The stratagem, and other stories

By Aleister Crowley

The Project Gutenberg eBook of The stratagem, and other stories
    
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The stratagem, and other stories

Author: Aleister Crowley


        
Release date: October 7, 2026 [eBook #79738]

Language: English

Original publication: London: The Mandrake Press, 1929

Other information and formats: www.gutenberg.org/ebooks/79738

Credits: Sean (@parchmentglow)


*** START OF THE PROJECT GUTENBERG EBOOK THE STRATAGEM, AND OTHER STORIES ***




                              THE STRATAGEM

                           _And Other Stories_

                                   BY
                            ALEISTER CROWLEY


                                 LONDON
                           THE MANDRAKE PRESS
                          41 MUSEUM STREET W.C.





                           To the Memories of
                           Three Dead Friends:
              Joseph Conrad, who applauded the first story;
               Allan Bennett, Bhikkhu Ananda Metteya, who
                        suggested the second, and
                 Eugene John Weiland, who bowled me out
                             over the third.




                                CONTENTS


                                                   _Page_

              The Stratagem                             9

              The Testament of Magdalen Blair          47

              His Secret Sin                          121





                             The Stratagem


The fellow-travellers climbed down on to the fiery sand of the
platform. It was a junction, a junction of that kind where there is
no town for miles, and where the resources of the railway and its
neighbourhood compare unfavourably with those of the average quarantine
station.

The first to descend was a man unmistakably English. He was complaining
of the management even while he extracted his hand-baggage from the
carriage with the assistance of his companion. “It is positively a
disgrace to civilisation,” he was saying, “that there should be no
connection at such a station as this, an important station, sir,
let me tell you, the pivot--if I may use the metaphor--of the branch
which serves practically the whole of Muckshire south of the Tream.
And we have certainly one hour to wait, and Heaven knows it’s more
likely to be two, and perhaps three. And, of course, there’s not as
much as a bar nearer than Fatloam; and if we got there we should find
no drinkable whisky. I say, sir, the matter is a positive and actual
disgrace to the railway that allows it, to the country that tolerates
it, to the civilisation that permits that such things should be. The
same thing happened to me here last year, sir, though luckily on that
occasion I had but half-an-hour to wait. But I wrote to _The Times_ a
strong half-column letter on the subject, and I’m damned if they didn’t
refuse to print it. Of course, our independent press, etc.; I might
have known. I tell you, sir, this country is run by a ring, a dirty
ring, a gang of Jews, Scotchmen, Irish, Welsh--where’s the good old
jolly True Blue Englishman? In the cart, sir, in the cart.”

The train gave a convulsive backward jerk, and lumbered off in
imitation of the solitary porter who, stationed opposite the guard’s
van, had witnessed without emotion the hurling forth of two trunks like
rocks from a volcano, and after a moment’s contemplation had, with
screwed mouth, mooched along the platform to his grub, which he would
find in an isolated cottage some three hundred yards away.

In strong contrast to the Englishman, with his moustache afforesting
a whitish face, marked with deep red rings on neck and forehead, his
impending paunchiness and his full suit of armour, was the small,
active man with the pointed beard whom fate had thrown first into the
same compartment, and then into the same hour of exile from all their
fellows.

His eyes were astonishingly black and fierce; his beard was grizzled
and his face heavily lined and obviously burnt by tropical suns; but
that face also expressed intelligence, strength, and resourcefulness
in a degree which would have made him an ideal comrade in a forlorn
hope, or the defence of a desperate village. Across the back of his
left hand was a thick and heavy scar. In spite of all this, he was
dressed with singular neatness and correctness; which circumstance,
although his English was purer than that of his companion in distress,
made the latter secretly incline to suspect him of being a Frenchman.
In spite of the quietness of his dress and the self-possession of his
demeanour, the sombre glitter of those black eyes, pin-points below
shaggy eye-brows, inspired the large man with a certain uneasiness. Not
at all a chap to quarrel with, was his thought. However, being himself
a widely-travelled man--Boulogne, Dieppe, Paris, Switzerland, and even
Venice--he had none of that insularity of which foreigners accuse
some Englishmen, and he had endeavoured to make conversation during
the journey. The small man had proved a poor companion, taciturn to a
fault, sparing of words where a nod would satisfy the obligations of
courtesy, and seemingly fonder of his pipe than of his fellow-man. A
man with a secret, thought the Englishman.

The train had jolted out of the station and the porter had faded from
the landscape. “A deserted spot,” remarked the Englishman, whose
name was Bevan, “especially in such fearful heat. Really, in the
summer of 1911, it was hardly as bad. Do you know, I remember once at
Boulogne----” He broke off sharply, for the brown man, sticking the
ferrule of his stick repeatedly in the sand, and knotting his brows
came suddenly to a decision. “What do you know of heat?” he cried,
fixing Bevan with the intensity of a demon. “What do you know of
desolation?” Taken aback, as well he might be, Bevan was at a loss to
reply. “Stay,” cried the other. “What if I told you my story? There is
no one here but ourselves.” He glared menacingly at Bevan, seemed to
seek to read his soul. “Are you a man to be trusted?” he barked, and
broke off short.

At another time Bevan would most certainly have declined to become the
confidant of a stranger; but here the solitude, the heat, not a little
boredom induced by the previous manner of his companion, and even a
certain mistrust of how he might take a refusal, combined to elicit a
favourable reply.

Stately as an oak, Bevan answered, “I was born an English gentleman,
and I trust that I have never done anything to derogate from that
estate.” “I am a Justice of the Peace,” he added after a momentary
pause.

“I knew it,” cried the other excitedly. “The trained legal mind is that
of all others which will appreciate my story. Swear, then,” he went on
with sudden gravity, “swear that you will never whisper to any living
soul the smallest word of what I am about to tell you. Swear by the
soul of your dead mother.”

“My mother is alive,” returned Bevan.

“I knew it,” exclaimed his companion, a great and strange look of
god-like pity illuminating his sunburnt face. It was such a look as
one sees upon many statues of Buddha, a look of divine, of impersonal
compassion.

“Then swear by the Lord Chancellor.”

Bevan was more than ever persuaded that the stranger was a Frenchman.
However, he readily gave the required promise.

“My name,” said the other, “is Duguesclin. Does that tell you my
story?” he asked impressively. “Does that convey anything to your mind?”

“Nothing at all.”

“I knew it,” said the man from the tropics. “Then I must tell you
all. In my veins boils the fiery blood of the greatest of the French
warriors, and my mother was the lineal descendant of the Maid of
Saragossa.”

Bevan was startled, and showed it.

“After the siege, sir, she was honourably married to a nobleman,”
snapped Duguesclin. “Do you think a man of my ancestry will permit a
stranger to lift the shadow of an eyebrow against the memory of my
great-grandmother?”

The Englishman protested that nothing had been further from his
thoughts.

“I suppose so,” proceeded the other more quietly, “And the more,
perhaps, that I am a convicted murderer.”

Bevan was now fairly alarmed.

“I am proud of it,” continued Duguesclin. “At the age of twenty-five my
blood was more fiery than it is to-day. I married. Four years later I
found my wife in the embraces of a neighbour. I slew him. I slew her.
I slew our three children, for vipers breed only vipers. I slew the
servants; they were accomplices of the adultery, or if not, they should
at any rate not witness their master’s shame. I slew the gendarmes who
came to take me--servile hirelings of a corrupt republic. I set my
castle on fire, determined to perish in the ruins. Unfortunately, a
piece of masonry, falling, struck me on the arm. My rifle dropped. The
accident was seen, and I was rescued by the firemen. I determined to
live; it was my duty to my ancestors to continue the family of which
I was the sole direct scion. It is in search of a wife that I am
travelling in England.” He paused, and gazed proudly on the scenery,
with the air of a Selkirk. Bevan suppressed the obvious comment on the
surprising termination of the Frenchman’s narrative. He only remarked,
“Then you were not guillotined?”

“I was not, sir,” retorted the other passionately. “At that time
capital punishment was never inflicted in France, though not officially
abrogated. I may say,” he added, with the pride of a legislator, “that
my action lent considerable strength to the agitation which led to its
re-introduction.

“No, sir, I was not guillotined. I was sentenced to perpetual
imprisonment in Devil’s Island.” He shuddered. “Can you imagine that
accursed Isle? Can your fancy paint one tithe of its horror? Can
nightmare itself shadow that inferno, that limbo of the damned? My
language is strong, sir; but no language can depict that hell. I will
spare you the description. Sand, vermin, crocodiles, venomous snakes,
miasma, mosquitoes, fever, filth, toil, jaundice, malaria, starvation,
foul undergrowth, weedy swamps breathing out death, hideous and bloated
trees of poison, themselves already poisoned by their earth, heat
unendurable, insufferable, intolerable, unbearable (as the _Daily
Telegraph_ said at the time of the Dreyfus case), heat continuous and
stifling, no breeze but the pestilential stench of the lagoon, heat
that turned the skin into a raging sea of irritation to which the
very stings of the mosquitoes and centipedes came as a relief, the
interminable task of the day beneath the broiling sun, the lash on
every slightest infraction of the harsh prison rules, or even of the
laws of politeness toward our warders, men only one degree less damned
than we ourselves--all this was nothing. The only amusement of the
governors of such a place is cruelty; and their own discomfort makes
them more ingenious than all the inquisitors of Spain, than Arabs in
their religious frenzy, than Burmans and Kachens and Shans in their
Buddhist hatred of all living men, than even the Chinese in their cold
lust of cruelty. The governor was a profound psychologist; no corner of
the mind that he did not fathom, so as to devise a means of twisting it
to torture.

“I remember one of us who took pleasure in keeping his spade bright--it
was the regulation that spades must be kept bright, a torture in itself
in such a place, where mildew grows on everything as fast almost as
snow falls in happier climates. Well, sir, the governor found out that
this man took a pleasure in the glint of the sun on the steel, and he
forbade that man to clean his spade. A trifle, indeed. What do you
know of what prisoners think of trifles? The man went raving mad, and
for no other reason. It seemed to him that such detailed refinement of
cruelty was a final proof of the innate and inherent devilishness of
the universe. Insanity is the logical consequence of such a faith. No,
sir, I will spare you the description.”

Bevan thought that there had already been too much description, and in
his complacent English way surmised that Duguesclin was exaggerating,
as he was aware that Frenchmen did. But he only remarked that it must
have been terrible. He would have given a good deal, now, to have
avoided the conversation. It was not altogether nice to be on a lonely
platform with a self-confessed multiple murderer, who had presumably
escaped only by a further and extended series of crimes.

