Snow-berries : A book for young folks

By Alice Cary

The Project Gutenberg eBook of Snow-berries
    
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Snow-berries
        A book for young folks

Author: Alice Cary


        
Release date: September 14, 2026 [eBook #79573]

Language: English

Original publication: Boston: Ticknor and Fields, 1867

Other information and formats: www.gutenberg.org/ebooks/79573

Credits: Charlene Taylor, chenzw, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)


*** START OF THE PROJECT GUTENBERG EBOOK SNOW-BERRIES ***




[Illustration: THE SPOTTED DEER.]




  SNOW-BERRIES.

  A BOOK FOR YOUNG FOLKS.

  BY ALICE CARY.

  _WITH ILLUSTRATIONS._

  [Illustration]

  BOSTON:
  TICKNOR AND FIELDS.
  1867.




  Entered according to Act of Congress, in the year 1867, by
  TICKNOR AND FIELDS,
  in the Clerk’s Office of the District Court of the District
    of Massachusetts.

  UNIVERSITY PRESS: WELCH, BIGELOW, & CO.,
  CAMBRIDGE.




PRELUDE.


    My little men and women
      Who sit with your eyes downcast,
    Turning the leaves of the Snow-Berries
      Over and over so fast,

    I know as I hear them flutter
      Like the leaves on a summer bough,
    You are looking out for the story about
      The fairies,--aren’t you, now?

    And so it is wise to tell you
      That you need not turn so fast,
    For there isn’t a single fairy-tale
      In the book from first to last.

    My Muse is plain and homespun,--
      Quite given to work-day ways,--
    And she never spent an hour in the tent
      Of a fairy, in all her days.

    She is strongest on her native soil;
      And you will see she sings
    Little in praise of elfs and fays,
      And less of queens and kings.

    “Be sure, the beautiful violet
      In the grass no longer glows,
    But we may get a-burning yet,
      Some little lamp of a rose!”

    So out we ran to the meadows,
      Though the time of flowers was done,
    And after us ran our shadows,--
      Three and three, and one.

    All up and down the rivulets
      That shaved so close to the sand,
    And all across the lowland moss,
      And across the stubble land;

    And deep, and deeper into the wood,
      And under the hedge-row wall;
    To the Callamus Pond, and on beyond,
      And never a flower at all!

    Footsore, weary, and heart-sick,
      We had tramped for three long hours,
    When a voice so proud cried out aloud,
      “The flowers! I’ve found the flowers!”

    Fast we flew to the top of the hill,
      And fast and faster down,
    And full in sight limbs shone so white
      From the thicket dull and brown.

    The turf slides back, and farther back,
      We are there, we are under the trees!
    And our eager hands are breaking the wands
      Of the milk-white snow-berries!

    We had had a tramp, through cold and damp,
      Of three right weary hours,
    But we did not grieve, if you believe,
      That our berries were not flowers!

    But each with a sheaf on his shoulder,
      As white as the whitest foam,
    We struck across the lowland moss,
      And into the lights of home.

    So, my little men and women,
      Who sit with your eyes downcast,
    Turning the leaves of the Snow-Berries,
      So eagerly and so fast,

    When that you fail to find the tale
      Of airy fancy bred,
    You may even get some pleasure yet
      From the stories in their stead.




CONTENTS.


  PART I.

                                                   PAGE

  THE SPOTTED DEER                                    1

  TWO BIRDS                                          26

  TO THE BOYS                                        28

  COUNTING THE CHICKENS                              29

  ADVICE                                             30

  TALK WITH A TREE                                   31

  A NEW-YEAR’S LESSON                                32

  THE BURNING PRAIRIE                                35


  PART II.

  THE GYPSY FORTUNE-TELLER                           39

  THE COW-BOY                                        58

  LITTLE ELLIE                                       60

  THE BRICKMAKER’S BOY                               62

  FAIRY FOLK                                         64

  LESS OR MORE                                       65

  FINE TALK                                          66


  PART III.

  THE WEAVER’S DAUGHTERS                             69

  THREE LITTLE WOMEN                                 86

  PRETTY IS THAT PRETTY DOES                         88

  ELIJAH AND I                                       89

  A FISHERMAN                                        90

  AMY TO HER FLOWERS                                 92

  AUTUMN THOUGHTS                                    94


  PART IV.

  THE MAN WHO STOLE A COW                            97

  THE POTTER’S LUCK                                 118

  A POET’S WALK                                     121

  THE SNOW-FLOWER                                   122

  EASY WORK                                         124

  COURAGE                                           125

  JENNY AND I                                       126


  PART V.

  THE CHARMED MONEY                                 129

  TO A STAGNANT POND                                155

  THE POET TO THE PAINTER                           158

  ONLY A DREAM                                      160

  INVENTORY OF A DRUNKARD                           162

  HUNTER’S SONG                                     163

  HAGEN WALDER                                      164

  A GOOSE AND A CROW                                167


  PART VI.

  THE MAN WITH A STONE IN HIS HEART                 171

  CATY JANE                                         196

  THE STREET BEGGAR                                 201

  EVIL CHANCE                                       202

  PLEA FOR THE BOYS                                 203

  WORK                                              204

  COUNSEL                                           205




PART I.

THE SPOTTED DEER.




THE SPOTTED DEER.


The sun was growing large toward the setting, and the light, more red
than golden, shining more and more faintly along a great mass of woods
that reached backward and upward along the slope, till their tops
seemed to touch the sky, almost, and the red and scarlet and yellow
of the foliage--for it was autumn--to be giving their colors to the
clouds, when an adventurer made fast his boat on the shore of the
Ohio immediately opposite Little Sandy Creek; and, having given some
directions to his men, proceeded, accompanied only by his dog, to climb
the ascent along which the village of Lewisburgh was sprinkled.

The villagers, as the stranger soon found, were but recent settlers
on the land,--a tract of twenty thousand acres, extending along the
river, and granted them by Congress in consideration of the frauds and
impositions practised upon them in their earlier settlement of the
neighboring town of Galliopolis.

They were mostly French, or the descendants of French emigrants,--a
gay, primitive sort of people, half thrifty, half negligent in their
habits, and in some sort refined in their rudeness, and cultivated in
their ignorance.

They were generally farmers in a small way, each having a few acres
of ground attached to his cottage, upon which he raised vegetables,
grapes, and corn.

Almost every house had its flower-garden, its bird-cages at the window,
and its pet animals about the door, and here and there in the outskirts
of the village stood a tent or a wigwam where Indians, to whom this
people were very friendly, carried on their trades,--making baskets
of birch bark, bags of bead-work, and other articles of a trifling
and ornamental character. The cottages were generally painted or
whitewashed, and together with the tents and wigwams gave the town a
romantic and picturesque appearance.

The sunset light, falling upon and brightening the mists of the river,
gave a charming effect to the beauty which the landscape would have
possessed at any time; and the numberless children engaged in careless
sports, together with a great variety of pets, sporting with and among
them, completed the enchantment of the scene.

We have said the grounds about the houses were devoted chiefly to corn
and vegetables; but the peach-orchards with which the surrounding hills
were planted afforded the chief source of income, yielding as they
do without much cultivation. They procured them coffee, delf-ware,
cutlery, and such simple articles of finery as the women desired,
leaving abundant time for those pleasurable and healthful activities of
which they were so fond.

It was September, with one of those mild, cloudy atmospheres that have
the balminess of spring, and with the shadows came the young people
out into the gardens,--the youths wearing blue jackets and trousers,
which their mothers had spun and woven for them, and the maidens,
party-colored dresses made in the gayest fashions which memory or
invention could suggest.

Some of the more sober matrons brought out their wheels, or
needle-work, and, under the trees, continued sewing and spinning till
the last light faded from the hill-tops, and the bright stripes that
variegated the woods were lost in one general and sombre hue.

The older men gathered near these industrious housewives, and, as
they chatted of days gone by, polished their guns or mended their
fishing-tackle; while the smaller children instructed the pet animals,
of which we have spoken, in various ingenious tricks, until, wearied
out, they sunk on the grass among them, and fearlessly fell asleep; so
primitive and simple were the habits of these people.

The strange gentleman, as he leisurely strolled from one part of
the village to another, found himself the object of much respectful
admiration and attention: the old women smiled, for he was handsome,
and when do women cease to give such recognition to handsome faces?
the old men lifted their caps with an exceeding elegance of manner,
and smiled, too, a little less graciously perhaps, while the children
ran up to him and made overtures toward acquaintance by presents of
flowers and grapes. On the shoulder of one little creature a tame
blue-jay would be fluttering, and give its noisy welcome, and on the
head of another the paroquet, making such signs of gladness as it had
been taught to make, and the summer duck and the peacock, meantime,
would walk before him, spreading out their brilliant plumage as if in
contribution to his pleasure.

This sociability and friendship on the part of the children and
their pets begot in the heart of the stranger a sympathetic and
kindly interest almost at once, and his address so won upon these
unsophisticated people that they extended to him an invitation to sup
with them under the trees, and afterward join in the dance of the
evening.

From the novelty of the suggestion, our adventurer entered into it with
great heartiness, and a vivacity scarcely exceeded by his demonstrative
entertainers. Almost every house contributed its quota of milk,
wine, and peaches to the little festival, while he himself furnished
his share in white biscuits, which he caused to be brought from the
boat,--a donation than which nothing could have proven more acceptable,
the settlers having subsisted for several months continuously on bread
composed chiefly of maize.

Never was supper more cheerful, never was gayety more harmless; and as
for the stranger, it was rather as if some dear friend had come back to
his home, than as though an adventurer were by chance amongst them for
an hour.

Three youths were in readiness with flutes and violins, to strike up
after the viands had received due honor, the lads and lasses, not
without effort, having restrained their impatience for more congenial
merriment till the rural repast was concluded.

By and by the moon came up in full-orbed glory. Hundreds of candles
fixed in the trees contributed to the illumination; and such a picture
of rustic enjoyment as was presented we can only hope to outline
imperfectly. The women put away their wheels, the men their guns and
fishing-tackle; young mothers sung their babes to sleep, and, laying
them on the grass, covered them with their shawls, and leaving the
faithful dogs to tend them, ran to join the dance with hearts as light
as their footsteps. All seemed young alike. Old Frenchmen, lively as
their grandchildren, were capering about in crimson caps; while their
wives, in dresses of the fashion of the time of Louis XIV., gossiped
with one another with still more animated volubility; and the young
people of both sexes, habited in holiday costumes, lit up the shady
places with their bright blushes as they “tript it to and fro on the
light fantastic toe.” Numbers of the domestic animals I have mentioned
followed their masters confidently among the graceful and merry
circles, contributing to the picturesque and inartificial beauty of the
scene.

Among these animals were raccoons and opossums, both as tame as young
pigs; also a curious little animal called the ground-hog, which could
never be so far tamed by any amount of kindness as not to snap at
the hand that offered it food; but the most remarkable and perhaps
interesting of all the animals was a huge cub-bear, that was as full of
playful tricks as a monkey, taking from time to time some one of the
children between its paws, and rolling and tumbling on the ground with
it as though it were going to tear it to pieces, and may be devour it
into the bargain.

Some of the Indian women and children drew near and gazed on the
scene with a strange mixture of the grave and the mirthful in their
faces; and it was remarkable to observe with what fondness the wild
creatures--birds and beasts--gathered about them. Here a youth might be
seen with a wolf or ground-hog, and perhaps one or two other animals,
between his legs, and there a young squaw, with all her black hair
hidden by the splendors of the wings that were fluttering on her
shoulders.

The Indian men kept mostly at a distance, but one rawboned hunter was
persuaded at last to perform the war-funeral and the marriage-dance,
both of which he gave in grand style; and so the festivities, or the
more mirthful of them, came to an end. The old people, who had been
sitting on the benches ranged along the walks, arose and went home,
chattering and gesticulating as they went. The mothers took up their
babies, and the dulcet symphonies fell to a lower and lower key, till
by and by they faded down to silence, and quiet took up her melancholy
reign.

The heart of the stranger was sad as he took his separate way to the
boat that, curtained with mists, lay hugging the shore; for there is a
power sometimes in the intercourse of a few hours that holds us like
the friendship of years, and makes us feel poor and lonesome as we let
go some hand whose single pressure has given us the assurance of a
kindness that shall assert itself in eternity, if not in time.

He was half way down the slope, and could already see the yellow-capped
heads of the river-waves, and hear the whistling and talking of the
distant raftsmen as they paddled their slow way to the music of the
whippoorwills, when suddenly a sound unlike what his ear was tuned
to struck upon his attention and jangled to discord all his sweet
imaginings.

It was not a sobbing nor crying, but a helpless, hopeless moaning that
was more sorrowful to hear than either, for it indicated a heart, not
so much crushed by sudden misfortune as wearied out by long suffering.

Standing still to listen, our adventurer perceived a rude habitation by
the roadside, from the windows of which streamed no light, and about
which grew no flowers. Indeed there was not so much as a tree or a
patch of green grass between the doorsill and the highway.

A little way from this dreary habitation, seated on a mossy log, and
mournfully caressing two beautiful deer that stood on either side of
her, was a young girl, apparently in deep distress. One of these deer
was as white as milk, with the exception of a few red freckles on the
breast and one of the flanks; the other, was as spotted as a leopard.
Both seemed exceedingly fond of her; and while the one was rubbing its
graceful head against her bare shoulder,--jangling a bell which was
attached to a shining collar it wore on its neck,--the other licked the
hands which lay idly folded in the girl’s lap.

Her feet had just touched that marvellously beautiful, but also sadly
uncertain ground where childhood and womanhood meet, and perhaps the
time and the situation lent their charm; at any rate, she had that
about her which drew and fixed the eyes of the stranger. He could not,
perhaps, have himself expressed the peculiar nature of the interest
awakened in him, as the sorrowful face looked out from its cloudy
tresses with an expression of gentle appeal. He at once approached,
and, under pretence of the greatest admiration for the spotted deer,
made a proposal for their purchase.

Was there anything under the sun that would induce the fairy-like
keeper of these singularly beautiful creatures to part with them for
good and all? How came she by them? O, he was enchanted, especially
with the more spotted of the two.

“Tell me, will you part with them for any price?” And bending low, the
stranger waited in silence for her answer.

“O no, sir,” replied the young girl, speaking English with an accent
that betrayed her French origin. “I would not part with them for a
whole lapful of gold; they are my only friends!” and she caught back
her heavy hair and bent her great dark eyes upon the stranger as she
spoke, with an earnestness that drew him almost to her feet.

“Your only friends! how can that be, my pretty one? Surely you are
deserving a kinder fate,” he said.

She did not let fall the gathered-up tresses to conceal the blushes
tangling redly along her cheeks. She was too ingenuous, and too
unaffectedly friendless to receive from the stranger’s words any
meaning, save that of genuine kindness. On the contrary, she told
him all her little story with a confiding artlessness and simplicity
that must have touched the best feelings of his manhood, and made him
friendly if he had not previously been so.

When she was no higher than her spotted deer, she said, her good mother
died and was carried away and left on the hill that stood up so dark
and so high between the yellow woods and the river,--their few cows and
simple furniture were sold to defray the expenses of a long illness,
and procure something a little better than charitable support for
herself.

So slender a fortune was soon exhausted, of course, and our
story-teller, whose name was Eveline, was elbowed and jostled about,
now here, now there,--now in the way, and now out of the way,--now
in the village, and now perhaps in the wigwam of some Indian
hunter,--drudging with the squaws part of the time, and shooting with
the bow and arrow the other part. In the spring-time she spun flax,
in the summer she carded wool, in the time of the grape harvest she
gleaned, and, in short, did what she could find to do; for it is the
misfortune of poverty, that it has not a choice even of its work.

At length she fell into the hands of the penurious old woman with whom
she still lived, and for whom she spun all day, and far into the night
sometimes.

“And where did you find these friends?” asked the stranger, seating
himself on the mossy log a little way from her, and doing his best to
win her favor through the praises he bestowed upon her beautiful pets.

Then he told the two deer in a most playful way, what blessed fortune
had befallen them when they fell into the hands of the little maid who
was their mistress, and asked them if they loved her as so gentle and
good a maiden deserved to be loved.

“O yes!” answered Eveline for them, not in the least embarrassed by
the implied compliment. “O yes, they love me with all their two little
hearts!”

Then, as she knitted up her long hair on her fingers, and ravelled it
out again, she told him, with a generous eagerness to oblige, how she
had been used to bring home the cows from the meadow away beyond the
orchard, and farther off than he could see, and how tired her feet
would grow in the lonesome path for the want of company, and how,
happening one night to meet an old man who was peddling fawns, she gave
her ear-rings in exchange for two of them, hoping by her spinning she
should soon be able to replace the rings. “But I never have been,” she
concluded, with a sigh that betrayed her fondness for ornaments and the
sacrifice she had made in behalf of her beautiful favorites.

“Suppose I should give you the prettiest pair of ear-rings in the
world,--coral drops, with gold setting,”--said the adventurer,
unknitting her black hair from her hand and folding it within his own
as he spoke, “what would you give me in exchange,--the two deer?”

Eveline looked bewildered for a moment, and then tears began filling up
her beautiful eyes at the thought of parting from her only companions.
“No, no,” she said at last, “I cannot give them up, for you must know,
sir, they love me, and even the pretty ear-rings you promise me could
not buy me that; besides, the old woman, who is my mistress, would
steal them from me as she did my red ribbon to-night, keeping me away
from the dance. O sir, it was breaking my heart when you came.”

And with a charming simplicity she went on asking questions about the
evening gayeties, now bursting into tears at the remembrance of the
sweet red ribbon with which her hard mistress had adorned her own ugly
person, while herself was wrongfully compelled to mope at home; and now
laughing and blushing at the stranger’s eloquently expressed regrets
that he should not have had the pleasure of dancing with her.

“Ah, but you will come some other evening!” she cried, with the eager
hopefulness of one who had never known a pleasure like that; and then
she said, if it would really please him to dance with her, she would
weave a bright garland of flowers for her head, and wear her blue
bodice and scalloped petticoat!

What an honor and delight she would have, to be sure; and wouldn’t
the young girls all envy her, and wouldn’t the old woman who was her
mistress grow black in the face as a cloud, with angry irritation! And
as long as she lived the memory of that night would be like a blessed
candle burning away behind her in the dark! What evening might she
expect to see him, and would he not come very, very soon? How lovely
she appeared as she waited with eager uplifted face for his reply, her
cheeks like two red roses, and the beating of her heart making the
ruffled cape that was tied across her bosom flutter again.

The stranger was evidently touched by the simple sincerity of the fresh
young beauty, and bent his admiring eyes very near the roselit cheek
as he explained to her the little probability there was of their ever
meeting again, even for a single evening.

“I am but a rude traveller, my pretty one,” he said, “in love with
adventure, and liking the woods and the fields, the birds, the beasts,
and the curious insects of the air, better than I like the homes of men
and the tameness and commonness of civilized society.”

If life could be all one moonlit evening, and all a dance, and if
he could dance with her, why it would be very nice and pleasant,
but that could not be; his boat was waiting even then on the near
river, just beyond the green fringe of willows that she could see so
plain,--waiting to bear him, he knew not where, but somewhere far
enough away from her, he was afraid.

“No, no, my child,”--and he sighed as he spoke,--“it is not likely we
shall ever meet again in this world; but before long you will find a
lover to dance with, and then you will forget you have ever seen the
boatman who sits beside you now, I dare say.”

“O, how can you say so?” answered Eveline. “If I am not to dance with
you, I shall never dance at all, but spin and spin till I spin me a
shroud.” Then she hung her head and made no effort to conceal the tears
that came to her innocent eyes; and her lately happy heart ceasing to
flutter in her bosom, like a bird that is learning to fly, lay there as
still and as heavy as lead. “If I had only the red ribbon to give you,
so that sometimes when you happened to see it you might remember me!”
she said, at last; “but the old woman has stolen my ribbon, and that is
the only ornament I ever had, except the ear-rings, that I parted with
as I told you. Ah, it is too bad that I have nothing to give you!”

Then the stranger told her not to fret because the old woman had stolen
her ribbon. “And for that matter, you shall have another,” he said, “if
you will only give me the deer. I can send it with the ear-rings, you
know.” And then he told her, seeing that she was not quite satisfied,
lightly touching her fair young head as he said it, that he would
take, of choice, one of the long shining tresses that fell adown
her shoulder. “And would you indeed prize a lock of my hair?” cries
Eveline, in innocent surprise, “cut it off then!” And she leaned her
head down to him, singling one long rippling curl from the rest.

Such simple confidence was not to be trifled with, and rising, the
stranger said in an altered tone that he must not deprive her of the
shining tress, much as he would prize it, but that he still hoped she
would be persuaded to give him one of her beautiful pets,--the one with
only the spotted flank, or the one with the skin like a leopard,--just
as she chose. “I know how much you love them, but for my sake!” he went
on,--and then he said, no, not for his sake, but for the sake of those
coral ear-rings all set in gold that he was going to send back to her!
And while she hesitated, he said, perhaps just to say something, that
he would have the spotted deer; and he fell to coaxing and petting it
with all his might. The deer, being very tame, responded to his kind
words by going close to him and eating grass from his hand, and by a
variety of fond and playful actions which it had been taught.

“And would you really send me the ear-rings, and such lovely ones as
you say?” inquired the girl, almost persuaded, as it seemed. Then her
eyes fell, and in a changed voice she said: “But why, sir, do you
choose the spotted, and not the white deer? I think, of the two, I
would rather part with the white one.”

And putting her arms around the neck of the spotted deer, she drew it
close to her bosom, and began prattling to it in the tenderest manner.
No, no, she could not part with that! The white one was not so fond
of her, and was surely not so pretty. Why, Spotty would follow her all
day long. She almost thought he understood every word she spoke, and
sometimes he would even come into the house and lie by the side of her
little low bed all the night.

Then she made a confidant of her beautiful Spotty, and told him that
his little mistress loved him better than anything else in all the
world! Sell him for ear-rings, indeed! No, not though they were as
big and as splendid as the new moon! Then she did actually kiss the
forehead of the deer, and whispered something so close in his ear that
the stranger could not hear what she said, but something that was
doubtless very pretty, if the dumb thing could only have understood it.

“And so you like your spotted deer the best?” the stranger said, as
soon as he could get the attention of the young girl.

“O yes, so much the best! Don’t you see how fond of me he is?”

“Very well, you may keep your Spotty. I think, on the whole, I prefer
the hind. Come, my beauty!” and he took the ear of the white deer in
his hand, as though he would lead it away.

Instantly the girl pushed off his hand and took the head of the white
hind in her lap. “No, no! my poor Whity, your little mistress will not
see you abused that way, not she!” Then to the stranger: “She is used
to caresses, I assure you, and not to having her ears pulled.”

