal legion

Author: Allen Ripley Foote

Release Date: April 14, 2010 [EBook #31991]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK SOME OF MY WAR STORIES ***




Produced by The Online Distributed Proofreading Team at
https://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/American
Libraries.)









  Some of My War Stories


  A Paper
  Read Before
  The Ohio Commandery
  of the
  Loyal Legion


  By
  Allen Ripley Foote
  October 1, 1913




Some of my War Stories

BY ALLEN RIPLEY FOOTE

Private: Co. B. 3rd Michigan Infantry; Second Lieutenant: Co. B. 21st
Michigan Infantry.

Read before the Commandery of the State of Ohio, Military Order of the
Loyal Legion of the United States. Stated meeting, Cincinnati, Wednesday
evening, October 1, 1913.


When, in 1861, President Lincoln called for 75,000 volunteers to enlist
for a three months' service to uphold the authority and preserve the unity
of the United States, I, a boy of nineteen, sought the first opportunity
that offered, to enlist. I was at the door of the recruiting office long
before it opened.

Dr. D. W. Bliss, who afterward became a famous army surgeon and was one of
the surgeons who attended Presidents Lincoln and Garfield, gave me the
required physical examination. When measuring my height he said--"Raise
your heels, you are a little short."

Before my regiment was mustered in, the call came for 300,000 volunteers
to enlist for a three-years' service, and we were mustered in for three
years.

My regiment was ordered to Washington as soon as it was ready to move.
Clad in grey uniforms and armed with old muzzle-loading Harper's Ferry
muskets, which had been changed from flint locks, we made a valiant
appearance and received ovations from the populace of every city and
village through which we passed. This is especially true of Ohio. At one
station all of the ladies of the town turned out loaded with small
bouquets of flowers, to which were pinned slips on which they had written
patriotic sentiments. These they threw into the car windows. The sentiment
on the one I caught read--"The women of Ohio are for the Union--to a man."

Our first camp was at the Maryland end of the Chain Bridge, which crossed
the Potomac above Washington. We marched from this camp to Centerville,
Va., to engage in the first battle of Bull Run. The first sight we had of
war was on the morning of the second day's march, when we came upon some
camp fires where the Confederates had cooked their breakfast that morning
before leaving for Bull Run.

We arrived at Centerville before noon of the third day and made our camp
there. After dinner we were ordered to advance, in light marching order,
toward Blackburn's Ford. When near the Run we were deployed to the left of
the road in an open field on a hillside sloping down to the Run, which was
concealed by a growth of bushes and trees. Here we were ordered to rest.
While in this position we were startled by seeing a finely-mounted and
uniformed Confederate Officer ride out from these bushes just at the right
of our regiment. I presume every man in the regiment saw him. Some three
or four of the boys, having the instinct of war in them, immediately
raised their guns to shoot him. Seeing this, our Colonel raised his hand
in a forbidding attitude and called out,--"Why, boys, you would not shoot
a man in that way, would you? Don't shoot!!" The Confederate Officer,
after inspecting our position, returned to his command unharmed. In about
fifteen minutes, as soon as he could maneuver his regiment, he ordered it
to fire. We saw the flash and smoke and heard the roar and the hissing of
the bullets. This is the first time we were under fire. I am glad to say
we were under it about 20 feet. Every bullet passed over us. Not a man in
our regiment was hit.

After this volley we were complimented with a few shots from a battery of
six-pound field pieces, which also went wide of their mark--assuming that
they were shooting at us.

Having received these compliments, we were withdrawn from the field and
returned to our camp at Centerville. This was our part in the skirmish of
Blackburn's Ford, three days before the first battle of Bull Run.

On the next day we were ordered to establish a picket line between
Centerville and Bull Run. When marching out from our camp toward the Run,
we could see cars loaded with Confederate soldiers as their train crossed
the road we were on. When they disembarked and formed in line the
glistening of their bright gun barrels gave the impression they were
aiming at us. This excited one of our boys terribly. He jumped out into
the centre of the road, swinging his hat and yelling as loudly as he
possibly could--"Don't shoot this way!! There are folks in the road!!"

