The Starbusters

By Alfred Coppel

The Project Gutenberg EBook of The Starbusters, by Alfred Coppel

This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.

Title: The Starbusters

Author: Alfred Coppel

Release Date: November 22, 2020 [EBook #63855]

Language: English


*** START OF THIS PROJECT GUTENBERG EBOOK THE STARBUSTERS ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net









                            THE STARBUSTERS

                         By ALFRED COPPEL, JR.

                A bunch of kids in bright new uniforms,
            transiting the constellations in a disreputable
              old bucket of a space-ship--why should the
                leathery-tentacled, chlorine-breathing
                     Eridans take them seriously?

           [Transcriber's Note: This etext was produced from
                      Planet Stories Summer 1949.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


    HQ TELWING CSN 30 JAN 27 TO CMDR DAVID FARRAGUT STRYKALSKI VII CO
    TRS CLEOPATRA FLEET BASE CANALOPOLIS MARS STOP SUBJECT ORDERS STOP
    ROUTE LUNA PHOBOS SYRTIS MAJOR TRANSSENDERS PRIORITY AAA STOP
    MESSAGE FOLLOWS STOP TRS CLEOPATRA AND ALL ATTACHED AND OR ASSIGNED
    PERSONNEL HEREBY RELIEVED ASSIGNMENT AND DUTY INNER PLANET PATROL
    GROUP STOP ASSIGNED TEMP DUTY BUREAU RESEARCH AND DEVELOPMENT STOP
    SUBJECT VESSEL WILL PROCEED WITHOUT DELAY FLEET EXPERIMENTAL
    SUBSTATION PROVING GROUNDS TETHYS SATURNIAN GROUP STOP CO WILL
    REPORT UPON ARRIVAL TO CAPT IVY HENDRICKS ENGINEERING OFFICER
    PROJECT WARP STOP SIGNED H. GORMAN SPACE ADMIRAL COMMANDING STOP
    END MESSAGE END MESSAGE END MESSAGE.

"Amen! Amen! Amen! Stop." Commander Strykalski smoothed out the
wrinkled flimsy by spreading it carefully on the wet bar.

Coburn Whitley, the T.R.S. _Cleopatra's_ Executive, set down his
Martini and leaned over very slowly to give the paper a microscopic
examination in the mellow light.

"Maybe," he began hopefully, "It could be a forgery?"

Strike shook his head.

Lieutenant Whitley looked crestfallen. "Then perhaps old Brass-bottom
Gorman means some other guy named Strykalski?" To Cob, eight Martinis
made anything possible.

"Could there be two Strykalskis?" demanded the owner of the name under
discussion.

"No." Whitley sighed unhappily. "And there's only one Tellurian Rocket
Ship _Cleopatra_ in the Combined Solarian Navies, bless her little iron
rump! Gorman means us. And I think we've been had, that's what I think!"

"Tethys isn't so bad," protested Strike.

Cob raised a hand to his eyes as though to blot out the sight of that
distant moonlet. "Not so bad, he says! All you care about is seeing Ivy
Hendricks again, I know you! Tethys!"

Strike made a passing effort to look stern and failed. "You mean
_Captain_ Hendricks, don't you, Mister Whitley? Captain Hendricks of
Project Warp?"

Cob made a sour face. "Project Warp, yet! Sounds like a dog barking!"
He growled deep in his throat and barked once or twice experimentally.
The officer's club was silent, and a silver-braided Commodore sitting
nearby scowled at Whitley. The Lieutenant subsided with a final small,
"Warp!"

An imported Venusian quartet began to play softly. Strike ordered
another round of drinks from the red-skinned Martian tending bar and
turned on his stool to survey the small dance floor. The music and the
subdued lights made him think of Ivy Hendricks. He really wanted to see
her again. It had been a long time since that memorable flight when
they had worked together to pull Admiral Gorman's flagship _Atropos_
out of a tight spot on a perihelion run. Ivy was good to work with ...
good to be around.

But there was apparently more to this transfer than just Ivy pulling
wires to see him again. Things were tense in the System since Probe
Fleet skeeterboats had discovered a race of group-minded, non-human
intelligences on the planets of 40 Eridani C. They lived in frozen
worlds that were untenable for humans. And they were apparently all
parts of a single entity that never left the home globe ... a thing no
human had seen. The group-mind. They were rabidly isolationist and they
had refused any commerce with the Solar Combine.

Only CSN Intelligence knew that the Eridans were warlike ... and that
they were strongly suspected of having interstellar flight....

So, reflected Strike, the transfer of the _Cleopatra_ to Tethys for
work under the Bureau of Research and Development meant innovations
and tests. And Commander Strykalski was concerned. The beloved Old
Aphrodisiac didn't take kindly to innovations. At least she never had
before, and Strike could see no reason to suppose the cantankerous
monitor would have changed her disposition.

"There's Celia!" Cob Whitley was waving toward the dance floor.