“But you ask,” pursued Duguesclin, “you ask how I escaped? That, sir,
is the story I propose to tell you. My previous remarks have been but
preliminary; they have no pertinence or interest, I am aware; but
they were necessary, since you so kindly expressed interest in my
personality, my family history--heroic (I may claim it) as is the one,
and tragic (no one will deny it) as is the other.”

Bevan again reflected that his interlocutor must be as bad a
psychologist as the governor of Devil’s Island was a good one; for he
had neither expressed nor felt the slightest concern with either of
these matters.

“Well, sir, to my story! Among the convicts there was one universal
pleasure, a pleasure that could cease only with life or with the
empire of the reason, a pleasure that the governor might (and did)
indeed restrict, but could not take away. I refer to hope--the hope of
escape. Yes, sir, that spark (alone of all its ancient fires) burnt in
this breast--and in that of my fellow-convicts. And in this I did not
look so much to myself as to another. I am not endowed with any great
intellect,” he modestly pursued, “my grandmother was pure English, a
Higginbotham, one of the Warwickshire Higginbothams (what has that
to do with his stupidity? thought Bevan) and the majority of my
companions were men not only devoid of intelligence, but of education.
The one pinnacled exception was the great Dodu--ha! you start?” Bevan
had not done anything of the sort; he had continued to exhibit the most
stolid indifference to the story.

“Yes, you are not mistaken; it was indeed the world-famous philosopher,
the discoverer of Dodium, rarest of known elements, supposed only to
exist in the universe to the extent of the thirty-thousand and fifth
part of a milligramme, and that in the star called ϒ Pegasi; it was
Dodu who has shattered the logical process of obversion, and reduced
the quadrangle of oppositions to the condition of the British square at
Abu-Klea. So much you know; but this perhaps you did not know, that,
although a civilian, he was the greatest strategist of France. It
was he who in his cabinet made the dispositions of the armies of the
Ardennes; and the 1890 scheme of the fortifications of Lunéville was
due to his genius alone. For this reason the Government were loth to
condemn him, though public opinion revolted bitterly against his crime.
You remember that, having proved that women after the age of fifty
were a useless burden to the State, he had demonstrated his belief by
decapitating and devouring his widowed mother. It was consequently the
intention of the Government to connive at his escape on the voyage,
and to continue to employ him under an assumed name in a flat in an
entirely different quarter of Paris. However, the Government fell
suddenly; a rival ousted him, and his sentence was carried out with as
much severity as if he had been a common criminal.

“It was to such a man (naturally) that I looked to devise a plan
for our escape. But rack my brains as I would--my grandmother was a
Warwickshire Higginbotham--I could devise no means of getting into
touch with him. He must, however, have divined my wishes; for, one day
after he had been about a month upon the island (I had been there seven
months myself) he stumbled and fell as if struck by the sun at a moment
when I was close to him. And as he lay upon the ground he managed to
pinch my ankle three times. I caught his glance--he hinted rather than
gave me the sign of recognition of the fraternity of Freemasons. Are
you a Mason?”

“I am Past Provincial Deputy Grand Sword-Bearer of this province,”
returned Bevan. “I founded Lodge 14,883, ‘Boetic’ and Lodge 17,212,
‘Colenso.’ And I am Past Grand Haggai in my Provincial Grand Chapter.”

“I knew it!” exclaimed Duguesclin enthusiastically.

Bevan began to dislike this conversation exceedingly. Did this
man--this criminal--know who he was? He knew he was a J.P., that his
mother was alive, and now his Masonic dignities. He distrusted this
Frenchman more and more. Was the story but a pretext for the demand of
a loan? The stranger looked prosperous and had a first class ticket.
More likely a blackmailer; perhaps he knew of other things--say that
affair at Oxford--or the incident of the Edgware Road--or the matter of
Esmé Holland. He determined to be more than ever on his guard.

“You will understand with what joy,” continued Duguesclin, innocent
or careless of the sinister thoughts which occupied his companion,
“I received and answered this unmistakable token of friendship. That
day no further opportunity of intercourse occurred, but I narrowly
watched him on the morrow, and saw that he was dragging his feet in an
irregular way. Ha! thought I, a drag for long, an ordinary pace for
short. I imitated him eagerly, giving the Morse letter A. His alert
mind grasped instantly my meaning; he altered his code (which had been
of a different order) and replied with a Morse B on my own system. I
answered C; he returned D. From that moment we could talk fluently and
freely as if we were on the terrace of the Café de la Paix in our
beloved Paris. However, conversation in such circumstances is a lengthy
affair. During the whole march to our work he only managed to say,
‘Escape soon--please God.’ Before his crime he had been an atheist. I
was indeed glad to find that punishment had brought repentance.”

Bevan himself was relieved. He had carefully refrained from admitting
the existence of a French Freemason; that one should have repented
filled him with a sense of almost personal triumph. He began to like
Duguesclin, and to believe in him. His wrong had been hideous; if
his vengeance seemed excessive and even indiscriminate, was not he a
Frenchman? Frenchmen do these things! And after all Frenchmen were men.
Bevan felt a great glow of benevolence; he remembered that he was not
only a man, but a Christian. He determined to set the stranger at his
ease.

“Your story interests me intensely,” said he. “I sympathise deeply with
you in your wrongs and in your sufferings. I am heartily thankful that
you have escaped, and I beg of you to proceed with the narration of
your adventures.”

Duguesclin needed no such encouragement. His attitude, from that of
the listless weariness with which he had descended from the train,
had become animated, sparkling, fiery; he was carried away by the
excitement of his passionate memories.

“On the second day Dodu was able to explain his mind. ‘If we escape,
it must be by a stratagem,’ he signalled. It was an obvious remark;
but Dodu had no reason to think highly of my intelligence. ‘By a
stratagem,’ he repeated with emphasis.

“‘I have a plan,’ he continued. ‘It will take twenty-three days to
communicate, if we are not interrupted; between three and four months
to prepare; two hours and eight minutes to execute. It is theoretically
possible to escape by air, by water, or by earth. But as we are
watched day and night, it would be useless to try to drive a tunnel to
the mainland; we have no aeroplanes or balloons, or means of making
them. But if we could once reach the water’s edge, which we must do
in whatever direction we set out if we only keep in a straight line,
and if we can find a boat unguarded, and if we can avoid arousing the
alarm, then we have merely to cross the sea, and either find a land
where we are unknown, or disguise ourselves and our boat and return
to Devil’s Island as shipwrecked mariners. The latter idea would be
foolish. You will say that the Governor would know that Dodu would not
be such a fool; but more, he would know also that Dodu would not be
such a fool as to try to take advantage of that circumstance; and he
would be right, curse him!’

“It implies the intensest depth of feeling to curse in the Morse code
with one’s feet--ah! how we hated him.

“Dodu explained to me that he was telling me these obvious things for
several reasons: (1) to gauge my intelligence by my reception of them;
(2) to make sure that if we failed it should be by my stupidity and
not by his neglect to inform me of every detail; (3) because he had
acquired the professorial habit as another man might have the gout.

“Briefly, however, this was his plan; to elude the guards, make for the
coast, capture a boat, and put to sea. Do you understand? Do you get
the idea?”

Bevan replied that it seemed to him the only possible plan.

“A man like Dodu,” pursued Duguesclin, “takes nothing for granted. He
leaves no precaution untaken; in his plans, if chance be an element,
it is an element whose value is calculated to twenty-eight places of
decimals.

“But hardly had he laid down these bold outlines of his scheme when
interruption came. On the fourth day of our intercourse he signalled
only ‘Wait. Watch me!’ again and again.

“In the evening he manœuvred to get to the rear of the line of
convicts, and only then dragged out ‘There is a traitor, a spy.
Henceforth I must find a new means of communicating the details of my
plan. I have thought it all out. I shall speak in a sort of rebus,
which not even you will be able to understand unless you have all the
pieces--and the key. Mind you engrave upon your memory every word I
say.’

“The following day: ‘Do you remember the taking of the old mill by the
Prussians in ’70? My difficulty is that I must give you the skeleton of
the puzzle, which I can’t do in words. But watch the line of my spade
and my heelmarks, and take a copy.’

“I did this with the utmost minuteness of accuracy and obtained this
figure. At my autopsy,” said Duguesclin, dramatically, “this should be
found engraved upon my heart.”

He drew a note-book from his pocket, and rapidly sketched the subjoined
figure for the now interested Bevan.

[Illustration]

“You will note that the figure has eight sides, and that twenty-seven
crosses are disposed in groups of three, while in one corner is a much
larger and thicker cross and two smaller crosses not so symmetrical.
This group represents the element of chance; and you will at least gain
a hint of the truth if you reflect that eight is the cube of two, and
twenty-seven of three.”

Bevan looked intelligent.

“On the return march,” continued Duguesclin, “Dodu said, ‘The spy is on
the watch. But count the letters in the name of Aristotle’s favourite
disciple.’ I guessed (as he intended me to do) that he did not mean
Aristotle. He wished to suggest Plato, and so Socrates; hence I counted
A-L-C-I-B-I-A-D-E-S = 10, and thus completely baffled the spy for that
day. The following day he rapped out ‘Rahu’ very emphatically, meaning
that the next lunar eclipse would be the proper moment for our evasion,
and spent the rest of the day in small talk, so as to lull the
suspicions of the spy. For three days he had no opportunity of saying
anything, being in the hospital with fever. On the fourth day: ‘I have
discovered that spy is a damned swine of an opium-smoking lieutenant
from Toulon. We have him; he doesn’t know Paris. Now then--draw a line
from the Gare de l’Est to the Etoile; erect an equilateral triangle
on that line. Think of the name of the world-famous man who lives at
the apex.’ (This was a touch of super-genius, as it forced me to use
the English alphabet for the basis of the cipher, and the spy spoke no
language but his own, except a little Swiss.) ‘From this time I shall
communicate in a cipher of the direct additive numerical order, and the
key shall be his name.’

