The terror

By Alfred Coppel

The Project Gutenberg eBook of The terror, by Alfred Coppel

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you
will have to check the laws of the country where you are located before
using this eBook.

Title: The terror

Author: Alfred Coppel

Illustrator: Luros

Release Date: March 24, 2023 [eBook #70361]

Language: English

Produced by: Greg Weeks, Mary Meehan and the Online Distributed
             Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE TERROR ***






                              THE TERROR

                           by Alfred Coppel

               The wars of nerves, the cold wars, of the
           early Twentieth Century pale into insignificance
               beside the fear that besets humanity when
                    Jan Carvel returns from space!

           [Transcriber's Note: This etext was produced from
      Future combined with Science Fiction Stories November 1950.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


_From Quintus Bland's History of Mankind, Chapter XXIV "The Terror."_

These are the halcyon years. The awful goad of the Terror is gone and
men can look into the sky without fear. The new colonies thrive among
the low red hills of Mars, in the icy moraines of Io, Europa, and
Titan. Starships are poised on the outer moons; perhaps soon Earth will
wear a diadem of stars.

Yet some of the bitterness of the fear-ridden years is with us
still. Forgiveness does not come easily to those who have suffered
the humiliation of the Terror; there are the blighted lives to
remember, and the unfortunates who lived and died under the threat of
annihilation from the sky. Jan Carvel's memory is accursed--for it was
Carvel who brought the Terror.

Of the man himself, little is known. He lived--and died--in the
first decade of the Conquest of Space, or in the last decade of the
Nationalist Era, since they coincide. A few short years had passed
since the first successful Moon flights and the establishment of the
Space Stations, and the tensions that had been mounting among the
nations of Earth were nearing the breaking point.

Lunaris was 'Moon Base' then, and the launching racks were pointed back
toward Earth and not toward the planets. Intense activity had turned
the Moon into an atomic arsenal--a focal point of all the destructive
arts men had learned during and since the Second World War.

The Old Countries, mainly the Union of Soviet Socialist Republics and
the United States of America, stood with weapons poised; the seemingly
eternal Cold War steadily growing hotter. Moon Base was American, and
the Space Stations were Russian; a parity of weapons had been reached
and jingoists cried for war.

History does not record the exact date of Jan Carvel's departure from
the Earth-Moon System. It is known that he was an American, a qualified
Moon pilot, and a fanatic on the subject of planetary exploration. It
is also known that he boarded an experimental long range rocket-bomber
without authorization and vanished from the arsenal in Tycho. Some
have suggested that he did not steal the craft and that he was
actually ordered on his epoch-making flight, presumably in search of
militarily useful information. This is unlikely. Having reached the
Moon and turned it into fortress, the United States lost interest in
space travel. Carvel chafed under the restraints placed upon him and
the Bureau of Security; it is therefore more than just probable that
he took it upon himself to press the cause of exploration without
authority or sanction.

The result of this irresponsible course of action was predestined.
Carvel lost his ship and his life. But he left a legacy that was to
shake the world.

       *       *       *       *       *

On the evening of January 17, 1971, some six years after Carvel's
disappearance from Moon Base, the Pacific Radar Watch detected an
approaching missile. It was tracked for routine interception, and one
Ground to Air Missile was actually launched at it before its erratic
course identified the unknown rocket as a space-craft in distress.
Fortunately, the GTA Missile was caught and neutralized before
interception occurred, and the approaching space-craft was allowed to
crash in the middle of California's Central Valley near what was then
the city of Fresno.

[Illustration: Jan Carvel's ship crashed and burned when he came
back....]

Search crews found the wreckage and it was immediately established as
the experimental rocket-bomber stolen six years before by Jan Carvel.
It was badly smashed by the crash, and in addition seemed to have
sustained a considerable amount of battle damage.

A charred body was removed from the rocket and identified as Jan
Carvel. The craft's papers, however, were in an excellent state of
preservation, it being indicated that Carvel sacrificed his life to
protect them. These papers, consisting of some photographs, some
crudely drawn planetary maps, and a diary, were contained in a steel
box addressed to the Secretary of Defense. They were rushed to
this official without delay, fortunately he was at the time in New
Washington, somewhere under the Great Lakes.

Within twelve hours, a meeting was held among the Chiefs of State of
all the Western Powers. Two hours later, a special courier-plane was
dispatched to Kuibishev, the new Russian capital beyond the Urals, and
the greatest joint effort in the history of mankind was begun. The
Terror had come to Earth....