Celia Graham, trim in her Ensign's greys, was making her way through
the crowd of dancers. Celia was the _Cleopatra's_ Radar Officer, and
like all the rest, bound with chains of affection to the cranky old
warship. The _Cleopatra's_ crew was a unit ... a team in the true sense
of the word. They served in her because they wanted to ... would serve
in no other. That's the way Strike ran his crew, and that's the way the
crew ran Lover-Girl. Old Aphrodisiac's family was a select community.

There was a handsome Martian Naval Lieutenant with Celia, but when she
saw the thoughtful expression on her Captain's face, she dismissed him
peremptorily. Here was something, apparently, of a family matter.

"Well, I can't see anything to worry about, Skipper," she said when he
had explained. "I should think you'd be glad of a chance to see Ivy
again."

Cob Whitley leaned precariously forward on his bar-stool to wag a
finger under Celia's pretty nose. "But he doesn't know what Captain
Hendricks has cooked up for Lover-Girl, and you know the old carp likes
to be treated with respect." He affected a very knowing expression.
"Besides, we shouldn't be gallivanting around testing Ivy's electronic
eyelash-curlers when the Eridans are likely to be swooshing around old
Sol any day!"

"Cob, you're drunk!" snapped Celia.

"I am at that," mused Whitley with a foolish grin. "And I'd better
enjoy it. There'll be no Martinis on Tethys, that's for sure! This
cruise is going to interfere with my research on ancient twentieth
century potables..."

Strike heaved his lanky frame upright. "Well, I suppose we'd better
call the crew in." He turned to Cob. "Who is Officer of the Deck
tonight?"

"Bayne."

"Celia, you'd better go relieve him. He'll have to work all night to
get us an orbit plotted."

"Will do, Skipper," Celia Graham left.

"Cob, you'd better turn in. Get some sleep. But have the NPs round up
the crew. If any of them are in the brig, let me know. I'll be on the
bridge."

"What time do you want to lift ship?"

"0900 hours."

"Right." Cob took a last loving look around the comfortable officer's
club and heaved a heavy sigh. "Tethys, here comes Lover-Girl. It's
going to be a long, long cruise, Captain."

How long, he couldn't have known ... then.

       *       *       *       *       *

The flight out was uneventful. Uneventful, that is for the T.R.S.
_Cleopatra_. Only one tube-liner burned through, and only six hours
wasted in nauseous free-fall.

Lover-Girl wormed her way through the asteroid belt, passed within a
million miles of Jupiter and settled comfortably down on the airless
field next to the glass-steel dome of the Experimental Substation on
Tethys. But her satisfied repose was interrupted almost before it was
begun. Swarms of techmen seemed to burst from the dome and take her
over. Welders and physicists, naval architects and shipfitters, all
armed with voluminous blueprints and atomic torches set to work on
her even before her tubes had cooled. Power lines were crossed and
re-crossed, shunted and spliced. Weird screen-like appendages were
welded to her bow and stern. Workmen and engineers stomped through her
companionways, bawling incomprehensible orders. And her crew watched in
mute dismay. They had nothing to say about it...

       *       *       *       *       *

Ivy Hendricks rose from her desk as Strike came into her Engineering
Office. There was a smile on her face as she extended her hand.

"It's good to see you again, Strike."

Strykalski studied her. Yes, she hadn't changed. She was still the Ivy
Hendricks he remembered. She was still calm, still lovely, and still
very, very competent.

"I've missed you, Ivy." Strike wasn't just being polite, either. Then
he grinned. "Lover-Girl's missed you, too. There never has been an
Engineering Officer that could get the performance out of her cranky
hulk the way you used to!"

"It's a good thing," returned Ivy, still smiling, "that I'll be back at
my old job for a while, then."

Strykalski raised his eyebrows inquisitively. Before Ivy could explain,
Cob and Celia Graham burst noisily into the room and the greetings
began again. Ivy, as a former member of the _Cleopatra's_ crew, was one
of the family.

"Now, what I would like to know," Cob demanded when the small talk had
been disposed of, "is what's with this 'Project Warp'? What are you
planning for Lover-Girl? Your techmen are tearing into her like she was
a twenty-day leave!"

"And why was the _Cleopatra_ chosen?" added Celia curiously.

"Well, I'll make it short," Ivy said. "We're going to make a hyper-ship
out of her."

"Hyper-ship?" Cob was perplexed.

Ivy Hendricks nodded. "We've stumbled on a laboratory effect that
warps space. We plan to reproduce it in portable form on the
_Cleopatra_ ... king size. She'll be able to take us through the
hyper-spatial barrier."

"Golly!" Celia Graham was wide-eyed. "I always thought of hyperspace as
a ... well, sort of an abstraction."

"That's been the view up to now. We all shared it here, too, until
we set up this screen system and things began to disappear when they
got into the warped field. Then we rigged a remote control and set up
telecameras in the warp...." Ivy's face sobered. "We got plates of
star-fields ... star-fields that were utterly different and ... and
_alien_. It seems that there's at least one other space interlocked and
co-existent with ours. When we realized that we decided to send a ship
through. I sent a UV teletype to Admiral Gorman at Luna Base ... and
here you are."