“But I thought you said she was not pretty, and you did not care for
her,” answered the stranger; “and I thought, too, she was my property,
and not yours! Did you not bargain her away for the ear-rings?”

“No, I did not bargain Whity away at all; it was Spotty I bargained
away, and then I took Spotty back, so that neither one is yours.”

Then she began talking to Whity just as she had done to Spotty before.
“Suppose you are not so very pretty,” she said; “is your little
mistress going to sell you away for that! No indeed! her heart is not a
lump of ice, and she could not be so cruel, not for all the ear-rings
under the sun. Is it your fault that you are not beautiful? No, it is
not your fault, but you _are_ beautiful! O, so beautiful! there never
was a deer in all the world so beautiful as my own little Whity!”

She could part with Spotty best; he was sturdy and independent, and did
not need her half so much as poor timid Whity.

Then the stranger said she might choose between her deer, but one of
them he must have. And then he drew a picture of Eveline in her blue
bodice and scalloped petticoat, dancing on the green with the very
handsomest of all the young fellows in the village. “And what would you
not give, then, for the coral ear-rings?” he concluded.

Here was a dazzling temptation. Would the stranger be very good to poor
Spotty, just as good and kind as was his own mistress? To be sure he
would; never deer in the world fared half so royally as Spotty should
fare.

After some further talk, it was concluded between them that he
should take Spotty and send back to her the ear-rings from the next
landing-point. Then he took from his finger a small gold ring; would
Eveline wear that in token of his promise, and perhaps, too, as a
reminder of himself? It was a poor trifle, but he had nothing better to
offer.

Ah yes, Eveline would take the ring, and wear it,--not in token of his
promise, and not to remind her of a stranger. He would never seem a
stranger to her, and she would require nothing to remind her of him;
but for all that, she would take the ring.

So he took her hand, and when he had put the ring on it, said it was
now time to say good by.

But Eveline kept the hand, like the sweet, simple child that she
was, saying she would walk with him to the river-side, and watch the
vanishing boat till it was quite out of sight. “And then I will go back
alone,” she said; “and then, and then,--why then I do not know what I
shall do!”

So they walked together, the two deer following, through the mingling
lights and shadows, and toward the misty borders of the river, which
they reached at last, and could see through the swaying boughs of the
willows the waiting boat.

A few moments they stood in silence on the shore, Eveline little
guessing the charming picture she made,--the misty moonlight all round
her, and the graceful head of her spotted deer beneath her hand, while
the white one stood a little way off scarcely distinguishable from the
surrounding mist.

“Be sure I will take the best care of your beautiful pet,” said the
stranger, as he was about leaping into the boat, “for your sake, my
dear child, if not for his; so you need not fear to trust him away from
you.”

Eveline was sobbing now, sobbing so she could hardly speak; and all at
once she threw her arms around the neck of her favorite, and, holding
it fast, said she could not let it go; he might have the white one, but
the spotted one she must keep, she really did love him best after all!

“Then Whity it shall be; come, Whity, my beauty, come!” And the
stranger began to coax and pet the white hind; but she would not come,
shying off and snuffing the air instead. Then calling two of his men,
he told them to bring her aboard by main force.

“No!” cries the little mistress in an angry voice. “She shall go of
her own free will, or she shall not go at all. I will never stand by
and see her pulled and dragged from me as though she were the worst
creature in the world, instead of the best.”

“Then persuade her yourself,” said the stranger; “you know how to coax
her into anything, I dare say.”

“Yes, but I will not persuade her to leave me! I have not so much love
that I can afford to do that. If she is a mind to follow you, I must
part with her, that is all; but I will never coax her to do so,--never,
never!”

“Then I suppose I must go alone, after all,” said the stranger, sadly.
“And you, my pretty one, remember that you cannot have your white hind
for an ornament when the day of dancing comes again.”

“I shall never want to dance,” answered Eveline, “not if I cannot
dance with you!” And she lifted her face to him, all eloquent with its
innocent sorrow.

Then he told her that her life could not be more lonely than his, going
through the wide world,--in wilderness places, and in deserts, with
only two or three rude men for companions.

By this time the white hind had come back to its mate and its mistress,
and, drawing its head close to her, Eveline asked it in whispers if it
would like to go with the stranger and sail away down the beautiful
river, pointing as she did so to the boat. It was perhaps in answer
to the motion of her hand that the hind immediately stepped nearer to
the shore. “Ah, then, she is yours, sir,” said Eveline, every word
a separate tremble; “but I don’t want the ear-rings. I can’t sell
anything I love.” Then she gave him special charge about the feeding
and general keeping and care,--indeed, a mother who was parting with
her baby could hardly have been more tender in her entreaties and
directions. “The poor thing is so used to me,” she said, “what will it
do?”

“There is one thing that you can do,” answered the boatman, “since you
love your pet so very much. You can go along and be its keeper.”

Eveline was smiling and blushing and trembling all at once now, and the
boatman went on: “I see only one difficulty, I am afraid the pretty
creature, being so fond of the mistress, will not care at all about the
master!”

“But I will teach her to love you!” cries the little maiden, eagerly.

“And how, my lady of the woodland,” answered the boatman, “will you
contrive to do this?”

“Just by loving you myself,” she said. “There is no teaching like
example, you know.” And she looked up in his face with a sweet
sincerity, that charmed the stranger more than he had ever been
charmed by any beautiful bird or bright flower, or by anything lovely
that he had ever seen.

She would go, to be sure she would go, “But O, sir, how are you to get
me over this wet sand-bar that lies between the bank and the boat?”
There was witchery in the trust and the timidity, alike.

“Why, this way, my pretty mistress of the fawns,” he answered; and
putting his arm about her waist, sprung with her clear across the
sand-bar and into the boat. Of course the deer followed, and directly
all three were sailing away together toward the golden colors of the
sunset, the master of the boat singing as they sailed,--

    “Night, with all thy stars look down,
    Darkness, weep thy holiest dew,--
    Never smiled the inconstant moon
    On a pair so true.”

But there is no need to linger any longer; my young reader no doubt
guesses the end of the story, and can make for himself a picture of the
boat, as, dividing the silver waves below, and the yellow moonlight
above, it bore away the artless and gentle keeper of the spotted and
white deer, to the realization, let us hope, of brighter dreams than
even the promised ear-rings suggested.[A]

[A] This little story is based upon an account which I found in a
volume printed about sixty years ago, and entitled “Travels in America.”




TWO BIRDS.


    In the blithe and budding weather
      Of an April-time of yore,
    Two wild-birds sat together
      In the peach-tree at my door.

    And each was gayly furnished,
      And in beauty all complete,
    From the topknot brightly burnished
      To the rosy little feet.

    Now under shadows winging,
      And now hopping forth to view,
    To the other each was singing,--
      Thus the prouder of the two,--

    Thus only, “Pretty! Pretty!”
      In a low, caressing strain,
    While in answer, “Sweety! Sweety!”
      Softly sounded back again.

    The buds to flowers were starting,
      And the young leaves came in sight,
    While they stayed together courting
      In the peach-tree; but one night

    They vanished. Swift with duties
      Ran the time into the past,
    Till I found my truant beauties,
      As I knew I should, at last.

    Making tender, twittering hushes,
      That were sweet as any words,
    Flying in and out the bushes
      With a flock of little birds.

    The snow stayed all unmelted,
      And the winds of winter beat
    On the boughs that lately tilted
      Under rosy little feet,

    When I heard a bird thus crying,
      From the cold and frozen ground,
    To the mate above him flying,
      Half-distracted, round and round:--

    “My wings are stiff and sleety,
      I am dying in my bed,--
    I am dying, darling.” “Sweety.”
      That was every thing she said.




TO THE BOYS.


    Don’t you be afraid, boys,
      To whistle loud and long,
    Although your quiet sisters
      Should call it rude or wrong.

    Keep yourselves good-natured,
      And if smiling fails,
    Ask them if they ever saw
      Muzzles on the quails!

    Or the lovely red-rose
      Try to hide her flag,
    Or the June to smother all
      Her robins in a bag!

    If they say the teaching
      Of nature isn’t true,
    Get astride the fence, boys,
      And answer with a Whew!

    I’ll tell you what it is, boys,
      No water-wheel will spin,
    Unless you set a whistle
      At the head of every pin.

    And never kite flew skyward
      In triumph like a wing
    Without the glad vibration
      Of a whistle in the string.

    And when the days are vanished
      For idleness and play,
    ’Twill make your labors lighter
      To whistle care away.

    So don’t you be afraid, boys,
      In spite of bar and ban,
    To whistle,--it will help you each
      To make an honest man.




COUNTING THE CHICKENS.


    Come, Joe! come, Johnny! the chickens are out,
      As true as I am alive!
    Let me count,--one, two, three, four,--
    O, if I can find but one more
      Of the beauties, that will be five!

    Just look and see how they hop about!
      And see what a pretty thing
    The little gray one is, and oh!
    There _is_ another one! see it, Joe,
      With its head through its mother’s wing!

    My dainty darlings, be still, be still!
      Just a minute till I can see
    Which is prettiest,--that with down
    Softly yellow and striped with brown,
      Or that with the golden bill.

    That one is cunning, with back and breast
      Black as a raven, and so small,--
    No bigger than one of its mother’s eggs,
    And the tiniest little rosy legs,--
      I hardly saw it at all.

    I will double up my hand to a nest,
      Afraid though I am of the mother hen,
    And put them into it one by one,
    The gray, the yellow, the black, and dun,
      And see which is prettiest then!




ADVICE.


    Do not look for wrong and evil,--
      You will find them if you do;
    As you measure for your neighbor
      He will measure back to you.

    Look for goodness, look for gladness,
      You will meet them all the while;
    If you bring a smiling visage
      To the glass, you meet to smile.




TALK WITH A TREE.


    Standing straight up in the glory
      Of God’s sunshine, O my tree,
    I would know thy wondrous story,--
      Wilt thou speak and tell it me?
    With head in the sun and feet in the ground,
    My heart it keepeth sweet and sound,
    And evermore I grow and grow,
    And this is all I know.

    Rough and wild and many-jointed,
      Thou art clothed with gracious hues,
    And thy body is anointed
      Nightly with the pleasant dews.
    The sun and the storm I gladly greet,
    And my heart it keepeth sound and sweet,
    And my head is high and my root is low,
    And this is all I know.

    All thy blossoms come in season,--
      In their time thy fruits come in,--
    Canst thou give to me a reason?
      Thou dost neither toil nor spin.
    Deep I strike my roots in the ground,
    And my heart it keepeth sweet and sound,
    And my buds they bloom, and my fruits they glow,
    And this is all I know.

    From thy roots in silence pushing
      Through the dark and gloomy ground,--
    From thy boughs with blossoms blushing,--
      From thy heart so sweet and sound,
    Thou seemest to tell me, tree of mine,
    We are not all earthy nor all divine,
    But sown in corruption to be raised
    Incorruptible,--God be praised.




A NEW-YEAR’S LESSON.


    The house was little and low and old,
      But the logs on the hearth burned bright,
    And two little girls with locks of gold
      Were playing in the light;
    And their hearts were glad and their laughter gay,
    For the morrow would bring the New-Year’s day.

    The house was little, the house was low;
      But cheerily shone the light
    Out of the window and over the snow
      (For the ground with snow was white),
    Cheerily shimmered and shone about,
    As if there were fire within and without.

    An ancient, gnarled, and knotty tree
      Hung all about the eaves;
    So the little house just seemed to be
      A bird’s-nest in the leaves;
    And the little girls, in homespun dressed,
    Just like the nestlings of the nest.

    And still as the wind with sharp teeth snapped
      A leaflet sere and brown,
    Right merrily their hands they clapped
      To see it sliding down,
    Past the firelight’s ruddy glow,
    To the fire that seemed to be in the snow.

    “O mother, mother!” they cried with a will,
      Their cheeks to the window pressed,
    And peeping shyly over the sill,
      Like birdlings over the nest,
    “See how it flutters and flies about;
    It thinks there is fire in the snow, no doubt.”

    And then they laugh and shout with glee,
      And tell how wild it whirls,
    And call it crazy as it can be,
      “You foolish little girls!”
    The mother sadly and sweetly said,
    Laying a hand on each golden head:--

    “Suppose that leaf a crazy thing,
      My darlings; even suppose
    It thought the firelight glimmering
      Out there upon the snows,
    The same as the fire upon the hearth,
    Why, that were not a cause for mirth!”

    And then she says, as pearl on pearl
      Her pale cheek trickles down:
    “It makes me think of the beggar-girl
      We saw in the streets of the town;
    Her hand as little and brown as a leaf,--
    Just such a picture of houseless grief.

    “By some sharp breath of fortune whirled
      Away from her mother’s knee,
    She is left to flutter about the world,
      The same as the leaf of a tree;
    No roof for her, my dears, you know,
    Nor fire, except the fire in the snow.

    “In her poor hand, so brown and cold,
      No New-Year’s gift will shine.”
    Dropped low was each shining head of gold.
      “I wish I could give her mine!”
    Cry both little girls, as they see the glow
    Of their New-Year’s fire outside in the snow.




THE BURNING PRAIRIE.


    The prairie stretched as smooth as a floor,
      Far as the eye could see,
    And the settler sat at his cabin door
      With a little girl on his knee,
    Striving her letters to repeat,
    And pulling her apron over her feet.

    His face was wrinkled, but not old,
      For he held an upright form,
    And his shirt-sleeves back to the elbow rolled,
      They showed a brawny arm;
    And near in the grass, with toes upturned,
    Was a pair of old shoes, cracked and burned.

    A dog with his head betwixt his paws
      Lay lazily dozing near,
    Now and then snapping his tar-black jaws
      At the fly that buzzed at his ear;
    And near was the cow-pen, made of rails,
    And a bench that held two milking-pails.

    In the open door an ox-yoke lay,
      The mother’s odd redoubt,
    To keep the little one at her play
      On the floor from falling out;
    While she swept the hearth with a turkey-wing,
    And filled her tea-kettle at the spring.


    The little girl on her father’s knee,
      With eyes so bright and blue,
    From A B C to X Y Z
      Had said her lesson through,
    When a wind came over the prairie-land,
    And caught the primer out of her hand.

    The watch-dog whined, the cattle lowed,
      And tossed their horns about;
    The air grew gray as if it snowed;
      “There will be a storm, no doubt!”
    So to himself the settler said;
    “But, father, why is the sky so red?”

    And the little girl slid off his knee,
      And all of a tremble stood;
    “Good wife,” he cried; “come out and see!
      The clouds are as red as blood!”
    “God save us!” cried the settler’s wife,
    “The prairie’s afire! We must run for life!”

    She caught the baby up. “Come! come!
      Are ye mad? to your heels, my man!”
    He followed, terror-stricken, dumb,
      And so they ran and ran;
    Close upon them the snort and swing
    Of buffaloes, madly galloping.

    The wild wind like a sower sows
      The ground with sparkles red,
    And the flapping wings of bats and crows
      Through the ashes overhead,
    And the bellowing deer and the hissing snake,--
    What a swirl of terrible sounds they make!

    No gleam of the river water yet!
      And the flames leap on and on!
    A crash, and a fiercer whirl and jet,
      And the settler’s house is gone!
    The air grows hot. “This fluttering curl
    Would blaze like flax,” says the little girl.

    And as the smoke against her drifts,
      And the lizard slips close by her,
    She tells how the little cow uplifts
      Her speckled face from the fire;
    For she cannot be hindered from looking back
    At the fiery dragon on their track.

    They hear the crackling grass and sedge,
      The flames as they whir and rave;
    On, on! they are close to the water’s edge!
      They are there, breast-deep in the wave!
    And lifting their little ones high o’er the tide,--
    “We are saved, thank God! we are saved!” they cried.




PART II.

THE GYPSY FORTUNE-TELLER.




THE GYPSY FORTUNE-TELLER.


Where the bend of a beautiful river kept bright and green a little spot
of this goodly earth longer than it stayed bright and green elsewhere,
there used to be made, year after year, at the season when the leaves
turn yellow and the mosses brown, a gypsy camp.

When the frost first bit the grass, and the rivulets hid themselves
away, expectation stood a-tip-toe among the young people, and so
continued, till some farmer’s boy, perchance, riding home from mill,
along the river road, would see the smoke of their fires curling and
rippling high above the tree-tops, and hurrying home, would set the
household astir with the news,--“The gypsies have come!”

Then there would be whispering and laughing among the girls, and a
missing of the lads when the family circle drew about the evening
fire; for it was the habit of the youth of both sexes to steal out to
the gypsy camp and have their fortunes told; and many a cock that had
been used to crow in the morning, and tell the sleepy inmates of the
farm-house it was time to get up and set the breakfast in order, and
yoke the steers, had to boil in some gypsy pot to pay for it. Among
the vagrants of the camp was an ugly old woman, known to the people of
the neighborhood by the name of “Mother Crow.” She seldom strayed from
among the tents, and was usually to be found, till after the middle
of the night, peeping and muttering over a great kettle of simmering
herbs, of wonderful power, if she were to be believed; and indeed some
persons said, who had watched her stirring her mess with a crooked and
thorny stick, that they had seen sparkles of unearthly light rising out
of it and settling along her forehead like a row of stars. However this
were, she was certainly more feared and believed in than all her tribe
put together. It may be that her wisdom was made up chiefly of cunning,
but no matter,--it passed current; it may be too that the snow-white
hair, straggling from beneath her cap of rabbit-skins, and veiling
the intense glitter of her snaky eyes, had somewhat to do with her
fascination. She was very tall, and upright as an oak sapling, but her
dimensions in other respects no one could arrive at very definitely, as
she was generally loosely wrapt in a big blue blanket, with a border of
scarlet stripes.

Many a night the home-going fisherman rowed softly ashore by the
gypsy camp, to learn of Mother Crow whether his sweetheart were false
or true, and paid her with the choice treasure of his net; and it
generally happened that he was richer than before; such exceeding worth
is there in a happy heart, and Mother Crow was apt to see the bright
side of things.

She could instantly tell, so she used to say, when she stepped on the
graves of persons who had been buried a hundred or more years, but she
could not tell whether the ground she trod on were to hold a coffin on
the morrow or not. She could see future events, she used to say, but
not the time at which they would take place, and so she got along very
well with her prophecies.

Some persons, too good or too great to seek a gypsy fortune-teller
themselves, would gladly listen to the gossip about her; or if they
happened near the camp at night, would stop and peep over the shoulder
of some lad for the sake of seeing her as she sat inside a ring of
eager upturned faces, telling all the girls and boys whether their
sweethearts had black eyes or blue, and whether they would marry and
make a journey across the sea, and come back with a great deal of gold,
and live happy forever afterwards, or whether they would marry, get
gold, and be happy without the great journey.

And it is no wonder these people thus stole a glimpse of the strange
woman, for she made such a picture as one does not see every day in the
week, nor every month in the year, nor every year in ten.

Among those who visited her the oftenest, and upon whom she levied the
heaviest taxes, was an old man who lived in a ruinous house by the
river-side, alone, and whose strange ways had shut him quite without
the pale of society,--in truth, he was supposed to have lost his wits,
and was treated accordingly, when, by chance, his neighbors came in
contact with him. The columns that once held up the porches of his
house fell down one after another, and lay where they fell; the once
beautiful garden ran to weeds, and, instead of flower-stalks, thistles
stood up very high and proud; spiders made looms in the windows, and
wove there all the day long, making curtains so thick it could hardly
be told at night whether or not the old man’s candle were alight.

And the truth is, nobody cared whether or not his candle was alight. He
wore a shirt of patched flannel, trousers of an old fashion, and shoes
quite distinct from the modern style; and instead of riding in a fine
carriage he walked on foot. Perhaps it was not altogether his fault
that he was shy and unneighborly, for certain it is, nobody stopped to
inquire whether it were or not; and Mother Crow herself, skinny and
haggish as she was, created a lighter sensation of awe than he. His
hair hung over his shoulders white as snow, and his beard fell down
his bosom in a profusion of silver waves, that contrasted strangely
with the black and wonderfully inquisitive eyes, and made the children
hang their heads when he came near, and older people too sometimes, for
there was in his face, it must be owned, a look that seemed to accuse
men. Indeed, he avoided men and women too, as far as might be; but when
he could not help seeing them he was civil in spite of the accusing
look, which, if it had been examined closely, would perhaps have been
found to be distrust rather than accusation, after all.

“I don’t like him!” people used to say; and it may be that they did not
stop to think why they did not like him, and it may be that they would
not have seen much to like if they had stopped to think, for we cannot
very well see what is lovable in anybody till we first love them. Love
not only sees existing good qualities, but creates good qualities.

All sorts of strange stories were told of this man, and in connection
with everything belonging to him; this, among the rest.

One of the chimneys of his house had fallen, or had been blown down by
the wind, perhaps, and the story ran that it had been tumbled down by
the witches who were in the habit of seeking the crazy man’s chamber
by this means. Then it was reported, too, that a well of once sweet
waters in his door-yard had grown brackish, and had petrified an ox
that had chanced to fall into it, and that his horns might be seen any
day sticking out of the well’s mouth!

It is strange that such things should ever have been believed; but let
a story once get afloat, no matter how improbable, and it will hold its
place a long time in spite of everything.

The strangest and most improbable of all the stories related to the
wife of the “crazy man,”--for there was a time when his beard was not
white, when his flannel shirt was not patched, and when he had as
pretty a wife as was to be seen in all the county-side. Most of his
neighbors could remember very well when the fallen chimney stood up red
and proud as could be; when at night there were lights shining through
all the windows, so dark and gloomy now; and when the cedar beams along
the porches, against which hung the gray muddy nests of wasps, were
bright and sweet, and the rows of pillars white as milk. They could
tell about having sometimes seen a gentle-faced and golden-haired
woman walking in the garden, and how all the roses bowed their heads
down toward her as she went; and about the little child that she used
to lead by the hand; and they could whisper too, and they often did
whisper dark surmises as to what became of the woman and the child,
for they disappeared one after the other, and were never seen or heard
of more.

There were even hints of murder, and some people said that the
beautiful woman and child were lying petrified away down in the well
under the stone ox!

But these things were only spoken under breath, for all that was
certainly known was, that a fair-faced woman and a lovely little child
used to be seen about the grounds, and that they were seen no more; but
that anything mysterious was connected with their disappearance nobody
dare positively assert. But it was asserted and believed that often,
at night, strange and unearthly sounds were heard about the old house,
and in the end it came to be thought that the old house was haunted
with witches, if with nothing worse; so that often when these noises
were supposed to prevail, the more superstitious of the people would
shake their heads, and whisper, apart from the hearing of the children,
“They are the echoes of the love-ditties the crazy man used to sing to
the beautiful woman!” And then the windows would be put down and the
Bibles opened and prayers offered, and sometimes, after all these pious
ceremonies, a horseshoe would be hung over the door-case to protect the
household against witch-work, so strangely are the minds of men and
women constituted. And at such times the frightened children would look
wonderingly up into the faces of the old folks, and ask to have the
candles trimmed anew, or that another stick might be added to the fire.