“It was only my incomparably strong constitution which enabled me
to add the task of deciphering his conversation to that imposed
by Government. To memorise perfectly a cipher communication of
half-an-hour is no mean feat of mnemonics, especially when the
deciphered message is itself couched in the obscurest symbolism.
The spy must have thought his reason in danger if he succeeded in
reading the hieroglyphs which were the mere pieces of the puzzle
of the master-thinker. For instance, I would get this message;
owhmomdvvtxskzvgcqxzllhtrejrgscpxjrmsgausrgwhbdxzldabe, which, when
deciphered (and the spy would gnash his teeth every time Dodu signalled
a W), only meant: ‘The peaches of 1761 are luminous in the gardens of
Versailles.’

“Or again: ‘Hunt; the imprisoned Pope; the Pompadour; the Stag and
Cross.’ ‘The men of the fourth of September; their leader divided by
the letters of the Victim of the Eighth of Thermidor.’ ‘Crillon was
unfortunate that day, though braver than ever.’

“Such were the indications from which I sought to piece together our
plan of escape!

“Perhaps rather by intuition than by reason, I gathered from some two
hundred of such clues that the guards Bertrand, Rolland, and Monet, had
been bribed, and also promised advancement, and (above all) removal
from the hated Island, should they connive at our escape. It seemed
that the Government had still use for its first strategist. The eclipse
was due some ten weeks ahead, and needed neither bribe nor promise. The
difficulty was to ensure the presence of Bertrand as sentinel in our
corridor, Rolland at the ring-fence, and Monet at the outposts. The
chances against such a combination at the eclipse were infinitesimal,
99,487,306,294,236,873,489 to 1.

“It would have been madness to trust to luck in so essential a matter.
Dodu set to work to bribe the Governor himself. This was unfortunately
impossible; for (_a_) no one could approach the governor even by means
of the intermediary of the bribed guards; (_b_) the offence for which
he had been promoted to the governorship was of a nature unpardonable
by any Government. He was in reality more a prisoner than ourselves;
(_c_) he was a man of immense wealth, assured career, and known probity.

“I cannot now enter into his history, which you no doubt know in any
case. I will only say that it was of such a character that these facts
(of so curiously contradictory appearance--on the face of it) apply
absolutely. However the tone of confidence which thrilled in Dodu’s
messages, ‘Pluck grapes in Burgundy; press vats in Cognac; ha!’ ‘The
soufflé with the nuts in it is ready for us by the Seine,’ and the
like, showed me that his giant brain had not only grappled with the
problem, but solved it to his satisfaction. The plan was perfect; on
the night of the eclipse those three guards would be on duty at such
and such gates; Dodu would tear his clothes into strips, bind and gag
Bertrand, come and release me. Together we should spring on Rolland,
take his uniform and rifle, and leave him bound and gagged. We should
then dash for the shore, do the same with Monet, and then, dressed in
their uniforms, take the boat of an octopus-fisher, row to the harbour,
and ask in the name of the governor for the use of his steam yacht
to chase an escaped fugitive. We should then steam into the track of
ships and set fire to the yacht, so as to be ‘rescued’ and conveyed
to England, whence we could arrange with the French Government for
rehabilitation.

“Such was the simple yet subtle plan of Dodu. Down to the last detail
was it perfected--until one fatal day.

“The spy, stricken by yellow fever, dropped suddenly dead in the fields
before noon ‘Cease work’ had sounded. Instantly, without a moment’s
hesitation, Dodu strode across to me and said, at the risk of the
lash; ‘The whole plan which I have explained to you in cipher these
last four months is a blind. That spy knew all. His lips are sealed in
death. I have another plan, the real plan, simpler and surer. I will
tell it to you tomorrow.’”

The whistle of an approaching engine interrupted this tragic episode of
the adventures of Duguesclin.

“‘Yes,’ said Dodu” (continued the narrator), “‘I have a better plan. I
have a stratagem. I will tell it you tomorrow.’”

The train which was to carry the narrator and his hearer to Mudchester
came round the corner.

“That morrow,” glowered Duguesclin, “that morrow never came. The
same sun that slew the spy broke the great brain of Dodu; that very
afternoon, a gibbering maniac, they thrust him in the padded room,
never again to emerge.”

The train drew up at the platform of the little junction. He almost
hissed in Bevan’s face.

“It was not Dodu at all,” he screamed, “it was a common criminal, an
epileptic; he should never have been sent to Devil’s Island at all. He
had been mad for months. His messages had no sense at all; it was a
cruel practical joke!”

“But how,” said Bevan getting into his carriage and looking back, “how
did you escape in the end?”

“By a stratagem,” replied the Irishman, and jumped into another
compartment.




The Testament of Magdalen Blair


PART I


I

In my third term at Newnham I was already Professor Blair’s favourite
pupil. Later, he wasted a great deal of time praising my slight figure
and my piquant face, with its big round grey eyes and their long black
lashes; but the first attraction was my singular gift. Few men, and, I
believe, no other women, could approach me in one of the most priceless
qualifications for scientific study, the faculty of apprehending
minute differences. My memory was poor, extraordinarily so; I had
the utmost trouble to enter Cambridge at all. But I could adjust a
micrometer better than either students or professor, and read a vernier
with an accuracy to which none of them could even aspire. To this I
added a faculty of subconscious calculation which was really uncanny.
If I were engaged in keeping a solution between (say) 70° and 80° I had
no need to watch the thermometer. Automatically I became aware that the
mercury was close to the limit, and would go over from my other work
and adjust the Bunsen without a thought.

More remarkable still, if any object were placed on my bench without
my knowledge and then removed, I could, if asked within a few minutes,
describe the object roughly, especially distinguishing the shape of
its base and the degree of its opacity to heat and light. From these
data I could make a pretty good guess at what the object was.

This faculty of mine was repeatedly tested, and always with success.
Extreme sensitiveness to minute degrees of heat was its obvious cause.

I was also a singularly good thought-reader, even at this time. The
other girls feared me absolutely. They need not have done so; I had
neither ambition nor energy to make use of any of my powers. Even now,
when I bring to mankind this message of a doom so appalling that at the
age of twenty-four I am a shrivelled, blasted, withered wreck, I am
supremely weary, supremely indifferent.

I have the heart of a child and the consciousness of Satan, the
lethargy of I know not what disease; and yet, thank--oh! there can be
no God!--the resolution to warn mankind to follow my example, and then
to explode a dynamite cartridge in my mouth.


II

In my third year at Newnham I spent four hours of every day at
Professor Blair’s house. All other work was neglected, gone through
mechanically, if at all. This came about gradually, as the result of an
accident.

The chemical laboratory has two rooms, one small and capable of being
darkened. On this occasion (the May term of my second year) this
room was in use. It was the first week of June, and extremely fine.
The door was shut. Within was a girl, alone, experimenting with the
galvanometer.

I was absorbed in my own work. Quite without warning I looked up.
“Quick,” said I, “Gladys is going to faint.” Every one in the room
stared at me. I took a dozen steps towards the door, when the fall of a
heavy body sent the laboratory into hysterics.

It was only the heat and confined atmosphere, and Gladys should not
have come to work that day at all, but she was easily revived, and then
the demonstrator acquiesced in the anarchy that followed. “How did
she know?” was the universal query; for that I knew was evident. Ada
Brown (Athanasia contra mundum) pooh-poohed the whole affair; Margaret
Letchmere thought I must have heard something; perhaps a cry inaudible
to the others, owing to their occupied attention; Doris Leslie spoke
of second sight, and Amy Gore of “sympathy.” All the theories, taken
together, went round the clock of conjecture. Professor Blair came in
at the most excited part of the discussion, calmed the room in two
minutes, elicited the facts in five, and took me off to dine with
him. “I believe it’s this human thermopile affair of yours,” he said.
“Do you mind if we try a few parlour tricks after dinner?” His aunt,
who kept house for him, protested in vain, and was appointed Grand
Superintendent in Ordinary of my five senses.

My hearing was first tested, and found normal, or thereabouts. I was
then blindfolded, and the aunt (by excess of precaution) stationed
between me and the Professor. I found that I could describe even small
movements that he made, so long as he was between me and the western
window, not at all when he moved round to other quarters. This is in
conformity with the “Thermopile” theory; it was contradicted completely
on other occasions. The results (in short) were very remarkable and
very puzzling; we wasted two precious hours in futile theorizing. In
the event, the aunt (cowed by a formidable frown) invited me to spend
the Long Vacation in Cornwall.

During these months the Professor and I assiduously worked to discover
exactly the nature and limit of my powers. The result, in a sense, was
nil.

For one thing, these powers kept on “breaking out in a new place.” I
seemed to do all I did by perception of minute differences; but then
it seemed as if I had all sorts of different apparatus. “One down,
t’other come on,” said Professor Blair.

Those who have never made scientific experiments cannot conceive how
numerous and subtle are the sources of error, even in the simplest
matters. In so obscure and novel a field of research no result is
trustworthy until it has been verified a thousand times. In our field
we discovered no constants, all variables.

Although we had hundreds of facts any one of which seemed capable
of overthrowing all accepted theories of the means of communication
between mind and mind, we had nothing, absolutely nothing, which we
could use as the basis of a new theory.

It is naturally impossible to give even an outline of the course of
our research. Twenty-eight closely written note books referring to this
first period are at the disposal of my executors.


III

In the middle of the day, in my third year, my father was dangerously
ill. I bicycled over to Peterborough at once, never thinking of my
work. (My father is a canon of Peterborough Cathedral.) On the third
day I received a telegram from Professor Blair, “Will you be my wife?”
I had never realized myself as a woman, or him as a man, till that
moment, and in that moment I knew that I loved him and had always loved
him. It was a case of what one might call “Love at first absence.”
My father recovered rapidly; I returned to Cambridge; we were married
during the May week, and went immediately to Switzerland. I beg to be
spared any recital of so sacred a period of my life; but I must record
one fact.

We were sitting in a garden by Lago Maggiore after a delightful tramp
from Chamounix over the Col du Géant to Courmayeur, and thence to
Aosta, and so by degrees to Pallanza. Arthur rose, apparently struck
by some idea, and began to walk up and down the terrace. I was quite
suddenly impelled to turn my head to assure myself of his presence.

This may seem nothing to you who read, unless you have true
imagination. But think of yourself talking to a friend in full light,
and suddenly leaning forward to touch him. “Arthur!” I cried, “Arthur!”

The distress in my tone brought him running to my side. “What is it,
Magdalen?” he cried, anxiety in every word.

I closed my eyes. “Make gestures!” said I. (He was directly between me
and the sun.)

He obeyed, wondering.

“You are----you are----” I stammered--“no! I don’t know what you are
doing. I am blind!”

He sawed his arm up and down. Useless; I had become absolutely
insensitive. We repeated a dozen experiments that night. All failed.