"Why us?" Cob asked thoughtfully.

"I'll answer that," offered Strike, "Lover-Girl's a surge circuit
monitor, and it's a safe bet this operation takes plenty of power." He
looked over to Ivy. "Am I right?"

"Right on the nose, Strike," she returned. Then she broke into a wide
smile. "Besides, I wouldn't want to enter an alien cosmos with anyone
but Lover-Girl's family. It wouldn't be right."

"Golly!" said Celia Graham again. "Alien cosmos ... it sounds so creepy
when you say it that way."

"You could call it other things, if you should happen to prefer them,"
Ivy Hendricks said, "Subspace ... another plane of existence. I...."

She never finished her sentence. The door burst open and a
Communications yeoman came breathlessly into the office. From the
ante-room came the sound of an Ultra Wave teletype clattering
imperiously ... almost frantically.

"Captain Hendricks!" cried the man excitedly, "A message is coming
through from the Proxima transsender ... they're under attack!"

Strykalski was on his feet. "Attack!"

"The nonhumans from Eridanus have launched a major invasion of the
solar Combine! All the colonies in Centaurus are being invaded!"

Strike felt the bottom dropping out of his stomach, and he knew that
all the others felt the same. If this was a war, they were the ones
who would have to fight it. And the Eridans! Awful leathery creatures
with tentacles ... chlorine breathers! They would make a formidable
enemy, welded as they were into one fighting unit by the functioning of
the group-mind....

He heard himself saying sharply into Ivy's communicator: "See to it
that my ship is fueled and armed for space within three hours!"

"Hold on, Strike!" Ivy Hendricks intervened, "What about the tests?"

"I'm temporarily under Research and Development command, Ivy, but
Regulations say that fighting ships cannot be held inactive during
wartime! The _Cleopatra's_ a warship and there's a war on now. If you
can have your gear jerry-rigged in three hours, you can come along
and test it when we have the chance. Otherwise the hell with it!"
Strykalski's face was dead set. "I mean it, Ivy."

"All right, Strike. I'll be ready," Ivy Hendricks said coolly.

       *       *       *       *       *

Exactly three hours and five minutes later, the newly created
hyper-ship that was still Old Aphrodisiac lifted from the ramp outside
the Substation dome. She rose slowly at first, the radioactive flame
from her tubes splashing with sun-bright coruscations over the loading
pits and revetments. For a fleeting instant she was outlined against
the swollen orb of Saturn that filled a quarter of Tethys' sky, and
then she was gone into the galactic night.

Aboard, all hands stood at GQ. On the flying bridge Strykalski and
Coburn Whitley worked steadily to set the ship into the proper position
in response to the steady flood of equations that streamed into their
station from Bayne in the dorsal astrogation blister.

An hour after blasting free of Tethys was pointed at the snaking river
of stars below Orion that formed the constellation of Eridanus.

When Cob asked why, Strike replied that knowing Gorman, they could
expect orders from Luna Base ordering them either to attack or
reconnoiter the 40 Eridani C system of five planets. Strykalski added
rather dryly that it was likely to be the former, since Space Admiral
Gorman had no great affection for either the _Cleopatra_ or her crew.

Ivy Hendricks joined them after stowing her gear, and when Whitley
asked her opinion, she agreed with Strike. Her experiences with Gorman
had been as unfortunate as any of the others.

"I was afraid you'd say that," grumbled Cob, "I was just hoping you
wouldn't."

The interphone flashed. Strike flipped the switch.

"Bridge."

"Communications here. Message from Luna Base, Captain."

"Here it is," Strykalski told Cob. "Right on time."

"Speak of the devil," muttered the Executive.

"From the Admiral, sir," the voice in the interphone said, "Shall I
read it?"

"Just give me the dope," ordered Strike.

"The Admiral orders us to quote make a diversionary attack on the
planet of 40 Eridani C II unquote," said the squawk-box flatly.

"Acknowledge," ordered Strykalski.

"Wilco. Communications out."

Strike made an I-told-you-so gesture to his Executive. Then he turned
toward the enlisted man at the helm. "Quarter-master?"

The man looked up from his auto-pilot check. "Sir."

"Steady as she goes."

"Yes, sir."

"And that," shrugged Ivy Hendricks, "Is that."

       *       *       *       *       *

Three weeks passed in the timeless limbo of second-order flight. Blast
tubes silent, the _Cleopatra_ rode the curvature of space toward
Eridanus. At eight and a half light years from Sol, the second-order
was cut so that Bayne could get a star sight. As the lights of the
celestial globe slowly retreated from their unnatural grouping ahead
and astern, brilliant Sirius and its dwarf companion showed definite
disks in the starboard ports. At a distance of 90,000,000 miles from
the Dog Star, its fourteen heavy-gravity planets were plainly visible
through the electron telescope.