The story ran too, that often of winter nights, when the moon shone
bright on the snow that had been drifted into fantastic but smooth
curves along the meadows, and in the ragged edges of the woods,
there used to be heard a footstep going along their edges,--tramp,
tramp,--and in the morning it would be seen that the snow was written
all over with letters which the crazy man had traced with his finger,
and the letters spelled one name, over and over, sometimes a thousand
times, and that name was Hesther; but whether it had been borne by the
missing woman, or whether it was a fantasy of his bewildered brain, was
left to conjecture.

The only person in the world for whom this sad old man appeared to
cherish any kindly regard was Mother Crow. Under the straggling boughs
of an apple-tree he at length built her a house, a very goodly house
for a gypsy, with a roof and door of pine planks; albeit there were
gaps between the logs of which it was composed more than wide enough
for the moon to peep through and see what was going forward. Many
a basket of bright apples he bore to Mother Crow’s house on his
shoulder, and many a bag of corn he emptied on her broad clay hearth;
and once, at least, during every period of encampment, he might be seen
leading thither by the horns a fat heifer or steer, and then be sure
there was great feasting among the gypsies.

It was noticeable that during the stay of these people the old man
always became more like other men, that he would smile when he met his
neighbors, and sometimes speak to them, not only cheerfully, but with
great good sense.

It was strange his lucid intervals should always occur at the time of
the gypsies’ encampment, people used to say, but they never inquired
into the mystery, for the world generally takes but little interest in
its old crazy men that live in ruined houses.

Scarcely a midnight came and went that did not find the crazy man by
the gypsy’s fire, bowing his white head beneath the skinny hand of the
old fortune-teller, and listening to her muttering, which contained
always one and the same story; and of course the story was all about
the crazy man’s wife and child, for she pretended that she could look
back into the past and see what had happened to them, and she commonly
begun her story something after this fashion:--

“I see a beautiful river with a border of fine trees, and moonlight
shining along the billows; I see herds of cattle grazing, and a great
house with porches white as snow; and now there comes to the porch
a fair young woman, with curls down her shoulders bright as the
sunshine, and eyes blue as a morning sky in May. She wanders toward the
river-bank, leading by the hand a child like herself, but even more
beautiful,--her eyes being like the color of the morning-glory, and the
fingers fair as the fingers of a lily.

“And now there leaps from his boat on the river wave a man, sleek and
bright and stealthy as a leopard; he approaches her with smiles and
gentle words, but his feet are shod with evil, and his heart is full of
all manner of dark things. Now he talks to her and his voice is soft
and low as the voice of the wind when it talks to the violet; and now
he sings, and the song of the nightingale is not so sweet.”

At this point of the story the old woman would stop and tell her eager,
trembling listener that she could not see any more until he had again
crossed her palm with silver, and so having got more money she would go
on.

“All the scene that I lately saw is vanished, but I see the same woman
walking in the fields alone. It is a wild windy night, and the clouds
are flying across the face of the moon, and the autumn leaves are
blowing about withered and dry, and still the woman walks on alone
until she comes to a blackthorn-tree, under which, on a little heap of
stones, sits a gypsy fortune-teller,--a wicked woman as I can see by
her wolfish face, and her long, lithe, snake-like body; and now she
crosses the palm of this old hag with silver, and she tells her a tale
that is like a fairy tale, of the splendid fortune that is waiting for
her in a far-off country,--how she shall eat from plates of gold, sleep
on a bed of swan’s down, wear her hair braided up with diamonds, have
gowns with hems embroidered with pearls, ride in a gilded coach, and
have a hundred lovely maids of honor to be about her and to tend her
day and night, and all just for going with the stranger who sings to
her so sweetly, and who, she says, is a man of honor and authority in
his own country. And the eyes of the fair woman are dazzled, and she
seems almost persuaded to go away with the leopard-like man, and leave
forever her comfortable home and her good husband.”

And here again, Mother Crow would pause in her story, and profess that
she could not see anything more until she had more silver, and then she
would say that she saw a boat sailing down the river, and seated within
it three persons, a man and a woman and a child, and that the three
looked like the other three which she had seen before.

Then the shadows would come between her and the boat, and her vision
would grow dim, so she would say, and not till the old man had paid her
more money could she see anything further.

Sometimes she would sit for half an hour holding out her rabbit-skin
cap, and not till she heard something clink in it would she speak one
word. Then at last she would profess to see the beautiful woman sick
and dying, and to see the child, grown to be a beautiful young girl
now, standing by her bedside; then she could see the eyes of the woman
closed, and a long funeral procession; and after this, no matter by
what prices the crazy man sought to buy her vision, Mother Crow could
see no further; though she always professed to be growing in prophetic
wisdom, and quite sure that at the time of the full moon, or at the
falling of the November rain, or at some other designated season, she
should be able to trace further the history of the young girl.

[Illustration: THE GYPSY FORTUNE-TELLER.]

And this was the secret of her power over the crazy man, as he was
called; and by this means it was that the entire gypsy camp fared so
well year after year. But the more liberal the old man was, the more
the fortune-teller demanded; and at last one night when the fumes of
her bitter stew had gotten into her brain a little more than common,
it may be, she professed to see the fate of the beautiful young girl.
She saw that she was living in the castle of a nobleman, and that she
was become a lovely woman, with golden hair and blue eyes like her
mother’s, and that she saw little shining letters along her forehead
which spelled the name of Hesther. But in what castle Hesther was,
and how she was to be obtained by the old man, she would not tell
until twelve pots of rum had been ranged along her clay hearth, with
a beehive full of new honey at their head. This request was no sooner
complied with, however, than Mother Crow declared that her vision was
become dim, and that the anxious inquirer must wait another day. Of
course she had her way; but, alas! things turned out as she little
expected.

Having feasted to excess on the honey and rum, she lay down in her
cabin to sleep, and feeling presently that the lease of her mercies was
run out, and that the pains of death were hold of her, she called the
old man back, and taking from her bosom the picture of his wife, she
gave it into his hand, and also a piece of yellow parchment written
over with clumsy and curious characters; but the eyes of love can
decipher hard things, and the old man read all the parchment contained,
as if it had been written by a scribe.

Mother Crow watched him as he read, and at the close of the reading
lifted up her hands and hid the light from her eyes, even before death
hid it, and turned her face to the wall; so fearful, sooner or later,
are the effects of wrong-doing.

It was all a lie that Mother Crow had been telling the old man, after
all. There had never been a man who was sweet-voiced and sleek and
shining as a leopard, there had never been a little boat that rocked on
the river of nights, and there had never been any running away, first
or last. She herself had stolen the child in the hope of getting money
from the father by telling him where it was, and how he could get it
again; but when it came to pass, as it did, that the mother pined for
her child till she became crazy, and wandered away and was lost to her
house and her husband, and to all who knew her, she was afraid to say
aught about the child lest she herself should be accused of murder.
She was afraid even to keep it any longer, and pinning to its dress a
paper that said it had been stolen and was to be given up if the father
should ever come for it, or any one, bearing a certain parchment which
the said paper mentioned, she one dark night, having taken it a long
way off, shut it up in a rich man’s garden, where the gardener would
be likely to hear its cries and take it to the rich man’s house, as
indeed he did, and here the girl had lived and was now grown to be
a beautiful woman. She had meant always to tell the truth some time
or other, but had put it off month after month and year after year,
knowing that her palm would no more be crossed with silver by the
old man if he once came to know where his child really was. And the
story was never told until Death came and put her soul in torture that
pressed the secret out of her lips.

And the red leaves drifted in a red heap over the grave of Mother Crow,
and the rain beat out the fires, and the pot of bitter herbs simmered
no more, and the winter snow fell and lay in smooth curves about the
stone house, for there was no name written on it now, and no crazy
man anywhere to be seen. All the windows were dark as they could be,
the fallen pillars lay one across another along the porches, and the
chimney, in a stack of ruins, frowned from the roof, and at night not
a sparkle was seen to rise above it. Now it was that the corpse of the
old suspicion floated up on the stream of gossip again, more black and
malignant than ever.

The crazy man, in addition to his other crimes, it was asserted, had
poisoned Mother Crow, and, lest they who saw him should murder him, had
shut himself in his own house, and was slowly dying of starvation and
cold. Some even declared that they could hear him making the night
hideous by his hungry howls.

But no man and no woman sought out the truth, or made one effort to
alleviate the miserable condition of the old man.

All at once, and as by magic, the stone house was transformed into its
original grandeur; the columns stood in white rows along the porches,
the windows shone with curtains of crimson stuff, mixed with satin,
white as snow,--the stack of ruins stood up in a high, proud chimney,
and above it, at night, there glittered a shower of sparkles red as
roses.

And every day, riding along the river road, in a coach with shining
panels, was seen the man that his neighbors called crazy when he
_walked_ along the road. Magnificent horses, in the most dazzling
furniture, drew the carriage; and by the man’s side sat a lovely young
woman, who folded his mantle tenderly about him with her sweet white
hands.

But the most marvellous thing I have to tell is the change that came
to the hearts of the people when they saw the gold trappings of the
horses, and the diamonds on the white hands of the young woman,--whose
name was Hesther, and the ermine that lined the mantle of the old man.
The proudest of them bowed down as he went by, and saluted him as
though he had been a king, and his wisdom and beauty were the continual
themes of conversation and admiration. The white hair and beard that
used to be thought so frightful were considered regal now, and the
austerity that used only to excite derision fitted him right royally
now.

In short, no man could be found to own he had ever believed the rich
man to be crazy. On the contrary, every one was loud in the declaration
that it had always been his belief that the owner of the stone house
was some great person in disguise, and a very wise person too. And
those who had affirmed most vehemently, when the stone house was
ruinous and dark, that they could hear its crazy inmate howling with
hunger, were the first to make feasts for him, and illuminations, now
that his house was full of light, and his board beautiful and shining
with plate.

Not a soul could be found to own he had ever believed the rich man’s
well had a stone ox in it, and only one or two simple and old-fashioned
old women would admit that they had ever heard the story.

Every one who could afford it built a porch against his house; white
beards became the fashion, and the rich man’s advice was asked upon the
most trivial occasions.

Thus ends the story of Mother Crow and the Crazy Man, and I hope the
reader has been taught by it two things,--first, that conscience will
find out your sins, though you hide them under heaps of gold, mountain
high; and secondly, that those who make feasts for you and do you the
humblest reverence while your mantle is lined with ermine, will be the
first to cry out _Crazy!_ and see you starved if your chimney chances
to tumble down.




THE COW-BOY.


    Day after day, when the tawny-bills
      Were twittering through the boughs,
    “Sook! sook!” across the sunset hills
      He would call his mother’s cows.

    “Whee! whee!” and then the thrum and fall
      Of the clumsy meadow-bar,
    And we knew he had found them one and all,
      “Mottle,” and “Rose,” and “Star.”

    A merry cry, and then a hush,
      And then a merrier ring,--
    He had found a bird’s-nest in a bush,
      And was happier than a king.

    “Plash and plash!” and “Sook, sook!”
      And tramp and trill again,--
    He had brought his cows across the brook,
      And was singing up the lane.

    Spingspang! whish! in the bucket cool
      And burnished silver-bright,
    And then he had gotten his milking-stool,
      And was milking with all his might.

    Clump! clatter! spinkle! span!
      He had done with the milking-chore,
    And was setting each shining and shallow pan
      On the watery “spring-house” floor.

    Days went and came, and came and went,
      And over the sunset hills
    No more his cheerful call was blent
      With the twittering tawny-bills.

    But in the dingle and in the dell
      Deep silence held the rule;
    The little lad that we loved so well
      Was gone to the grammar-school.

    Years came and went, and went and came;
      He had made, or mastered fate,
    For the little cow-boy’s humble name
      Was the name that ruled the state.




LITTLE ELLIE.


    Darling Little Ellie,
      Stout of heart and limb,--
    What, I often wonder,
      Will the future make of him?

    Where will be the roses
      That keep his cheeks so red,
    When years with their temptations
      And trials shall have fled?

    Stirring with the morning,
      As if he owned the farm;
    On the floor at sunset,
      Sleeping on his arm:

    Tom and faded jacket,
      Feet brown and bare,
    Sunshine laughing in his eyes,
      And tangled in his hair.

    In his little bucket,
      Helping milk the cows,--
    Riding on the horses,
      Tumbling down the mows;

    Wading in the water,
      Working mimic mills,--
    Chasing through the meadows,
      Rolling down the hills;

    Making strings of elm-bark,
      Stealing mother’s yarn,--
    All to see his kite fly
      Higher than the barn;

    Planning long aforetime,
      With ambitious pride,
    How, when snow has fallen,
      He’ll have a sled and ride.

    Gravely puzzling over
      Each childish little plan,--
    Working, and tugging,
      And scheming like a man.

    Now upon grandfather’s knee,
      Listening with delight
    To the stories that are new
      Every day and night.

    Now, with joyous make-believe
      In despite his frown,
    Turning chairs to railcars,
      And riding into town.

    Ah, ’tis wisely well for us
      That we cannot see
    What in years that are to come
      He will grow to be.




THE BRICKMAKER’S BOY.


    The ground of the brick-yard is burning and bare;
      By the hedgerow are plenty of shady spots,
    But Ralph, when he gets a white apron to wear,
      Plays in the mortar, and shapes it to pots.

    That is his mother’s house over the hill,
      With the pitcher of pinks in the window, so sweet,
    And Ralph is her darling, and sets at his will,
      In the soft bricks, the prints of his bare little feet.

    Poor soul!--she is homely and wrinkled and old,
      And work is her portion, but what does she care
    For herself, since no neighbor has need to be told
      That her darling has beauty enough, and to spare!

    Low down on the limbs of the prickly sweet-brier
      Are handfuls of roses, but still he will push
    His cheek through the thorns, for the one red as fire
      That grows out of reach at the top of the bush.

    Sometimes the old brickmaker, sunburnt and bent,
      Will tug him about on his shoulder awhile,
    Whereat, growing restless instead of content,
      He scarcely repays the good man with a smile.

    He makes of a stray piece of cedar a shelf,
      Sometimes, where he sets up his pots in the sun,
    And then, growing vexed with his work or himself,
      He breaks them, and tramples them down, every one.

    From the time when the locust puts on the white mass
      Of his odorous plumes, till in summer’s decay,
    His bright yellow jacket he throws on the grass
      And braves the bleak wind, he is busy each day.

    I know it is all in his own wilful way,
      Yet sigh, as I see him a-working so hard,
    His hands and his apron so heavy with clay
      He scarcely can toddle about in the yard.

    My heart often says to me, wherefore employ
      Your thoughts in a fashion so pitiful? then,
    Reflecting, I see in the brickmaker’s boy
      A type of the work and the wisdom of men.




FAIRY FOLK.


    The story-books have told you
      Of the fairy-folk so nice,
    That make them leather aprons
      Of the ears of little mice,
    And wear the leaves of roses
      Like a cap upon their heads,
    And sleep at night on thistle-down,
      Instead of feather-beds!

    These stories, too, have told you,
      No doubt to your surprise,
    That the fairies ride in coaches
      That are drawn by butterflies;
    And come into your chambers,
      When you are locked in dreams,
    And right across your counterpanes
      Make bold to drive their teams;
    And that they heap your pillows
      With their gifts of rings and pearls;
    But do not heed such idle tales,
      My little boys and girls.

    There are no fairy folk that ride
      About the world at night,
    Who give you rings or other things
      To pay for doing right.
    But if you do to others what
      You’d have them do to you,
    You’ll be as blest as if the best
      Of story-books were true.




LESS OR MORE.


    Seven trees grew beside our door,--
    We used to wish they were six, or four!
    Seven,--each standing so close to each,
    The boughs from one to the other could reach,
    And when the wild winds over them run
    The tops of the seven trees looked like one.

    There they stood in the rain and shine,
    Like so many soldiers, all of a line,
    Beating the tempest away when it came;
    And still when the midsummer burned like a flame,
    Dropping their shadows, now less, now more,
    Over the door-stone and into the door.

    Seven, and one of the seven, an oak,
    Scarred and scathed by a lightning-stroke,
    That, leaving it at the fork gaped wide,
    Ran like a black vein down one side;
    An elm, with a shaggy red vine at the top,
    Hanging loose, and as though it were ready to drop.

    Three sweet silver maples, a willow so fair
    That like a lithe swimmer took hold of the air;
    A walnut, too proud to yield ever a nut,
    With all its black bark into rough diamonds cut.
    And so there were seven--we wished they were four,
    Or six--we would have them be less or be more!

    Fair every tree of them--why should we say
    If this one or that one were only away!
    O, ’tis no matter,--the story is meant
    To show you that mortals are never content,
    And if the trees had been six, or four,
    We still would have wished they were less, or more.




FINE TALK


    They may talk about talk
      With a silvery ring,
    But silence is sometimes
      An excellent thing.
    Of course there’s no statute
      To limit the breath,
    And he that so chooses
      May talk you to death!
    But if you have nothing
      To tell or to teach,
    There’s no use abusing
      The good gift of speech!

    I’ve heard tongues that clattered
      Like shallowest brooks,
    But never the fine talk
      You read of in books!
    I often hear things
      That were tolerably good,
    But not your fine, fine talk,--
      I wish that I could!
    For when words like music
      Have ravished the air,
    It somehow has happened
      I never was there.

    It is, as I fancy,
      The fault of my star,
    For certainly somewhere
      Fine talkers there are;
    And sometimes I’ve thought,
      For a minute or two,
    Here is one! He was telling me
      All that he knew!
    For when we next met,
      Without switching the train
    Of a thought, he repeated
      The same things again.

    And if I might venture
      One word to suggest
    To the talkers, who brilliantly
      Prey on the rest,
    I would tell them that no
      So far as I’ve heard,
    Likes always to listen
      And say not a word;
    And that it were wisdom
      To ponder my rhyme,
    And utter their oracles
      One at a time!




PART III.

THE WEAVER’S DAUGHTERS.




THE WEAVER’S DAUGHTERS.


In a poor little house that stood almost within the shadow of a
great monastery there lived once two sisters, named Agnes and
Elthea,--orphans, and heirs of nothing but an honest name and the trade
of their parents, which was that of weaving. The elder, Agnes, had
black hair, a pale face, hands that were never idle, and a tongue that
was always still, except when it repeated prayers or when the prattle
of Elthea provoked it to speech.

Mirth ill becomes you, good sister, Agnes often said, with severe voice
and frowning brow. Do not the bones of our parents moulder in the dust?
and have we not to earn our bread by our weaving? and if we take time
to laugh, what will become of the work!

Then Elthea would answer something after this fashion: “I know, my
sister, that you are wise and I am simple; I know too that our parents
are dead, and that we are poor girls who must weave from morning till
night to earn our food and our clothing; but I cannot see that it is
wicked to keep the heart light just because the hands have to be busy,
or for that other reason that our good father and mother have gone to a
better world.”

And having said this, or something like it, she would try to separate
the smiles from her rosy mouth, and would weave very quietly for five
minutes; then, all unaware, she would break into mockery of the bird at
the doorside, and after her little song, ask Agnes how it happened that
so often at nightfall the cloth in her loom measured the longer!

“Giddy child,” Agnes would answer, with never a smile, “do you not know
that the Devil helps his own?”

This was a dreadful thought, and, pondering it, Elthea would remain
silent a whole half-hour sometimes; but in the end laugh again, and
reply, “If it be as you say, good sister, I will sing while I may, for
the breath I use in singing would not serve me to cool the fires a
thousand years hence.”

“O my poor sister!” Agnes would sigh, moistening the threads of her
weaving with her tears; and thus from day to day they sat at their
looms, roses blooming in the cheeks of one, and wrinkles and pallor
making the face of the other old before its time.

At twilight Elthea went with their woven cloth to the neighboring
convent, where it was embroidered by the sisters in patterns fine and
beautiful enough for queens to wear. If it were summer, she plucked
flowers on the way and made crowns for her golden hair, which she
sometimes wished might be admired by eyes besides her own, as she bent
her head over the still places along the brook.

If Agnes could have seen how nicely she disposed the flowers, and with
what vanity she broadened the golden bands of her hair, she would have
frowned, even at her prayers; but Elthea never wore home the flowers.
She gave them to the brook, whose bright waters carried them lovingly
away, and smoothed back the broad bands of her hair before crossing the
threshold of the gloomy house, where, till her return, the firelight
seemed afraid to shine.

One night, as she was spreading the table with bread and grapes and
milk, singing a song so low that it hardly came out of her heart,--a
song that was half thanksgiving and half prayer,--the great bell of the
monastery began to toll so solemnly that for a moment she grew pale,
and crossed herself in silence; for she had been born and reared in
the faith that teaches men and women to believe there is some special
virtue in the sign of the cross, and she had not learned that there is
no virtue at all in the signs, or outward shows of things. No change
came over the face of Agnes, and indeed her face was always so gloomy
that it would have been difficult for it to look gloomier than common,
but her voice had in it some bitter gratification as she said she was
glad to see her sister Elthea silent and sad for once!

It was only for a moment, however, that Elthea looked sad. “I was
afraid some evil had fallen upon the land, at first,” she said, “but I
perceive by the peculiar tolling of the bell that it is not evil, but
good that has befallen. And it is probably some sister of the convent
that has passed from death into life”; and so saying, she joined
her little song where it had been broken off, and went on with her
preparations for supper with a face as tenderly bright as the tenderest
and brightest of all the May mornings.

“Hush!” said Agnes, lifting up her hand; “I hear the mountain wind
coming angrily down; the roof-tree shakes its last leaves off to battle
with it. Saints, protect us! it will be a fearful night!”

As she spoke the rain dashed against the roof as if a thunder-cloud
emptied itself all at once. Then Agnes began to cry aloud, as a
child that is lost in the dark; but Elthea said: “God, who holds the
whirlwinds in his hand, will keep us, and we shall not die. Why do you
fear, my sister? doth he not love us the same when to our weak vision
the way of his providence seems dark?”

And still the bell tolled mournfully, the winds drove dismally, and
the rain beat heavily. It was enough to make any soul afraid that could
not draw light into the darkness from the sunshine of a past life of
pious cheerfulness and resignation.

“Have mercy on us, good saints!” cried Agnes again and again, wringing
her hands in dismay.

“Our Father, we thank and bless thee for the fire that makes us warm,
and for the roof that shelters us, and for our trust in thee that no
storm can beat down,” prayed Elthea.

Directly, in a lull of the storm, there was heard a knocking at the
door, and Elthea, smiling, made haste to open it; for she said, “It
is, perhaps, some poor wayfarer, whose life is mercifully given into
our keeping.” But Agnes reproved her with frowns, saying, “Stir not
for your life; it is some murderer who seeks our blood, or at best a
robber who takes advantage of the storm.” And when she saw that Elthea
would not be hindered from opening the door, she hid herself in the
darkest corner of the house, under the cloth that was in her loom; and
her trembling shook the floor beneath Elthea’s feet, as her steady hand
unlatched the door and set it open wide.