We concealed our disappointment, and it did not cloud our love. The
sympathy between us grew even subtler and stronger, but only as it
grows between all men and women who love with their whole hearts, and
love unselfishly.


IV

We returned to Cambridge in October, and Arthur threw himself
vigorously into the new year’s work. Then I fell ill, and the hope
we had indulged was disappointed. Worse, the course of the illness
revealed a condition which demanded the most complete series of
operations which a woman can endure. Not only the past hope, but all
future hope, was annihilated.

It was during my convalescence that the most remarkable incident of my
life took place.

I was in great pain one afternoon, and wished to see the doctor. The
nurse went to the study to telephone for him.

“Nurse!” I said, as she returned, “don’t lie to me. He’s not gone to
Royston; he’s got cancer, and is too upset to come.”

“Whatever next?” said the nurse.

“It’s right he can’t come, and I was going to tell you he had gone to
Royston; but I never heard nothing about no cancer.”

This was true; she had not been told. But the next morning we heard
that my “intuition” was correct.

As soon as I was well enough, we began our experiments again. My powers
had returned, and in triple force.

Arthur explained my “intuition” as follows: “The doctor (when you
last saw him) did not know consciously that he had cancer; but
subconsciously Nature gave warning. You read this subconsciously, and
it sprang into your consciousness when you read on the nurse’s face
that he was ill.”

This, far-fetched as it may seem, at least avoids the shallow theories
about “telepathy.”

From this time my powers constantly increased. I could read my
husband’s thoughts from imperceptible movements of his face as easily
as a trained deaf-mute can sometimes read the speech of a distant man
from the movements of his lips.

Gradually as we worked, day by day, I found my grasp of detail ever
fuller. It is not only that I could read emotions; I could tell whether
he was thinking 3465822 or 3456822. In the year following my illness,
we made 436 experiments of this kind, each extending over several
hours; in all 9363, with only 122 failures, and these all, without
exception, partial.

The year following, our experiments were extended to a reading of his
dreams. In this I proved equally successful. My practice was to leave
the room before he woke, write down the dream that he had dreamt, and
await him at the breakfast table, where he would compare his record
with mine.

Invariably they were identical, with this exception, that my record was
always much fuller than his. He would nearly always, however, purport
to remember the details supplied by me; but this detail has (I think)
no real scientific value.

But what does it all matter, when I think of the horror impending?


V

That my only means of discovering Arthur’s thought was by
muscle-reading became more than doubtful during the third year of
our marriage. We practised “telepathy” unashamed. We excluded the
“muscle-reader” and the “super-auditor” and the “human thermopile” by
elaborate precautions; yet still I was able to read every thought of
his mind. On our holiday in North Wales at Easter one year we separated
for a week, at the end of that week he to be on the leeward, I on the
windward side of Tryfan, at the appointed hour, he there to open and
read to himself a sealed packet given him by “some stranger met at
Pen-y-Pass during the week.” The experiment was entirely successful;
I reproduced every word of the document. If the “telepathy” is to be
vitiated, it is on the theory that I had previously met the “stranger”
and read from him what he would write in such circumstances! Surely
direct communication of mind with mind is an easier theory!

Had I known in what all this was to culminate, I suppose I should have
gone mad. Thrice fortunate that I can warn humanity of what awaits each
one. The greatest benefactor of his race will be he who discovers an
explosive indefinitely swifter and more devastating than dynamite. If I
could only trust myself to prepare Chloride of Nitrogen in sufficient
quantity ...


VI

Arthur became listless and indifferent. The perfection of love that
had been our marriage failed without warning, and yet by imperceptible
gradations. My awakening to the fact was, however, altogether sudden.
It was one summer evening; we were paddling on the Cam. One of Arthur’s
pupils, also in a Canadian canoe, challenged us to a race. At Magdalen
Bridge we were a length ahead--suddenly I heard my husband’s thought.
It was the most hideous and horrible laugh that it is possible to
conceive. No devil could laugh so. I screamed, and dropped my paddle.
Both the men thought me ill. I assured myself that it was not the
laugh of some townee on the bridge, distorted by my over-sensitive
organization. I said no more; Arthur looked grave. At night he asked
abruptly after a long period of brooding, “Was that my thought?” I
could only stammer that I did not know.

Incidentally he complained of fatigue, and the listlessness, which
before had seemed nothing to me, assumed a ghastly shape. There was
something in him that was not he! The indifference had appeared
transitory; I now became aware of it as constant and increasing. I
was at this time twenty-three years old. You wonder that I write with
such serious attitude of mind. I sometimes think that I have never had
any thoughts of my own; that I have always been reading the thoughts
of another, or perhaps of Nature. I seem only to have been a woman in
those first few months of marriage.


VII

The six months following held for me nothing out of the ordinary, save
that six or seven times I had dreams, vivid and terrible. Arthur had no
share in these. Yet I knew, I cannot say how, that they were his dreams
and not mine; or rather that they were in his subconscious waking self,
for one occurred in the afternoon, when he was out shooting, and not in
the least asleep.

The last of them occurred towards the end of the October term. He
was lecturing as usual, I was at home, lethargic after a too heavy
breakfast following a wakeful night. I saw suddenly a picture of the
lecture-room, enormously greater than in reality, so that it filled
all space; and in the rostrum, bulging over it in all directions,
was a vast, deadly pale devil with a face which was a blasphemy on
Arthur’s. The evil joy of it was indescribable. So wan and bloated,
its lips so loose and bloodless; fold after fold of its belly flopping
over the rostrum and pushing the students out of the hall, it leered
unspeakably. Then dribbled from its mouth these words; “Ladies and
gentlemen, the course is finished. You may go home.” I cannot hope even
to suggest the wickedness and filth of these simple expressions. Then,
raising its voice to a grating scream, it yelled: “White of egg! White
of egg! White of egg!” again and again for twenty minutes.

The effect on me was shocking. It was as if I had a vision of Hell.

Arthur found me in a very hysterical condition, but soon soothed me.
“Do you know,” he said at dinner, “I believe I have got a devilish bad
chill?”

It was the first time I had known him to complain of his health. In
six years he had not had as much as a headache.

I told him my “dream” when we were in bed, and he seemed unusually
grave, as if he understood where I had failed in its interpretation. In
the morning he was feverish; I made him stay in bed and sent for the
doctor. The same afternoon I learnt that Arthur was seriously ill, had
been ill, indeed, for months. The doctor called it Bright’s disease.


VIII

I said “the last of the dreams.” For the next year we travelled, and
tried various treatments. My powers remained excellent, but I received
none of the subconscious horrors. With few fluctuations, he grew
steadily worse; daily he became more listless, more indifferent, more
depressed. Our experiments were necessarily curtailed. Only one problem
exercised him, the problem of his personality. He began to wonder who
he was. I do not mean that he suffered from delusions, I mean that
the problem of the true Ego took hold of his imagination. One perfect
summer night at Contrexéville he was feeling much better; the symptoms
had (temporarily) disappeared almost entirely under the treatment of
a very skilful doctor at that Spa, a Dr. Barbézieux, a most kind and
thoughtful man.

“I am going to try,” said Arthur, “to penetrate myself. Am I an animal,
and is the world without a purpose? Or am I a soul in a body? Or am I,
one and indivisible in some incredible sense, a spark of the infinite
light of God? I am going to think inwards; I shall possibly go into
some form of trance, unintelligible to myself. You may be able to
interpret it.”

The experiment had lasted about half-an-hour when he sat up gasping
with effort.

“I have seen nothing, heard nothing,” I said. “Not one thought has
passed from you to me.”

But at that very moment what had been in his mind flashed into mine.

“It is a blind abyss,” I told him, “and there hangs in it a vulture
vaster than the whole starry system.”

“Yes,” he said, “that was it. But that was not all. I could not get
beyond it. I shall try again.”

He tried. Again I was cut off from his thought, although his face was
twitching so that one might have said that any one might read his mind.

“I have been looking in the wrong place,” said he suddenly, but very
quietly and without moving. “The thing I want lies at the base of the
spine.”

This time I saw. In a blue heaven was coiled an infinite snake of gold
and green, with four eyes of fire, black fire and red, that darted
rays in every direction; held within its coils was a great multitude
of laughing children. And even as I looked, all this was blotted out.
Crawling rivers of blood spread over the heaven, of blood purulent
with nameless forms--mangy dogs with their bowels dragging behind
them; creatures half elephant, half beetle; things that were but a
ghastly bloodshot eye, set about with leathery tentacles; women whose
skins heaved and bubbled like boiling sulphur, giving off clouds that
condensed into a thousand other shapes, more hideous than their mother;
these were the least of the denizens of these hateful rivers. The most
were things impossible to name or to describe.

I was brought back from the vision by the stertorous and strangling
breath of Arthur, who had been seized with a convulsion.

From this he never really rallied. The dim sight grew dimmer, the
speech slower and thicker, the headaches more persistent and acute.

Torpor succeeded to his old splendid energy and activity; his days
became continual lethargy ever deepening towards coma. Convulsions now
and then alarmed me for his immediate danger.

Sometimes his breath came hard and hissing like a snake in anger;
towards the end it assumed the Cheyne-Stokes type in bursts of ever
increasing duration and severity.

In all this, however, he was still himself; the horror that was and yet
was not himself did not peer from behind the veil.

“So long as I am consciously myself,” he said in one of his rare
fits of brightness, “I can communicate to you what I am consciously
thinking; as soon as this conscious ego is absorbed, you get the
subconscious thought which I fear--oh how I fear!--is the greater and
truer part of me. You have brought unguessed explanations from the
world of sleep; you are the one woman in the world--perhaps there may
never be another--who has such an opportunity to study the phenomena
of death.”

He charged me earnestly to suppress my grief, to concentrate wholly
on the thoughts that passed through his mind when he could no longer
express them, and also on those of his subconsciousness when coma
inhibited consciousness.

It is this experiment that I now force myself to narrate. The prologue
has been long; it has been necessary to put the facts before mankind in
a simple way so that they may seize the opportunity of the proper kind
of suicide. I beg my readers most earnestly not to doubt my statements;
the notes, of our experiments, left in my will to the greatest thinker
now living, Professor von Buehle, will make clear the truth of my
relation, and the great and terrible necessity of immediate, drastic
action.