Strykalski and Ivy Hendricks stood beside Bayne in the dorsal blister
while the astrogator sighted Altair through his polytant. His long,
horse face bore a look of complete self-approbation when he had
completed his last shot.

"A perfect check with the plotted course! How's that for fancy dead
reckoning?" he exclaimed.

He was destined never to know the accolade, for at that moment the
communicator began to flash angrily over the chart table. Bayne cut it
in with an expression of disgust.

"Is the Captain there?" demanded Celia Graham's voice excitedly.

Strike took over the squawk-box. "Right here, Celia. What is it?"

"Radar contact, sir! The screen is crazy with blips!"

"Could it be window?"

"No, sir. The density index indicates spacecraft. High value in the
chlorine lines...."

"Eridans!" cried Ivy.

"What's the range, Celia?" demanded Strike. "And how many of them are
there?"

The sound of the calculator came through the grill. Then Celia replied:
"Range 170,000 miles, and there are more than fifty and less than two
hundred. That's the best I can do from this far away. They seem to
have some sort of radiation net out and they are moving into spread
formation."

Strike cursed. "They've spotted us and they want to scoop us in with
that force net! Damn that group-mind of theirs ... it makes for uncanny
co-ordination!" He turned back to the communicator. "Cob! Are you on?"

"Right here, Captain," came Cob Whitley's voice from the bridge.

"Shift into second-order! We'll have to try and run their net!"

"Yes, sir," Whitley snapped.

"Communications!" called Strike.

"Communications here."

"Notify Luna Base we have made contact. Give their numbers, course, and
speed!"

Ivy could feel her heart pounding under her blouse. Her face was
deadly pale, mouth pinched and drawn. This was the first time in battle
for any of them ... and she dug her fingernails into her palms trying
not to be afraid.

Strykalski was rapping out his orders with machine-gun rapidity, making
ready to fight his ship if need be ... and against lop-sided odds. But
years of training were guiding him now.

"Gun deck!"

A feminine voice replied.

"Check your accumulators. We may have to fight. Have the gun-pointers
get the plots from Radar. And load fish into all tubes."

"Yes, sir!" the woman rapped out.

"Radar!"

"Right here, Skipper!"

"We're going into second-order, Celia. Use UV Radar and keep tabs on
them."

"Yes, Captain."

Strike turned to Ivy Hendricks. "Let's get back to the bridge, Ivy.
It's going to be a hell of a rough half hour!"

As they turned to go, all the pin-points of light that were the stars
vanished, only to reappear in distorted groups ahead and behind the
ship. They were in second-order flight again, and traveling above light
speed. Within seconds, contact would be made with the advance units of
the alien fleet.

Old Aphrodisiac readied herself for war.

       *       *       *       *       *

Like a maddened bull terrier, the old monitor charged at the Eridan
horde. Within the black hulls strange, tentacled creatures watched
her in scanners that were activated by infrared light. The chlorine
atmosphere grew tense as the Tellurian warship drove full at the
pulsating net of interlocked force lines. Parsecs away, on a frozen
world were a dull red shrunken sun shone dimly through fetid air,
the thing that was the group-mind of the Eridans guided the thousand
leathery tentacles that controlled the hundred and fifty black
spaceships. The soft quivering bulk of it throbbed with excitement as
it prepared to kill the tiny Tellurian thing that dared to threaten its
right to conquest.

Old Lover-Girl tried gallantly to pierce the strange trap. She failed.
The alien weapons were too strange, too different from anything her
builders could have imagined or prepared her to face. The net sucked
the life from her second-order generators, and she slowed, like the
victim of a nightmare. Now rays of heat reached out for her, grazing
her flanks as she turned and twisted. One touched her atmospheric fins
and melted them into slowly congealing globes of steel glowing with a
white heat. She fought back with whorls of atomic fire that sped from
her rifles to wreak havoc among her attackers.

Being non-entities in themselves, and only limbs of the single
mentality that rested secure on its home world, the Eridans lacked the
vicious will to live that drove the Tellurian warship and her crew. But
their numbers wore her down, cutting her strength with each blow that
chanced to connect.

Torpedoes from the tubes that circled her beam found marks out in
space and leathery aliens died, their black ships burst asunder by the
violence of new atoms being created from old.

But there were too many. They hemmed her in, heat rays ever slashing,
wounding her. Strykalski fought her controls, cursing her, coaxing
her. Damage reports were flowing into the flying bridge from every
point in the monitor's body. Lover-Girl was being hurt ... hurt badly.
The second-order drive was damaged, not beyond repair, but out of
commission for at least six hours. And they couldn't last six hours.
They couldn't last another ten minutes. It was only the practiced hands
of her Captain and crew that kept the _Cleopatra_ alive....

"We're caught, Ivy!" Strike shouted to the girl over the noises of
battle. "She can't stand much more of this!"

Cob was screaming at the gun-pointers through the open communicator
circuit, his blood heated by the turbulent cacophony of crackling rays
and exploding torpedoes. "Hit 'em! Damn it! Damn it, hit 'em now! Dead
ahead! Hit 'em again!..."