“Now, all good saints and angels bless thee for the sake of thy sweet
charity,” said the stranger who stood waiting. “I dreamed not these
rude hills held so fair a blossom. Thy goodness--for I am sure thou
art good--shalt be my shield as well as thy roof. Bring me straight to
thy royal mother, that I may kiss her hand.”

The youth and stranger had crossed the threshold as he spoke, and now
stood waiting meekly before Elthea in the light of the burning fire.

“You honor me above my deserts, gentle friend,” replied Elthea, her
confusion showing all the more for the blushes in which it tried to
hide. “We are but poor girls, the children of weavers, and our parents
are dead.”

“Children?” repeated the stranger, turning his fair face toward the
dark corners of the room; “I see only thyself.”

Then Agnes came forth from beneath the cloth of the loom, and said,
turning her dark face toward the stranger, “My sister, a giddy and
thoughtless maiden as you may judge, has spoken truly. We are indeed
poor, weaving all day long for our bread, which at the best is scanty
enough”; and she broke the small loaf in two pieces as she said this,
and offering one piece to Elthea, began to eat the other, for she hoped
to drive the stranger away by showing him that they had nothing to
spare.

But Elthea forgot her long fast, which she was used to keep all day,
and remembering the stranger, who had been beaten by the rain, and must
be tired and famished, she offered him what bread was left without
tasting any.

The stranger accepted the bread, bowing so low that all his golden
locks fell down about his face; and seeing what he did, Agnes not only
frowned, but asked, in accents sharp and reproachful, how the poor
could work without food. As she spoke, the piece of bread the stranger
held seemed to grow into a whole loaf, and the part he gave back to
Elthea was more than the whole she had given. And as they ate, the
rain drove, and the wind blew, and the great bell of the monastery
tolled and tolled. When Agnes spoke, she could hardly hear her own
voice for the noise of the storm. Nevertheless, she said she believed
the tempest had wellnigh ceased, and a favorable time was offered for
wanderers, if any were abroad, to seek shelter in the neighboring
convent. The stranger seemed not to hear or to understand her words,
for he continued to eat his bread quietly as before. “Had we never so
much charity,” continued Agnes, “we could neither shelter nor lodge a
wayfarer, even though we knew him to be a pious priest, let alone a
vagabond of a minstrel, such as are likeliest to trespass on the poor.”

Now the stranger wore the habit of a minstrel, and carried with him
a harp, so that if he heard the words of Agnes he could not mistake
their meaning. But he seemed not to hear her words. He seemed only to
hear the tolling of the monastery bell; and as he listened, the tears
filled his beautiful eyes, and ran silently down his cheeks. It seemed,
indeed, as if the shadow of some great affliction were resting upon him.

“Your tears will not be dried by remaining here,” said Agnes, “for
we are poor girls who have no comfort for ourselves, let alone for
strangers, and we sell the kerchiefs we weave for our bread.”

But Elthea, when she heard this cruel speech, came softly between her
sister and him, and in silence that was just as sweet as any spoken
words, wiped his tears with her long golden hair. And directly the
heart of the young man began to be lighter in his bosom, and he told
the little maiden, as she strove to comfort him in her own gentle way,
that the king who had ruled in his own country for years and years, so
wisely and so well that all his people loved him and came to him in
the time of their sorrow as though he had been their own father and
not the king, was now dead,--dead and gone,--and all the land was in
mourning, and all the bells of all the convents ringing dirges, and
all the sisters singing funeral chants. Then he made a dark picture of
the king’s empty palace, and of the king’s son, who in his grief had
wandered to a strange country.

“And what is all that to a poor minstrel like thee, or to the poor
daughters of a weaver like us?” cried Agnes, her words dropping like
icicles from her mouth. “The kings may all die and may all be buried,
but can we leave our work to weep, though they were twice dead and
twice buried!”

And having spoken these chiding words, she climbed into her loom again,
and beckoned her sister to follow; but Elthea, who had a mind of her
own, sat at the feet of the stranger and wept, saying, “The king was a
good king and a lover of his people, doing in the land the things that
were lovely and the things that were right, and it is a wise thing and
a just thing to pause a little and ponder upon the life and upon the
death of such an one.” And the burden seemed lifted more and more from
the young man’s heart, for the words spoken by the gentle and kindly
maiden.

“O my sister! my foolish sister!” cried Agnes. “What is the king to
you, whether he were good or bad, whether he be alive or dead?”

But Elthea, regardless of her sister’s words, continued to sit at
the stranger’s feet and to weep, and to speak words that were sweet
and pleasant to him. And the wind blew and the bell tolled, and the
rain beat against the house, but the moments fled away as fast as the
moments of a bright day in the middle of the summer.

And as the firelight shone upon the young man, and Agnes perceived
that he was fair in the face, and that his locks were in their beauty
like the locks of the morning, she grew only the more impatient and
vexed and uncharitable toward him.

“You may perceive how poor we are,” she said, “and that we have but one
bed, which cannot be divided”; and then going on more fretfully, she
said that strolling minstrels, she supposed, were used to no better
shelter than the oak-trees afforded; and as for the harp, the thought
of it was displeasing to her, and she would gladly have it out of the
house. “What is the good of music?” she said. “Would it help us to
weave the better, though we should listen to your harp till cock-crow!”

But the young man still sat contentedly by the fire, his eyes resting
on the face of Elthea as though it had been the face of some delightful
flower, and the glow of the coals made his beauty radiant, and his
curling locks like the brightness of a day in the middle of summer.
His milk-white hands were all sparkling with rings, and the weaver’s
daughters had never seen lace in their lives that was so fine as the
ruffle he wore upon his neck. And seeing that he sat thus contented,
and seeing the whiteness of his hands, and the glittering splendor of
the rings that adorned them, Agnes, casting upon him a look of scorn,
arose and dashed herself across the bed, and made a pretence of sleep;
but she did not sleep, you may be sure. Sleep is gentle, and comes not
readily to the ungentle, the cold, and the hard.

Then Elthea stirred the coals, and added fresh sticks of wood to the
fire, and made all the low room, and the two clumsy looms, and the
cloth that was in them, and the yarn that hung on the walls, to shine
again, and bringing her shawl from the beam of her loom and the pillow
from her bed, she spread them on the hearth for the stranger, saying
how sorry she was that such scanty hospitality was all she could offer.
And the young man thanked her with his eyes so kindly, and thanked her
with his smile so brightly, that she went away, and resting her head on
the cloth of her loom, slept never so sweetly in her life.

And all night the rain beat, and the winds drove, and the bell of
the convent tolled; but at last the cold gray morning rose over the
hill-tops, and the face of Agnes, as she left her pillow, was black
with rage as the clouds, for there sat the stranger waiting to share
the morning meal. In vain she scowled upon him: he would not be driven
away, but leaning his cheek upon his harp, followed Elthea with his
eyes, as she went about the humble room; and she, still freely as
before, divided her bread with him, and after that broke from her
geranium all its pretty flowers and twined them about his harp; for he
was going to the monastery to sing dirges and to offer prayers for the
rest of the dead king’s soul.

“The king was a good king, and he is dead,” said the young man; “and
my faith teaches me to sing thus and to pray thus for the rest of his
soul.”

And when he went away, Elthea asked the Lord to bless him; and it
seemed as if the blessing came back and rested upon her own head, for
her heart had never been so full of peace as it was that day.

“A pretty measure of cloth you will be likely to weave,” said Agnes,
flinging her shuttle across the warp so violently as to break her
thread; “the sun is an hour high, and be sure I shall not divide my
bread with you for your folly!”

Elthea was thinking of the minstrel, and hardly heard what her
ill-natured sister said. She was thinking, not so much of his beautiful
locks, and not so much of his fair face, as she was thinking of his
beautiful spirit, for it was that which made him seem so beautiful
after all; and as she thought, her fingers grew nimble, and her shuttle
flew just as if it had wings, and the hours of the day seemed almost
like moments, and before she had dreamed of it, it was night, and her
task was done; and while Agnes still sat scolding and fretting over her
unfinished work, she was away to the convent with her full measure of
cloth.

A long time she lingered, for the music of the choir had never sounded
half so sweet: the minstrel was singing with the rest of them.

Three days went by, and on the evening of each Elthea listened to the
music of the choir, and the hour of her listening was like an hour
taken out of heaven.

It was an easy thing to weave now, for she was weaving dreams while
she wove her cloth,--dreams that stretched away and away, she knew not
where.

On the evening of the fourth day she missed the harp of her minstrel,
and the convent seemed to her cold and gloomy, and all the world to
be changed. And yet it was changed from clouds to sunshine, and from
the moaning and beating of the winds to the chirping and singing of
the birds,--the storm was broken up and gone, and the land was smiling
again. She could not stay in the convent, but hurried away as fast as
her feet could carry her; and coming to the brook she sat down on the
bank very sad,--it seemed to her as if her heart was being borne away
in its waves.

The waters that had leapt and prattled along the stones for the three
days past were murmuring and moaning now; the flowers that had seemed
to be made of light now seemed to be made of shadows, or of something
still darker than shadows; the grass had lost its tender greenness,
and the air its balm. Her very face must be changed, she thought, as
well as everything else; and looking into the brook where the water lay
still and mirror-like, she was startled to see there a face beside her
own. It was that of the strange minstrel, who had followed her, and was
peeping over her shoulder.

With a cry of joy she turned to him, all her heart blushing in her
cheek; and then feeling that she had betrayed an interest deeper than a
weaver’s daughter should feel for one whose hands were so much whiter
than her own, she covered her face with her long loose hair, and stood
silent and trembling before him.

[Illustration: THE WEAVER’S DAUGHTER.]

Placing his harp on the grass by the brookside, the minstrel seated
himself a little way from where Elthea was; and when the moon came
up and looked over the hill, she saw the minstrel kiss the hand of
the weaver’s daughter; and then she hid her face in a cloud, for she
thought it was not fair that she should look upon that which it was
never meant she should see; but when she had gotten over the hill and
came nearer, she could not for the life of her help hearing what the
minstrel was saying to the weaver’s daughter, and the substance of what
she heard was this. When he had laid his hand on her golden hair, he
told her that if he had any riches except his harp, he would ask her
to go with him to his own country, and to be his companion always.

But what cared Elthea for riches? she knew how to weave, and it would
be easy work weaving for him. And there, in the moonlight, they
plighted everlasting love with manifold kisses.

Many nights the bosom of the minstrel had been the pillow of Elthea,
and many days they had travelled together, her feet bruised and tired,
but her heart running over with delight, and her lips singing and
prattling all the while, when toward sunset one day they sat down by
the wayside to rest. Then it was that the minstrel told his pretty
wife another story, the marrow of which was, that he was no minstrel
at all, except, indeed, for the season of mourning for the king, his
father; for himself was the king’s son; and the poor weaver girl, who
had shared with him her bread and her fireside, was henceforth to share
with him his broad and beautiful palace, and for the shelter she had
given him from one storm, he would shelter her from all the storms of
life.

And Elthea was loved and honored by all her people as long as she
lived, and many was the real minstrel that blessed her name, and sang
songs in her praise; and many was the embroidered train she wore that
was made of the cloth she had woven when a poor girl, and the cloudy
days and the stormy days were always brightest with the blessing of
memory. And to the end of her life Agnes wore coarse frocks, and wove
cloth to make embroideries that she never saw, fretting and scolding at
her sister’s good-fortune all the while, and spoiling before its time
the beauty of a face that might have rivalled her sister’s if she had
suffered her heart to shine through it the same.




THREE LITTLE WOMEN.


    There were three little women,
      Each fair in the face,
    And their laughter, like music,
      Filled all the green place,
    As they sat knitting talk with the
      Threads of their lace.

    Of the winds in the tree-tops,
      The flowers in the glen,--
    The birds, the brown robin,
      The wood-dove, the wren,--
    They talked, but their thoughts were
      Of three little men!

    The sea lay before them,
      With ships going by;
    Behind them the hills shone,
      So grand and so high;
    And above them, blue beautiful
      Patches of sky.

    But they felt not the sweetness
      That smiled from the lea,
    And they knew not the way of
      The wind through the tree;
    And they saw not the sea,
      When they looked at the sea!

    The wood-dove tapped note of the storm,
      The shy wren
    Twittered fearful, and low
      Hung the mist o’er the fen,
    But all that they thought of
      Was three little men!

    The wind rose, the clouds gathered,
      Mass upon mass,
    The sun drew his long lines
      Of light from the grass,--
    Alas! for the three little
      Women, alas!

    Fast home ran the robin,
      Fast home flew the wren;
    The blacksnake led all his
      Black sons to the fen,
    That lay ’twixt the three
      Little women and men.

    The sky was all over
      One horrible frown;
    The rain from the hill-tops
      In torrents dashed down,
    The three little short-sighted
      Women to drown.

    They died: pray their watery
      Graves may atone
    For their folly, in trusting
      To see things alone
    Through the eyes of the
      Three little men,--not their own.




PRETTY IS THAT PRETTY DOES.


    The spider wears a plain brown dress,
      And she is a steady spinner;
    To see her, quiet as a mouse
    Going about her silver house,
      You would never, never, never guess
    The way she gets her dinner!

    She looks as if no thought of ill
      In all her life had stirred her,
    But while she moves with careful tread,
    And while she spins her silken thread,
      She is planning, planning, planning still
    The way to do some murder!

    My child, who reads this simple lay
      With eyes down-dropt and tender,
    Remember the old proverb says
    That pretty is, which pretty does,
      And that worth does not go nor stay
    For poverty nor splendor.

    ’Tis not the house and not the dress
      That makes the saint or sinner.
    To see the spider sit and spin,
    Shut with her walls of silver in,
      You would never, never, never guess
    The way she gets her dinner!




ELIJAH AND I.


    The house that you see underneath the great pine,
    With walls that are painted and doors that are fine,
    And meadows and wheat-fields about it, is mine.

    On the stony side-hill of the woodland close by,
    In a house that is not half so wide nor so high,
    Elijah, my miller, lives, richer than I.

    When I go to the town to pay tax on my land,
    He sits by the chimney, his book in his hand,
    And merry of heart as if money were sand.

    Of the meadows about him he owns not a rood,
    No stone of the brookside, no stick of the wood,
    Yet ne’er lacked Elijah for clothing or food.

    ’Tis good in his blue eyes the twinkle to see;
    That the mill goes awry never troubles his glee;
    ’Tis I that must pay for the mending,--not he.

    He laughs while I frown, and he sings while I sigh,
    The pleasant love-ditties of days that are by;
    So Elijah, my miller, is richer than I.




A FISHERMAN.


    A fisherman leaned on a clapboard gate
      He was often used to pass;
    ’Twas sunset, and two little boys
      Were playing on the grass.

    The watchdog by the door-stone sat,
      And bayed the rising moon,
    And the mother milked her cow and sung
      An old and pleasant tune.

    The children left their play and ran,
      And, leaning on her knee,
    She milked the milk into their mouths,
      Laughing with girlish glee.

    And as she carried her frothy pail
      Slow to the rustic door,
    One little one held at her skirt behind,
      And the other one before.

    She stopped, and hugging both their heads
      Against her loving breast,
    They looked like two bright little birds
      A-peeping from one nest.

    The sunburnt fisher went his way,
      Sighing, alas, alas!
    It was not for the little boys
      That played upon the grass.

    And when he came where cold gray stones
      Were standing, many a pair,
    He put his net from his shoulder down,--
      His little boy was there.




AMY TO HER FLOWERS.


    My lowly little beauties,
      Your time is coming on,--
    The meadows will be full of you
      Before a month is gone.
    I never knew your names, so near
      Your wild estate I grew,
    But would that you could be alive
      To feel my love for you.

    Full many a time the coverlets
      Of grass from off your beds
    I’ve turned, my beauties, just to touch,
      With reverent hands, your heads.
    They called you simple country flowers,
      But what for that care I?
    I loved you all the more because
      You were not proud and high!

    We had our ways of naming you,--
      We children of the wood,--
    Red-slippers, lily-fingers,
      Queen’s cap, and martyr’s blood.
    The rustic flower, by virtue of
      A coat as brown as sand,
    And by the dew-drop shining
      Like a sickle in his hand.

    The crumply cow,--the little shrew
      In strange and sad attire,--
    Lover’s tremble, old maid’s thimble,--
      Moon men,--miser’s fire;
    And one we used to gather
      When the millet land was ploughed,
    With little thin and ragged leaves,
      We called the beggar’s shroud.

    The belle,--the lady leopard,--
      The sweetheart,--tender-eyed,--
    The spinner’s gown,--the winter-frown,
      And many a one beside.
    And these, our untaught fancies,
      So much from nature grew,
    I do not care to call you
      By the names that others do.

    But O my little beauties,
      Of field and brook and brake,--
    The slender ones,--the tender ones,--
      I would, for my love’s sake,
    I could take and make immortal,
      With the power of better lays,
    All your crooked little bodies
      That had never any praise.




AUTUMN THOUGHTS.


    When frosts begin the leaves to blight,
      And winds to beat and blow,
    I think about a stormy night
      Of a winter long ago.

    The clouds that lay, when the sun went down,
      In a heap of blood-red bars,
    Turned, all at once, of a grayish brown,
      And ran across the stars.

    And the moon went out, and the wind fell low,--
      And in silence everywhere
    The fine and flinty flakes of snow
      Slipped slantwise down the air.

    Slipped slantwise down, more fast and fast,
      And larger grew amain,
    Till the long-armed brier-bush, at last,
      Was like a ghost at the pane.

    A group of merry children we,
      As any house can show;
    The very rafters rang with glee,
      That night, beneath the snow.

    The candle up and down we slid,
      To make our shadows tall;
    And played at hide-and-seek, and hid
      Where we were not hid at all.

    We heaped the logs against the cold,
      And made the chimney roar;
    And told the stories we had told
      A thousand times before.

    We ran our stock of riddles through,--
      Nor large, be sure, nor wise;
    And guessed the answers that we knew,
      And feigned a glad surprise.

    But, in despite our frolic joys,
      That rang so wild and high,
    We wished, we foolish girls and boys,
      That time would faster fly.

    And years have come and gone since then;
      And the children there at play,
    Are sober women, now, and men,
      With heads that are growing gray.

    But their hearts will never be so light,
      And their cheeks will never glow
    As they did upon that stormy night,
      In the garret rude and low.




PART IV.

THE MAN WHO STOLE A COW.




THE MAN WHO STOLE A COW.


There once lived in a beautiful country, no matter just where, a young
man whose name was David. From his boyhood he was given to idleness and
to dreaming, so much so that he came to be called by those who knew
him Davy Dreamer, and it was predicted of him that he would never come
to any good. But he did come to some good; he married a good wife, and
a pretty one too. She was the daughter of a man as poor as himself,
but she had habits of industry, and great good sense, which was a good
deal better than a dowry of gold or silver; and it was, no doubt, more
owing to her management and hard work--for she was never idle--than to
anything of his doing, that, at middle life, Davy Dreamer owned a neat
cottage and five acres of garden ground. Moreover, it is quite certain
that not a flower-bush nor a sweet-scented herb grew on the little
farm, if so it might be called, which was not of her planting. A woman
who found no time for dreaming was the wife of David. Nevertheless, she
was never heard to rate her good man for his indulgence in his favorite
pastime, and never seen to frown, and some persons believed it was her
smiling which made her face so pretty.

I said at middle life they owned a pretty cottage and a garden, which
with careful cultivation would have yielded not only a competence, but
many of the luxuries of life; but I am sorry to record that David fell
a-dreaming often, at which times the spade was sure to fall out of his
hands, and as the pretty-faced woman who was his wife had tasks in the
house to do, thistles grew up, and briers and rank grass choked the
small vegetables quite down sometimes.

As a natural consequence of this thriftlessness, their wants grew
faster than the means of supplying them; for the little house was
full of children--I know not how many, but so many that David often
desponded and said to his wife in a half-dreaming state,--that it was
quite impossible for one little garden to maintain them all; and so he
would sit for hours musing and meditating on what could be done for the
prevention of want,--of actual starvation in fact.

“There will be some way provided, never fret,” the good wife would
answer; “there are more berries ripe than I can get to the market”; or,
“I have found two new hen’s nests, both full of white, fresh eggs,”
she would say to him, though most likely he heard her not, and often
it is supposed he saw not the things which she did for his comfort
and for the good of his children; for when the cottage wall was newly
whitewashed it was the same to him as before, apparently, and when a
pudding was boiled for Sunday, or a plum-cake baked, David took them
as matters of course, and ate them without seeming to distinguish them
from coarse bread.

If this were so, it was a pity; but I am afraid it was so, for we
have all of us seen Davy Dreamers who took the favors that were done
them as matters of course. We expect pigs to eat the acorns without
looking up to see who thrashes them down; but we have a right, I
think, to expect a little more politeness of men and women. However,
the sweet disposition of the wife of David could not be soured by any
neglect on his part, and, indeed, as he grew impatient and fretful and
fault-finding, she grew still more and more patient and gentle and
loving,--more industrious and painstaking she could not have been.

Sometimes, when she asked David to assist in digging the ground or in
picking the berries, he would answer, “Don’t disturb me now, my dear, I
am making a great plan”; and so it often happened that she picked and
digged alone.

At last, one day when the good woman came home from market with some
money in the bottom of a tow bag, which she had got in exchange for
her fruits and such other articles as she had to sell, she ventured to
ask David what he had been dreaming about. She had never been known to
trouble him so much before, therefore it is reasonable to suppose that
his vision had been unusually extended.

“Why,” said he, “I have been thinking that some of the rich folks about
here might give us a cow and never miss her, and I am told there is
a man living on the other side of the island” (it appears that David
lived on an island) “the hills of whose farm are all covered with
cattle. Now, if I go to him and tell him how poor we are, and how much
one cow would be to us, do you not think he would give us one?”

But the wise woman saw no probability of such good fortune. It was
barely possible, she said, but the experiment was not worth trying; and
even if successful, the mortification of having been a beggar would
imbitter the cow’s milk. The wife of David, it would seem, had her own
little pride, and in my opinion she was all the better for it.

After this Davy Dreamer dreamed almost of nothing but cows, and when he
talked it was all about the rich man at the other end of the island,
who had meadows against meadows all dotted over with beautiful cattle.
“He would never miss a cow; and I dare say if he only knew of our
poverty, he would gladly give us one!” he used to say; and once or
twice he hinted to his wife that she might go to him a-begging. But
she only smiled and let him alone with his dreaming, for she thought
it quite harmless. She had no idea of begging, however, for her part,
and for days and weeks and months worked on, and each return from the
market town saw more and more silver money in the tow bag. She was
never heard to complain, but often to sing, and often to discourse
merrily with her children, who were growing to be blooming men and
women. A nice little plan of her own had the wife of Davy the dreamer.