These two stories illustrate what we knew at that time about war.

On the night before the battle I was detailed to do guard duty before
General Dick Richardson's headquarters. He was occupying a small house.
About eleven o'clock he came out and asked me if I would be on duty there
at three o'clock in the morning. I answered "Yes." Then he said pointing
in the direction of the Stone Bridge, "About three o'clock in the morning
a cannon will be fired over there. When you hear it, call me at once. A
great battle will be fought here tomorrow." I needed nothing more to keep
me awake that night, nor did the General. He was out two or three times
before the alarm gun was fired.

On the day of the first battle of Bull Run, having been on guard duty all
night, I was left in camp when my regiment was ordered out. I took
advantage of the opportunity to post myself on the Centerville Hill where
I could overlook the field of action. Thus it happened that I was on the
spot where the Congressional picnic party spread its luncheon. A number of
members of Congress, with their ladies, drove out to Centerville from
Washington in their carriages to have a picnic and see the battle.

From that position I saw the beginning of the panic when our troops on the
right gave way and started for the rear in indescribable disorder. I went
to our camp, secured my gun and accoutrements and joined in the stampede.
Several times that night, when stopping for a little rest, I, and all
about me, was aroused and terrified by the cry--"The black horse cavalry
are coming!" The next morning I was safely back across the Potomac on the
old Chain Bridge camping ground, competent to certify that the distance
from Washington to Centerville is--three days going, and one night coming
back.

As soon as our regiment got together we were ordered to go into camp on
the Arlington Flats, south side of the Potomac, opposite Washington. There
it was that Abraham Lincoln gave courage and cheer to the army by driving
slowly around among the troops in an open carriage, stopping a moment here
and there to speak to or take the hand of a private soldier, his face
inspired with the solemn grandeur of an awful duty to prosecute the war
for the preservation of the Union to a successful conclusion, or the
bitter end. I see his face now, colored and featured as can never be done
by brush or chisel. It inspires me now, as it did then, with a resolve
such as every soldier in that army felt as he looked upon Lincoln's face
that day--a resolve unformed in words but possessing my life--always to do
my duty for the cause of human rights and human welfare on every occasion
and in every way, as God gives me light to see it and power to do it.

In the spring of 1862 my regiment was transported from Alexandria, Va., to
Hampton Roads, when the Army of the Potomac changed its base to start its
march "On to Richmond" from Old Point Comfort. We soon appeared before the
Confederate fortifications at Yorktown. Here we were ordered to dig. When
the digging was done the Confederate forces abandoned their fortifications
and marched to Richmond. We followed closely. Their rear guard made a
stand at Williamsburg, stopping our advance. The battle of Williamsburg
was then on. The Confederates had prepared to defend this position by
making slashings, digging rifle pits and erecting forts. Fort Magruder
covered the main road into Williamsburg. The engagement at this point was
brought on by some New Jersey troops. They advanced a battery on this road
to a point directly in front of the Fort and very near the rifle pits.
Here the battery stuck in the mud, hub deep. It could not be moved further
nor brought back. During the day it was captured and recaptured several
times.

At that time my regiment, and the Michigan Second Infantry, were part of
Gen. Phil Kearny's Division. We were on the left of the road, the New
Jersey troops on the right. In the middle of the afternoon, when Gen.
Hancock was prepared to make his famous charge on the Confederate left,
Gen. Kearny, mounted on a white horse and dressed in full uniform, as
conspicuous a figure as can well be imagined, came dashing up to the
Michigan Second regiment and called out--"What regiment is this?" Col.
Poe, a regular army officer, immediately saluted the General and
said--"The Michigan Second Infantry, Col. Poe commanding." General Kearny
said--"I want this regiment." Col. Poe turned to give the required
regulation orders, but Gen. Kearny stopped him saying--"None of that! Come
on boys!" A captain of his staff, seeing what he was about to do, tried to
stop him, saying--"General you should not go into the engagement in this
way. Remember, your life is worth a whole regiment to the army." Turning
to him like a flash, Gen. Kearny said--"If you do not want to go, stay
here." At that he reined his horse into the road and started toward the
Confederate lines, waving his sword and shouting back--"Come on boys!" and
every man followed, on both sides of the road, pell mell, without order,
wading through mud and climbing through slashings up to the rifle pits in
order to get there. How I came to be there I do not know, but I do know
that I went up that road with my right shoulder next to Gen. Kearny's left
stirrup and kept that position until he reached the further edge of the
slashing, when he turned and, pointing to the Confederates in their rifle
pits, shouted to the men coming after him--"There they are!! Give them
hell, boys, give them hell!!"