Ivy stumbled across the throbbing deck to stand at Strykalski's side.
"The hyper drive!" she yelled, "The hyper drive!"

It was a chance. It was the _only_ chance ... for Lover-Girl and Ivy
and Cob and Celia ... for all of them. He had to chance it. "Ivy!" he
called over his shoulder, "Check with Engineering! See if the thing's
hooked into the surge circuit!"

She struggled out of the flying bridge and down the ramp toward the
engine deck. Strike and Cob stayed and sweated and cursed and fought.
It seemed that she would never report.

At last the communicator began to flash red. Strike opened the circuit
with his free hand. "All right?" he demanded with his heart in his
throat.

"_Try it!_" Ivy shouted back.

Strykalski lurched from his chair as another ray caught the ship for an
instant and heated a spot on the wall to a cherry red. Gods! he prayed
fervently. Let it work!

A movement of the ship threw him to the deck. He struggled to his
feet and across to the jerry-rigged switchboard that controlled the
hyper drive's warp field. With a prayer on his lips, he slapped at the
switches with wild abandon....

       *       *       *       *       *

The sudden silence was like a physical blow. Strike staggered to the
port and looked out. No alien ships filled the void with crisscrossing
rays. No torpedoes flashed. The _Cleopatra_ was alone, floating in
star-flecked emptiness.

There were no familiar constellations. The stars were spread evenly
across the ebony bowl of the sky, and they looked back at him with an
alien, icy disdain.

The realization that he stood with a tiny shell, an infinitesimal human
island lost in the vastness of a completely foreign cosmos broke with
an almost mind-shattering intensity over his brain!

He was conscious of Cob standing beside him, looking out into this
unknown universe and whispering in awe: "_We're_ the aliens here...."

Ivy Hendricks came into the bridge then, a haggard look around her
eyes. "I came up through the ventral blister," she said, "Bayne is down
there and he's having fits. There isn't a star in sight he recognizes
and the whole hull of the ship is _glowing_!"

Cob and Strykalski rushed back to the port, straining to see the
back-curving plates of the hull. Ivy was right. The metal, and to a
lesser extent, even the leaded glassteel of the port was covered with a
dim, dancing witchfire. It was as though the ship were being bombarded
by a continuous shower of microscopic fire bombs.

Whitley found refuge in his favorite expression. "Ye gods and little
catfish!"

Strike turned to Ivy. "What do you think it is?"

"I ... I don't know. Matter itself might be different ... here."

Strykalski found himself at the port again, looking out into the vast
stretch of alien void. Terror was seeping like dampness through him,
stretching cold fingers into his heart and mind. He realized that
everyone on board must feel the same way. It was the old human devil
rising from the pit of the primeval past. Fear of the unknown, of the
strange. And there was loneliness. From the dark corners of his mind,
the terrible loneliness came stealing forth. Never had a group of human
beings been so frighteningly _apart_ from their kind. He felt rejected,
scorned and lost.

The others felt it, too. Ivy and Cob drew closer, until all three stood
touching each other; as though they could dispel the loneliness of the
unnatural environment by the warmth of human, animal contact. Celia
came into the bridge softly ... just to be near her friends.

It was only the fact that they could return at will to their own
space ... and the danger of the questing Eridans ... that kept one or
all from crying out in utter childish fear. Celia Graham whimpered
softly and slipped her hand into Cob's. He squeezed it to give her a
reassurance he did not feel.

Then Strike broke the spell. The effort was great, but it brushed away
the shadows that had risen to plague them from the tortured abyss of
racial memory. It brought them back to what they were: highly civilized
people, parts of an intricately technological culture. Their ship
was a part of that culture. The only part they could cling to. The
_Cleopatra_ demanded attention and service, and her demanding saved
them.

"Cob," Strike directed with forced briskness, "Take over Damage
Control. See what can be done about the second-order drive."

Cob pulled himself together, smiling as all the accustomed pieces
of his life began to fit together again. It didn't matter that they
were in an unknown cosmos. Damage Control was something he knew and
understood. He smiled thankfully and left the bridge.

"Maintain a continuous radar-watch, Celia. We can't tell what we may
encounter here."

"Yes, Captain," replied Celia gratefully.

Strykalski reached for the squawk-box and called Bayne.

"Astrogation here," came the shaky reply. In the exposed blisters the
agoraphobia must be more acute, reasoned Strike, and Bayne must have
been subconsciously stirred up by the disappearance of the familiar
stars that were his stock-in-trade.

"Plot us a course to 40 Eridani C, Bayne," Strykalski directed. "On
gyro-headings."

"What?" The astrogator sounded as though he thought Strike had lost his
mind. "Through _this_ space?"

"Certainly," Strykalski insisted quietly. "You're so proud of your
dead-reckoning. Here's a chance for you to do a real job. Get me an
orbit."

"I ... all right, Captain," grumbled Bayne.