Meantime, his head was filled with all sorts of vain imaginings. Night
after night he would start up out of sleep, crying out, “Just see what
a pailful!” and morning after morning when he awoke he would peep into
the garden to see if a cow were not browsing the cabbages. For hours
and hours he would sit facing the highway, wasting the time that he
should have used for working; and never a stranger passed along but
that he looked wistfully after him, for each one he supposed to be the
rich man from the other side of the island come to give him the cow.

But morning after morning came and no cow was found to be browsing
in the garden, and stranger after stranger passed along, but if the
rich man from the other side of the island were among them he made no
pause. And all the time he grew more and more fretful and dissatisfied.
He fretted at his wife, and fretted at his children, and fretted at
everything.

“What is it troubles you, Davy?” the good wife used to say; but he
would always answer, “Nothing, nothing!” so short and cross that she
was glad to leave him alone. And then, while he covered his face from
the light and moped and moped, she would go forth into the sunshine and
work and sing, and make the best of things, bad as they were. “Never
mind what father does!” she used to say to the children when they
complained. “If father doesn’t help us, it is our place to get along
without his help, that is all. We must none of us wait for another, nor
depend on another, but each do his own work in the world, and do it
cheerfully; and then, let who will be at fault, we are not.”

“Your father will get over his delusions by and by,” she would say, and
she really had some reason for this hope: for at last he ceased to tell
his dreams. But, alas! if she had known it, it was not because he had
ceased to dream. He did not tell them, because they were evil, that was
all. If his wife would not hear of his begging, how much less would
she hear of what he meant to do now?

It is probable that to his own mind he justified himself, for the mind
must work just as the brook must run, else it grows dull and stagnant,
and reflects nothing clearly; and it is an easy thing for those who do
nothing but dream to let their dreams delude them at last. It is likely
that he came to think he was not going to steal at all, but just to
take what he had a right to. He was poor and wanted a cow, and the rich
man on the other side of the island would not miss her! That, I say, is
likely the way he talked to himself, till he came to think stealing was
no stealing at all.

And while he was doing nothing but make his bad plans, his wife was
working and saving, so that the tow bag had come to have a good deal
of silver in it; and one bright morning in May, when Davy had been
turning and twisting and groaning all night, she arose early, and
having arrayed herself in her best gown and shawl, told him that she
was going to the market town, but that she was not coming back by the
direct road, and might not be home till midnight. “And you must not be
frightened, Davy,” she said, “if I should not be home till moonset.
I am going to do something that will surprise you, I think.” Davy
expressed no curiosity about what she was going to do, but he seemed
wonderfully pleased that she was not coming home till midnight, and
said a good deal to make it appear that the drive after nightfall would
be much pleasanter than before.

She was surprised and a little disappointed at this, for she had hoped
that he would miss her, and would, at least, ask her why she should
be away so long; but she could not but see that her absence would be
agreeable to him.

“Perhaps he is sick, and perhaps he is dreaming again,” she said to
herself by way of excusing him, and so kissed him and departed, but
with a heart much less light than it would have been if he had said one
loving word.

The old clock in the corner had not counted many minutes after the wife
was gone, till the husband, having hastily prepared himself, took his
way to the other side of the island.

He walked vigorously on, for the morning air was sweet, and a new
project is apt to impart new energy. Gayly sung the blackbirds, hopping
along the newly ploughed ground and up and down the fences, and the
bluebirds twittered and fluttered almost in his face; and it was not
yet noon when he came to the other side of the island, and found that
the rich man’s possessions had not been over-estimated. Lying in the
faint shadows of the trees there were cows; standing knee-deep in the
water of the brooks there were cows; and grazing along the green, thick
grass of the hills there were cows,--all with great udders, and looking
so gentle and so pretty. He saw, too, the fine house in which the rich
man lived; it was not much like his cottage, and its splendor seemed to
mock his poverty, so that he grew angry as well as discontented.

There was no person in the field nor in sight, so that he might have
driven one of the cows away quite safely, as it appeared; but though
he broke a goad from a thorn-tree for that purpose, something seemed
to hold him back, and not until nightfall could he persuade himself to
single one from the number and drive her away. But when at last the sun
was down and the shadows began to darken, there came into the field the
keeper of the cows and called them home to be milked; and Davy, who had
been waiting all day for this favoring hour, was half glad when he saw
the coveted opportunity passing away. But it seems that when our hand
is once lifted up to do evil, Satan stands ready to take it, and to
lead us; and what we call chance favored the man’s bad designs.

One of the cows, unmindful of the call of her master, stayed feeding
along the hollow and was not missed among so many. Suddenly the clouds,
which had been floating about during the day, darkened together; so
that but for the white face of the cow, the old man could not have seen
her a dozen yards away. Summoning up all the resolution of the growth
of years, he drove her with the thorn-goad away from her own home. Many
times he paused and listened, thinking he heard footsteps pursuing him;
and many times he hid in the thickets, for he thought voices called
him to stop, and if the harmless cow but turned her face toward him
and lowed, he almost shrieked aloud; so trembling and listening, and
framing lies to tell to his good wife when he should reach home, he
crept slowly forward.

Having fasted all day, he grew faint, and the unaccustomed exercise had
made him tired, so that he resolved to rest for a time and drink some
of the cow’s milk, and at the rising of the moon, which he apprehended
would scatter the clouds, go on refreshed.

Under the shelter of a low-spreading beech, upon which the dead leaves
of the last year hung thick, he stopped; and taking a small but stout
cord from his pocket, secured the cow, tying her by the horn to the
trunk of the tree. She seemed very gentle and quiet, but, though he
knew not why, he could not make up his mind to taste her milk, hungry
and tired as he was; so leaning against the tree, he resolved to wait
the rising of the moon, and to take a nap meantime. But this resolve
was much easier made than executed. Sleep would not come to him for any
scolding or fretting, as his wife had always been used to do. It was
not because his bed was the ground, and not because his grass pillow
could not be moved like his feather one at home, that he could not
sleep,--though he tried to make himself believe so; it was because he
had done that which he should not have done that he could not sleep.

It seemed to him that every step he heard was the step of some one
coming to arrest him; and his imagination made pictures of prison
walls, of jailers, and of everything that was frightful to think of.
The very moon seemed to look reproachfully on him from the sky, and to
say: “You are a thief, old man! and you had better go and jump into the
river, if you can’t be an honest man!”

The corn-blades, as they rustled, seemed to him to be talking to him,
and to say: “Have you ever made a cornstalk grow or an apple-tree bloom
and bear? have you planted a wheat-field or sown a meadow, or done
anything else to help the world along, or to make it any the better for
your having lived?” In the leaves of the tree under which he was lying,
the wind seemed to stop and to stay there, fretting and scolding; he
had always thought the wind murmured and sung before, but it certainly
scolded now. The voice that used to whisper in the leaves seemed now
to be saying, “I am ashamed of you! I am ashamed of you!” over and over
and over. Poor old man! he was ashamed of himself, and that was why the
wind took such a sound.

Two crows alighted near by him, on the dead branch of an old tree,
and though it was not the time for them to make a noise, being night,
they set up a cry; but instead of saying Caw! caw! as is the way of
crows, they seemed to Davy to be saying Cow! cow! So that he concluded
that they too knew what he had done. And more than this, he thought
everybody would hear them, and the whole world would know of it.

He wished he had never heard of the rich man; he wished he had stayed
at home and minded his own business, and never seen a cow, nor heard
of a cow, nor thought of a cow! but above all, he wished that he had
not stolen a cow! Sometimes he was almost persuaded to drive her back,
turn her into her own green pasture, go home to his good wife and
confess all the truth, and try to be a better man; but it is hard to
turn evidence against ourselves, and the man who has lied once will
generally tell forty other lies to conceal the one, rather than own
the simple truth. I suppose a man never suffered more from the torment
of conscience than Davy the Dreamer suffered as he lay there on the
ground by the side of his cow. And yet she looked so beautiful as she
stood there chewing the cud in the moonlight, he could not help the
thought, now and then, that she would be a great delight to him if he
once had her in his own pasture, and if he could be sure that no living
mortal would ever know how he came by her! But even this fancy did
not quite satisfy him. “There is one person that will know,” said he,
“and that is myself! O, misery, misery! if I could only bribe my own
thoughts to let me alone!” But this Davy could not do, for no man ever
could do it; and feeling how impossible it was to have his own respect,
to have anything but his own condemnation, he trembled and hid his face
in the wild grass about him like a frightened beast.

At last the full moon got over the trees and the hills and the low
clouds, and in the clear sky shone out in full splendor. And with
the beautiful light some part of his awful fear vanished; and having
listened, and hearing no step, and the crows being now still, he softly
untied the cow and drove her homeward. He did not get on very far,
however, before he found that he had lost his way. In the first place,
he had never been from home, and did not know the roads; and in the
next, his mind was so full of terror as to bewilder him, and in fact
make him almost like a crazy man. He could not tell north from south,
nor east from west, and when he came to where the roads forked, he
could not for the life of him conclude which way to go. So he drove his
cow into the woods, tied her to a tree, as before, and resolved to wait
till morning.

By and by the cow lay down among the dry leaves, and her deep quiet
breathing, together with the security of the place, soothed Davy,
so that he at length lay down beside her, and, nestled close to her
speckled hide, fell asleep, and in his sleep he dreamed, and this was
what he dreamed.

It seemed to him that he got safely home with his cow, even to the
garden gate. And that on looking up he saw that his house was burned
down; and while he stood in consternation, one of his neighbors met him
and told him that his wife was dead of a broken heart, and that his
children were some of them run away, and some of them in prison for
stealing cows!

He awoke with a stifled cry in his heart, and sitting up, saw that it
was daylight, and that the gray dew was lying all over his hair and
clothes; his limbs were stiff, and he was chilled through and through.

[Illustration: THE MAN WHO STOLE A COW.]

A squirrel near by was chattering among the tangled roots of an old
tree, and it seemed to Davy that he kept saying, “Good for you! good
for you! good for you!” So that it was all the same with him,
whether asleep or awake there was no peace.

When he tried to walk his legs dragged under him as if they were half
asleep, and his mind was benumbed as well as his body; but still it was
filled with strange, crazy notions that tormented him cruelly.

A little way from where he had passed the night there was a mossy stone
sticking up out of the ground, three times as big as his head, and at
one moment he was tempted to wrench this stone out of its place, and
knock the cow on the head with it: if she were only dead, it seemed to
him that that would make it as if he had not stolen her.

Chilled, hungry, bewildered, half crazy, he knew not what to do, for he
was just as much lost as he had been in the dark. Sometimes he thought
he would go and give himself up as a thief; still he did not, nor did
he do anything else except stagger blindly about, and almost wish
himself dead and buried under the dry leaves of the forest.

By and by the cow got hungry too, and pulled at the rope with which she
was tied, and lowed again and again; so loud that Davy thought somebody
would certainly hear her; and come and take her away, and himself too,
with iron handcuffs on!

At length, he struck the cow in his rage because she lowed so loud,
and suddenly jerking at the rope with which she was tied, she broke it,
and ran away. Now Davy no sooner saw her escaping from him than the old
desire to have a cow for his own, to see her feeding in his garden, and
his children drinking her milk, all came back upon him, and he hobbled
after her as fast as he could go; but such a wild-goose chase as she
led him it is not worth while to describe. Through thistles, briers,
and hedges, through woods and across meadows, and up and down hills,
it seemed to Davy that he was being led to the end of the earth, and
what was his surprise when toward nightfall, he found himself in the
identical pasture field from which he had stolen the cow. If he had
been afraid before, how much more was he afraid now!

He hid himself behind a stone-wall and waited for the night to fall,
not daring even to lift up his head; and when he saw the owner of the
cows come to drive them home to be milked, he crouched down into the
very earth.

All the cattle seemed delighted that the estray was come back among
them, and gathered round her and licked her sides and her neck and her
forehead, and made little moans as though they were talking and telling
how glad they were.

“I shall never be able to divide her from her mates,” thought Davy; and
his heart sank down within him; for, in spite of all he had suffered,
he was fully resolved to steal the cow over again. Again fortune
favored him. When the owner of the cattle drove the others out of the
meadow, he turned this one, the handsomest of all, back, and Davy heard
him say to her, “What business have you here? why don’t you stay at
home, you foolish creature?”

He could not quite tell what this meant; perhaps some one had bought
the cow, and that thought made him doubly anxious to have her. So, just
as soon as the gray twilight crept along the meadows, he tied the cow
by the horn and led her away.

He was so weak by this time, with fasting, and the trouble he had had,
that before he had travelled many miles he fell down, and could not
go another step. He milked a little of the cow’s milk in his hand,
swallowed it, and then lay down to get a little further strength from
sleep. But the sleep of a man who has stolen a cow is not refreshing,
as you may well believe, and he arose in the morning chilled and
cramped, and altogether in a worse condition than he had yet been.

He was obliged to halt so often during that day, that night again fell
while he was yet a long way from home. So for the third night he lodged
in the woods, and it is altogether probable that the crows and the
squirrels talked to him just as they did before. Just as the sun was
going down on the evening of the fourth day of his absence, he reached
home and drove the cow in at the garden gate. His house was not burned
down, as he had dreamed it was, but it was so changed that he hardly
knew it. The front was all whitewashed, and there were curtains of
scarlet stuff shining at the windows, and the grass had been clipt in
the dooryard, some young trees set, and so many things done that Davy
hardly knew it all for the same place.

All at once, while he yet stood amazed, his children came running out
with shining faces and sleek hair, and began to cry, “O father, have
you fetched her at last!” and then to fondle and caress the stolen cow
as though she were an expected guest.

He had just got inside and had latched the gate, when turning round he
saw his wife coming forth to meet him, if, indeed, that smiling woman
dressed so neatly in a new gown and cap was his wife. “O Davy!” she
cries, as she takes his hand and kisses it; “we began to be afraid the
cow had run away with you!” And then she asks him as she leads him into
the house, if he doesn’t think she has made a pretty good selection of
a cow. Davy is so puzzled by all this that he does not know what to
say, and least of all does he know how to look in his wife’s face, for
he sees plainly that, however things are, she trusts him and believes
in him with all her heart. After a time the light began to break in
upon his brain. “Did you see the rich man at the other end of the
island?” she says; and “O, isn’t it a beautiful place?” and, “Did he
tell you how much I paid for the cow? I thought I would come home and
surprise you with the good news; but good news travels fast, and when I
got home I found that you had already heard it, and was gone to fetch
her. How good it was of you, to be sure!” And so she ran on till Davy
understood it all. She had bought the identical cow he had stolen, the
morning before he reached the rich man’s meadows. He was no thief,
after all, and nobody in the world could ever know his secret. At first
he felt very happy, and skipped and danced about like a boy; but this
could not last with a wicked secret in his bosom, and he soon began to
droop and to lose all appetite, especially for milk.

The house had been all brightened up inside as well as out; and besides
the scarlet curtains, there was a new rag carpet and an easy-chair for
himself, and a good many other things; but none nor all of them could
give him pleasure, for all the time he knew himself to be a thief. One
day his wife said to him, “I thought, Davy, we were preparing such a
happy surprise for you, while you were gone for the cow, but nothing
seems to please you, and we did it all for you!”

Then Davy broke down, and crying like a boy, told his wife all the
ugly truth; and after that he had great pleasure in the new things,
especially the easy-chair, and milk tasted sweet to him, and there was
nowhere a happier family than that of Davy Dreamer, for he was cured of
his dreaming.




THE POTTER’S LUCK.


I.

    It was the summer’s prime, and all the court
    Were in the royal forest at their sport,
    Hunting the hare to please the merry king,
    Driving the game, and shooting on the wing;
    Pages, and hounds, and troops of gentlemen
    With horns that rung the echoes from the glen;
    Ladies and lords with plumes and scarlet cloaks,
    Sweeping across the shadows of the oaks.


II.

    The while a potter, sitting by the way,
    Took in his hand a little piece of clay,
    And from the habit of his life began
    To furbish it: he was a sad, sick man,
    Having at home three children, pinched and pale,--
    Is it a wonder that his heart should fail
    With such a trouble tugging at the strings?
    This hunting pleasure of the merry king’s
    Was not for any man, as you will guess,
    Being so friendly with his own distress;
    He knew not how to spend his holiday,
    But just to keep on working with the clay!


III.

    Well, as betwixt his palms the piece he rolled,
    A little zigzag stone that shined like gold
    Dropt out, and rested on his knee. Just then
    A lovely and sweet-hearted gentleman
    Broke through the bushes,--leapt the wall that stood
    About the outskirts of the royal wood,
    And saw the potter sitting thus alone,--
    Upon his knee the shining zigzag stone:
    And in his white hand took it, paying down
    On the poor potter’s knee a silver crown;
    Then leapt the wall and through the bushes sped.
    That night the potter came, with lightsome tread,
    Home to his house, and when he showed the crown,
    You would have thought the roof was coming down!
    Such merry children it were good to see,--
    One at his shoulder, one on either knee;
    And as a hand, brown as a leaf that’s dead,
    He laid upon each little golden head,
    And told, with heart a-tremble in his tone,
    About the shining bit of zigzag stone,
    And all about the lovely gentleman,
    Who, breaking through the bushes of the glen,
    Leapt the great wall, and on his knee laid down--
    The Lord knew why, he said--the silver crown,
    His brown hands shook, his eyes with tears grew dim,
    That such grand luck should fall by chance to him.


IV.

    Then she, the eldest, at his shoulder, said,
    Putting one fair, bare arm about his head,
    Her eyes bent down, her fingers pale and thin,
    Going so soft along his rough gray chin:
    “You say the Lord knows why such luck should fall;
    It seems to me, now, just no luck at all!
    But for your working all the day alone
    Beside the royal wood, this precious stone
    Would not have fallen upon your knee,--nor then
    The silver crown of this fine gentleman!
    To pay an honest debt is not so ill;
    To earn the pay you get, is better still!”
    And you who read the tale, I trust, agree
    The honor went where honor ought to be.




A POET’S WALK.


    Once his way a poet took
      Through a deep and dewy glen;
    Write about me in your book!
      Cried the redbreast, cried the wren.

    Twittering low from every bush,
      Chirping loud from every tree,
    Cried the pewet, cried the thrush,
      Cried the blackbird, write of me!

    Sing about my eyes, my wings,--
      Mine is but a humble boon,--
    So they cried, the silly things!
      Crossing each the other’s tune.

    But the poet, sign of grace
      Giving not by look or tone,
    Turned into a shady place,
      Where a daisy lived alone.

    All her modest shoulders hid
      In a veil of leaves of grass,
    Dropping either snowy lid
      Sat she still to see him pass.

    Then the poet, with a quill
      That some eager bird had shook
    Downward, all against her will,
      Wrote about her in his book.




THE SNOW-FLOWER.


    The fields were all one field of snow,
      The hedge was like a silver wall;
    And when the March began to blow,
      And clouds to fill, and rain to fall,
      I wept that they should spoil it all.

    At first the flakes with flurrying whirl
      Hid from my eyes the rivulet,
    Lying crooked, like a seam of pearl
      Along some royal coverlet,--
      I stood, as I remember yet,

    With cheeks close-pressed against the pane,
      And saw the hedge’s hidden brown
    Come out beneath the fretting rain;
      And then I saw the wall go down,--
      My silver wall, and all was brown.

    And then, where all had been so white,
      As still the rain slid slant and slow,
    Bushes and briers came out in sight,
      And spikes of reeds began to show,
      And then the knot-grass, black and low.

    One day, when March was at the close,
      The mild air balm, the sky serene,
    The fields that had been fields of snows,
      And, after, withered wastes, were seen
      With here and there some tender green;

    That day my heart came sudden up
      With pleasure that was almost pain,--
    Being in the fields, I found a cup,
      Pure white, with just a blood-red vein
      Dashed round the edges, by the rain,--

    The rain, which I that wild March hour
      So foolishly had wept to see,
    Had shaped the snow into a flower,
      And thus had brought it back to me
      Sweeter than only snow could be.




EASY WORK.


    Little children, be not crying;
      You have easy work to do;
    Look not upward for the flying
      Of the angels in the blue;

    Look not for some great example,
      Such as deaths of martyrs give;
    One command above is ample
      For the teaching you to live:

    So that you will find out roses
      Brighter than are by the brooks;
    Poesy with sweeter closes
      Than are in the poet’s books;

    Friends to gently watch and tend you
      When your hours of pain go by,
    And at last their prayers to lend you,
      When your time has come to die.

    In your working, in your praying,
      In your actions, great or small,
    In your hearts keep Jesus’ saying,--
      “Love each other”: this is all.




COURAGE.


    Knowing the right and true,
    Let the world say to you
      Worst that it can:
    Answer despite the blame,
    Answer despite the shame,
    I’ll not belie my name,--
      I’ll be a man!

    Armed only with the right,
    Standing alone to fight
      Wrong, old as time,
    Holding up hands to God
    Over the rack and rod,--
    Over the crimson sod,
      That is sublime!

    Monarchs of old, at will
    Parcelled the world, but still
      Crowns may be won:
    Yet there are piles to light,--
    Putting all fear to flight,
    Shouting for truth and right,
      Who will mount on?




JENNY AND I.


          We rise before the lark,
          And keep working till dark,
    And by striving to do right we are fearless of the wrong;
          We never scold and fret,
          And we never go in debt,
    And that’s the way my Jenny and I get along.

          Nor lodge nor servants’ hall
          Give us any care at all,
    No lady’s maid or coachman have we to find or lose;
          And with Jenny on my knee,
          And no prying eyes to see,
    We can say what we wish to say, and do what we choose.

          You might think our little house
          Just a shelter for a mouse,
    And counting each treasure, I am free to declare
          That a “real India shawl”
          Would have cost the price of all,
    Yet I and my Jenny have enough and to spare.

          From the trembling tongues of trees,
          Through the prairie’s grassy seas,
    In the green, growing cornfields, and beside the rainy brooks;
          In the flowery springtide-prime,
          And the Indian summer time,
    We have always sweeter poems than poets write in books.

          When banks are breaking down,
          And disaster like a frown
    Weighs hard, in the city, on the low and the high,
          We have still our cribs and mows,
          Our oxen, sheep, and cows,
    And so we calmly sleep o’ nights, my Jenny and I.




PART V.

THE CHARMED MONEY.




THE CHARMED MONEY.