At this moment, as if by inspiration, a band burst forth with the tune,
"All hail, the conquering hero comes." Above the roar of musketry and
cannonading came the cheers from the charge Hancock was making. The New
Jersey boys again manned their battery and began to play on the rifle pits
and on Fort Magruder. The Fort answered and every Confederate rifle in the
pits was speaking to us. No one who lived through those moments of strife
and sacrifice will ever forget the scenes, the exaltation and the devotion
of life to patriotic duty that was there manifested.

Our men struggled through the slashings as best they could, in groups of
two or more. A New Jersey boy was with me. We stopped behind a clump of
small bushes to watch our chances with the Confederates in the rifle pits
less than two hundred feet in front of us. There was a larger group to our
left that attracted the attention of the Confederates. Shots were being
exchanged as rapidly as heads appeared on either side. Suddenly, out from
the group to our left, came a ringing laugh, as joyous and care-free as
was ever heard at a base ball game. My comrade was possessed with a
desire to know its cause. Shortly that laugh came again. He declared he
would go and find out why they were laughing. I told him if he stirred he
would be shot, but he made the attempt. As soon as he raised himself,
before he had taken a step, he was shot and instantly killed. Attention
having been thus called to the spot, a confederate volley was fired into
that clump of bushes. I saved myself by lying down behind the body of my
dead comrade.

As the sun was dropping below the western horizon the Confederate rifle
pits were captured. Hancock's charge had succeeded. Fort Magruder fired
its farewell shot; the Confederate rear guard was on its way to Richmond.
The battle of Williamsburg was ended.

The next day, one of a group of Confederate prisoners declared there was
one thing about that battle he could not understand. He said he was a
sharp shooter; that he could hit a mark quite a distance away every time,
and offered to prove it by actual demonstration. The thing he could not
understand was--why he could not hit General Kearny the day before. He
said he saw him plainly; knew he was a commanding officer, and that he
deliberately shot at him six times. General Kearny was not touched, but
the Captain who tried to persuade him not to expose himself as he did was
shot through the heart and instantly killed by the side of the General.

An interval of time, a march through mud and water almost waist deep,
brought us to Fair Oaks, within sight of Richmond. Heavy rains had made it
almost impossible to ford the Chickahominy River which divided McClellan's
army. Seeing an advantage in this, General Lee ordered General Longstreet
to attack the part of our army that had succeeded in crossing the river.
General Casey's division received the brunt of this attack. General
Kearny's division was held in reserve to support General Casey. We ate our
dinner and then lay on our arms for some little time, just out of range,
tracing the course of the action by listening to the firing and watching
the increasing number of wounded making their way to the rear. To be thus
held in reserve, expecting every moment to be called into action, is the
supreme trial of a soldier's courage. In those moments my heart became
faint. But, when the bugle call was sounded calling us into action, all
thought of self vanished. As eager as an eagle in pursuit of its prey, we
went forward. Longstreet's division was making a final charge. Casey's men
passed through our ranks as we formed a line between the contending
forces. My Company had the regimental colors, defended by a detailed color
guard of sixteen corporals. I was not of this guard, but was a corporal
then, on the left of my Company next to the color guard. Our line was
hardly formed when we received the Confederate charge. Firing was at short
range. Fourteen out of the sixteen corporals composing the color guard
were shot almost simultaneously; some killed; some wounded, but the colors
did not fall.