Strike turned to Ivy Hendricks. "Well, Captain Hendricks, this is some
gadget you have dreamed up out of your Project Warp," he breathed
shakily. "At least the fat's out of the fire for the time being...."

Ivy looked out of the port and back with a shudder. "I hope so, Strike.
I hope so."

They fell silent, seeking comfort in each other's presence.

       *       *       *       *       *

The second-order drive repaired, Old Aphrodisiac moved out through the
alien space toward the spot where 40 Eridani C existed on the other
side of the barrier.

The ship's tactical astrophysicist brought in some disturbing reports
on the stars that shone brightly all around her. They fitted the
accepted classifications in all particulars ... except one. And that
one had the scientist tearing his hair. The mass of every observable
body except the ship herself was practically non-existent. Even the two
planetary systems discovered by the electron telescope flouted their
impossible lack of mass.

Ivy suggested that since the _Cleopatra_ and her crew were no part of
this alien cosmos, no prime-space instruments could detect the errant
mass. Like a microscopic bull in a gargantuan china shop, the Tellurian
warship existed under a completely different set of physical laws than
did the heavenly bodies of this strange space.

It was pure conjecture, but it seemed well supported by the observable
facts. The hull continued to glow with its unnatural witchfire, and
soon disturbing reports were coming in from the Damage Control section
that the thickness of the outer hull was actually being reduced.
The rate was slow, and there was no immediate danger, but it was
nevertheless unnerving to realize that Lover-Girl was being dissolved
by _something_. Also, the outside Geigs recorded a phenomenal amount
of short radiation emanating _from the ship herself_. The insulation
kept most of it from penetrating, but tests showed that the strange
radiation's source was the glow that clung stubbornly to the spacer's
skin.

A tense week passed and then the ship neared the spot where a
change over to prime-space could be effected. According to Bayne's
calculations, 40 Eridani C would be within 40,000,000 miles of them
when the ship emerged from hyper space.

And then the Radar section picked up the planetoids. Millions of them,
large and small, lay in a globular cluster dead ahead. They spread out
in all directions for more than half a parsec ... dull, rocky little
worlds without a gram of detectable mass.

All that waited for the _Cleopatra_ in her own cosmos was a hot
reception at the hands of the defenders of 40 Eridani C II, while here
was mystery at close range. Mystery that was not cosmic in scope ...
just a swarm of innocuous seeming planetoids ... the first explorable
worlds that they had neared in this universe. Strike decided to heave
to and examine their find. Ivy wanted samples and though no one said
it in so many words ... no one was anxious for another encounter
with the rapacious Eridans. With typically human adaptiveness they
had sublimated their fear of the unknown space in which they found
themselves. Curiosity took the place of fear and here was something
close at hand to probe. Anthropoid inquisitiveness prevailed.

       *       *       *       *       *

The _Cleopatra_ slowed, stopped. Strike and Cob Whitley suited up and
armed themselves with spring-guns. In their clumsy space armor they
dropped through Lover-Girl's ventral valve into the void. The monitor's
glowing bulk retreated as they jetted toward the swarm of tiny worlds.
Their space suits, too, glowed with the witchfire, outlining them
against the eternal night.

Back in the monitor's Communications shack, Ivy Hendricks and Celia
Graham stood with Bayne and the other officers around the two way
communicator that linked the two explorers with the ship.

Out in space, Strike and Cob bound themselves together with a length of
thin cable. They dropped down under power toward the planetoid they had
selected to explore.

"What's it like?" Ivy's voice crackled in their headsets.

"Can't tell from this distance. We're still a good five miles away,"
replied Strykalski.

"Looks like any other planetoid to me," averred Whitley.

"Maybe you'd better fire a shot into the surface before you try
landing, Strike," Ivy suggested.

"Why?"

"Just a hunch." Her voice sounded worried.

"Okay, Ivy," Strike replied. "Cob, take a pot shot at it will you. You
should be able to hit it from here ... it's twenty miles wide."

Cob was disgusted. "And me the best shot in my class back at the
Academy!" He drew his spring-gun and snapped a solid steel slug at the
looming worldlet....

What happened next, they never knew exactly. On the dark surface of the
planetoid a blazing bubble of white incandescence appeared, expanding
within split seconds to all but obscure the whole bulk of the disk.
It churned and whirled and flashed, mushrooming out in a hellish
coruscation of destruction. The blaze of light outlined the two men
and the ship and the planetoids within a fifty mile circle and the
expanding shock wave fanned out. It struck the two space armored men
to send them spinning wildly. The glowing bulk of the monitor reeled
and bucked. Strike felt himself whipping up and down at the end of the
cable that bound him to Cob Whitley. He felt himself being buffeted and
burned by the dazzling flare of atomic fire. The merciful blackness
spread itself like a curtain over his tortured eyes....

       *       *       *       *       *

Strykalski opened his eyes and stretched his battered body. His head
was bandaged, and he could feel the familiar tingle of paratannic
salve on his burns. Pain still throbbed in little red needles behind
his dazzled eyes. He drew a long rasping breath and looked around him.
He was in the _Cleopatra's_ infirmary. A Medic was standing near the
bulkhead. Cob lay on a bunk nearby. Ivy and Celia Graham were leaning
over him.