Jerry Mason had been hoeing two long hours in the garden; the earth was
moist and black about the cabbages, the heavy gray leaves of which were
lopping earthward to give their, as yet, soft hearts a better chance
of maturing in the sun; the red seamy leaves of the beets testified to
the good culture they had had, but as if they could not say it plainly
enough, the beets themselves were come up half out of the ground to add
their testimony, and the pale spiky tops of the onions stood up like
soldiers in straight rows, saying, “Behold, there is not a weed among
us.” The tomatoes, bright with dew-drops and full of young fruit, gave
out their pleasant odor most prodigally in payment for the care they
had just received; and some few flowers, common to be sure,--but what
flower is not beautiful?--opened bright and honest in the sunshine,
causing Jerry to leave his work for a moment, and, leaning on his hoe,
contemplate their pinky and purple and yellow colors with an ecstasy
of joy. He did not believe, for the moment, that the king’s garden
contained anything more delightful than did his mother’s. But even if
that were possible, he thought the king could not enjoy its beauties
half so much as he, because his pleasure was more than half derived
from the fact that himself had ploughed and sowed the garden, and that
the fruits and flowers before him were his, as they could not have been
if another than himself had done the work. The eyes of the simple see
straight to the truth sometimes, when all the curious speculations of
the wise are at fault, and I am not sure but that Jerry was wise in
feeling that the king could not be so happy as he.

He did not think of his bare feet half buried in the loose earth; he
did not think of his patched trousers, and that his shirt was not linen
in the wristbands and collar even; and for a minute, at least, he did
not think how hot the sun was shining down upon him, and how tired he
was.

“Jerry!” called his mother, leaning from the low window of her little
house,--“Jerry, my child, you may as well go and feed the old sitting
goose, and the change of work will rest you.”

“Yes, mother,” answered Jerry; and as he took off his hat and wiped his
face, he looked across the field where Henry Gordon was idly flying his
kite, and almost envied him: he was a rich man’s son, and neither had
to hoe nor to feed an old goose.

But Jerry was too good, and too happy, for the most part, to envy any
one long, and directly, hanging his hoe in the fork of a tree that
stood by the garden gate, he prepared the accustomed food, crossed
the barn-yard where the hens were cackling and picking the grains
from the chaff that was scattered about, passed along the field where
the cow was nibbling the short grass, went over the brook on a bridge
of stones he had built the last summer, climbed the slope beyond,
and suddenly stood still. The old goose sitting in the hollow of a
black stump close by was protruding her neck, flopping her wings, and
hissing at a terrible rate. “You are crazy, ain’t you, you ugly old
goose!” exclaimed Jerry, raising up and clinching one hand as if he
would hit her if he had anything with which to do it. “Do you think I
am afraid of you? Why I have milked our cow on the wrong side, been
all the way to mill for mother, and besides that, have killed two
garter-snakes,--one of them half a yard long and striped and checked
like a ribbon--Shut up your wings, you old--whew!” and Jerry climbed
to the top of a neighboring stump and shouted at the top of his
voice,--cutting circles in the air with his hat, and beckoning with his
hand in great earnestness. Farmer Hix stopped his team in the adjoining
field and listened, thinking Jerry was shouting for help. Mrs. Mason
put her head out of the back door; she, too, had heard Jerry, and
feared some bad accident had happened. A moment the farmer stood still,
his horses turning their heads in the direction of the call, and the
mother leaned and listened in trembling anxiety; but the door closed
presently, and the farmer ploughed on again: both had heard Jerry say
to Henry Gordon, who was seen running with his kite across the field,
“Don’t you think, our old goose has got goslings!”

That was enough to make any boy climb to the top of a stump and shout
for joy, Jerry thought. How many she had he did not know, but he would
not be surprised to find that every egg was hatched,--three of the
golden little creatures he saw, he is sure, and if the old goose would
only come off the nest he could soon tell; he would dare get a stick
and drive her off, but he thinks he won’t.

“What is it! what is it!” cries Henry Gordon, running as fast as he
can, and quite regardless of the kite that drags along the ground as he
runs. “What is it! have you found a bag of gold?”

He is older by two or three years than Jerry, and wears much finer
clothes, but he is not a finer looking boy, for all that. His boots are
of the finest leather, and polished very bright,--brighter than Jerry’s
best ones, which he only wears of Sundays, which hang over a peg at the
head of his bed in his mother’s garret; and his hat is so fresh and
new, and the ends of the green ribbon tied around it flutter so gayly,
that Jerry is abashed for a moment, and says he fears Henry will not be
paid for having run so fast, and especially if he has spoiled his fine
kite into the bargain; that he has not anything worth showing,--some
little goslings, that is all. But Henry has never seen a gosling, for
it is only lately that he has come from a great city; and he says the
old kite is of no value, he can get as many better ones as he pleases;
he rather hopes it is spoiled, and so by its string he winds it up
to him, and, tossing it at the feet of Jerry, bestows it on him in a
patronizing sort of way that would have offended him if he had not felt
in his heart that he was equal to any boy anywhere.

When the goose had been fed, and the goslings too, Jerry showed his new
friend the stone bridge across the brook, which bridge, both concluded,
might be greatly beautified and improved if they would unite their
strength and ingenuity and give a day to the work. He showed him his
mother’s cow, and assured him that he dare plat her tail together,
count the rings on her horns, or even go up to her on the “wrong side”!

Then they went to the cow-shed where the straw was in which the hens
made their nests, and after this to the garden, where Henry pulled some
of the finest flowers for his little neighbor. When it was dinner-time
and Jerry’s mother called him, his young friend went into the house
with him, and partook, with great relish, of the simple meal that was
spread.

When he went away he invited Jerry to come to his house and ride his
horse, and go gunning with him, which Jerry felt would be a great
delight to him to do, and which he afterward did many times; for from
that day Henry and Jerry were excellent friends, working and playing
together a great deal. The rich man’s son soon lost a good deal of the
foolish pretension he had at first, and what he did not lose Jerry
readily forgave. Sometimes, indeed, he would throw off his coat and
strip away shoes and stockings, and enter with hearty good-will into
whatever was to be done. They went together to the same school, for
there was but one in the neighborhood, and once or twice had hats and
jackets alike. They gathered nuts together, and berries; made hay
together, and picked apples; shouted, and sung, and made whistles, and
drove the cows home one with another. Then, too, O idle dreaming! they
made plans for the years to come,--plans of what they would do when
they were men. They would always be neighbors, and divide whatever they
had, just as they did their goslings and hollyhocks now.

“Why don’t you come to see my mother?” said Henry often to Mrs. Mason,
for he could not see why the mothers of such friends should not be
friends too. And Mrs. Mason always said she would like to do so if she
could get time, but somehow it happened that she never did find time,
and never went. Mrs. Gordon rode in her fine carriage to a fine church
on Sundays, and wore a silk gown and her hair in curls. Mrs. Mason put
her hair plainly under a plain cap, and walked across the meadow to the
school-house to attend service. Mrs. Gordon dined sumptuously at five,
Mrs. Mason simply at twelve; one lived in a big house and was served
by a good many maids and men, the other in a very small house serving
herself; the one saw the sun shine through a lace curtain, and the
other through rose-vines. So it was that Mrs. Gordon said, “Thank you,
my dear, it will give me the greatest pleasure when I have an hour to
spare,” in answer to Jerry’s invitation of, “You must come and see my
mother.” And so it happened that she never found an hour to spare, and
never went to see Jerry’s mother.

Three years went by of the closest friendship between the lads, and all
this time they did not understand exactly why their mothers could not
find time to visit each other. It was the greatest pleasure to Henry to
go with bare feet across the nicely scoured floor of Mrs. Mason, and
to sit with her and Jerry, where the roses looked in at the window, and
partake of her home-made cakes and bread, and eat her preserved fruits,
which were never so good at home; the wind came in so fresh and sweet
from the hay-field beyond the hollow, and the birds made such music in
the garden, and Mrs. Mason had such a sweet voice and a pleasant way,
his mother would be delighted, he was sure, if she could only find time
to come to the cottage.

Mrs. Mason sat by the fire waiting for Jerry, who had gone to carry a
fine yellow pumpkin of his own raising to Henry’s mother, that Henry
might have some just such pies as he was to have,--sat rocking and
musing before the bright wood-fire, wishing somebody would come in and
cheer the lonesomeness a little, for the night was falling and the snow
lay cold and smooth everywhere, far as she could see. The straw-roofed
shed of the cow was beautified like a queen’s chamber. No king could
put such a roof on his house as the snow had put on that. The fences
seemed made of pieces of snow, the trees to be trees of snow, and all
so still and cold. The cock went early to bed, fluttering the white
shower from the limb of the tree that lodged him,--fluttering it down
as though he did not care for it at all, and turning his bright eyes
to his mates that sat beside him, sober and uncomfortable enough.
He was rather glad, for his part, that so cold and snowy a night was
come; it brought out his gallantry and his fortitude. But generally the
aspect of things without, in spite of all the beauty, was cheerless.
The tea, in the old teapot cracked and bound with hoops of tin, had
been simmering a good while, the fire began to make a little red light
on the snow beneath the window, and a candle to be needed in the dim
room where Jerry’s mother sat, when she heard the creaking of the gate,
and, rising, looked out of the window. It was growing quite dusky; and
though she saw two boys coming toward the door, she could not at first
believe it was Jerry and Henry, so quietly they came, arm in arm, and
talking so low and so earnestly. What could it mean? Of all times this
was the one to make them merry, for there is more exhilaration in snow
than in wine, and birds and boys are alike fond of dipping into it, and
chirping and chattering when it lies over the ground loose and white.
Close came the young friends past rose-bushes and lilacs all wrapped
so prettily, and never once did they turn to look or dash the white
weights from the bending twigs. Nor did they step aside from the open
path and break their way, ploughing off snow-furrows as they came,
as boys love to do. No merry voices rang through the clear silence;
but soberly and straightforward they came, as if the snow had buried
beneath it some great joy.

And so, indeed, it had. They were about to be separated for a long,
long while. It had been decided at home that Henry should go away to a
military school, not to come home for six months, or it might be for a
year.

Jerry’s mother was sad enough when she heard the news; and to keep the
moisture from gathering to drops in her eyes, she rubbed the tin hoops
of her blue teapot with the towel, till they shone again.

Henry said he was sorry he was to go; but for all of his saying so, he
was not as sorry as Jerry was. He had new boots and a new coat and hat,
and a number of other things of which he was fully conscious all the
while. Then, too, he would write every day, and it would be almost the
same as seeing him, and he would come home often, for Henry had been
used to having his own way, and could not think but that his will would
still be his law, as it always had been.

The next day Jerry climbed to the top of the gate-post, and watched the
carriage that took Henry from him drive away. Through tears he caught a
glimpse of his little friend, but his little friend did not once look
toward him.

That was Jerry’s first sorrow. No number of yellow goslings could have
brought the old light into his red eyes that morning; no pinks nor
daffodils, though the garden had been full of them, could have seemed
to him bright as the smile of his playmate.

A letter was promised him by the first mail; and all the interval
seemed to Jerry a blank, a time of nothing, that he would be glad
to push right along and have done with. It would not be seeing his
friend, but it would be something; it would be a great thing: he had
never received a letter in his life, sealed and meant all for him. He
wondered how it would begin and how it would end, and what, in fact,
his friend would say, and how he would say it. One thing would be in
it, that he knew, that Henry was very lonesome and wanted to see him so
bad. That would be in the letter, and he was not sure but that it would
be in it a great many times; indeed, it was not unlikely the entire
letter would be made up of love for him and anxiety to see him. Henry
knew so much and would have learned so much, even in three days, at a
military school, that he supposed the letter would be a model,--and
what an advantage to him to have such a fine friend!

And at last the day on which the mail was expected was come, and at
last it went by and was time to go to the post-office, two miles from
his mother’s house. The snow was deep and it was cold after sunset,
but little cared Jerry for that; he would run because he could not help
it, and that would keep him warm; and, besides, if a boy thought much
of a boy and wrote him so, he would feel bad to know a boy did not
think enough of a boy to go after the letter, because it was a little
cold. So buttoning the old coat that was outgrown and a good deal worn,
Jerry set out, never minding the still air that almost cut his face,
as if it tried to thrust him back into the warm house, never minding
the white, cold glimmer of the stars that seemed to say, “It’s no use,”
never minding anything, because he was a boy that liked a boy, and
supposed a boy liked him back just as well. He was not long in walking
the two miles. He did not once think he might have gone faster and
with more comfort if Mrs. Gordon had offered him Henry’s pony to ride,
when she asked him to bring her letters. He did not think of anything
but the pleasure he would have in breaking the seal and reading to his
mother every word Henry wrote. The two miles were a good deal longer
when Jerry went home, not because he was going home, and not because it
was more up hill; it was a good deal colder, too, and his coat seemed
thinner; it nearly froze his hand to carry the bundle of letters and
papers for Mrs. Gordon, and the sharp wind brought the water to his
eyes,--he had no letter from Henry. An ugly distrust came into his
heart as he went along,--the moon might drop right down out of the sky,
for all he knew, and he hardly thought it unlikely that his mother
should have set fire to the house and run away while he was gone. If
it was possible that Henry could have broken his “word and honor,” his
“double word and honor,” what might not be possible?

Henry was not sick, for there, in a fair, firm hand, was a letter to
his parents.

He could not stop and ask Mrs. Gordon if Henry were well; something
choked him, and he must go home.

An hour he sat on a stool in the corner and cried, in spite of all his
mother could say to soothe him; but at last when she told him to wipe
his eyes and run over to Mrs. Gordon’s and see what was in Henry’s
letter, he stifled his sobs and obeyed.

Mrs. Gordon looked up from her reading as Jerry came in, in a way that
said plainly she was surprised and annoyed; and when little Fanny
Gordon ran from listening at her mother’s knee and offered Jerry a
chair at the fireside, she shook her head at the little girl, and
whispered something which Jerry thought meant she must not ask him to
sit down. Fanny half hid her face in her mother’s lap; but she turned
her eyes full of tears and sweet pity toward Jerry, and the frown of
the mother lost its power on him, and for a moment he scarcely cared
whether Henry had said anything about him or not.

Every mail day all the winter, whether it were gusty or mild, freezing
or thawing, Jerry went regularly to the post-office, but there was
never any letter for him. Once little Fanny had spoken to him through
the fence, and told him that her brother Henry had written to know what
he was doing now-a-days, and said that he should write to him as soon
as he found time. She said, too, that when she went away to school, as
she was to do in the spring, she would write a letter to him, and she
would not tell her mother nor anybody else what she wrote.

After this Jerry tried to make excuses for Henry,--he was very busy, no
doubt, and had as many letters to write home as he could find time to
do; and as he worked, spading the garden, he often tried to work out a
letter in his brain. But he could not tell very well how to begin, nor
how to end, nor what to say,--a boy in a military school might not feel
much like a boy spading in his mother’s garden.

The old goose brought out her troop of young goslings again; the
flowers all looked over the garden fence toward “Fanny’s house,” as
Jerry fancied; the heads of the cabbages were hardening, and their
great gray leaves lopping toward the ground again. Jerry could not go
to school now as he used to do when he was smaller, but had to stay
at home and work. Fanny was gone away to school now, and had kept her
promise and written a letter to Jerry,--a very little letter made up of
very little sentences, and with a superscription that made three very
crooked lines all across and across the envelope. To Jerry’s thinking,
however, there never was a much better letter written. All the time he
kept it in his pocket, reading it again and again as often as he found
leisure, though he knew every word from first to last. He could not
bear to put it away with his few books; it seemed like a free ticket to
the good-will of everybody; so he kept it, as I said, all the time in
his pocket. He found the distrust that he had had in his heart since
Henry went away growing rapidly less, and now and then he suspected
that he had been very wicked in imagining the moon could fall, or his
mother burn up the house and run away. Suddenly he stopped from his
working, tired, but looking well pleased; he had been very industrious
and done a full day’s work, though it wanted yet three hours of night.
He had made up his mind to write to Henry; for since Fanny had written
him, “I am very well; I hope you are very well. I don’t like here so
well as home. Do your goslings grow? Have you heard from Henry?” he
had felt that everybody he knew liked him, and would be glad to know
how well he was doing. So the happiness he thought he should give to
another was all bright in his face as he hung his hoe in the pear-tree,
and breaking three cabbage-leaves, not crooked and deep green, but fair
and gray with bloom, made his way to the brookside, where the shadow of
a maple lay thick and cool, and near where the stone bridge caused the
water to stop and make some silver talk before it went over.

[Illustration: THE CHARMED MONEY.]

From the cherry-tree by the door he had brought some little withes,
and having sharpened them with his teeth, began the composition of a
letter,--using his hat-crown for a desk, the cabbage-leaves for paper,
and the twigs for pens. Never was poet wrapped more happily in a dream
than he in his work, when all at once he became conscious of footsteps
and heard a voice, not unfamiliar, except in its derision, say, “Ha,
boy! I say you ought to take out a patent for that sort of paper: how
are you, though?” Jerry’s senses were a good deal bewildered, and he
could not believe at first it was Henry Gordon who stood before him,
resting his polished gun on the ground, holding a cigar in one hand,
and surveying him with such cool indifference.

He tried to rise and return civilly the rude salutation of the young
cadet; and as he advanced he saw that Henry was not alone, but
accompanied by a youth whom he introduced as a classmate, naming Jerry
as a boy he used to know; asking Jerry how things were getting on in
_his_ line, and saying that, as regarded himself, he hoped his soul had
got a little above potatoes during his absence. He did not speak even
of Jerry’s mother, who had done him so many favors; and to complete the
insult, he tossed at Jerry, as he passed along, a small piece of money,
saying, “Take that, boy, and buy you a copy-book and a pen or two.”

Jerry did not speak; he felt as if he could never speak again; he
could hardly persuade himself that it was indeed Henry Gordon who had
stood but now before him, and as long as he could see gazed the way he
was going. The very buttons of his coat seemed to mock him with their
shining; and there lay the money on the ground at his feet, and the
cabbage-leaves wilting in the sun, for where the shadow had been an
hour ago the sun shone hot enough now.

All the world was changed, and it seemed for a little while not only
possible, but highly probable, that his mother might set fire to the
house and run away, and the moon drop out of the sky; if anything could
stay back such events, it would be the letter from Fanny. He put his
hand in his pocket, to be sure that it was still there; and, stooping,
picked up the piece of money and placed it in the opposite pocket, to
keep balance. Fanny’s letter should teach him the world was not all
bad; that piece of money, that it was not all good. In itself it was
but a harmless piece of money, and he would not have known it from a
thousand others, but it had been in contact with the hand that shrunk
away from him; it had been flung at him in charity,--at him a boy as
good as any other boy, as honest and as honorable. In all respects he
was not Henry’s equal, to be sure, but he would set to work that very
day and make himself so. If he had not had Henry’s advantages, neither
had Henry had his! And straight he set out for home. His heart misgave
him almost when he reached the door and saw the tea-table spread in
holiday style, and for three. Mrs. Mason had learned that Henry was
come home, and was thinking what a pleasant time they would all have
once more. It was hard to tell his good dear mother that he had already
seen Henry, and how he had seen him. More than once, as they sat
together, Jerry’s mother arose from the table to attend some little
duty, she said, but in truth it was to dry her eyes; and more than
once Jerry said he did not care what Henry Gordon thought of him; but
his mother knew it was because he cared a great deal that he said so.

Already his mind was stung into activity, and a development was going
on, of which he was not himself aware.

Years of persevering endeavor, of hard work with the hands and harder
with the brain, we pass by,--years in which hope has been busy with
him, so busy that he has felt the steep way they have climbed together
less toilsome. Teachers and schools have not been accessible to him
much, except, indeed, the common school of humanity and the great
teacher, God, in his works. These works he has read and reread; these
he has studied, and he has studied himself, and his duties to himself
and his fellows. He feels the nobility of true and honest manhood,
afraid of nothing but doing wrong, ambitious of nothing but coining
the ability with which he has been endowed to right use. For he is
not ambitious to serve the world nor the state,--measured against
such great requirements he feels unequal; he is content with making
even a little spot of earth greener for his having lived; he thinks
it something of an achievement to turn weeds into good rich soil, and
make wheat or roses grow where, but for him, barrenness would have
been. He does not believe he could have made himself a poet if he had
mortised rhymes together never so ingeniously; nor does he suppose he
could manage the affairs of nations, because he can manage a plough.
Nevertheless, he is a proud man,--proud of his cleared land and of
his woodland,--proud of his brooks and of his cows,--of his harvests
and of his garden,--of his beautiful cottage,--of the vines about the
porch and of the well-bound volumes that shine row over row against
the wall,--of his mother, sitting beside him so comfortable and so
respectable,--proud that he owes no man anything, and proud that he is
not proud in any mean and selfish sense.

A thousand times he might have resented the old insult of the piece of
money, but he feels that “time at last sets all things even,” and he
is quite contented to wait,--so well content, indeed, that there is no
waiting to do. He could not have been so well avenged any way as he is
by his indifference.

It is the middle of June, and the garden is full of flowers that still
look toward Mrs. Gordon’s a good deal, though Jerry says he don’t care
which way they look; but we are quite sure they would not be so many
nor so bright if there were no bright eyes looking down upon them from
the opposite windows. There are bright flowers immediately under the
windows where the bright eyes are gazing forth so often; but to those
eyes the flowers in the distance show the best.

Fanny is a woman now, and though she sends no more letters to her
friend Jerry that no one knows anything of, she sends a great many
glances as full of kindly meaning as were the little sentences sent him
so long ago. She has been home from school a whole year; and though
many times, in her walks and drives, she has met Jerry, and smiled
upon him very sweetly, he has returned her smiles with only formal
politeness. Of course Fanny Gordon does not care much for the like of
him,--that is what he says to himself, and so he keeps up a show of
indifference that he is very far from feeling.

Henry has been at home a long time, too, spending his time in idleness
and in worse than idleness, so rumor says, and that things are growing
from bad to worse with the Gordons. Still they manage to keep up an
outside show, and hold their heads much above working-people like the
Masons. But when the foundation is undermined, the time will come that
the house must fall, and that time came to the Gordons.

It was early autumn; there was a little fire on the hearth, but the
door toward the flower-garden stood open, and Jerry sat in the door
watching the moonlight as it played along the grass and shone among the
stalks of such of the hardier blossoms as yet remained.

All at once his heart gave a little start,--was it some bird rustling
among the dry leaves? No, it was the step of Fanny rustling along the
fallen leaves. She came without hesitation, without blushing, straight
to where Jerry was sitting. “I could not go away,” she said, putting
out her hand to him, “without first coming to bid your mother and you
good by!”

“Go away, Fanny! Where are you going, and why?” cried Jerry, surprised
into cordiality and earnestness.

Then Fanny sat down beside him in the moonlight and told him where she
was going, and why. “Our fortune is all gone, and somebody must do
something,” she concluded.

“But why should you go away to do something?”

“Because,” Fanny answered, “we have no friends here!” and then her
voice first faltered, and she hid her face in her hands.

“No friends!” said Jerry; “with my mother and myself here? O Fanny, how
can you say that?”