PART II


I

The stunning physical fact of my husband’s illness was the immense
prostration. So strong a body, as too often the convulsions gave
proof; such inertia with it! He would lie all day like a log; then
without warning or apparent cause the convulsions would begin. Arthur’s
steady scientific brain stood it well; it was only two days before his
death that delirium began. I was not with him, worn out as I was, and
yet utterly unable to sleep, the doctor had insisted on my taking a
long motor drive. In the fresh air I slumbered. I awoke to hear an
unfamiliar voice saying in my ear. “Now for the fun of the fair!” There
was no one there. Quick on its heels followed my husband’s voice as I
had long since known and loved it, clear, strong, resonant, measured:
“Get this down right; it is very important. I am passing into the power
of the subconsciousness. I may not be able to speak to you again. But I
am here; I am not to be touched by all that I may suffer; I can always
think; you can always read my----” The voice broke off sharply to
inquire, “But will it ever end?” as if some one had spoken to it. And
then I heard the laugh. The laugh that I had heard by Magdalen Bridge
was heavenly music beside that! The face of Calvin (even) as he gloated
over the burning of Servetus would have turned pitiful had he heard
it, so perfectly did it express the quintessence of damnation.

Now then my husband’s thought seemed to have changed places with the
other. It was below, within, withdrawn. I said to myself, “He is dead!”

Then came Arthur’s thought, “I had better pretend to be mad. It will
save her, perhaps; and it will be a change. I shall pretend I have
killed her with an axe. Damn it! I hope she is not listening.” I was
now thoroughly awake, and told the driver to get home quickly. “I
hope she is killed in the motor; I hope she is smashed into a million
pieces. O God! hear my one prayer! Let an Anarchist throw a bomb and
smash Magdalen into a million pieces! Especially the brain! And the
brain first. O God! my first and last prayer; smash Magdalen into a
million pieces!”

The horror of this thought was my conviction--then and now--that it
represented perfect sanity and coherence of thought. For I dreaded
utterly to think what such words might imply.

At the door of the sick-room I was met by the male nurse, who asked
me not to enter. Uncontrollably, I asked, “Is he dead?” and though
Arthur lay absolutely senseless on the bed I read the answering
thought “Dead!” silently pronounced in such tones of mockery, horror,
cynicism and despair as I never thought to hear. There was a something
or somebody who suffered infinitely, and yet who gloated infinitely
upon that very suffering. And that something was a veil between me and
Arthur.

The hissing breath recommenced; Arthur seemed to be trying to express
himself--the self I knew. He managed to articulate feebly, “Is that
the police? Let me get out of the house! The police are coming for
me. I killed Magdalen with an axe.” The symptoms of delirium began to
appear. “I killed Magdalen” he muttered a dozen times, then changing
to “Magdalen with” again and again; the voice low, slow, thick, yet
reiterated. Then suddenly, quite clear and loud, attempting to rise
in the bed: “I smashed Magdalen into a million pieces with an axe.”
After a moment’s pause: “a million is not very many now-a-days.” From
this--which I now see to have been the speech of a sane Arthur--he
dropped again into delirium. “A million pieces,” “a cool million,”
“a million million million million million million” and so on; then
abruptly: “Fanny’s dog’s dead.”

I cannot explain the last sentence to my readers; I may, however,
remark that it meant everything to me. I burst into tears. At that
moment I caught Arthur’s thought, “You ought to be busy with the
note-book, not crying.” I resolutely dried my eyes, took courage, and
began to write.


II

The doctor came in at this moment and begged me to go and rest. “You
are only distressing yourself, Mrs. Blair,” he said, “and needlessly,
for he is absolutely unconscious and suffers nothing.” A pause. “My
God! why do you look at me like that?” he exclaimed, frightened out
of his wits. I think my face had caught something of that devil’s,
something of that sneer, that loathing, that mire of contempt and stark
despair.

I sank back into myself, ashamed already that mere knowledge--and such
mean vile knowledge--should so puff one up with hideous pride. No
wonder Satan fell! I began to understand all the old legends, and far
more----

I told Doctor Kershaw that I was carrying out Arthur’s last wishes. He
raised no further opposition; but I saw him sign to the male nurse to
keep an eye on me.

The sick man’s finger beckoned us. He could not speak; he traced
circles on the counterpane. The doctor (with characteristic
intelligence) having counted the circles, nodded, and said: “Yes it is
nearly seven o’clock. Time for your medicine, eh?”

“No,” I explained, “he means that he is in the seventh circle of
Dante’s Hell.”

At that instant he entered on a period of noisy delirium. Wild and
prolonged howls burst from his throat; he was being chewed unceasingly
by “Dis”; each howl signalled the meeting of the monster’s teeth.
I explained this to the doctor. “No,” said he, “he is perfectly
unconscious.”

“Well,” said I, “he will howl about eighty times more.”

Doctor Kershaw looked at me curiously, but began to count.

My calculation was correct.

He turned to me, “Are you a woman?”

“No,” said I. “I am my husband’s colleague.”

“I think it is suggestion. You have hypnotized him?”

“Never; but I can read his thoughts.”

“Yes, I remember now; I read a very remarkable paper on Mind, two years
ago.”

“That was child’s play. But let me go on with my work.”

He gave some final instructions to the nurse, and went out.

The suffering of Arthur was at this time unspeakable. Chewed as he was
into a mere pulp that passed over the tongue of “Dis,” each bleeding
fragment kept its own identity and his.

The papillae of the tongue were serpents, and each one gnashed its
poisoned teeth upon that fodder.

And yet, though the sensorium of Arthur was absolutely unimpaired,
indeed hyperaesthetic, his consciousness of pain seemed to depend
upon the opening of the mouth. As it closed in mastication, oblivion
fell upon him like a thunderbolt. A merciful oblivion? Oh! what a
master stroke of cruelty! Again and again he woke from nothing to a
hell of agony, of pure ecstasy of agony, until he understood that
this would continue for all his life, the alternation was but systole
and diastole; the throb of his envenomed pulse, the reflection in
consciousness of his blood-beat. I became conscious of his intense
longing for death to end the torture.

The blood circulated ever slower and more painfully; I could feel him
hoping for the end.

This dreadful rose-dawn suddenly greyed and sickened with doubt.
Hope sank to its nadir; fear rose like a dragon, with leaden wings.
Suppose, thought he, that after all death does not end me!

I cannot express this conception. It is not that the heart sank, it had
no whither to sink; it knew itself immortal, and immortal in a realm of
unimagined pain and terror, unlighted by one glimpse of any other light
than that pale glare of hate and of pestilence. This thought took shape
in these words:--

                             I AM THAT I AM.

One cannot say that the blasphemy added to the horror; rather it was
the essence of the horror. It was the gnashing of the teeth of a damned
soul.


III

The demon-shape, which I now clearly recognise as that which had
figured in my last “dream” at Cambridge, seemed to gulp. At that
instant a convulsion shook the dying man and a coughing eructation
took the “demon.” Instantly the whole theory dawned on me, that this
“demon” was an imaginary personification of the disease. Now at once I
understood demonology, from Bodin and Weirus to the moderns, without a
flaw. But was it imaginary or was it real? Real enough to swallow up
the “sane” thought!

At that instant the old Arthur reappeared. “I am not the monster! I am
Arthur Blair, of Fettes and Trinity. I have passed through a paroxysm.”

The sick man stirred feebly. A portion of his brain had shaken off the
poison for the moment, and was working furiously against time.

“I am going to die.

“The consolation of death is Religion.

“There is no use for Religion in life.

“How many atheists have I not known sign the articles for the sake of
fellowships and livings! Religion in life is either an amusement and a
soporific, or a sham and a swindle.

“I was brought up a Presbyterian.

“How easily I drifted into the English Church!

“And now where is God?

“Where is the Lamb of God?

“Where is the Saviour?

“Where is the Comforter?

“Why was I not saved from that devil?

“Is he going to eat me again? To absorb me into him? O fate
inconceivably hideous! It is quite clear to me--I hope you’ve got it
down, Magdalen!--that the demon is made of all those that have died
of Bright’s disease. There must be different ones for each disease. I
thought I once caught sight of a coughing bog of bloody slime.

“Let me pray.”

A frenzied appeal to the Creator followed. Sincere as it was, it would
read like irreverence in print.

And then there came the cold-drawn horror of stark blasphemy against
this God--who would not answer.

Followed the bleak black agony of the conviction--the absolute
certitude--“There is no God!” combined with a wave of frenzied wrath
against the people who had so glibly assured him that there was, an
almost maniac hope that they would suffer more than he, if it were
possible.

(Poor Arthur! He had not yet brushed the bloom off Suffering’s grape;
he was to drink its fiercest distillation to the dregs.)

“No!” thought he, “perhaps I lack their ‘faith.’

“Perhaps if I could really persuade myself of God and Christ--perhaps
if I could deceive myself, could make believe----”

Such a thought is to surrender one’s honesty, to abdicate one’s reason.
It marked the final futile struggle of his will.

The demon caught and crunched him, and the noisy delirium began anew.

My flesh and blood rebelled. Taken with a deathly vomit, I rushed from
the room, and resolutely, for a whole hour, diverted my sensorium
from thought. I had always found that the slightest trace of tobacco
smoke in a room greatly disturbed my power. On this occasion I puffed
cigarette after cigarette with excellent effect. I knew nothing of what
had been going on.


IV

Arthur, stung by the venomous chyle, was tossing in that vast arched
belly, which resembled the dome of hell, churned in its bubbling slime.
I felt that he was not only disintegrated mechanically, but chemically,
that his being was loosened more and more into its parts, that these
were being absorbed into new and hateful things, but that (worst of
all) Arthur stood immune from all, behind it, unimpaired, memory and
reason ever more acute as ever new and ghastlier experience informed
them. It seemed to me as if some mystic state were super-added to the
torment; for while he was not, emphatically not, this tortured mass of
consciousness, yet that was he. There are always at least two of us!
The one who feels and the one who knows are not radically one person.
This double personality is enormously accentuated at death.

Another point was that the time-sense, which with men is usually so
reliable--especially in my own case--was decidedly deranged, if not
abrogated altogether.

We all judge of the lapse of time in relation to our daily habits or
some similar standard. The conviction of immortality must naturally
destroy all values for this sense. If I am immortal, what is the
difference between a long time and a short time? A thousand years and a
day are obviously the same thing from the point of view of “for ever.”