       *       *       *       *       *

_From the text of the President of the United States' message to
Marshal Vasili Kemprov, the Russian Dictator._

"... in spite of our differences. Therefore, I urgently request that
you personally authorize the dispatching of qualified Russian experts
to join in the scientific council now convening here to evaluate these
terrifying documents.

"If you desire, hostages may be exchanged to assure the safety of your
personnel...."

       *       *       *       *       *

_From the Carvel Diary._

I stood on the thin snowdrifts and looked westward, into the setting
sun. The vastness of the silent desert was red with faintly visible
plumes of sand that rode high on the icy air. Above me, the sky was
cobalt and the stars shone bright and unwinking. The nearer moon rode
low on the horizon, almost touching the tiny disk of the sun. I was
alone, as I have been since leaving Earth. Nowhere on this world is
there life, but here men might live and thrive, for there is beauty and
peace.

_Later._ I have found a rich vein of uranium ore. The ship's converter
will serve to refine it. I can go on. When I return, I will build a
cairn, to prove that one man, at least, was sane.

_Later._ The landing was difficult, for the heat of the rocket-blast
volatilized the frozen methane under me. As I let her settle, the ship
dug a pit in the glacier and now she lies half buried in the yellowish
ice.

I slept and fed myself and put on a pressure suit. Outside, the cold
and the black sky pressed in on me, making me afraid. It is never dark
here, for the planet fills the sky like a bloated yellow balloon. In
the far distance, I can see a fault in the glacier, and the black rock
of this moonlet shows through. I think there is silver in the rock. It
streaks it in a pattern of filigree.

There is little here but the challenge of keeping alive. The cold
depresses me and the giant in the sky fills me with vertigo. I shall go
on.

_Later._ A giant ahead and a giant behind. The blackness of space is
all around me, and I grow used to it. I sleep and eat little now and
weightlessness is beginning to sicken me. I have come a long way.

The system ahead shows promise.

_Later._ I landed the ship on a wide plain. Rubble is everywhere.
Perhaps this was once a moraine, but even the glacier is gone now. In
the light of the sun I can see a rising fault like a palisade. Some low
hills and a talus flank it. Bright colors are sparkling there. I think
the cliff is thick with gem deposits.

_Later._ I do not like to leave this moonlet. It is small and friendly.
The air is thin, but it makes the sky blue and not black and that makes
me think of Earth. Perhaps I should be thinking of going back. The fuel
is getting low and the air in the ship is fouling. It will take a long
time to reach home.

_Later._ I will go on for a little while longer. I cannot help thinking
that I will be the only one of my race to ever see these worlds. It
is a godlike thought, but sad. At home there is nothing but hate and
thoughts of killing. A great pity. The sky could be ours, if we were
united.

_Later._ God have mercy on me! I have seen the face of doom! The great
cratered plain that spread out below me was lined with ships. Great
towering machines of war. We have waited too long, and now _they_ have
come!

I am a soldier. A bad one, but still a soldier, I know the look of an
invasion base when I see one. This is what I have seen. I will take
pictures. I must return and warn them at home. They have so little time
to prepare.

Where have they come from? From the stars? They do not belong here.
This tiny moonlet never gave them birth. Then whence have they come?
And why? _I am afraid...._

       *       *       *       *       *

_From the report of the UN Psychometric Evaluation Board._

"Careful study of the Carvel Diary indicates that it is in fact
authentic. Apparently, the loneliness of a protracted deep-space
flight shattered his mind, but his observations are in no wise to be
disregarded for this reason. It is highly possible that the 'invasion
base' was the culminating cause rather than the _effect_ of Carvel's
obvious psychosis. Further investigation is most definitely called for."

       *       *       *       *       *

_From the statement of Rep. L. Louis Frank, House Minority Leader,
after meeting with Administration officials._

"... unquestionably, the people must be told!"

       *       *       *       *       *

_From Pravda, Official Organ of the CP of the USSR._

"The authenticity of the so-called Carvel Diary, at first doubted, has
been established by Soviet experts."

       *       *       *       *       *

_From the Joint Resolution of the General Assembly of the UN._

"The nations of the Earth, in general concourse assembled, do hereby
proclaim a state of grave emergency; and for the preservation of safety
declare that the United Nations shall be considered a World Government,
with all necessary powers to command the massed armed forces of the
member nations. The principle of unanimity among the major powers is
indefinitely suspended, and...."