Then she told him that she was sure there was no reason why himself
and his mother should be their friends; but at any rate, they had no
others, and she was going away to teach school, or to learn to sew, or
to do something by which she could take care of herself. “Just think,
Jerry,” she says, “I have not a glove to my hand!” And she held out her
hand to him, red as a rose with the evening chill.

Jerry took it between both his. “And suppose, Fanny, I should always
keep it this way,” he said, “you would not need a glove, would you?”

Fanny’s face was all bright with blushes when Mrs. Mason came to say
that supper was ready; and the place she took at the table that night
became hers for all her life before long; for, of course, she and Jerry
were married, and two birds were never happier under the mother’s wing
than were they with the mother of Jerry. Everything prospered with
them, and by and by they were the rich people in the town where they
lived, and not the Gordons at all.

One dreary night, when the outside show could not be kept up any
longer, when they were in fact reduced to the last sixpence, they sat
together, Mrs. Gordon and her son Henry, lamenting their hard fortune,
and blaming each other, and blaming Fanny, whom they had never been
to visit, and blaming everything but their own foolish pride and
perverseness for the ruin and degradation that was now impending.

Both started at the sound of a footstep; it was a creditor’s, no doubt.

“What brought you here? I don’t owe you anything!” exclaimed Henry,
sullenly, when he saw that the visitor was Jerry Mason.

“No,” replied Jerry, “but I owe you a great deal”; and taking from his
pocket the piece of money Harry had flung at him so long ago, he laid
it down on the table before him. Henry trembled and blushed for shame;
but when Jerry took his hand and said, “This piece of money has been
a charm that has kept me from idleness and uselessness; it has added
to my lands and built me a house, beautified my garden, clothed my
mother, and made her old age happy and respectable, developed my own
manhood, and crowned me with the love of the best of women. For all
this I owe you something, and I am come to pay you. Take first this
money and see what it can do for you. You are yet in the prime of life
and can retrieve and achieve everything; come with me with as hearty
a good-will as you came to look at my goslings, and we will devise
the way.” Henry took the hand extended to him, and brushing the tears
from his eyes,--the first ones that had wet them for long years,--said
in accents that trembled, “I will go, Jerry, if you think I am worth
saving; and my mother shall go too. Come, mother!” So all three went
together, and Fanny met and embraced them; and then they sat down
together and made plans for the future, and that was the happiest night
of their lives.




TO A STAGNANT POND.


    O pond of the meadow,
      So low and so black,
    Say why are you lying thus,
      Flat on your back!

    Week in and week out,
      And from night until morn,
    You have been doing nothing
      Since first you were born.

    Now if you are not dead
      But only just dumb,
    Get up, sir, and take off
      Your jacket of scum!

    No sweet little flower
      To your dull bosom bends;
    You have only the hop-toad
      And snake for your friends!

    No bird to your dark wave
      Comes twittering down,
    And the grass all about you
      Is withered and brown.

    It is time, and high time,
      You were setting to work,
    You sordid, unlovable,
      Beggarly shirk!

    Just think, with your brow
      Into black wrinkles curled,
    You never have gladdened
      A heart in the world!

    And if you would henceforth
      Escape from abuse,
    Get up, I beseech you,
      And be of some use!

    Close at hand, only hid by
      The sheep-grazing hill,
    Your gad-about sister
      Is turning a mill.

    Her path is so pleasant,
      Her smile is so bright,
    The flocks stay about her
      All day and all night.

    The wild mint leans lowly,
      Her kiss is so sweet,
    And the stones that she treads on
      Sing under her feet.

    With foam-flowers always
      Her wet locks are crowned,
    And her bushes with berries
      Blush all the year round.

    She counts not the mill-work
      As doing her wrong,
    But makes the wheel partner,
      And dances along.

    And so, with her life
      And her labor content,
    She is queen of the meadow
      By common consent.

    Now here is a secret,
      Receive it in faith,--
    True life is in action,
      Stagnation is death.

    And this you may learn
      From your sister, the brook,
    As though it were written
      And bound in a book.

    You die in your torpor,
      She rests in her strife,
    Because she is keeping
      The law of her life.

    And would you be happy
      As she at her mill,
    Throw off your scum jacket,
      And work with a will.




THE POET TO THE PAINTER.


    Painter, paint me a sycamore,
        A spreading and snowy-limbed tree,
        Making cool shelter for three,
    And like a green quilt at the door
      Of the cabin near the tree,
      Picture the grass for me,
    With a winding and dusty road before,
      Not far from the group of three,
      And the silver sycamore-tree.

    ’Twill take your finest skill to draw
      From that happy group of three,
      Under the sycamore-tree,
    The little girl in the hat of straw
    And the faded frock, for she
    Is as fair as fair can be.
    You have painted frock and hat complete!
    Now the color of snow you must paint her feet;
    Her cheeks and lips from a strawberry-bed;
    From sunflower-fringes her shining head.

    Now, painter, paint the hop-vine swing
      Close to the group of three,
    And a bird with bright brown eyes and wing,
      Chirping merrily.
      “Twit twit, twit twit, twee!”
    That is all the song he makes,
    And the child to mocking laughter breaks.
      Answering, “Here are we,
      Father and mother and me!”
    Pretty darling, her world is small,--
    Father and mother and she are all.

    Ah, painter, your hand is still!
      You have made the group of three
      Under the sycamore-tree,
    But you cannot make all the skill
      Of your colors say, “Twit twit, twee!”
      Nor the answering, “Here are we,
      Father and mother and me.”
    I’ll be a poet, and paint with words
    Talking children and chirping birds.




ONLY A DREAM.

  “The flighty purpose never is o’ertook,
  Unless the deed go with it.”


    One time, when lying in my bed,
      Many a night ago,
    Flying and flapping over my head,
      There went a cunning crow.
    I might have struck the creature dead,
      She sailed so near and slow.

    I might have struck her as she went,
      (All in a dream lay I,)
    But thought was on the method bent,
      My fated bird should die;
    And when at last the shaft was sent,
      The archer’s time was by.

    “O cruel, cunning bird,” I said,
      “What made you fly away?
    I would have dyed your black wings red,
      With but a moment’s stay.
    Then you had flown without your head,”--
      (All in a dream I lay.)

    Her nest was in a giant tree,
      So safe and snug and high;
    And I said, “If there your young ones be,
      I’ll kill them when they fly.”
    ’Twas hard just then to climb and see,--
      (All in a dream lay I.)

    Afield with my two boys one morn,
      (This was the vision’s close,)
    Each with a basket full of corn
      To plant the furrowed rows;
    Right over us, in full-fledged scorn,
      There went three wicked crows.

    “You might have killed us once,” they cried,
      “Our mother’s nest you knew;
    But now our wings are strong and wide,
      And we can caw at you!”
    Then vanished all my manhood’s pride,--
      The birds had spoken true.

    “O father,” said my boys to me,
      “’Tis plain that crows will lie;
    You knew what they would grow to be,
      Before they learned to fly,
    And would have killed them in the tree,”--
      (All in a dream lay I.)

    Many and many a night since then
      I’ve called to mind that crow,
    And thought how many thousand men
      Through all their lifetime go,
    Planning out times and seasons when
      They will do thus and so;

    But all their joys are shallow joys,
      Their praise augments their woes;
    For I remember when my boys
      Denounced the taunting crows,
    A voice inside of all their noise,
      Condemning me, arose.




INVENTORY OF A DRUNKARD.


    A hut of logs without a door,
    Minus a roof and ditto floor;
    A clapboard cupboard without crocks,
    Nine children without shoes or frocks;
    A wife that has not any bonnet
    With ribbon bows and strings upon it,
    Scolding and wishing to be dead,
    Because she has not any bread.

    A teakettle without a spout,
    A meat-cask with the bottom out,
    A “comfort” with the cotton gone,
    And not a bed to put it on.
    A handle without any axe,
    A hatchel without wool or flax;
    A potlid and a wagon-hub,
    And two ears of a washing-tub;
    Three broken plates of different kinds,
    Some mackerel tails and bacon-rinds;
    A table without leaves or legs,
    One chair, and half a dozen pegs,
    One oaken keg with hoops of brass,
    One tumbler of dark-green glass;
    A fiddle without any strings,
    A gunstock, and two turkey wings.

    O readers of this inventory,
    Take warning by its graphic story;
    For little any man expects,
    Who wears good shirts with buttons in ’em,
    Ever to put on cotton checks,
    And only have brass pins to pin ’em!
    ’Tis, remember, little stitches
    Keep the rent from growing great;
    When you can’t tell beds from ditches,
    Warning words will be too late.




HUNTER’S SONG.


    I know a mountain high,
    With its head against the sky,
    Where the stormy eagles fly
        East and west;
    There, at morning’s ruddy gleam,
    And in evening’s purple beam,
    I have heard the nursling scream
        From the nest!

    O, I love that mountain high,
    With its head against the sky,
    And the hungry nurslings’ cry,
        All forlorn;
    For as winds went to and fro,
    Cutting furrows through the snow,
    In a hunter’s hut so low,
        I was born.

    O, I love the rocky glade,
    Where my little brothers played,
    Where together they are laid
        In green beds;
    With a water murmuring nigh
    Its eternal lullaby,
    And a blue strip of the sky
        At their heads.




HAGEN WALDER.


    The day with a cold, dead color
      Was rising over the hill,
    When little Hagen Walder
      Went out to grind in th’ mill.

    All vainly the light in zigzags
      Fell through the frozen leaves,
    And like a broidery of gold
      Shone on his ragged sleeves.

    No mother had he to brighten
      His cheek with a kiss, and say,
    “’Tis cold for my little Hagen
      To grind in the mill to-day.”

    And that was why the north-winds
      Seemed all in his path to meet,
    And why the stones were so cruel
      And sharp beneath his feet.

    And that was why he hid his face
      So oft, despite his will,
    Against the necks of the oxen
      That turned the wheel in th’ mill.

    And that was why the tear-drops
      So oft did fall and stand
    Upon their silken coats that were
      As white as a lady’s hand.

    So little Hagen Walder
      Looked at the sea and th’ sky,
    And wished that he were a salmon
      In the silver waves to lie;

    And wished that he were an eagle,
      Away through th’ air to soar,
    Where never the groaning mill-wheel
      Might vex him any more;

    And wished that he were a pirate,
      To burn some cottage down,
    And warm himself; or that he were
      A market-lad in the town,

    With bowls of bright, red strawberries
      Shining on his stall,
    And that some gentle maiden
      Would come and buy them all.

    So little Hagen Walder
      Passed, as the story says,
    Through dreams, as through a golden gate,
      Into realities.

    And when the years changed places,
      Like the billows, bright and still,
    In th’ ocean, Hagen Walder
      Was the master of the mill.

    And all his bowls of strawberries
      Were not so fine a show
    As are his boys and girls at church,
      Sitting in a row.




A GOOSE AND A CROW.


    Two geese, scarcely knowing
      The east from the west,
    Got on to the water
      And rode off abreast,--
    Geese, you know, are not famed
      For their wisdom, at best.

    Well, these were perhaps
      Neither greater nor less
    Than their fellows,--each had on
      A very white dress,
    And both had short tails,
      And a neck like an S.

    The morning was genial,
      The water was still,
    And each with her heart
      On the end of her bill
    Began telling secrets,
      As geese sometimes will.

    “All ganders are vulgar,”
      One said, “all so low
    That one can’t respect them;
      My dear, do you know
    I am really going
      To marry a crow!”

    “A crow!” cried the other one,
      Slanting her eye:
    “What! one of those black things
      That swim in the sky?
    How strange it would be
      To go swimming so high!

    “But are you sure, darling,
      (Though ’tisn’t for me
    To question your wisdom,)
      That you shall agree?
    I’ve heard say that crows
      Have their nests in a tree!”

    “And what if they do, dear?
      Should that make you doubt
    My wisdom?” “No, darling,
      My fears were about
    The poor little goslings,--
      Might they not fall out?”

    “Fall out of their own nest
      Ah, where could you go
    To find such a foolish fear?
      Do you not know
    That the carefullest bird
      In the world is the crow?

    “And when he shall have young
      To quicken his care,
    Do you think he will leave his nest
      Out of repair?
    Or, pray, do you think that
      A crow is a bear?

    “Why, only this morning,
      The one I propose
    To marry (be sure,
      He’s the kindest of crows)
    Assured me that I should do
      Just as I chose!

    “And so if I don’t like
      My nest in a tree,
    Inasmuch as he means
      To defer thus to me,
    I will come down and build
      On the ground.” “If that he

    “Continue his deference
      When you are matched,”
    Said the wiser goose, “and if when
      Discords are hatched,
    He shall have no sharp claws
      Nor your eyes to be scratched!”

    “I see,” said the first goose,
      Receiving amiss
    The warning, “that you, madam,
      Envy my bliss,--
    Good morning.” The last word
      Was almost a hiss.

    They married, this stranger pair,
      For better or worse,
    And, being opposed
      In their natures, of course,
    They quarrelled,--she left him,
      Brought suit for divorce,--

    And charged him with saying
      A goose was a goose,
    Also with most cruel
      Neglect and abuse,
    And with being black,--all true,
      But no sort of use!

    And so they are living,--
      He high in his tree,
    Misanthropic as ever
      A crow was, and she
    Decrying the courts
      That won’t grant a decree.

    He says to his friends
      He was not understood,--
    Says he wouldn’t get married
      Again if he could;
    And she says he lies,
      For he knows that he would.




PART VI.

THE MAN WITH A STONE IN HIS HEART.




THE MAN WITH A STONE IN HIS HEART.


Once, in the suburb of a beautiful village, which in our story we will
call Heatherford, there lived an old woman whose only wealth was her
garden and her little son Elijah, or Ligie, for that was the pet name
which the fond mother gave her boy. No cottage in all the village was
brighter and prettier with pots of flowers and tidy keeping than that
belonging to Ligie’s mother. Indeed, it was no unfrequent thing to see
rich people stop their carriages and look into the garden, where the
finely cultivated vegetables looked almost as well as the flowers that
fringed the beds where they grew. At the foot of the garden, which
sloped to the south, a spring broke out of a green wall of grass,
and, escaping from the shadow of a willow-tree that grew there, ran
crookedly away, shining and laughing as far as you could see. No corn
had blades so thick and so green as that which Ligie planted and hoed,
and no poppies were so large and so red as those fringing his cornfield.

Sometimes after sunset Ligie’s mother might be seen walking down the
clean paths between the lady-slippers and the lilacs, talking to her
child in a voice low and soft, and at other times gathering rose-leaves
or hops in her white apron, scaring the birds that went early to bed,
and making them sing their good-night songs anew. When the dew came
there was contention between the rose-bushes and the hop-vines as to
which smelled the sweeter, and Ligie and his mother, as they went up
and down the paths, could never decide it; the bees loved the roses
best, but the birds swung on the hop-vines, and sung in the hop-vines
the oftenest.

Often Ligie’s mother praised the industry and skill of her little
son; but she loved him more than the beautiful garden. It is probable
that the people who admired the blossoming bean-vines and the waving
corn saw only in Ligie a homely little gardener; but to his mother no
marigold was so bright as his head, and no violet so blue as his eyes,
and the spring-water running away in sunshine was to her music less
pleasant than his laughter.

As Ligie grew older, however, it was less and less often she heard this
pleasant music; for the boy grew silent and thoughtful, and, pitiful to
relate, more and more discontented,--sometimes, indeed, he would forget
the work, and wander away to the ends of the earth in dreams.

Every day the garden seemed narrower, and every day his thoughts
flew higher and more discontentedly away. Grass was seen to grow in
places from which it had been carefully kept in former times, the
raspberry-vines to lop untied, and the strawberries to blush more and
more faintly, as Ligie bent over them less and less often.

Many a time he leaned on his hoe-handle, and, gazing wistfully--I am
afraid enviously--after some gay equipage, wished himself anywhere away
from his mother’s little garden, and out of sight of her poor little
house. He wished there were no gardens in the world, sometimes, and
sometimes that he might wake up in the morning and find his pillow a
pillow all of gold; for he thought idleness and money were the greatest
blessings that could come to anybody, and desired most of all things to
wear fine clothes, and to ride horses that were sleek and galloped over
the country fleet as the wind.

“My dear son is sick,” thought the good mother of the discontented
boy, and she gave him time and times to rest from his work, and baked
cakes for him, and made him soft beds, and kissed and petted him very
tenderly. But Ligie had been always used to her loving care, and
received it as he did the air and the other common blessings of his
life.

One day, when the customary meal of bread and milk was set before him,
he went away from the table without so much as breaking the bread; he
said to his mother he was sick, but in his heart he thought if he could
not have meat and honey he would not eat at all. Discontented with
his mother, with himself, and with everything, he cast himself on the
ground by the spring beneath the willow; but the murmur of the waters
could not silence the murmur in his heart, and the hedge of bean-vines
near by was not strong enough to keep away wicked thoughts; his hot
hands wilted the cool grass on which they lay, and his hot brain
withered and blackened all that came into it.

He saw a good many boys dressed in fine clothes, and with shining curls
down their shoulders, riding by in splendid coaches; and some of them
held up their white hands tauntingly when they saw his tawny ones lying
on the grass,--some even sneered at his garden, and said they had much
better ones at home. Among the other passers, however, there came one
day an old man that looked exceedingly sad, and who was terribly bowed
down, and who, when he saw Ligie, called to his coachman to stop; and
when his prancing horses stood still, champing their silver bits, spoke
to him in words so friendly and so strange that he knew not what to
make of it. And no wonder Ligie knew not what to make of it, for,
among other things, the old man asked him whether he would not like to
be rich, and if he would sell his garden for a piece of gold as big
as his mother’s house. Ligie said nothing would make him so happy; to
which the old man replied that he did not want the garden, but that he
would give him all the gold he wanted if he would consent to perform
for him a trifling service; and when Ligie asked what it was, and
learned that it was only the carrying of a small burden, he readily
agreed to go with the old man. It would be easier than working in the
garden, he thought,--O, anything would be easier than that! and then to
have all the gold he wanted,--surely, he could not suffer, no matter
what he had to do; so, with a bound, he sprang from the grass and into
the coach; the door closed, the silver latch shut with a snap, and his
mother’s house was hid from him forever. At first he cared very little
about this; fortune was his and the great world before him; could he
not buy a great palace if he chose, and why should he fret about a poor
little cottage in a scarcely-heard-of village? And as for the garden,
why, he should be glad never to see it; and, for all he knew, his
riches would procure him the pleasure of walking in the king’s garden,
and his roses and hops he supposed were poor affairs compared with the
king’s roses and hops; probably he should see birds as big as eagles
before nightfall,--birds that would make the little brown twitterers at
home stay there for shame; and he was surprised as they rode on and on
to meet no such birds, and to see no prettier flowers than he had left
at home.

But one thing surprised him more than the fact of meeting no birds as
big as eagles,--the old man by whose side he rode gave him no burden to
carry. At last he ventured timidly to suggest it, for he feared he was
not earning his pleasure. “By and by,” said the old man, and that was
all.

Directly, however, he began to be secretly glad that no burden was
given him, and to say in his heart, “Perhaps the old man will forget
it altogether, and I have the gold all for nothing”; for when one bad
thought got into his mind, a thousand others ran in behind it.

“What a good thing I have done,” he kept saying, as they went along;
“everybody that sees me will envy me, and won’t that make me proud and
happy!”

That night he slept in a richly-furnished chamber, where perfumes that
seemed to him sweeter than roses loaded the air, and where a brilliant
light burned at the head of the bed he slept on,--a bed greatly softer
than the one he had left at home.

In the morning a rich repast was served to him on shining plate; he had
not only meat and honey, but wine, and stronger drink than wine.

The second day an immense distance was traversed; and once or twice,
when the motion of the coach grew tiresome, Ligie thought he heard a
voice in him saying, “You might as well have stayed at home, little
boy!” And each time he drowned it by inquiring of the old man whether
he should not now take the burden agreed upon. “By and by,” the old man
said, and that was all. “He is a very strange man,” thought Ligie; and,
turning to look at him, he perceived, for the first time, that there
was no smile in his face and no light in his eyes, and that his skin
was dried like parchment and wrinkled as though it was drawn over dry
bones. His hair was very white, and it seemed to Ligie as though it had
been dead a long time. Happening to touch one of his fingers, he found
it so cold that, shivering, he shrank away. Then first the old man
smiled,--a grim, sarcastic smile, as if the child’s motion were one he
was well used to, and expected.

Ligie feared he had offended, and the mysterious voice said to him very
plainly now, “You had better have stayed at home.” “No, no,” replied
Ligie, “I am glad I came away”; but they were only words, and the
feeling of gladness was not in his heart. Then came the thought of his
mother, and with it a pain shot through his bosom,--a pain that was
not only sharp, but hot as fire. “If you please, sir, I will take the
burden,” he said; “I am getting tired of doing nothing.” The old man
smiled again, and answered, “By and by,” and that was all.

Day after day they travelled so together,--the old man silent and sad,
and the boy growing impatient, and tired of the everlasting motion and
noise of the close-shut coach in which they rode. Night after night he
slept in a soft bed, and morning after morning was served with dainties
more dainty than he had ever imagined; but after a few weeks he began
to think of the plain fare at home with regret. Then the voice laughed,
and said, “Fool that you were to come away!” and this time poor Ligie
could make no answer.

And day after day he asked the old man to allow him to carry the burden
agreed upon, and day after day the old man replied, “By and by,” and
that was all.

At last the rolling and swinging of the coach made him sick, the
healthful color went from his cheek, and all the strength he used
to have seemed to forsake him. The time was come that people looked
enviously upon him as he rode along; but so far from gratifying, it but
added to Ligie’s discomfort; no one thought of giving him love and
sympathy now, he could very well afford to do without them, so they
who saw him believed. Poor Ligie! the less he was pitied, the more he
pitied himself; and so, day after day, and week after week, he and the
old man journeyed on and on, searching for pleasure which they never
found. So weary grew Ligie at length, that he resolved to quit the old
man, who had never given him the proposed burden, but still said, “By
and by,” whenever reminded of it; and one day, seeing him asleep, and
his gray hair fallen low about his eyes, the wretched child softly
unlocked the coach-door, and made haste to be gone, or tried to make
haste, for, to his horror, he found that it was with the greatest
difficulty he could move at all. His limbs were as limbs asleep, and
his back was doubled down almost like the old man’s back.

“So ho!” exclaimed his mysterious companion, “you repent your bargain,
do you? Well, I am sorry, but a bargain is a bargain; I never fail to
fulfil mine.”

“How can you say that?” said Ligie; “have I not been with you the
longest year that was ever made, and where is the burden I was to
carry? I can’t live this way any longer, for doing nothing is the
hardest work I ever did.”

Then the old man laughed aloud, and said, “My son, you have the burden
already; it is that that weighs you down.”