There is a sub-conscious clock in us, a clock wound up by the
experience of the race to go for seventy years or so. Five minutes is
a very long time to us if we are waiting for an omnibus, an age if we
are waiting for a lover, nothing at all if we are pleasantly engaged or
sleeping.[1]

  [1] It is one of the greatest cruelties of nature that all painful
  or depressing emotions seem to lengthen time; pleasant thoughts and
  exalted moods make time fly. Thus, in summing up a life from an
  outside standpoint, it would seem that, supposing pleasure and pain
  to have occupied equal periods, the impression would be that pain
  was enormously greater than pleasure. This may be controverted.
  Virgil writes: “Forsitan haec olim meminisse juvabit,” and there is
  at least one modern writer thoroughly conversant with pessimism who
  is very optimistic. But the new facts which I here submit overthrow
  the whole argument; they cast a sword of infinite weight on that
  petty trembling scale.

We think of seven years as a long time in connection with penal
servitude; as a negligibly small period in dealing with geology.

But, given immortality, the age of the stellar system itself is nothing.

This conviction had not fully impregnated the consciousness of Arthur;
it hung over him like a threat, while the intensification of that
consciousness, its liberation from the sense of time natural to life,
caused each act of the demon to appear of vast duration, although the
intervals between the howls of the body on the bed were very short.
Each pang of torture or suspense was born, rose to its crest, and died
to be reborn again through what seemed countless aeons.

Still more was this the case in the process of his assimilation by the
“demon.” The coma of the dying man was a phenomenon altogether out
of time. The conditions of “digestion” were new to Arthur, he had no
reason to suppose, no data from which to calculate the distance of, an
end. It is impossible to do more than sketch this process; as he was
absorbed, so did his consciousness expand into that of the “demon”;
he became one with all its hunger and corruption. Yet always did he
suffer as himself in his own person the tearing asunder of his finest
molecules; and this was confirmed by a most filthy humiliation of that
part of him that was rejected.

I shall not attempt to describe the final process; suffice it that
the demoniac consciousness drew away; he was but the excrement of the
demon, and as that excrement he was flung filthily further into the
abyss of blackness and of night whose name is death.

I rose with ashen cheeks. I stammered; “He is dead.” The male nurse
bent over the body. “Yes!” he echoed, “he is dead.” And it seemed as
if the whole Universe gathered itself into one ghastly laugh of hate
and horror. “Dead!”


V

I resumed my seat. I felt that I must know that all was well, that
death had ended all. Woe to humanity! The consciousness of Arthur was
more alive than ever. It was the black fear of falling, a dumb ecstasy
of changeless fear. There were no waves upon that sea of shame, no
troubling of those accursed waters by any thought. There was no hope of
any ground to that abyss, no thought that it might stop. So tireless
was that fall that even acceleration was absent; it was constant and
level as the fall of a star. There was not even a feeling of pace;
infinitely fast as it must be, judging from the peculiar dread which it
inspired, it was yet infinitely slow, having regard to the infinitude
of the abyss.

I took measures not to be disturbed by the duties that men--oh how
foolishly!--pay to the dead; and I took refuge in a cigarette.

It was now for the first time, strangely enough, that I began to
consider the possibility of helping him.

I analysed the position. It must be his thought, or I could not read
it. I had no reason to conjecture that any other thoughts could reach
me. He must be alive in the true sense of the word; it was he and not
another that was the prey of this fear ineffable. Of this fear it
was evident that there must be a physical basis in the constitution
of his brain and body. All the other phenomena had been shown to
correspond exactly with a physical condition; it was the reflection in
a consciousness from which human limitation had fallen away, of things
actually taking place in the body.

It was a false interpretation perhaps; but it was his interpretation;
and it was that which caused suffering so beyond all that poets have
ever dreamt of the infernal.

I am ashamed to say that my first thought was of the Catholic Church
and its masses for the repose of the dead. I went to the Cathedral,
revolving as I went all that had ever been said--the superstitions of
a hundred savage tribes. At bottom I could find no difference between
their barbarous rites and those of Christianity.

However that might be, I was baffled. The priests refused to pray for
the soul of a heretic.

I hurried back to the house, resumed my vigil. There was no change,
except a deepening of the fear, an intensification of the loneliness,
a more utter absorption in the shame. I could but hope that in the
ultimate stagnation of all vital forces, death would become final, hell
merged into annihilation.

This started a train of thought which ended in a determination to
hasten the process. I thought of blowing out the brains, remembered
that I had no means of doing so. I thought of freezing the body,
imagined a story for the nurse, reflected that no cold could excite in
his soul aught icier than that illimitable void of black.

I thought of telling the doctor that he had wished to bequeath his
body to the surgeons, that he had been afraid of being buried alive,
anything that might induce him to remove the brain. At that moment I
looked into the mirror. I saw that I must not speak. My hair was white,
my face drawn, my eyes wild and bloodshot.

In utter helplessness and misery I flung myself on the couch in the
study, and puffed greedily at cigarettes. The relief was so immense
that my sense of loyalty and duty had a hard fight to get me to resume
the task. The mingling of horror, curiosity, and excitement must have
aided.

I threw away my fifth cigarette, and returned to the death chamber.


VI

Before I had sat at the table ten minutes a change burst out with
startling suddenness. At one point in the void the blackness gathered,
concentrated, sprang into an evil flame that gushed aimlessly forth
from nowhere into nowhere.

This was accompanied by the most noxious stench.

It was gone before I could realize it. As lightning precedes thunder,
it was followed by a hideous clamour that I can only describe as the
cry of a machine in pain.

This recurred constantly for an hour and five minutes, then ceased as
suddenly as it began. Arthur still fell.

It was succeeded after the lapse of five hours by another paroxysm
of the same kind, but fiercer and more continuous. Another silence
followed, age upon age of fear and loneliness and shame.

About midnight there appeared a grey ocean of bowels below the falling
soul. This ocean seemed to be limitless. It fell headlong into it, and
the splash awakened it to a new consciousness of things.

This sea, though infinitely cold, was boiling like tubercles. Itself
a more or less homogeneous slime, the stench of which is beyond all
human conception (human language is singularly deficient in words that
describe smell and taste; we always refer our sensations to things
generally known)[2] it constantly budded into greenish boils with
angry red craters, whose jagged edges were of a livid white; and from
these issued pus formed of all things known of man--each one distorted,
degraded, blasphemed.

  [2] This is my general complaint, and that of all research students
  on the one hand and imaginative writers on the other. We can only
  express a new idea by combining two or more old ideas, or by
  the use of metaphor; just so any number can be formed from two
  others. James Hinton had undoubtedly a perfectly crisp, simple,
  and concise idea of the “fourth dimension of space”; he found the
  utmost difficulty in conveying it to others, even when they were
  advanced mathematicians. It is (I believe) the greatest factor that
  militates against human progress that great men assume that they
  will be understood by others.

  Even such a master of lucid English as the late Professor Huxley
  has been so vitally misunderstood that he has been attacked
  repeatedly for affirming propositions which he specifically denied
  in the clearest language.

Things innocent, things happy, things holy! Every one unspeakably
defiled, loathsome, sickening! During the vigil of the day following
I recognized one group. I saw Italy. First the Italy of the Map, a
booted leg. But this leg changed rapidly through myriad phases. It
was in turn the leg of every beast and bird, and in every case each
leg was suffering with all diseases from leprosy and elephantiasis to
scrofula and syphilis. There was also the consciousness that this was
inalienably and for ever part of Arthur.

Then Italy itself, in every detail foul. Then I myself, seen as every
woman that has ever been, each one with every disease and torture that
Nature and man have plotted in their hellish brains, each ended with a
death, a death like Arthur’s, whose infinite pangs were added to his
own, recognized and accepted as his own.

The same with our child that never was. All children of all nations,
incredibly aborted, deformed, tortured, torn in pieces, abused by every
foulness that the imagination of an arch-devil could devise.

And so for every thought. I realized that the putrefactive changes in
the dead man’s brain were setting in motion every memory of his, and
smearing them with hell’s own paint.

I timed one thought, despite its myriad million details, each one
clear, vivid and prolonged, it occupied but three seconds of earthly
time. I considered the incalculable array of the thoughts in his
well-furnished mind; I saw that thousands of years would not exhaust
them.

But, perhaps, when the brain was destroyed beyond recognition of its
component parts----

We have always casually assumed that consciousness depends upon a
proper flow of blood in the vessels of the brain; we have never stopped
to think whether the records might not be excited in some other
manner. And yet we know how tumour of the brain begets hallucinations.
Consciousness works strangely; the least disturbance of the blood
supply, and it goes out like a candle, or else takes monstrous forms.

Here was the overwhelming truth; in death man lives again, and lives
for ever. Yet we might have thought of it; the phantasmagoria of life
which throng the mind of a drowning man might have suggested something
of the sort to any man with a sympathetic and active imagination.

Worse even than the thoughts themselves was the apprehension of the
thoughts ere they arose. Carbuncles, boils, ulcers, cancers, there is
no equivalent for these pustules of the bowels of hell, into whose
seething convulsions Arthur sank, deeper, ever deeper.

The magnitude of this experience is not to be apprehended by the human
mind as we know it. I was convinced that an end must come, for me, with
the cremation of the body. I was infinitely glad that he had directed
this to be done. But for him, end and beginning seemed to have no
meaning. Through it all I seemed to hear the real Arthur’s thought.
“Though all this is I, yet it is only an accident of me; I stand behind
it all, immune, eternal.”

It must not be supposed that this in any way detracted from the
intensity of the suffering. Rather it added to it. To be loathsome is
less than to be linked to loathsomeness. To plunge into impurity is to
become deadened to disgust. But to do so and yet remain pure--every
vileness adds a pang. Think of Madonna imprisoned in a body of a
prostitute, and compelled to acknowledge “This is I,” while never
losing her abhorrence. Not only immured in hell, but compelled to
partake of its sacraments; not only high priest at its agapae, but
begetter and manifestor of its cult; a Christ nauseated at the kiss of
Judas, and yet aware that the treachery was his own.


VII

As the putrefaction of the brain advanced, the bursting of the pustules
occasionally overlapped, with the result that the confusion and
exaggeration of madness with all its poignancy was super-added to the
simpler hell. One might have thought that any confusion would have been
a welcome relief to a lucidity so appalling; but this was not so. The
torture was infused with a shattering sense of alarm.

The images rose up threatening, disappeared only by blasting themselves
into pultaceous coprolite which was, as it were, the main body of
the army which composed Arthur. Deeper and deeper as he dropped the
phenomena grew constantly in every sense. Now they were a jungle in
which the obscurity and terror of the whole gradually overshadowed even
the abhorrence due to every part.