"Great Space!" he muttered, "What happened?"

"The shot Cob fired ... it ... it blew up," Celia said.

"That's putting it rather mildly. But why? And how did we get back
here?"

"Celia found you on the Radar," said Ivy, "And Bayne took a skeeterboat
out and picked you up after we got Lover-Girl back right side up."

"Cob?"

As though in answer to Strykalski's question, a low moan came from
the bandaged form of the Executive. "Ohhh.... Ye gods and ... little
catfish! I wish I ... had a Martini...."

Strike smiled through cut lips. Cob was all right. He looked up at Ivy
again. "But what happened?"

"Listen!" Ivy was saying excitedly, "I've got it! The answer! All the
answers, I think! The glowing of the ship ... the lack of mass for
everything native to this space ... the solid shot exploding!"

Things were becoming clear to Strykalski now. Of course! He sat up
painfully. It was really simple enough when one thought it through. In
negative space....

Ivy went on. "Strike, the ship glows because there is matter
everywhere ... even in interstellar space. Not much, but enough to
bombard the hull with tiny particles. The radiation the Geigs picked
up is caused by atomic _disintegration_! We've had fission and fusion
for two hundred years now ... but this is the complete transmutation of
matter to energy! The complete utilization of atomic energy! And the
thing that causes it is the reaction between our kind of matter and...."

"_Contraterrene matter!_" he exclaimed. "That's it, isn't it Ivy?"

The girl nodded. "The charges of the atomic components are reversed in
this space! You would have made yourself into a ... a _bomb_ if you had
touched that planetoid out there!" Her face paled. "Oh, Strike! You
almost killed yourself!"

Thoughts were boiling around in Strykalski's head now. An idea ... a
crazy, audacious idea was taking shape.

He swung his legs over the side of the bunk. "Listen, Ivy ... in this
space, _we_ are the unnatural form of matter, and here we are sort of
walking bombs. Right?"

She nodded, puzzled.

"Well, what if we should transport some contraterrene matter back into
prime-space ... a planetoid for example ... what then?"

The girl's face showed comprehension. "It would be the most devastating
bomb ever dreamed of. It would release every erg in its component atoms
the minute it came into contact with anything terrene!" She stopped
short, her eyes wide. "Strike!"

"Would it work, Ivy?" he pursued.

"Yes!" she gasped, "Yes, I think it would!"

"Can we do it?"

"I ... I think so. Lover-Girl has power to burn. And we could set up
the screens on two skeeterboats so that ... yes! By heaven, it will
work! All we have to do is make and set up the equipment!"

Cob sat up on his bunk and gave a low whistle. "Ye gods! No one can
ever accuse you two of having small ideas, that's for sure!"

"It will work!" Ivy insisted. Her eyes narrowed. She was all the
engineer now, working out a problem. "The explosion that almost killed
you and set Lover-Girl on her beam ends came from the annihilation of
one tiny slug of steel at a distance of five miles. Just think what the
destruction of a twenty mile planetoid will do when we...."

"How long will it take?" Strike interrupted.

"Give me six hours."

"Start now," he ordered, "And somebody hand Cob and me our pants. We've
got work to do!"

       *       *       *       *       *

The next hours were a nightmare of feverish activity aboard the T.R.S.
_Cleopatra_. Two of her six skeeterboats were fitted with hyper
screens that were made in the machine shop under Ivy Hendricks' close
supervision. Power was shunted from the surge circuit generators and
run out through automatic spools to the screen bearing skeeterboats
to form the two poles of the hyper warp. Ivy was everywhere at once,
giving orders, overseeing construction. Strike and Cob co-ordinated the
efforts of the crew and workmen.

"We'll pick out our planetoid," Strike explained to them, "And line up
our skeeters on an arbitrary north-south axis. The spools will pay out
the power lines as the boats travel. When everything is aligned, we
turn on the juice and hope for the best."

"Then," interjected Bayne, "as the planetoid takes its place in prime
space without orbital velocity ... and only some 4,000,000 miles
from 40 Eridani C ... we clear out. Fast. 40 Eridani C is an M6
star ... surface temperature only about 3,000 Centigrade. It's
small ... smaller than Sol, because it has shrunk. But under its
semi-solid crust there are trillions of tons of matter that will burst
free as soon as anything cracks the surface tension. Our bomb should
act as a fuse to light one of the biggest fire-crackers ever imagined."

"One thing," said Ivy to Strike, "whoever pilots the skeeters ... and I
presume you intend to handle one yourself ... will have to be extremely
careful. As soon as our planetoid exists in prime-space it will have a
planetoid's mass and gravity. Don't be caught with your jets cold. I'd
miss you, Strike."

Celia Graham interrupted the conference to tell them that the equipment
was ready, and the ship in position. Strike looked around at the
suddenly tense faces of his companions. He didn't like to think what
failure might mean to them ... to Terra and the whole Solar Combine. He
rose to his feet purposefully.