I was on my knees in the front rank. The corporal on my left was shot in
the head and fell across my legs. He spoke to me. I turned to look at him,
and said--"I cannot stop work now to help you." As I said this I was shot,
the bullet entering squarely on my breast, cutting off the first shirt
button below the collar. It passed through the bone, which turned its
course to the right, and passed out between the ribs. I was in the act of
loading my gun at its muzzle. I had the powder in. When hit my right arm
fell. I tried three times to put the bullet in and finish loading, hoping
to give the enemy one more shot. Finding I could not do it, I dropped my
gun, unstrapped my cartridge box and crawled to the rear until I came to a
cleared field where a battery was stationed firing over the heads of our
men into the Confederate ranks. As I raised up to walk, a gunner motioned
to me to step aside out of range and then continued firing. I walked
around back of the battery and stopped to see it work and listen to the
music of its roar.

The Confederate charge was stopped. My regiment lost about one hundred and
fifty men in killed and wounded within the few moments the engagement
lasted.

That night I lay on the ground under a large tree. Noting that every
breath sent bubbles of air through my wound, I called a soldier who was
trying to care for the wounded and told him I could not live long on
half-rations of air. He looked at my wound, tore some square pieces off a
bandage roll, placed them over the wound and punched them into it with his
finger and poured some cold water on the cloth. This caused the blood to
congeal about the cloth and enable me to get the benefit of the air I was
breathing.

The next morning I was taken back to Savage Station where I was placed on
Dr. Bliss' dressing table (he was then Medical Director of the Division)
to have my wound dressed. As he cut my shirt off I looked up at him and
said, laughingly, "Doctor here is a wound you cannot amputate." As soon as
he had uncovered it, he said, "It would be much better for you, my boy, if
I could."

When my shirt was cut off, I discovered another wound on my left arm about
half way between the shoulder and elbow. The bullet had chipped off a spot
as large as a silver dollar but had not buried itself in the flesh. The
arm was black and very much swollen. My wounds were soon bandaged and I
was laid on the ground beside the railroad track to await transportation
to Fortress Monroe. From there I was sent to Long Island College Hospital
in Brooklyn, N. Y. When convalescent I was ordered to the Invalid Camp at
Alexandria, Va. I did not relish the idea of becoming a "condemned yankee"
as the members of Invalid Corps were then called. In going through
Washington we passed by the Armory Square Hospital, then in charge of Dr.
Bliss. I "fell out" and went into his office. Fortunately I found him at
his desk. When he looked at me he recognized me at once and said, "See
here, young man, this will never do. You will ruin my reputation. I
reported you mortally wounded at Fair Oaks and have had you dead and
buried in the Chickahominy swamp for six months." I said, "I will improve
your reputation by giving you an opportunity to resurrect me." I then told
him I did not want to be a "condemned yankee" and wanted him to find a way
to save me from going to the Invalid Camp. He immediately called the
hospital steward, ordered him to put me in bed and keep me there four
days, I protested, saying I was perfectly able to be about. The Doctor
said to me in an undertone, "You stay in bed four days; by that time I
will have an order assigning you to duty in my office."

I was given charge of making out the papers for the soldiers discharged
from the Hospital. I frequently urged the Doctor to order me to my
regiment, but he refused, saying I could never serve as an enlisted man
since receiving my wound. Being convinced there was no hope of ever being
permitted to join my regiment, I made out my own discharge paper and
placed it in a package I submitted to the Doctor for his signature. After
he had signed all of the papers, I took mine out of the package and showed
it to him. He endorsed it, "Able to serve as an officer, but not as an
enlisted man."

I will stop my story here, only adding that after returning home I
re-enlisted as a private in Company B. 21st Michigan Infantry, then with
the Army of the Cumberland at Chattanooga. I was commissioned as a Second
Lieutenant before I left the State to join that regiment. By chance, that
commission was dated on January 26, 1864, my twenty-second birthday.