The madness of the living is a thing so abominable and fearful as
to chill every human heart with horror; it is less than nothing in
comparison with the madness of the dead!

A further complication now arose, in the destruction irrevocable and
complete of that compensating mechanism of the brain, which is the
basis of the sense of time. Hideously distorted and deformed as it had
been in the derangement of the brain like a shapeless jelly shooting
out, of a sudden, vast, unsuspected tentacles, the destruction of
it cut a thousand-fold deeper. The sense of consecution itself was
destroyed; things sequent appeared as things superposed or concurrent
spatially; a new dimension unfolded; a new destruction of all
limitation exposed a new and unfathomable abyss.

To all the rest was added the bewilderment and fear which earthly
agarophobia faintly shadows forth; and at the same time the close
immurement weighed upon him, since from infinitude there can be no
escape.

Add to this the hopelessness of the monotony of the situation.
Infinitely as the phenomena were varied, they were yet recognised as
essentially the same. All human tasks are lightened by the certainty
that they must end. Even our joys would be intolerable were we
convinced that they must endure, through irksomeness and disgust,
through weariness and satiety, even for ever and for evermore. In this
inhuman, this praeterdiabolic inferno was a wearisome repetition,
a harping on the same hateful discord, a continuous nagging whose
intervals afforded no relief, only a suspense brimming with the
anticipation of some fresh terror.

For hours which were to him eternities this stage continued as each
cell that held the record of a memory underwent the degenerative
changes which awoke it into hyperbromic purulence.


VIII

The minute bacterial corruption now assumed a gross chemistry. The
gases of putrefaction forming in the brain and interpenetrating it
were represented in his consciousness by the denizens of the pustules
becoming formless and impersonal--Arthur had not yet fathomed the abyss.

Creeping, winding, embracing, the Universe enfolded him, violated him
with a nameless and intimate contamination, involved his being in a
more suffocating terror.

Now and again it drowned that consciousness in a gulf which his thought
could not express to me; and indeed the first and least of his torments
is utterly beyond human expression.

It was a woe ever expanded, ever intensified, by each vial of wrath.
Memory increased, and understanding grew; the imagination had equally
got rid of limit.

What this means who can tell? The human mind cannot really
appreciate numbers beyond a score or so; it can deal with numbers
by ratiocination, it cannot apprehend them by direct impression. It
requires a highly trained intelligence to distinguish between fifteen
and sixteen matches on a plate without counting them. In death this
limitation is entirely removed. Of the infinite content of the Universe
every item was separately realized. The brain of Arthur had become
equal in power to that attributed by theologians to the Creator; yet
of executive power there was no seed. The impotence of man before
circumstance was in him magnified indefinitely, yet without loss of
detail or of mass. He understood that The Many was The One without
losing or fusing the conception of either. He was God, but a God
irretrievably damned; a being infinite, yet limited by the nature of
things, and that nature solely compact of loathliness.


IX

I have little doubt that the cremation of my husband’s body cut short
a process which in the normally buried man continues until no trace of
organic substance remains.

The first kiss of the furnace awoke an activity so violent and so vivid
that all the past paled in its lurid light.

The quenchless agony of the pang is not to be described; if alleviation
there were, it was but the exultation of feeling that this was final.

Not only time, but all expansions of time, all monsters of time’s womb
were to be annihilated; even the ego might hope some end.

The ego is the “worm that dieth not,” and existence the “fire that is
not quenched.” Yet in this universal pyre, in this barathrum of liquid
lava, jetted from the volcanoes of the infinite, this “lake of fire
that is reserved for the devil and his angels,” might not one at last
touch bottom? Ah! but time was no more, neither any eidolon thereof!

The shell was consumed; the gases of the body, combined and recombined,
flamed off, free from organic form.

Where was Arthur?

His brain, his individuality, his life, were utterly destroyed. As
separate things, yes: Arthur had entered the universal consciousness.

And I heard this utterance; or rather this is my translation into
English of a single thought whose synthesis is “Woe.”

Substance is called spirit or matter.

Spirit and matter are one, indivisible, eternal, indestructible.

Infinite and eternal change!

Infinite and eternal pain!

No absolute; no truth, no beauty, no idea, nothing but the whirlwinds
of form, unresting, unappeasable.

Eternal hunger! Eternal war! Change and pain infinite and unceasing.

There is no individuality but in illusion. And the illusion is
change and pain, and its destruction is change and pain, and its new
segregation from the infinite and eternal is change and pain; and
substance infinite and eternal is change and pain unspeakable.

Beyond thought, which is change and pain, lies being, which is change
and pain.

These were the last words intelligible; they lapsed into the eternal
moan, Woe! Woe! Woe! Woe! Woe! Woe! Woe! in unceasing monotony that
rings always in my ears if I let my thought fall from the height of
activity, listen to the voice of my sensorium.

In my sleep I am partially protected, and I keep a lamp constantly
alight to burn tobacco in the room; yet too often my dreams throb with
that reiterated Woe! Woe! Woe! Woe! Woe! Woe! Woe!


X

The final stage is clearly enough inevitable, unless we believe the
Buddhist theories, which I am somewhat inclined to do, as their theory
of the Universe is precisely confirmed in every detail by the facts
here set down. But it is one thing to recognize a disease, another to
discover a remedy. Frankly my whole being revolts from their methods,
and I had rather acquiesce in the ultimate destiny and achieve it as
quickly as may be. My earnest preoccupation is to avoid the preliminary
tortures, and I am convinced that the explosion of a dynamite cartridge
in the mouth is the most practicable method of effecting this. There
is just the possibility that if all thinking minds, all “spiritual
beings,” were thus destroyed, and especially if all organic life could
be annihilated, the Universe might cease to be, since (as Bishop
Berkeley has shown) it can only exist in some thinking mind. And there
is really no evidence (in spite of Berkeley) for the existence of any
extra-human consciousness. Matter in itself may think, in a sense, but
its monotony of woe is less awful than its abomination, the building up
of high and holy things only to drag them through infamy and terror to
the old abyss.

I shall consequently cause this record to be widely distributed. The
note books of my work with Arthur (Vols. I–CCXIV) will be edited by
Professor von Buehle, whose marvellous mind may perhaps discover some
escape from the destiny which menaces mankind. Everything is in order
in these note-books; and I am free to die, for I can endure no more,
and above all things I dread the onset of illness, and the possibility
of natural or accidental death.


NOTE.

I am glad to have the opportunity of publishing, in a medium so widely
read by the medical profession, the MS. of the widow of the late
Professor Blair.

Her mind undoubtedly became unhinged through grief at her husband’s
death; the medical man who attended him in his last illness grew
alarmed at her condition, and had her watched. She tried (fruitlessly)
to purchase dynamite at several shops, but on her going to the
laboratory of her late husband, and attempting to manufacture Chloride
of Nitrogen, obviously for the purpose of suicide, she was seized,
certified insane, and placed in my care.

The case is most unusual in several respects.

  (1) I have never known her inaccurate in any statement of
  verifiable fact.

  (2) She can undoubtedly read thoughts in an astonishing manner. In
  particular, she is actually useful to me by her ability to foretell
  attacks of acute insanity in my patients. Some hours before they
  occur she can predict them to a minute. On an early occasion my
  disbelief in her power led to the dangerous wounding of one of my
  attendants.

  (3) She combines a fixed determination of suicide (in the
  extraordinary manner described by her) with an intense fear of
  death. She smokes uninterruptedly, and I am obliged to allow her
  to fumigate her room at night with the same drug.

  (4) She is certainly only twenty-four years old, and any competent
  judge would with equal certainty declare her sixty.

  (5) Professor von Buehle, to whom the note-books were sent,
  addressed to me a long and urgent telegram, begging her release on
  condition that she would promise not to commit suicide, but go to
  work with him in Bonn. I have yet to learn, however, that German
  professors, however eminent, have any voice in the management of
  a private asylum in England, and I am certain that the Lunacy
  Commissioners will uphold me in my refusal to consider the question.

It will then be clearly understood that this document is published with
all reserve as the lucubration of a very peculiar, perhaps unique, type
of insanity.

                                                        V. English, M.D.




His Secret Sin


I

Theodore Bugg had made England what she is. The last forty-two years
had elevated him from errand-boy to biggest retail grocer in the
Midlands. Twenty-eight years of wedded happiness had left him with a
clear conscience, a five-year old grave to keep in order “To the memory
of my beloved relict,” as he had written until the clerk suggested a
trifling alteration, and a strapping daughter, just turned twenty.

I wish I could stop here. But there is a rough side to every canvas,
and Theodore Bugg had forgotten all about England, and what she is,
and how he had made her. Or, if the good work was going on, it was
sub-conscious. He was standing by the gilded statue of Jeanne d’Arc,
his mouth wide open, his Baedeker limp in his perspiring hand. “She’s
riding astride!” The molten madness throbbed in his brain. “She’s got
man’s clothes on!”

The shocking truth must out; Theodore Bugg had come to Paris for
Pleasure!

He had only been able to spare two days, the Sunday and Monday of
Whitsuntide. He had travelled by the night boat on Saturday, arriving
in Paris on Sunday morning--the first step downward! The air of Paris
intoxicated him; the Grands Boulevards ate into his moral fibre like
a dragon chewing butter; and though he had not actually “been in”
anywhere, he felt the atmosphere of the music-halls as Ulysses heard
the Sirens. He was fortunately tied to the mast of his ignorance of
French and his fear of asking anybody such a peculiar question, or he
would certainly have discovered and visited the Moulin Rouge.

As it was, Joan of Arc was very much more than was good for him. He
stared, fascinated as by a basilisk, his eyes starting further and
further from his head as his moral sense dragged his body backwards
along the Rue de Rivoli. By this means he cannoned into a worthy
Frenchman (who refused to take him seriously) and so was shocked into
himself.

He pulled out his watch. Only an hour and a half to catch his train.
Just as he was beginning to enjoy himself, too. What a shame! He
couldn’t even send a telegram without letting somebody know where
he was--and at home they supposed him to be visiting a business
acquaintance in Shropshire.

I’ll have a mementum, thought he, if I die for it. I’ll--I don’t care.
I may as well be hung for a sheep as a lamb--I’ll go the whole hog. I
know there’s shops about here.