“It is not true,” answered Ligie; and he unfolded his arms to convince
the old man that he had no burden; but he only shook his head
incredulously, and added, “You have it concealed; it is the way rich
people carry burdens.”

Ligie was now angry, and opened his clothing even to his bosom, to
convince the old man that he concealed nothing.

“You have it for all that,” was the reply; “and because of it you
cannot lift yourself up.”

Then Ligie grew pale, and trembled, saying, “How can I have a burden
which I cannot see?”

“Is pain the less certain because you cannot see it?” the old man said.
“I did not stipulate whether you were to carry the burden in your
arms, or on your head, or in your heart”; and he smiled a smile half
bitterness and half sadness as he spoke.

Then came the truth crushing through Ligie’s senses,--the burden was in
his heart; and covering his face with his hands, he cried a long while.

“In mercy,” said the old man, “I gave you little by little; but it was
none the less sure, and ‘By and by’ has come.”

The low voice never spoke so clearly as it spoke now, saying, “O
mistaken youth, you have sold your birthright for a mess of pottage!”
“O terrible, terrible voice, why do you torment me?” said Ligie; and
the voice answered, “Such is my work.”

After a season of despair, however, Ligie began to imagine, very
foolishly, that strong drink and strong pleasures would dissolve the
stone which he was persuaded had been wickedly gotten into his heart.
Without sorrow on the part of either, he and his friend--if friend he
might be called--took separate ways. True to his foolish imaginings, he
saw dances, and heard music, and drank wine, and stronger drink than
wine, and bought great houses and much land, gazed on fine pictures,
some of them painted by the greatest artists in the world; but, through
all, Ligie remembered his mother’s little house and garden with
painful regret, and over all he heard the low voice reproaching him.
He even came to walk in the king’s garden, and to speak familiarly
with princes; but they seemed to him not unlike other men, and even
for their praises he felt none the better, but, while they smiled,
often found his thoughts travelling away to the obscure village of
Heatherford, and when he drank wine it seemed to him not so sweet as
the cool water of his mother’s well.

All his childish dream was fulfilled,--he had waked to find his pillow
a pillow of gold; but he would gladly have given it for the pillow
of common down which his mother’s hands used to make so pleasant;
nevertheless, something held him back. Was he ashamed to have his rich
friends know that he was born in a low, little house, and that his
mother was a poor woman? I am afraid so.

Years and years went by, and the little gardener was a little gardener
no more; and thicker than the years crowded upon each other crowded the
wrinkles in his face; and before the pleasure he sought was found, his
hair grew white as the frost, and his step slow as the sloth.

Celebrated waters he plunged into, and hired with much gold physicians
of great repute to treat his malady, which, in spite of all their
skill, grew only the worse; indeed, it seemed to Ligie sometimes that
the stone in his heart was grown to be a mountain.

And all the night and all the day the voice within him said to him,
“Go home, Ligie”; and all the night and all the day Ligie said to
the voice, “At the new year, or in the spring-time, or when the
leaves fall, I will go.” And still, as he sailed in vessels or rode
on cushions, his prayer was for the feet of his lost youth and the
strength of his lost youth, to walk as he used to do. Often he tried to
walk, feeling his way along with a stick; but he fancied he frightened
the birds and spoiled their songs, for sure was he they sang not as
they used to sing among the sweet-smelling hops of his mother’s garden.
The little boys that were laughing and kicking up the dust stopped
their playing as he came near, and gazed on him with eyes full of fear,
instead of sunshine. If flowers fringed the wayside, their tops seemed
dusty and dry, and not dewy and sweet as they used to be. The young
girl who sat singing her ditty at the window, when she saw his frowning
visage and bent form, drew in her breath and her music, and hastily
pulled down the sash.

The very cattle ran away from him, stopping not till the width of the
meadow in which they pastured was between themselves and him. The hens
left their peeping broods and crept away, afraid to fly at him as they
did at the urchin who plagued them.

Seeing the sorry effect he had upon bird and beast, he grew more and
more dissatisfied, and the burden in his heart weighed heavier and
heavier upon him.

Something like the shadow of gladness passed over him, when in a valley
before him he saw rising the spires of a quiet village. “I will abide
here,” he said, “and try if the air will not soften this terrible
stone.” So he hired a house, and physicians, and attendants, and made
himself a home, but found little of the peace he sought. Consternation
ran up and down the streets, when it was known among the people that an
old man with a stone in his heart would thenceforth abide among them,
for the physicians pronounced his malady not only incurable, but the
most infectious of all diseases; so the attendants he had went away
from him, and all his gold could not hire others in their places. In
vain he sought religious comfort; the clergyman to whom he applied was
of the opinion that Ligie had not only a stone in his heart, but that
he had a demon there, into the bargain; and this was certainly poor
consolation.

Then the doctors resolved that the poor man should not go abroad any
more, for there was never such fright as the stone and the demon
occasioned.

When the doomed man was informed of the verdict, he said it was just
and right, and he furthermore admitted that when he listened he
could hear a voice within him that condemned him. Then the wise men
recommended entire abstinence from all exertion of mind and body, and
constant listening to the condemning voice, with as much meditation on
the stone as possible.

And all the people exclaimed, “Yea, verily, these physicians are wiser
men than till now we knew them to be!” and their fame stood before them
like a light that made common people almost afraid.

Poor Ligie submitted patiently to the treatment, and also to separation
from all human society, and found all the satisfaction he had in
hugging his woes. However, he grew no better. Sometimes he would creep
to his windows, and indulge in the harmless occupation of looking into
the sunshine; but this habit was no sooner discovered than it was
resolved by the people that the man with the stone in his heart should
be put in irons for the first offence, and that for the second he
should be imprisoned for life.

“He has already offended twice,” said one of the most fearful; and upon
himself he took the administration of justice, and, stealing to the old
man’s house in the night, secured the door with a ponderous bar.

It was dreadful to hear the prisoner’s moans after that; no one who
heard them once could be induced to go near him again; so he lay
moaning and groaning to himself. Some of the more superstitious
believed it was the demon that cried, and not the man himself; but
there were some who thought a stone in the heart was enough to make
anybody moan.

“We shall have to break his heart, and so free it from the stone,” said
the surgeon; and but for an accident it is likely the cruel suggestion
might have been carried out.

An old woman, residing in the suburbs of the town, remarkable for
nothing but industry, modesty, and strong common sense, chanced to come
near this old man’s house one stormy midnight, as she was returning
home from having dressed a corpse. She had gone abroad so little, and
been so given to minding her own affairs, that she had never once heard
of the old man with a stone in his heart, and came fearlessly to the
very door. The moon shone bright and friendly through the chinks, and
as she peeped in she saw the glitter of two eyes that looked like the
eyes of a famished wolf.

In vain the prisoner cried out to her to flee away, saying he had a
great stone in his heart, and was possessed of a demon; the assertion
sounded so much like nonsense to the ears of the old woman, she refused
to go, and furthermore the glitter of the man’s eyes told plainly
enough that he was starving; so, notwithstanding his entreaties that
she should leave him to his fate, and save herself, she made haste to
unbar the door, and, walking straight to the straw where he lay, bade
him arise and go with her.

At first he refused, saying that he had a stone in his heart, and a
demon in his bosom, and that to go with her was impossible.

[Illustration: THE MAN WITH A STONE IN HIS HEART.]

“Ah, yes,” said the old woman, “I see how it is,” for she knew that
too much brooding on light afflictions will sometimes produce heavy
ones, and was resolved to humor his disease in order to cure it. “I
know a great witch who can cure you,” she said; “there is not a doubt
of it; she has brought many back to health and happiness, whose minds
were gone far astray, and whose feet were near the borders of the
grave. Rise quickly, and come along with me.”

The old man lifted himself on one elbow, and said he had tried all
remedies in vain, and that he had no courage for a new trial; but
though he said he had no courage, he smiled faintly, and felt a very
little courage.

“Ah, it is not such medicine as you have been used to with which the
witch cures,” said the old woman; “it is with a charm known only to
herself, said to be the pleasantest thing in the world.”

She spoke hopefully and cheerfully, and the man answered, “Let us go to
her at once,” and he arose, and looked with shining, hungry eyes close
in the old woman’s face; and, taking his limber, weak, and worthless
hands in hers, she led him out of his miserable den, and they took
their way together through the village, and struck into a sweet-scented
clover-field, lighted by the clearest and brightest of moons.

As they went along, Ligie told of the many things he had suffered in
the hope of cure, and that withal he had grown worse and worse, till
he had come to be the miserable creature she beheld.

At first the old woman was obliged to walk very slowly; but gradually
she quickened her steps, and, unaware, her companion quickened his,
too; and as he walked faster and faster he straightened himself more,
and when they reached the nice little home where the woman lived he
stood nearly upright.

The first care of the nurse was to feed her patient with plain but
wholesome and nutritious food; and this done, she made him a bed, very
clean and comfortable, where he slept soundly till morning.

His first inquiry on waking was for the witch, and his first desire was
for an immediate interview.

“The witch lives a good way off,” said the nurse, “and to leave home
for so long a journey, I must needs make some preparation; and if you
will consent to help a little, only a very little, I shall be ready so
much the sooner.”

Ligie said he had not done a chore for years; nevertheless, he would
attempt whatever task she would set for the sake of being brought so
much the sooner to the witch. So the old woman took him to the garden,
and set him to weeding the beds there; and as he worked he gained
strength to work, so before noon the garden-beds were as clean as they
could be.

When the old woman came out and saw what he had done, she was well
pleased, and said she had never found so good a gardener in her life;
and she added, “We will soon be ready for the journey at this rate.”

Ligie was a good deal tired and a little hungry with the work, and
when the nurse brought a platter containing bread and fruit and meat,
and placed it on a bench that stood in a shady place, he quite forgot
in the enjoyment of it the stone in his heart; and after the meal he
forgot it for an hour longer in the pleasant sleep that came to him as
he lay on the cool, grassy bed that Nature had made for him.

Toward sunset the old woman appeared, and directed her patient to cut
off all the ends of the bean-vines that were trailing from the tops of
the poles toward the ground.

When Ligie hesitated, and said he could not lift himself up for such
work, she encouraged him to believe that he might straighten himself
sufficiently for the task, and assured him of the impossibility of
making the journey to the witch’s house till the bean-vines were
attended to. Hearing this, he lifted himself up, and began to clip off
the ends of the bean-vines. They were sweet with blossoms, reminding
him of the old garden at home; and in the interest of his occupation,
he thought nothing about the terrible crook in his back, and when at
last he felt for it, it was gone.

He began now to think his hostess was the witch who had charmed the
stone out of his heart, and from that time manifested no unwillingness
to do whatever she bade.

Day by day she set him harder tasks, professing all the time when such
a tree was felled, and such a field ploughed, or the orchard-trees
pruned, or some other task accomplished, she would journey with him
to the witch’s house. But the work stretched itself out before Ligie
as far as he could see; for while he gathered apples he saw the corn
ripening, and of itself breaking out of the husk; and as he thought
more about his work he thought less about the witch, and finally began
to conclude there was no such thing in the world as a witch.

At last the heap in the crib was rounded up with the last golden ears,
the oxen turned loose among the corn-stalks, and a bright wood-fire
made on the hearth of the good old woman’s house. In the middle of the
floor the table was spread with pumpkin-pies, and apple-tarts, and
sweetcakes, and all the variety which a country housewife knows so
well how to provide. All the friends of the old woman had been invited
to rejoice with her over the restoration of her patient; but, strange
to say, where one came there were a dozen who stayed away, for they
now feared the harmless old woman as much as they had formerly feared
Ligie. If he was cured of stone in the heart, she must be a witch,
that was all; so hard is it for us to believe in the virtue of simple
things, and that we have only to wash and be clean. If Ligie had done
some great thing, then it would have been easy to believe.

“O, if my mother were here to rejoice with me, how happy I should
be!” sighed Ligie, as he concluded reflections not unlike what I have
written; “for though I am old and worn and weary, I might yet do much
good; but how much more might I have done if in youth I had improved my
opportunities, instead of wasting them in vain and foolish dreaming and
repining,--dreaming of impossible things, and repining that good things
were not the best things!”

Then in his mind he made a picture of his mother’s little house he had
once so come to despise, and of the garden he had grown so tired of,
and it seemed to him that the king’s garden was not half so beautiful,
that Eden itself could not have been so beautiful. In the light of
memory the loveliness, which in reality he had failed to see, came out
clear and distinct, and he marvelled that he could have received such
blessings and been so unconscious of them.

Tears came to his eyes, and in the anguish of repentance he wept
aloud, saying over and over, “O, to have back my lost youth!” Then it
was he seemed to hear, between his sobbings, a voice like his mother’s,
saying, “My son, my dear, little son!”

A thrill of joy ran through him, which was as if all the heavens had
opened, and in the rapture of the moment he awoke,--for he had been all
this time in a dream,--awoke to find himself little Ligie, and to see
the sunset shadows on the water of the spring, that flowed from its
fountain under the willow-tree, by which he remembered to have thrown
himself at noonday. But when he was fully awake the thrill of joy kept
still thrilling through his bosom; it was not all a dream; he heard the
sweet voice of his mother still saying, “My dear, little son,” and all
the beauty he had seen shining so clearly in the light of memory he saw
shining all round about him.

Over a bank of golden clouds the sun was peeping and smiling his
good-night, the birds were hushing in the hop-vines and under the
roses, and under his feet the grass was cool and green as it could be.
In the distance stood dark, leafy woods, with cows and sheep and lambs
feeding along the hills.

But the brightest spot of all the picture was the little house under
the apple-tree, and with the morning-glory at the window, and the red
creepers over the porch, where stood his mother smiling, and calling,
“Ligie, my son, my dear, little son!”

You may be sure he lingered not long even for the sake of the beautiful
landscape, glorified as it was by the last red light of the day, and
the first white light of the stars, but ran at once up the smooth
path between the lilacs and lady-slippers, answering, “I am coming,
mother, I am coming!” it was as if he had new feet and new hands and
new senses; as if a new world had been made about him; as if, indeed,
a great stone had been taken out of his heart. There was the table
spread in the middle of the floor with cakes and apple-tarts and meat
and milk, just as he had dreamed, and his hair was all unfaded, and his
limbs strong and full of health.

What more could he have? Nothing, nothing. Ligie felt this, and
clasping his hands, he bowed his head, and said, “How good God is, and
how unmindful and bad we are!”

And seeing how his spirit was changed, his mother inquired of him what
had happened; and when he told her all his dream, and his thoughts
previous to the dream, they laughed and wept together, and wished that
everybody could have such a dream, and learn by it to appreciate the
blessings they have, rather than mourn for those they have not; and
to work with willing hands and a resolute will in whatever field their
portion may be cast.




CATY JANE.


    One summer morning, as I walked
      Along a shady lane,
    I met a black-eyed little girl,
      Whose name was Caty Jane.

    She had a pretty basket full
      Of blossoms blue and white,
    And when I asked her where she went,
      She hid her face from sight;

    And sitting where the clover grew
      So sweet and thick and red,
    She said, “I had a sister once
      Who loved me, and is dead;

    “And yonder, to the slope on which
      You see the willows wave,
    I’m going with my flowers, for there
      Is little Annie’s grave.

    “Her goodness and her gentleness
      I oftentimes forgot;
    She never said an unkind word,--
      I wish that I had not.

    “We had a play-house once, beside
      This very shady lane;
    I wish it never had been made,”
      Said little Caty Jane.

    “’T was carpeted with grass, and weeds
      Were piled to make the walls;
    The beds were spread with burdock-leaves,
      And mother gave us dolls.

    “We had some broken cups, and had
      Some skeins of thread, I know,
    And sometimes we pretended we
      Were women, and would sew;

    “And often I would visit her,
      And she would come again,
    And make believe to visit me,”
      Said little Caty Jane.

    “One day, when cloudily the sun
      Was going down the hill,
    Dear Annie said, ‘We must go home,’
      The wind was growing chill.

    “And when she wrapt her apron round
      Her neck and shoulders bare,
    I laughed, and called her grandmamma,
      And said it wasn’t fair

    “That she should run away, nor care
      For playing, nor for me.
    ‘O Caty Jane,’ said Annie, then,
      ‘I’m cold as I can be.’

    “‘It seems as if no fire nor quilt
      Could make me warm again.’
    And, sure enough, they never did,”
      Said little Caty Jane.

    “She said that more and more her head
      Kept aching all the while,
    And from her hands the playthings fell,
      But still she tried to smile.

    “And when the moon came up and shone
      So cold across the floor,
    She said that we would never play
      Together any more.

    “‘Well, if you feel so very bad,
      Do let’s go home,’ said I,
    ‘That you may have a chance to make
      Your will before you die.’

    “And so I ran and left her in
      Our play-house by the lane,
    And ran the faster when she called,
      ‘Don’t leave me, Caty Jane.’

    “And sitting by the warm wood-fire,
      In little Annie’s chair,
    I fell asleep, and woke in fright,--
      My sister wasn’t there.

    “‘She must be in a neighbor’s house,’
      My mother said; but I
    Hid in her lap my face, and cried
      As hard as I could cry;

    “And told her I had left her in
      Our play-house by the lane;
    And there they found her, sure enough,”
      Said little Caty Jane,

    “Lying upon the frozen ground,
      As cold as cold could be;
    And when I called her pretty names
      She did not speak to me.

    “But with pale cheek and shut eyes lay
      Upon our little bed.
    And when the sun arose at morn,”
      Poor mourning Caty said,

    “I called her to get up, and kissed
      Her cheek to make her wake;
    And when she did not speak nor smile,
      I thought my heart would break.

    “I brought my playthings and my dolls,
      And laid them on the bed,
    And told her they were hers to keep,”
      Poor little Caty said.

    “And, waiting there in fear and doubt,
      They softly kissed my brow,
    And told me I must live without
      My sister Annie, now.

    “O then I knew how dear she was,”
      Said little Caty Jane,
    “And thought if she could be alive,
      And play with me again,

    “I’d say a thousand things to her
      That I had never said.
    ’T was easy work to think kind words
      To say when she was dead.”

    And with her eyes brimful of tears,
      She went along the lane;
    No sister now had she to love,--
      Poor little Caty Jane!

    Seeing how very long she stayed
      By Annie’s lonesome bed,
    I thought, If other little girls,
      Whose sisters are not dead,

    Could know how blest they are, and see
      The sad look Caty wore,
    They never would be heard to speak
      A cross word any more.

    For we must do to others just
      As we would be done by,
    If we would learn to live in peace,
      Or peacefully to die.




THE STREET BEGGAR.


    Shake not your glossy curls with a “No,”
    As you sit in the warm and rosy glow
      ’Twixt your hearth and pictured wall;
    Ah, my lady, you do not know
    How folk feel with their feet in the snow,
      And no bright fire at all.

    A sixpence! that you will never miss;
    See what a baby you have to kiss,
      Honor and wealth to prove;
    Ah, my lady, you cannot guess
    How folk feel in a night like this,
      With no little child to love.

    From house to house I have gone all day,--
    “Nothing for beggars,” is all they say,
      Though a banquet waiting stands;
    Ah, you never have known the way
    Poor folk feel when their heads are gray
      And palsy shaking their hands.

    For sake of charity say not “No.”
    I am almost famished,--I cannot go,--
      I must steal or starve,--and why?
    Because, my lady, you do not know
    How folk feel with their feet in the snow,
      Turned out from your fires to die.




EVIL CHANCE.


    When falls the hour of evil chance,--
      And hours of evil chance will fall,--
    Strike, though with but a broken lance,--
      Strike, though you have no lance at all.

    Shrink not, whate’er the odds may be,--
      Shrink not, however dark the hour,--
    The barest possibility
      Of good deserves your utmost power.




PLEA FOR THE BOYS.


    Young men must work, and old men rest,
      They have earned their quiet joys;
    And everywhere, from east to west,
      The boys must still be boys.

    They do not want your larger sight,
      Nor want your wisdom grim:
    The boy has right to the boy’s delight,
      And play is the work for him.

    The idle day is the evil day,
      And work in its time is right;
    But he that wrestles best in the play
      Will wrestle best in the fight.

    Then do not, as their hour runs by,
      Their harmless pleasures clip;
    For he that sails his kite to the sky
      May sometime sail a ship.

    And soon enough the years will steal
      Their mood of frolic joys;
    So keep your shoulder to the wheel,
      And let the boys be boys.




WORK.


    Down and up and up and down,--
      Over and over and over,--
    Turn in the little seed, dry and brown,
      Turn out the bright red clover!
    Work, and the sun your work will share,
      And the rain in its time will fall,
    For Nature, she worketh everywhere,
      And the grace of God through all.

    With hand on the spade and heart in the sky,
      Dress the ground and till it;
    Turn in the little seed, brown and dry,
      Turn out the golden millet;
    Work, and your house shall be duly fed,
      Work, and rest shall be won;
    I hold that a man had better be dead
      Than alive, when his work is done!

    Down and up and up and down,
      On the hill-top, low in the valley;
    Turn in the little seed, dry and brown,
      Turn out the rose and the lily.
    Work with a plan, or without a plan,
      And your ends they shall be shaped true;
    Work, and learn at first-hand, like a man,
      The best way to _know_ is to _do_!

    Down and up till life shall close,
      Ceasing not your praises;
    Turn in the wild, white, winter snows,
      Turn out the sweet, spring daisies.
    Work, and the sun your work will share,
      And the rain in its time will fall,
    For Nature, she worketh everywhere,
      And the grace of God through all.




COUNSEL.


    Though sin hath marked thy brother’s brow,
      Love him in sin’s despite,
    But for his darkness, haply thou
      Hadst never known the light.

    Be thou an angel to his life,
      And not a demon grim;
    Since with himself he is at strife,
      O be at peace with him.

    Speak gently of his evil ways,
      And all his pleas allow;
    For since he knows not why he strays
      From virtue, how shouldst thou?

    Love him, though all thy love he slights,
      For ah, thou canst not say
    But that his prayerless days and nights
      Have taught thee how to pray.

    Outside themselves all things have laws,
      The atom and the sun;
    Thou art thyself, perhaps, the cause
      Of sins which he has done.

    If guiltless thou, why surely then
      Thy place is by his side,--
    It was for sinners, not just men,
      That Christ the Saviour died.


THE END.


Cambridge: Stereotyped and Printed by Welch, Bigelow, & Co.




TRANSCRIBER’S NOTES


Inconsistencies in capitalization after question and exclamation marks,
have been left unchanged.

Some portions of the front matter have been rewrapped for readability.

Page 17: misprinted punctuation removed.

Page 52: typo in “rabbit-skin” corrected.

Page 67: missing apostrophe added.

Page 95: indentation corrected for “With heads that are growing gray.”

Page 118: missing period in header restored.

Page 198: missing closing quote added.



*** END OF THE PROJECT GUTENBERG EBOOK SNOW-BERRIES ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works

1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg™ License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.