[Illustration: _The terrible years began with the return of Carvel's
ship with its dread discovery; and people dreamed nightly of death from
the skies...._]

       *       *       *       *       *

_From the files of the UNESCO._

"... fleet of twelve space-craft under UN authority will depart
from the UN Moon Base for Mars, there to establish a Military and
Scientific Base. Personnel will include Hansen White, astronomer;
Ivan Diagashaviliev, ecologist; George Washington Lee, radiologist;
Consuelo Diaz, cartographer; Jules Feldmann, physicist; Kendo Higashi,
psychologist...."

       *       *       *       *       *

_From the report of the First UN Martian Expedition._

"... radar and watch station established and garrisoned according to
directive 25-33. Bimonthly transport service has been established
between Canalopolis Settlement and Luna. Combined efforts by UNESCO
and UT Armed Force personnel are being made to establish satellite
stations.

"It is strongly urged by the Project Committee that more personnel be
sent to Mars, however, as a serious shortage of manpower has developed
due to the feverish pace of the Settlement's growth. Colonization may
be the answer.

"Nowhere have the UN patrols discovered any indications of previous
occupation by alien forces. Nothing resembling the invasion fleet
discovered by Jan Carvel has been located. However, the cairn mentioned
in the Diary has been found, further supporting the authenticity of
that document...."

_Addendum in manuscript._

"Higashi suggests that the message found in the Cairn confirms the
original findings of the UN Psychometric Evaluation Board concerning
Jan Carvel's sanity."

       *       *       *       *       *

_From the message found written in pencil on a shipping tag in the
Martian Cairn built by Jan Carvel._

"Welcome, my brothers!"

       *       *       *       *       *

_From the Founding Directive of the New UN Planetary Colonization and
Development Committee._

"It being established that Mars and Europa are free of alien
occupation, colonization of the areas immediately surrounding the UN
Military and Scientific Bases on these planets immediately begun...."

       *       *       *       *       *

_From the statement of Delegate L. Louis Frank, Assembly Minority
Leader to the World Press._

"... simply because we have not yet been attacked. I stand foursquare
on my record as a public servant. If I am returned to the Assembly
as delegate from the Southwest Area, I will continue to support the
expanding military program. We cannot rest until _all_ the habitable
planets and satellites in the solar system are bases for our mighty
cruisers. Only then can we be safe from this Terror!"

       *       *       *       *       *

_From memorandum written by K. Higashi to the Psychometric Evaluation
Board's Subcommittee in Canalopolis, Mars._

"... since I have been on Titan. Both here and on Io and Europa, we
have found Cairns. Each time they contained the same message: 'Welcome,
my brothers!' Has it occurred to any member of the Board that these
messages were all written _after_ Carvel's supposed flight in panic
from the place where he spotted the invasion fleet?"

       *       *       *       *       *

_From a memorandum to K. Higashi, Base Psychologist, Titan Colony, from
the Secretary of the Psychometric Evaluation Board Subcommittee in
Canalopolis, Mars._

"It has. The pictures were faked too, were they not?"

       *       *       *       *       *

_From memorandum to Secretary, Psychometric Evaluation Board
Subcommittee, Canalopolis Mars from K. Higashi, Senior Staff
Psychologist First UN Triton Expedition._

"Yes. The pictures were taken on Titan, I think. We found a plain there
similar to the one in his prints. You'll recall that the plates were
all fogged--conveniently--by cosmic ray radiation. A little time and
touching up took care of the rest. He must have been quite a natural
psychologist himself, you know? He understood that people at home would
just be looking for an excuse to abandon their suicidal hysteria. What
he gave them was a common enemy. Had a lot of courage, too. Must have
shot up his own ship and then wrecked himself deliberately, leaving the
papers and the trail of Cairns.

"People will hate him when they find that he made fools of them, but
I don't think they'll go back to the old life of before the 'Terror.'
They will find out, of course. I suggest you break it to them back
home. I'd like to be there to see it, but I'm too busy out here. We're
building a staging base for the stars.

"I think Carvel would have liked that, don't you?"


                                THE END

*** END OF THE PROJECT GUTENBERG EBOOK THE TERROR ***

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the
United States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away--you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you will have to check the laws of the country where
  you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg™ works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg™ trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, “Information about donations to the Project Gutenberg
  Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg™
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg™
  works.

• You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

• You comply with all other terms of this agreement for free
  distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you “AS-IS”, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™'s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org

Section 3. Information about the Project Gutenberg Literary
Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation's website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.