So, turning, in his excitement and determination, he saw--when you
invoke the devil he is usually half-way to you--a shop window full of
photographs of the pictures and sculptures of the Louvre. He looked up
and down the street--the sight of a top hat might have saved him even
at the eleventh hour. But no! Nothing that looked in the least like an
Englishman, even to his overheated fear of discovery. He peered and
dodged about for a little like a man stalking dangerous game, and then,
with sudden stealth, his back to the door, pushed down the lever and
slid into the shop.

“Avvy-voo photographiay?” he said hurriedly, with averted face.

“Certainly, sir,” replied the shopkeeper in perfect English. “What
does Monsieur require? Photographs of Paris, of Fontainebleau, of the
Louvre, of Versailles?”

But English would not serve the turn of Theodore Bugg. He nearly bolted
from the shop. An English voice--it was almost Discovery!

“Kelker shows,” he muttered doggedly enough, though his head hung
lower than ever. “Kelker shows tray sho. Voo savvy--tray tray sho--par
propre!”

The shopman, not yet old enough to master his disgust at the familiar
incident, brought forward several books of photographs.

“Perhaps Monsieur will find there what he requires,” he said coldly.

Furtively and hurriedly, his glance divided between the forbidden
book and the shop-door, his only safeguard from intrusion the thought
that nobody who entered would be in a position to throw stones at a
fellow-culprit, Theodore Bugg turned over the pages.

The book began mildly enough with the winged Victory and only entered
the rapids with La Gioconda. Thence, Niagara-like, one plunge to the
abyss--the Venus de Milo.

The blood flamed to his face; his breath came hot and quick.

With fumbling fingers that trembled with excitement he withdrew the
photograph from its leaf and half showed it to the proprietor with a
whispered “Combyang?”

“Trente sous,” said the shopman in his most rapid French. And in
English, “We take English money here, sir; ten shillings if you please.
May I wrap it up for you?”

But Bugg had thrust it into his inner pocket, and, pressing a sovereign
into the man’s hand, dashed without looking behind him from the shop,
eager to put time and space between himself and his compromising
position.

He hurried to his hotel, not without many a suspicious glance over his
shoulder, and packed his bag. He had ten minutes to spare. He locked
the door carefully, sat down with his back to the light, and pulling
the photograph from his pocket, indulged in a long voluptuous gloat.

Then the boots knocked with the news of his cab, and Bugg, nobler than
Lord Howard of Effingham, thrust his treasure into his pocket, unlocked
the door and cried “Venny!”


II

Theodore Bugg, a year later, was paying the price of his fall. He had
allowed Gertrude to attend Art Classes, although he knew it to be
sinful. But he had grown to fear his daughter, and--on such a point
especially--he was incapable of fighting her.

For there were times when he tried to persuade himself that there was
“nothing wrong in it.” A brother churchwarden had looked a little
askance when the news of Gertrude’s “advanced ideas” had come, but
Theodore had stoutly and even a little sternly rebuked him with the
original remark: “To the pure all things are pure.” It was knowing when
to be bold that had made Theodore the fine business man he was.

And very bold it was, for conscience makes cowards of us all.
The secret shame of his orgies! Every week-night--once even on a
Sunday!--after everyone had gone to bed, he opened the little safe in
the wall at the head of his bed, and drew forth the obscene picture
from its envelope marked “In case of my death or disability THIS PACKET
IS TO BE DESTROYED UNOPENED. T. Bugg.” Then he would sit, and hold
it in his hot hands, and gloat upon the evil thing, lifting it now
and again to his mouth to cover it with greedy slobbering kisses.
And afterwards, when it was safely locked up again, he would undress
with a certain unction. Once even he attempted--with the aid of a
bath towel--to take the pose before the mirror. And he saw nothing
ridiculous in that, just as he saw nothing beautiful in the photograph.
Nakedness is lust; so ran his simple gospel of aesthetics.

Shame quickened him, too, to measures of expiation or precaution.
He read family prayers twice a day instead of once, and he took the
chair at the Annual Meeting of a Society for Sending Out Trousers to
Converted Hindoos.

As everybody in the Midlands knows, “Hindoos” are Naked Savages.

And he discharged a groom for whistling on Sunday.

But if these expedients salved his conscience, they did nothing to
quell Gertrude’s incipient tendency to independence, of thought and
action. There had been a very unpleasant scene when he threw into the
fire a book from Mudie’s (I thought one could have trusted Mudie’s!)
called “The Stolen Bacillus,” which he understood to be of a grossly
immoral tendency. (Nasty filth about free love or something, isn’t it?)

Theodore Bugg was not a sensitive man; excess of intuitive sympathy had
not made his life a hell; but he felt that his domestic relations were
strained. Especially since “that Mrs. Grahame” had evinced a liking
for Gertrude. Her husband’s colonelcy was the gilding of the pill; but
the pill was a bitter one, for Mrs. Grahame went motoring and even
golfing on Sunday instead of going to church, and once or twice had
taken Gertrude with her, to the scandal of the neighbourhood. Colonel
Grahame, too, rather got on Bugg’s nerves, in spite of the “honour of
his acquaintance.”

Such thoughts went dully through his mind as he waited in the garden
for his daughter to come in to tea from the “Art Class.” But when she
arrived, portfolio in hand, her beauty and the splendour of her long
easy swing determined him to be gracious.

Under such circumstances conversation is apt to be artificial; but
Gertrude was gay and garrulous, and the tea went very pleasantly until
her father’s eye unluckily fell on the portfolio. “And what has my
little fairy been doing lately?” he asked with elephantine lightness.

“Oh, sketches mostly, father. This week we’re copying from the old
Greek masterpieces, though. Let me show you, father, dear.” She opened
the portfolio and turned over the leaves. “I’m getting on splendidly,
Mr. Davis thinks I ought to go to Paris and study properly. Do let me.”

“How can you think of such a thing, Gertrude? A daughter of mine! Study
properly!!! No indeed! A little sketching is a nice accomplishment for
a young lady, but----”

His jaw dropped. A thin, graceful pencil sketch it was that he clutched
in frenzied fingers; but he could not mistake the subject.

“Wretched girl,” he shouted, “where did you get the--the--the-- Damn it
all, what d’ye call it?--the--ay! that’s it!--the model for this vile,
filthy, lewd, obscene, lustful thing? Damn it! you’re as bad as Cousin
Jenny! (Cousin Jenny was a blot on the ’scutcheon of the Buggs). You’re
a harlot, miss!” And then, with an awful change as the truth came home
to him: “O my God! Damn it!” he screamed, “how did you get the keys of
my little safe!”

The girl had frozen colder than the stone, but there was a new light
in her eye, and if the curl of a lip could tread a worm into the dust,
that lip was hers and that worm the author of her being. She had
withdrawn as one who comes suddenly upon a toad, and the first flaming
of her face had died instantly to deadlier ice.

Bugg saw his mistake, his masses of mistakes. There being but one
more to make, he made it; and, finding himself in the frying pan of
discovery, leapt into the fire of things irrevocable and not to be
forgotten. His fat, heavy-jowled, coarse face all twitching, he fell on
his knees and clasped his hands together. “So you found me out? Don’t,
don’t give away your poor old father, Gertie! My little Gertie!”

There was a silence. “Excuse me, father,” said the girl at last, “but
I’ve just had a glimpse of you for the first time in my life, and it’s
a bit of a shock. I must think.”

And she stood motionless until her hapless father attracted her
attention by backing into his wicker chair.

“Don’t touch holy things,” she snapped suddenly, taking the sketch from
his nerveless hand, and replacing it reverently in the portfolio.

The action seemed to decide her.

“I’ll give you an address to send my things to,” she said, and walked
out of the garden.

Theodore Bugg sat stunned. “Holy things,” she had said. She called that
lustful French photograph holy! Was this Original Sin; or was it that
strange new thing people were talking about--what was it? Ah! heredity.
Heredity? His secret sin become her open infamy? Truly the sins of the
fathers were visited on the children!

By this time he was upstairs and in his bedroom. He must destroy the
accursed thing; he must destroy--Ah! yes. He had contaminated Gertrude
by having such a thing in his house. He must be the Roman father,
and--what would a Roman father do?

He had the match alight, but he could not put it to the edge of the
packet. Then the silence of the house hit him; he knew that his
daughter would never return, and in a fit of rage, he trampled on the
envelope like a wild beast mauling a corpse.

He thrust it into the empty grate, lit the paper frills, watched all
blaze up. Then, gulping down a sob, he went to the drawer of a cabinet
and pulled out the revolver which he had bought (and loaded, under the
shopman’s guidance) against burglars.

Yes, he must kill himself. He drew back the hammer. Cold sweat beaded
his flabby face. He could not; and anyhow, how did one? He thought of
many stories of people who had shot themselves ineffectively. He felt
for his heart and failed to find it, wondered if it had stopped and he
were dying, had a fit of fear paralysing all his will. He thought of
himself lying dead.

“No, by God! I can’t do it!” he cried, and flung the pistol back into
the drawer. As luck would have it, the weapon exploded. The bullet
broke his jaw, tore away four molars, smashed the cheek-bone, pulped
the right eye, and, glancing from the frontal bone, found its billet in
the ceiling. He lost consciousness and fell. His head struck the grate
where yet smouldered the ashes of the photograph.

It was three months before he recovered, and then with only half a face
to face the world with. He still thinks that Gertrude gave him away,
for the street-boys have taken to calling him “old Venus.” But he is
wrong; the boys have their aesthetic reasons for the name.

Gertrude in any case is much too busy to bother her head about him;
for, after a year in the Latin Quarter, if she has failed to surpass
Degas and Manet and Van Gogh, she has at least conquered the great
pianist Wlodywewsky, and it takes her all her time to manage him and
keep the baby out of mischief.

Theodore Bugg needs no help of hers in his moral sculpture of the
destinies of England.


                  _Printed and Made in Great Britain by
         The Crypt House Press Limited, Gloucester and London._


*** END OF THE PROJECT GUTENBERG EBOOK THE STRATAGEM, AND OTHER STORIES ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg
electronic works

1.A. By reading or using any part of this Project Gutenberg
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg mission of promoting
free access to electronic works by freely sharing Project Gutenberg
works in compliance with the terms of this agreement for keeping the
Project Gutenberg name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg License must appear
prominently whenever any copy of a Project Gutenberg work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg™ License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg’s
goals and ensuring that the Project Gutenberg collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg eBooks with only a loose network of
volunteer support.

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.