Such memories as these are among the most precious products of my life.

The gains of life are various. Some objects we pursue disappear as we
grasp them. We are children, chasing with excited delight beautiful
bubbles floating free in air. We touch them and they vanish. Some objects
are as enduring as the eternal truth of God. We pursue them with the stern
courage of men upborne by the strength of a moral conviction. Though, in
the hour of trial and triumph, a crown of thorns be pressed upon our brow,
the memory of a right act, courageously done, will enrich the soul
forever.

The memory of such actions is the richest endowment and the most sacred
acquisition of the loyal volunteer. How little all that can be given him
as a reward for his services must ever be in comparison with that which he
has by right of his own achievement.

Ask him now how he values his memory of that day when, with his regiment,
he first left home for the scenes of war. Can the picture ever fade?
Streets thronged with the populace and decorated with the flag he was to
defend! Can he ever forget the holy inspiration of the silent cheer from
his speechless father, mother, sister or lover as he passed them?

Ask him how he values his memory of a thousand incidents of army life that
are never recorded by a single line on the page of history, but which
revealed comrade to comrade, knotted life to life, and gave opportunity
for the expression of nobility by noble men.

Ask him how he values his memory of the hours of conflict when the
magnetic touch of elbow to elbow, comrade to comrade, gave courage and the
line grew firm as adamant; when the spirit of those who fell entered into
those who remained, as the dying transformed their unwilling groans into
cheers for the living. In the crucible of conflict men become molten.
Their blood mingles. Their souls blend. Their lives are fused into the
life of the Nation. Who that has felt the mystic power, the grand
exaltation, the unutterable joy of that supreme moment when his heart's
blood leaped forth as he fell at his post, would call back one drop of it
for all that can be given him in return?

Ask him now how he values the memory of that day, when, duty done, his
mission accomplished, with tattered battle flags, clothes soiled and torn,
bronzed face and hardened muscles--it may be with scarred and disabled
body--he returned to his home with the survivors of his regiment. Again
the streets are thronged with the populace and decorated with the National
colors. The storm cloud passed, all are wild with joy made solemn by
thoughts of those who could not come, remembered by none more tenderly
than by those by whose side they fell. The glory of flowers, mingled with
the voices of music, enchant the eye, perfume the air, exalt the soul.
Suddenly, from out the mass of eager faces there darts a father, a mother,
a sister or a lover, as some looked-for-one is recognized. The heart can
endure the strain no longer. He is snatched from the ranks and embraced
amidst the cheers of all observers.

Words!! There are no words for such moments! But the entry written by the
recording angel that day will forever read--"Thank God! My boy, my
brother, my lover has done his duty."

The days of trial and victory are passed, but memory causes them to live
forever in the eternal NOW.

Such memories are the true reward of loyal duty courageously performed.
They can be possessed only by those who have earned them. Find such a one,
become acquainted with him, and you will find one who will exact least
from the defended and is most generous to the vanquished.

These memories stir within old soldiers their best manhood, and thrill
them with noblest pride as they look into each other's faces. They only
are capable of appreciating at their true value the comrades of the
campaign, the veterans of the battlefield. They, better than all others,
know how to honor him that was loyal and performed the duties of loyalty
when the Nation had need of his services.

All who seek to perpetuate the history of war for the preservation of the
Union by pen or brush or chisel; all who speak about or ponder over the
events of those days, must ever stand uncovered in the presence of him who
can say of the first battle of Bull Run, of the last grand review, or of
any of the battles between--"I performed the duties of Loyalty--I was
there."






End of Project Gutenberg's Some of My War Stories, by Allen Ripley Foote

*** END OF THIS PROJECT GUTENBERG EBOOK SOME OF MY WAR STORIES ***

***** This file should be named 31991.txt or 31991.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/3/1/9/9/31991/

Produced by The Online Distributed Proofreading Team at
https://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/American
Libraries.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
[email protected].  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     [email protected]


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.