"Let's go," he said.

The skeeterboat dove out of the valve trailing its cable. Strike
glanced back through the rear port to see the second shark-like shape
close behind. Even banged up as he was, Cob would let no one take the
second boat but himself. Strike's smile was broad. Good man to have
around, that Coburn Whitley.

Ahead lay the tiny world that had been selected for annihilation. It
was a black blot on the star-spangled darkness of space. A thirty mile
sphere, it floated serenely along its orbit ... an innocuous chunk of
matter that _here_ was just that ... and elsewhere would be the most
fearful bomb ever guided by the hand of man.

Strike looked back at the glowing shape of Old Aphrodisiac. She
lured him like a familiar scene, a friendly voice. In all this alien
vastness, only his beloved ship was safety.

He looked around for Cob's skeeter. It was barely visible now, some
twenty miles away as it fanned out to take up its position at the south
pole of the planetoid.

The tiny world drew near, and Strike veered to find his own station.
Jockeying the skeeterboat carefully, he found the proper spot marked by
the beacons that fanned out from the _Cleopatra's_ prow and stern.

Cob signalled from the opposite pole that he, too, was ready. This, as
they said in the flicks, was _it_.

He called Ivy on the radiophone.

"All right, Strike," her voice came back, "We'll all go through
together. Ten seconds."

"Check."

"Remember to be ready to blast away from that chunk of rock, you two.
As soon as it hits prime-space it will have plenty of gravity."

"Right, Ivy," Cob's voice came metallically.

"Six seconds....

"Five seconds....

"Four seconds ... three ... two ... NOW!"

Strike was dazzled by the sudden shift of lighting. The planetoid was
aglow with the dancing, swirling witchfire! The skeeterboat sank toward
the bright surface with a sickening lurch. Strike shoved the throttle
forward and looked fearfully for a flare of fire at the south pole.
There was none. Cob had gotten clear, too. The power cable snapped, but
it didn't matter now. Its work was done.

The _Cleopatra_ lay ahead now, the fire gone from her hull. Behind her
blazed the familiar beacon of Achernar. Off to the right Sirius A and
B dominated the sky. And near at hand below, the turbulent, smoky red
surface of 40 Eridani C smouldered against the familiar backdrop of the
Milky Way. Already the contraterrene planetoid was plunging toward that
sullen sphere. There wasn't much time to get clear.

Strike flung his skeeter through the open hatch close on the exhaust of
Cob's boat. Valves hissed shut and Lover-Girl flashed away--homeward.

       *       *       *       *       *

One week later, and just off Sirius B, Old Aphrodisiac met the Eridan
fleet again, but with a difference....

This time the black ships made no move to stop her. Their actions were
incoherent, insane. They milled about in a swirling cluster, colliding
with their fellows or careening off into the void.

They floundered erratically, their co-ordination shattered. Even any
evidence of intelligent guidance was missing.

The _Cleopatra_ flashed by, not even deigning to fire a shot at them.

Strike shuddered as he watched them in the scanners. In his mind he
could see the senseless, churning masses of flesh that lived mindlessly
within the black hulls. His thoughts flew far afield to an icy world
that had turned suddenly into an uninhabitable desert with temperatures
soaring past the melting point of lead. He saw a dull red sun pulsating
in cosmic agony, blossoming out into a menacing ball of white flame
as its internal fires leaped to freedom through its shattered crust.
He saw a star spending its failing substance prodigally in one bright
carnival of destruction. And he saw its planets writhing as the sudden
blast of heat speeded molecular velocities to the speed of escape and
sent great clouds of superheated chlorine hissing into the void.

But best of all, he imagined the horrible death of a _thing_ that was
the sole co-ordinator and reasoning agent for a race of ugly tentacled
creatures. Strykalski saw the death of the Eridan group-mind....

Old Aphrodisiac settled herself wearily onto the ramp of the Hamilton
Field Spaceport. Her valves opened with a sighing sound. It was as
though the ship herself had given voice to her contentment. She was
home.

The lights of the Administration building glittered against the dark
backdrop of the California hills, and the field lights flamed against
the stillness of the night.

Strike and Ivy stood near the open port. "It's all over, Ivy," he said,
"We're safe now."

Ivy raised her eyes to the sky where the stars flecked the night. Below
Orion hung the jewelled thread of Eridanus.

The girl drew a shuddering breath. "It's a terrible thing to ... to
murder a star."

Strike remained silent. There was nothing to say.

It would take tardy light more than fifteen years to bring news of the
sudden flare of reckless life in that small star ... an orgy that would
sap its last reserves of strength and leave it a dark and frigid ember
in the lonely void.





End of the Project Gutenberg EBook of The Starbusters, by Alfred Coppel

*** END OF THIS PROJECT GUTENBERG EBOOK THE STARBUSTERS ***

***** This file should be named 63855.txt or 63855.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/6/3/8/5/63855/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org



Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    [email protected]

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.